Chords for Robben Ford Scale: Guitar Lesson by Nick Granville
Tempo:
120.25 bpm
Chords used:
G
F
Gm
Eb
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C]
Hi, Nick Granville here.
I thought I'd cover in the lesson what I [G] call the Robin Ford scale
[Am] I call it so because I hear this in his music a lot and I'm afraid as I wondered what it was
And then I saw his video and he talks about a particular scale that [E] seems to fit his music really well
So for me, I've called that the Robin Ford [Bb] scale
Basically what it is is a way of kind of jazzing up the blues
And basically if you take the minor pentatonic scale, let's carry it say in B-flat
[Eb] [F]
[Bb] [F] Nothing difficult there works [Bbm] really well over sharp nine chords
[F] [Ab]
[G] It's that kind of [Gm] tonality on a dominant chord playing essentially a minor scale
Well, one thing that is weird about that on the blues is if you go from the one chord
To the [Cm] four [G] chord
This note [F] here the seventh.
It's [Ab] kind of
implying that like a sus [Eb] chord instead of
[G]
which is what that movement [B] is and so Robin Ford corrects that by doing a
[Gm] By replacing that note instead of having the [G] seventh
[Ab] [Bb] He had adds the [Eb] sixth
[G]
[Eb] All right, so now
[G]
[F] We blanket scale to go between the two you get a sound that works across both chords and in [G] a much more
Correct way if for lack of a better way of putting it corrects probably not the right word to use in a more kind of
melodic way I guess if you want
[Eb] [Bb] Cool thing with that is the first quarter.
It's a dominant seven like this or [Ab] sharp nine
[Gm]
Essentially that note is the six so it's making it like a 13th chords
[Eb]
[Gm] [G]
[G] [F] Spells both chords really nicely so essentially [Gm] you're saying B-flat 13
To E-flat 7 or E-flat 9 of some kind of sort right of course you can play that on every position across the neck
So we can play the next one [F] starting here
[Db] All right and [F] instead of [Ab] the seventh that note
[Gm]
[F] [Gm]
[Eb]
[Gm] So it's a very cool sound I call that the Robin Ford minor pentatonic or the Robin Ford pentatonic in other words
And it works really really [Am] well check it out try it in your music try it with some play along
Thanks, my name is Nick Granville.
I appreciate you watching remember to subscribe
Look me up on Instagram Twitter all that kind of stuff
[A]
[D]
Hi, Nick Granville here.
I thought I'd cover in the lesson what I [G] call the Robin Ford scale
[Am] I call it so because I hear this in his music a lot and I'm afraid as I wondered what it was
And then I saw his video and he talks about a particular scale that [E] seems to fit his music really well
So for me, I've called that the Robin Ford [Bb] scale
Basically what it is is a way of kind of jazzing up the blues
And basically if you take the minor pentatonic scale, let's carry it say in B-flat
[Eb] [F]
[Bb] [F] Nothing difficult there works [Bbm] really well over sharp nine chords
[F] [Ab]
[G] It's that kind of [Gm] tonality on a dominant chord playing essentially a minor scale
Well, one thing that is weird about that on the blues is if you go from the one chord
To the [Cm] four [G] chord
This note [F] here the seventh.
It's [Ab] kind of
implying that like a sus [Eb] chord instead of
[G]
which is what that movement [B] is and so Robin Ford corrects that by doing a
[Gm] By replacing that note instead of having the [G] seventh
[Ab] [Bb] He had adds the [Eb] sixth
[G]
[Eb] All right, so now
[G]
[F] We blanket scale to go between the two you get a sound that works across both chords and in [G] a much more
Correct way if for lack of a better way of putting it corrects probably not the right word to use in a more kind of
melodic way I guess if you want
[Eb] [Bb] Cool thing with that is the first quarter.
It's a dominant seven like this or [Ab] sharp nine
[Gm]
Essentially that note is the six so it's making it like a 13th chords
[Eb]
[Gm] [G]
[G] [F] Spells both chords really nicely so essentially [Gm] you're saying B-flat 13
To E-flat 7 or E-flat 9 of some kind of sort right of course you can play that on every position across the neck
So we can play the next one [F] starting here
[Db] All right and [F] instead of [Ab] the seventh that note
[Gm]
[F] [Gm]
[Eb]
[Gm] So it's a very cool sound I call that the Robin Ford minor pentatonic or the Robin Ford pentatonic in other words
And it works really really [Am] well check it out try it in your music try it with some play along
Thanks, my name is Nick Granville.
I appreciate you watching remember to subscribe
Look me up on Instagram Twitter all that kind of stuff
[A]
[D]
Key:
G
F
Gm
Eb
Ab
G
F
Gm
_ _ _ _ _ _ _ [C]
Hi, Nick Granville here.
