Chords for Steve Lukather Exclusive Video Lesson Guitarist Magazine HD

Tempo:
118.9 bpm
Chords used:

D

G

A

E

C

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Steve Lukather Exclusive Video Lesson Guitarist Magazine HD chords
Start Jamming...
[Em] I'm just going to goof around with the blues a little bit now.
We all love the blues and we all have different ways to play it.
[C]
[D] [A] [G] The trick way is how do you get to that four [Am] chord?
[D] [Am] You [C#] [G] [D]
[F#m] want to get to your defining thirds, right?
Instead [G] of just, most people wouldn't define thirds.
[C#] [G] So
[F#] [G] [F#]
really you're [G] just kind of going up a half step on the ninth [F#] to the four chord, but instead
[E] of just jumping right to the four [A] chord, [G]
[A] and here's the money.
[F] [G]
[F#m]
While you're waiting [A#] on that one, you can always, [Em] [Fm] [D#] [D] [Am]
[A] right?
And you can play around because the [Dm] bass player, even if [A] he's playing on the root, [A#] you can
still, a flat five lick.
[B]
[D#] [F] [Gm]
You can even get ballsy and play the third.
[D] [G#]
[A] And then [D]
back to the one.
[A] [E] [C]
[E] And the
[G]
Don't be afraid of those plus fives or the thirds.
It's prettier, it's not as ugly muddy waters, but it opens up another way for [Am] you to think
in terms of vocabulary.
You can get out of
[G]
[D] that
[A] The six is an important [D] way to get to
[G]
[D] [C]
[G] [D]
[E] [C] [A] [D]
[A#] [E] Flat five.
[D#] [D]
[G] [C] [F#] [F]
[E] [A] [E] [A] [E] [D]
[G] [E]
[A#] [Em]
[D]
[A] [D] [D#] [A] [Bm] [G]
[G#] [A] Direct [G]
[C#] little turn around there.
Well, the thing is, I like a floating bridge.
Now you have to have a floating bridge for this to work, and with all due respect, nobody
does it better than Mr.
Beck.
There's a lot of country guys that mess with this, but I've had the great honor of sitting
and watching how Jeff does, and because he's one of my favorite guitar players, it rubs off.
I never play like the guy, but nobody ever plays like their heroes, but they can be influenced by it.
So I just make it my [G] own.
It's [Dm] very fluid, liquid-y sounding, [G] for lack of a better term.
[A] Instead [Gm]
[D] of
You [A] [N] go
So where you're actually, instead of just bending
You go
Where you're using this as almost like a slide guitar.
[Dm]
[A] [D]
[A]
[D]
Then you can
[F#] You have your one, [D] five, ten.
[Am] [D] [F#]
[C] Knowing your arpeggios really helps.
[G] [Am] [C]
[F#m] [A] [G] [F#]
[G] [D]
[Bm] [C#m] [D] [D#] [E]
[C] [G] [F] [Bm]
[A] [Em] [E] [A]
[Dm] [C]
[Em] [A#] [F#m]
[B]
Key:  
D
1321
G
2131
A
1231
E
2311
C
3211
D
1321
G
2131
A
1231
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_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ I'm _ _ _ _ _ _ just going to goof around with the blues a little bit now.
We all love the blues and we all have different ways to play it.
[C] _ _ _ _ _ _ _
_ _ _ _ [D] _ [A] _ [G] The _ trick way is how do you get to that four [Am] chord? _ _
_ _ _ _ _ [D] _ [Am] You _ [C#] _ _ [G] _ _ [D] _ _ _
[F#m] want to get to your defining thirds, right?
Instead [G] of just, most people wouldn't define thirds.
_ [C#] _ [G] So _
[F#] _ _ [G] _ _ _ [F#] _ _ _
really you're [G] just kind of going up a half step on the ninth [F#] _ to the four chord, but instead
[E] of just jumping right to the four [A] chord, _ [G] _ _ _ _
[A] and here's the money.
[F] _ _ _ _ [G] _
_ [F#m] _ _ _ _ _ _ _
_ _ While you're waiting [A#] on that one, you can always, [Em] _ [Fm] _ [D#] _ _ [D] _ [Am] _ _
_ _ _ [A] _ _ right? _
And you can play around because the [Dm] bass player, even if [A] he's playing on the root, [A#] you can
still, _ _ a flat five lick.
[B] _
_ _ _ [D#] _ _ _ [F] _ [Gm] _
You can even get ballsy and play the third.
[D] _ _ [G#] _
_ [A] And then _ _ [D] _
back to the one.
_ [A] _ [E] _ _ _ [C] _
_ _ [E] _ _ _ _ And the_
_ _ _ _ _ _ [G] _
Don't be afraid of those plus fives or the thirds.
It's prettier, it's not as ugly muddy waters, but it opens up another way for [Am] you to think
in terms of vocabulary.
You can get out of _
_ _ _ _ _ _ _ [G] _
_ _ _ [D] that_
_ [A] The six is an important [D] way to get to_
_ [G] _ _
_ _ _ _ [D] _ _ _ [C] _
[G] _ [D] _ _ _ _ _ _ _
[E] _ _ [C] _ [A] _ [D] _ _ _ _
[A#] _ _ [E] Flat five.
[D#] _ [D] _ _ _
_ [G] _ [C] _ _ _ _ [F#] _ [F] _
[E] _ [A] _ [E] _ [A] _ [E] _ _ [D] _ _
[G] _ _ [E] _ _ _ _ _ _
_ _ _ [A#] _ _ _ [Em] _ _
_ _ _ _ _ _ _ [D] _
[A] _ _ [D] _ [D#] _ [A] _ _ [Bm] _ [G] _
_ [G#] _ _ [A] _ Direct [G] _ _
[C#] _ little turn around there. _ _ _ _
_ _ _ Well, the thing is, I like a floating bridge.
Now you have to have a floating bridge for this to work, and with all due respect, nobody
does it better than Mr.
Beck.
_ There's a lot of country guys that mess with this, but _ I've had the great honor of sitting
and watching how Jeff does, and because he's one of my favorite guitar players, it rubs off.
I never play like the guy, but nobody ever plays like their heroes, but they can be influenced by it.
So I just make it my [G] own. _
_ _ _ _ _ It's [Dm] very fluid, liquid-y sounding, [G] for lack of a better term.
[A] Instead [Gm] _
[D] _ of_
You [A] _ _ _ _ [N] _ _ go_
So where you're actually, instead of just _ bending_
You go_
Where you're using this as almost like a slide guitar.
_ [Dm] _ _
_ _ [A] _ _ _ [D] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ [D] _ _ _
Then you can_
[F#] You have your one, [D] five, ten.
_ _ [Am] _ _ [D] _ _ [F#] _
[C] _ _ _ _ Knowing your arpeggios really helps.
_ [G] _ _ [Am] _ _ [C] _ _ _
[F#m] _ [A] _ _ _ [G] _ [F#] _ _ _
[G] _ _ _ _ _ [D] _ _ _
[Bm] _ [C#m] _ _ [D] _ _ [D#] _ [E] _ _
[C] _ _ _ [G] _ _ [F] _ [Bm] _ _
[A] _ [Em] _ [E] _ _ _ _ _ [A] _
[Dm] _ _ _ [C] _ _ _ _ _
[Em] _ _ [A#] _ _ [F#m] _ _ _ _
_ _ _ _ _ [B] _ _ _

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