Chords for The Making Of "Black Beatles" With Mike Will Made-It | Deconstructed
Tempo:
96.45 bpm
Chords used:
Em
E
C
B
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Rhythm and melody, I always keep this in mind when I'm making beats.
Rhythm and melody are the universal language.
If the beat is bouncing and it has an ill-ass rhythm to it, or if it has a good melody,
then anybody in the world can bounce.
[Em]
You [E] know what I'm saying?
We at Tree Sounds kicking shit as usual.
The way I look at music is like, we're creating a wave form, you know what I'm saying?
All the way in the Pro Tools and everything.
When I started Black Beatles, I really just started with the drums and whatnot.
So first I had a clap, and then [B] I hit it away.
[C]
[E]
And then by that time, I pretty much got the beat going.
[B] So I took the metronome off, [C] so then it's just all natural drums, it's no more click [E] track.
Add a snare in there.
And then I feel [C] like the hi-hat [D] had the [B] character to it, you know what I'm saying?
Bring the [C] bouncing to it.
[E]
And [D] then at that point, I feel like I got a good loop track.
I had this arpeggiator, and it was just sounding [Em] cool.
And I was just fucking with it, and it [Gm] just sounded like [F] a [Am] video game.
And I was like, man, how could I make this shit weird?
I [Em] was just fucking with it, and I was just like, man, [Am] just have that shit down.
You know what I'm saying?
It's a harp.
And it's back to that melody and rhythm, you know what I'm saying?
Goes a long way.
So it was like, the drums were already rocking.
I just laid this harp on it.
And then with the piano, I just went along [Em] with it.
You know what I'm saying?
With the beat, I heard this melody.
And with the piano, I was thinking some fucking 90s R&B.
You know what I'm saying?
That's why I wanted the beat to sound like that.
You know what I'm saying?
Because I felt like the vibe of the arpeggiator and the vibe of the piano, it was just two different vibes.
I sent it to Sway Lee, and I was like, man, that's an idea.
I came up with it the other day.
Because I knew we were close to wrapping up the album.
So I was like, see if you fuck with it.
And then he did Black Beatles immediately and sent it back.
And was like, yo, tell me what you think about this hook I just laid on it.
I'm like, yo, this shit hard.
And at the time, I was over at Gucci's house.
So I was like, I'm like, Gucci, man, you know we gotta have you on Shroom Life too.
It was crazy because the first interview ever with Ray Shroomer on DJ Drama Station, Gucci
had called me from prison.
And he was just like, man, yo, man, yo, that group Ray Shroomer, man, they're gonna be big, bro.
They're gonna be big.
Like the first interview ever, like way back, a couple years ago, he was like, man, I want
to do a song with them.
Of course, they always looked up to Gucci and respected his music, you know what I'm saying?
It was just like the perfect matchup.
It was perfect timing.
We were just wrapping up the album.
Bro was just coming home.
And you know what I'm saying?
I had just made the beat and everything just lined up.
Rhythm and melody are the universal language.
If the beat is bouncing and it has an ill-ass rhythm to it, or if it has a good melody,
then anybody in the world can bounce.
[Em]
You [E] know what I'm saying?
We at Tree Sounds kicking shit as usual.
The way I look at music is like, we're creating a wave form, you know what I'm saying?
All the way in the Pro Tools and everything.
When I started Black Beatles, I really just started with the drums and whatnot.
So first I had a clap, and then [B] I hit it away.
[C]
[E]
And then by that time, I pretty much got the beat going.
[B] So I took the metronome off, [C] so then it's just all natural drums, it's no more click [E] track.
Add a snare in there.
And then I feel [C] like the hi-hat [D] had the [B] character to it, you know what I'm saying?
Bring the [C] bouncing to it.
[E]
And [D] then at that point, I feel like I got a good loop track.
I had this arpeggiator, and it was just sounding [Em] cool.
And I was just fucking with it, and it [Gm] just sounded like [F] a [Am] video game.
And I was like, man, how could I make this shit weird?
I [Em] was just fucking with it, and I was just like, man, [Am] just have that shit down.
You know what I'm saying?
It's a harp.
And it's back to that melody and rhythm, you know what I'm saying?
Goes a long way.
So it was like, the drums were already rocking.
I just laid this harp on it.
And then with the piano, I just went along [Em] with it.
You know what I'm saying?
With the beat, I heard this melody.
And with the piano, I was thinking some fucking 90s R&B.
You know what I'm saying?
That's why I wanted the beat to sound like that.
You know what I'm saying?
Because I felt like the vibe of the arpeggiator and the vibe of the piano, it was just two different vibes.
I sent it to Sway Lee, and I was like, man, that's an idea.
I came up with it the other day.
Because I knew we were close to wrapping up the album.
So I was like, see if you fuck with it.
And then he did Black Beatles immediately and sent it back.
And was like, yo, tell me what you think about this hook I just laid on it.
I'm like, yo, this shit hard.
And at the time, I was over at Gucci's house.
So I was like, I'm like, Gucci, man, you know we gotta have you on Shroom Life too.
It was crazy because the first interview ever with Ray Shroomer on DJ Drama Station, Gucci
had called me from prison.
And he was just like, man, yo, man, yo, that group Ray Shroomer, man, they're gonna be big, bro.
They're gonna be big.
Like the first interview ever, like way back, a couple years ago, he was like, man, I want
to do a song with them.
Of course, they always looked up to Gucci and respected his music, you know what I'm saying?
It was just like the perfect matchup.
It was perfect timing.
We were just wrapping up the album.
Bro was just coming home.
And you know what I'm saying?
I had just made the beat and everything just lined up.
Key:
Em
E
C
B
D
Em
E
C
Rhythm and melody, I always keep this in mind when I'm making beats.
Rhythm and melody are the universal language.
If the beat is bouncing and it has an ill-ass rhythm to it, or if it has a good melody,
then anybody in the world can bounce. _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ _ You [E] know what I'm saying?
We at Tree Sounds kicking shit as usual.
The way I look at music is like, we're creating a wave form, you know what I'm saying?
All the way in the Pro Tools and everything.
When I started Black Beatles, I really just started with the drums and whatnot.
So first I had a clap, _ and then [B] I hit it away.
_ [C] _ _
_ _ _ _ [E] _ _ _ _
_ And then by that time, I pretty much got the beat going.
[B] So I took the metronome off, [C] so then it's just all natural drums, it's no more click [E] track.
Add a snare in there. _
And then I feel [C] like the hi-hat [D] had the [B] character to it, you know what I'm saying?
Bring the [C] bouncing to it.
_ _ _ _ [E] _ _
_ _ And [D] then at that point, I feel like I got a good loop track.
I had this arpeggiator, and it was just sounding [Em] cool.
And I was just fucking with it, and it [Gm] just sounded like [F] _ _ a [Am] video game.
And I was like, man, how could I make this shit weird?
I [Em] was just fucking with it, and I was just like, man, _ _ [Am] _ just have that shit down.
_ _ _ _ You know what I'm saying?
It's a harp.
_ _ _ And it's back to that melody and rhythm, you know what I'm saying?
Goes a long way.
So it was like, the drums were already rocking.
I just laid this harp on it.
And then with the piano, I just went along [Em] with it.
You know what I'm saying?
With the _ beat, I heard this melody. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ And with the piano, I was thinking some fucking 90s R&B.
You know what I'm saying?
_ That's why I wanted the beat to sound like that.
You know what I'm saying?
Because I felt like the vibe of the arpeggiator and the vibe of the piano, it was just two different vibes.
I sent it to Sway Lee, and I was like, man, that's an idea.
I came up with it the other day.
Because I knew we were close to wrapping up the album.
So I was like, see if you fuck with it.
And then he did Black Beatles immediately and sent it back.
And was like, yo, tell me what you think about this hook I just laid on it. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I'm like, yo, this shit hard.
And at the time, I was over at Gucci's house.
So I was like, I'm like, Gucci, man, you know we gotta have you on Shroom Life too.
It was crazy because the first interview ever with Ray Shroomer on DJ Drama Station, Gucci
had called me from prison.
And he was just like, man, yo, man, yo, that group Ray Shroomer, man, they're gonna be big, bro.
They're gonna be big.
Like the first interview ever, like way back, a couple years ago, he was like, man, I want
to do a song with them.
Of course, they always looked up to Gucci and respected his music, you know what I'm saying?
It was just like the perfect matchup.
It was perfect timing.
We were just wrapping up the album.
Bro was just coming home.
And you know what I'm saying?
I had just made the beat and everything just lined up. _ _ _ _
Rhythm and melody are the universal language.
If the beat is bouncing and it has an ill-ass rhythm to it, or if it has a good melody,
then anybody in the world can bounce. _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ _ You [E] know what I'm saying?
We at Tree Sounds kicking shit as usual.
The way I look at music is like, we're creating a wave form, you know what I'm saying?
All the way in the Pro Tools and everything.
When I started Black Beatles, I really just started with the drums and whatnot.
So first I had a clap, _ and then [B] I hit it away.
_ [C] _ _
_ _ _ _ [E] _ _ _ _
_ And then by that time, I pretty much got the beat going.
[B] So I took the metronome off, [C] so then it's just all natural drums, it's no more click [E] track.
Add a snare in there. _
And then I feel [C] like the hi-hat [D] had the [B] character to it, you know what I'm saying?
Bring the [C] bouncing to it.
_ _ _ _ [E] _ _
_ _ And [D] then at that point, I feel like I got a good loop track.
I had this arpeggiator, and it was just sounding [Em] cool.
And I was just fucking with it, and it [Gm] just sounded like [F] _ _ a [Am] video game.
And I was like, man, how could I make this shit weird?
I [Em] was just fucking with it, and I was just like, man, _ _ [Am] _ just have that shit down.
_ _ _ _ You know what I'm saying?
It's a harp.
_ _ _ And it's back to that melody and rhythm, you know what I'm saying?
Goes a long way.
So it was like, the drums were already rocking.
I just laid this harp on it.
And then with the piano, I just went along [Em] with it.
You know what I'm saying?
With the _ beat, I heard this melody. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ And with the piano, I was thinking some fucking 90s R&B.
You know what I'm saying?
_ That's why I wanted the beat to sound like that.
You know what I'm saying?
Because I felt like the vibe of the arpeggiator and the vibe of the piano, it was just two different vibes.
I sent it to Sway Lee, and I was like, man, that's an idea.
I came up with it the other day.
Because I knew we were close to wrapping up the album.
So I was like, see if you fuck with it.
And then he did Black Beatles immediately and sent it back.
And was like, yo, tell me what you think about this hook I just laid on it. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I'm like, yo, this shit hard.
And at the time, I was over at Gucci's house.
So I was like, I'm like, Gucci, man, you know we gotta have you on Shroom Life too.
It was crazy because the first interview ever with Ray Shroomer on DJ Drama Station, Gucci
had called me from prison.
And he was just like, man, yo, man, yo, that group Ray Shroomer, man, they're gonna be big, bro.
They're gonna be big.
Like the first interview ever, like way back, a couple years ago, he was like, man, I want
to do a song with them.
Of course, they always looked up to Gucci and respected his music, you know what I'm saying?
It was just like the perfect matchup.
It was perfect timing.
We were just wrapping up the album.
Bro was just coming home.
And you know what I'm saying?
I had just made the beat and everything just lined up. _ _ _ _