I thought I'd cover in the lesson what I [G] call the Robin Ford scale
[Am] I call it so because I hear this in his music a lot and I'm afraid as I wondered what it was
And then I saw his video and he talks about a particular scale that [E] seems to fit his music really well
So for me, I've called that the Robin Ford [Bb] scale
Basically what it is is a way of kind of jazzing up the blues
And basically if you take the minor pentatonic scale, let's carry it say in B-flat
[Eb] _ _ [F] _ _ _ _ _ _
_ _ _ [Bb] _ [F] Nothing difficult there works [Bbm] really well over sharp nine chords
[F] _ _ _ [Ab] _
_ _ _ _ [G] It's that kind of [Gm] tonality on a dominant chord playing essentially a minor scale
Well, one thing that is weird about that on the blues is if you go from the one chord _
_ To the [Cm] four [G] chord _ _
This note [F] here the seventh.
It's [Ab] kind of _
implying that like a sus [Eb] chord instead of
_ _ [G]
which is what that movement [B] is and so Robin Ford corrects that by doing a
_ _ [Gm] By replacing that note instead of having the [G] seventh
_ [Ab] _ [Bb] He had adds the [Eb] sixth
_ [G] _
_ _ [Eb] All right, so now
[G] _ _
[F] We blanket scale to go between the two you get a sound that works across both chords and in [G] a much more _ _
_ Correct way if for lack of a better way of putting it corrects probably not the right word to use in a more kind of
_ melodic way I guess if you want _ _ _ _ _ _ _
_ _ _ [Eb] _ [Bb] _ Cool thing with that is the first quarter.
It's a dominant seven like this or [Ab] sharp nine
_ [Gm]
Essentially that note is the six so it's making it like a 13th chords _
_ [Eb] _ _ _ _ _ _ _
_ _ _ [Gm] _ _ _ [G] _ _
_ _ [G] _ _ [F] Spells both chords really nicely so essentially [Gm] you're saying B-flat 13 _
To E-flat 7 or E-flat 9 of some kind of sort right of course you can play that on every position across the neck
So we can play the next one [F] starting here
_ _ _ _ _ _ _ _
[Db] All right and [F] instead of [Ab] the seventh that note
[Gm] _
_ _ _ [F] _ _ _ [Gm] _ _
[Eb] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Gm] _ _ _ So it's a very cool sound I call that the Robin Ford minor pentatonic or the Robin Ford pentatonic in other words
And it works really really [Am] well check it out try it in your music try it with some play along
Thanks, my name is Nick Granville.
I appreciate you watching remember to subscribe
Look me up on Instagram Twitter all that kind of stuff
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
Hi, Nick Granville here.
I thought I'd cover in the lesson what I [G] call the Robin Ford scale
[Am] I call it so because I hear this in his music a lot and I'm afraid as I wondered what it was
And then I saw his video and he talks about a particular scale that [E] seems to fit his music really well
So for me, I've called that the Robin Ford [Bb] scale
Basically what it is is a way of kind of jazzing up the blues
And basically if you take the minor pentatonic scale, let's carry it say in B-flat
[Eb] _ _ [F] _ _ _ _ _ _
_ _ _ [Bb] _ [F] Nothing difficult there works [Bbm] really well over sharp nine chords
[F] _ _ _ [Ab] _
_ _ _ _ [G] It's that kind of [Gm] tonality on a dominant chord playing essentially a minor scale
Well, one thing that is weird about that on the blues is if you go from the one chord _
_ To the [Cm] four [G] chord _ _
This note [F] here the seventh.
It's [Ab] kind of _
implying that like a sus [Eb] chord instead of
_ _ [G]
which is what that movement [B] is and so Robin Ford corrects that by doing a
_ _ [Gm] By replacing that note instead of having the [G] seventh
_ [Ab] _ [Bb] He had adds the [Eb] sixth
_ [G] _
_ _ [Eb] All right, so now
[G] _ _
[F] We blanket scale to go between the two you get a sound that works across both chords and in [G] a much more _ _
_ Correct way if for lack of a better way of putting it corrects probably not the right word to use in a more kind of
_ melodic way I guess if you want _ _ _ _ _ _ _
_ _ _ [Eb] _ [Bb] _ Cool thing with that is the first quarter.
It's a dominant seven like this or [Ab] sharp nine
_ [Gm]
Essentially that note is the six so it's making it like a 13th chords _
_ [Eb] _ _ _ _ _ _ _
_ _ _ [Gm] _ _ _ [G] _ _
_ _ [G] _ _ [F] Spells both chords really nicely so essentially [Gm] you're saying B-flat 13 _
To E-flat 7 or E-flat 9 of some kind of sort right of course you can play that on every position across the neck
So we can play the next one [F] starting here
_ _ _ _ _ _ _ _
[Db] All right and [F] instead of [Ab] the seventh that note
[Gm] _
_ _ _ [F] _ _ _ [Gm] _ _
[Eb] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Gm] _ _ _ So it's a very cool sound I call that the Robin Ford minor pentatonic or the Robin Ford pentatonic in other words
And it works really really [Am] well check it out try it in your music try it with some play along
Thanks, my name is Nick Granville.
I appreciate you watching remember to subscribe
Look me up on Instagram Twitter all that kind of stuff
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _