Chords for Steve Stevens (Billy Idol) guitar lesson & interview
Tempo:
160.6 bpm
Chords used:
E
B
A
G
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Yeah, White Wedding is, you know, Billy pulled an all-nighter in the studio, came back to
the hotel and [G#] had a little demo of it and [B] was basically that opening [G]
Spaghetti Western
thing which is that Ennio Morricone.
[Bm] [E]
It's [N] just an arrangement idea, you know, as a verse, you know, passes by, a chorus passes
by, keep adding these elements so that the song builds.
Right.
So, and that's that, you know, that's a style that, you know, once I hit upon that, I think
every sort of light bulb went off and everyone
[Bm] went
[A] [D]
[A] [Bm]
[A] [D]
[A] [Bm]
[A] [D]
[A] [Bm]
[A]
[E] [B]
The chord structure for Eyes came from, I was living in my [N] parents' basement and the
only radio station I could get on was CBS FM in New York which is [B] an oldie [E] station and
they had all those, you [C#m]
know
[G#m] [B]
I [E]
just kind of made those into major 7th, [C#m]
[G#m]
[B]
[E] first of Eyes Without a Face.
[C#m]
[B]
[E]
[C#m]
[G#m] [E]
[B] [A]
[B]
[A]
[B]
[A]
[B] [E]
[F#m] [G#m]
[E]
So [N]
let's get right on to, we'll do Rebel Yell which is just really awesome, there's so many
great guitar parts in there.
I hear that you actually do that live, both parts at the same time or do you have another
guy playing that?
No, no, I mean it's always been one guitar part.
Yeah, I mean that came from, I mean I started playing guitar when I was 7 and a half and
I didn't get an electric until I was 13, so the early stuff that I listened to was all,
you know, James Taylor, Joni Mitchell, you know, folk stuff and then I discovered Leo
Kotke, so he had this [E] [C#m]
whole [F#] [C#m]
[F#]
[B] [E] [A]
[D] [A] [E]
kind of idea [G#] of independent bass and treble.
It's played [N] entirely with the fingers, there's no pick and it just [Bm]
became
Okay, so Rebel Yell intro.
[F#m] [G] [F#]
[E]
[G]
[F#] [E] [D]
[A] [B]
[Bm]
[G]
[D] [E]
[G] [D]
[F#] [E]
[D] [E] [D] [A] [B]
[E]
You know, when you're at 110 dB that's pretty full.
[D] For the verses, when Billy comes in, it's [E] kind of narrow it down, [D#m]
[E] a bit smaller.
Oh, so [G] you're just using the one open string?
Yeah, so it opens up room for the vocal a little bit
[E] and [Am]
you [G#] don't always want the guitar
so [E] full, you want the differences in shade.
So that intro is
Are we hitting all three strings?
First is the third string.
Yeah.
And then the first two.
I always liked the incarnation of King Crimson when [B] Adrian Blue joined, those kind of interplayed
guitar parts and Rat Race was kind of [E] a
[G]
[E]
The surface was [D] kind of simple.
[B] [G]
[B]
[G] [Bm]
[B] [G]
I wanted something that almost had [N] the effect of looking at an old watch.
We had these [D] big [Gm] gears and little gears and they all kind of
Some move at their own speed and [B] some move faster, some move slower.
So that's originally played on an acoustic but it's
[G]
[Bm] [B]
[G]
[Bm] [B]
the hotel and [G#] had a little demo of it and [B] was basically that opening [G]
Spaghetti Western
thing which is that Ennio Morricone.
[Bm] [E]
It's [N] just an arrangement idea, you know, as a verse, you know, passes by, a chorus passes
by, keep adding these elements so that the song builds.
Right.
So, and that's that, you know, that's a style that, you know, once I hit upon that, I think
every sort of light bulb went off and everyone
[Bm] went
[A] [D]
[A] [Bm]
[A] [D]
[A] [Bm]
[A] [D]
[A] [Bm]
[A]
[E] [B]
The chord structure for Eyes came from, I was living in my [N] parents' basement and the
only radio station I could get on was CBS FM in New York which is [B] an oldie [E] station and
they had all those, you [C#m]
know
[G#m] [B]
I [E]
just kind of made those into major 7th, [C#m]
[G#m]
[B]
[E] first of Eyes Without a Face.
[C#m]
[B]
[E]
[C#m]
[G#m] [E]
[B] [A]
[B]
[A]
[B]
[A]
[B] [E]
[F#m] [G#m]
[E]
So [N]
let's get right on to, we'll do Rebel Yell which is just really awesome, there's so many
great guitar parts in there.
I hear that you actually do that live, both parts at the same time or do you have another
guy playing that?
No, no, I mean it's always been one guitar part.
Yeah, I mean that came from, I mean I started playing guitar when I was 7 and a half and
I didn't get an electric until I was 13, so the early stuff that I listened to was all,
you know, James Taylor, Joni Mitchell, you know, folk stuff and then I discovered Leo
Kotke, so he had this [E] [C#m]
whole [F#] [C#m]
[F#]
[B] [E] [A]
[D] [A] [E]
kind of idea [G#] of independent bass and treble.
It's played [N] entirely with the fingers, there's no pick and it just [Bm]
became
Okay, so Rebel Yell intro.
[F#m] [G] [F#]
[E]
[G]
[F#] [E] [D]
[A] [B]
[Bm]
[G]
[D] [E]
[G] [D]
[F#] [E]
[D] [E] [D] [A] [B]
[E]
You know, when you're at 110 dB that's pretty full.
[D] For the verses, when Billy comes in, it's [E] kind of narrow it down, [D#m]
[E] a bit smaller.
Oh, so [G] you're just using the one open string?
Yeah, so it opens up room for the vocal a little bit
[E] and [Am]
you [G#] don't always want the guitar
so [E] full, you want the differences in shade.
So that intro is
Are we hitting all three strings?
First is the third string.
Yeah.
And then the first two.
I always liked the incarnation of King Crimson when [B] Adrian Blue joined, those kind of interplayed
guitar parts and Rat Race was kind of [E] a
[G]
[E]
The surface was [D] kind of simple.
[B] [G]
[B]
[G] [Bm]
[B] [G]
I wanted something that almost had [N] the effect of looking at an old watch.
We had these [D] big [Gm] gears and little gears and they all kind of
Some move at their own speed and [B] some move faster, some move slower.
So that's originally played on an acoustic but it's
[G]
[Bm] [B]
[G]
[Bm] [B]
Key:
E
B
A
G
D
E
B
A
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Yeah, White Wedding is, you know, Billy pulled an all-nighter in the studio, came back to
the hotel and [G#] _ had a little demo of it and [B] was basically that opening [G]
Spaghetti Western
thing which is that Ennio Morricone.
[Bm] _ _ _ _ _ _ _ [E]
It's _ _ [N] _ just an arrangement idea, you know, as a verse, _ you know, passes by, a chorus passes
by, keep adding these elements so that the song builds. _ _ _
Right.
So, _ and that's that, you know, that's a style that, you know, once I hit upon that, I think
every sort of light bulb went off and everyone _ _
_ _ _ _ [Bm] _ went_ _
_ [A] _ _ [D] _ _ _ _ _
_ [A] _ _ _ [Bm] _ _ _ _
_ _ [A] _ _ [D] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ _ [A] _ _ [D] _ _ _
_ _ _ [A] _ _ [Bm] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [E] _ _ _ _ [B] _ _
_ _ _ The _ _ _ _ _ _ _ _ _ _
chord structure for Eyes came from, I was _ _ living in _ my [N] parents' basement and the
only radio station I could get on was CBS FM in New York which is [B] an oldie [E] station and
they had all those, you _ _ _ _ [C#m] _
know_
_ _ [G#m] _ _ _ _ [B] _
I _ [E] _ _ _ _ _
just kind of made those into major _ _ 7th, _ _ _ [C#m] _ _ _
_ _ _ _ _ [G#m] _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ [E] first of Eyes Without a Face. _
_ _ _ _ _ _ [C#m] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _ _
_ [G#m] _ _ _ _ _ _ [E] _
[B] _ _ _ _ _ _ [A] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ [A] _ _ _ _
_ _ _ [B] _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ [B] _ _ _ _ _ _ [E] _
[F#m] _ _ _ _ _ _ _ [G#m] _
_ _ _ _ _ _ [E] _ _
_ _ So _ [N] _ _ _
_ _ _ _ _ _ _ _
_ let's get right on to, we'll do Rebel Yell which is just really awesome, there's so many
great guitar parts in there.
I hear that you actually do that live, both parts _ at the same time or do you have another
guy playing that?
No, no, I mean it's always been one guitar part.
Yeah, I mean that came from, _ _ I mean I started playing guitar when I was 7 and a half and
I didn't get an electric until I was 13, so the early stuff that I listened to was _ all,
_ you know, _ James Taylor, Joni Mitchell, you know, folk stuff and _ then I _ discovered Leo
Kotke, so he had this _ [E] _ _ _ _ _ _ [C#m] _
_ whole [F#] _ _ _ _ [C#m] _
_ _ _ _ _ _ [F#] _ _
_ _ _ [B] _ _ [E] _ [A] _ _
_ [D] _ [A] _ _ _ _ _ [E]
kind of idea [G#] of independent bass and treble.
_ _ _ It's played [N] entirely with the fingers, there's no pick _ and it just [Bm] _
_ _ became_ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Okay, so Rebel Yell intro. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ [G] _ _ _ _ [F#] _
_ [E] _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
[F#] _ _ [E] _ _ _ _ _ [D] _
_ _ _ [A] _ _ [B] _ _ _
_ _ [Bm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ [D] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ [D] _ _
[F#] _ _ _ [E] _ _ _ _ _
[D] _ _ [E] _ [D] _ _ [A] _ [B] _ _
_ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
_ You know, when you're at 110 dB that's pretty full. _ _ _ _ _
_ [D] _ _ For the verses, when Billy comes in, it's [E] kind of narrow it down, _ [D#m] _ _
[E] _ _ _ _ _ _ a bit smaller.
Oh, so [G] you're just using the one open string?
Yeah, so it opens up room for the vocal a little bit _
_ _ [E] _ and _ [Am] _ _
you _ [G#] _ _ don't always want the guitar
so [E] _ full, you want the differences in shade.
_ _ _ _ So that intro is_ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Are we hitting all three strings?
First is the third string.
_ Yeah.
And then the _ _ first two. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I always liked the _ incarnation of King Crimson when [B] Adrian Blue joined, those kind of _ _ interplayed
guitar parts _ and _ _ Rat _ Race was kind of [E] _ a_
_ _ [G] _
_ _ _ _ _ _ [E] _ _
_ The surface was [D] kind of simple. _ _
[B] _ _ _ _ _ _ [G] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ [G] _ _ _ _ [Bm] _
_ _ _ [B] _ _ _ _ [G] _
I wanted something that almost _ had [N] the effect of looking at an _ _ old watch.
We had these _ _ _ [D] big [Gm] gears and little gears and they all kind of_
Some move at their own speed and _ [B] some move faster, some move slower.
So _ _ _ that's originally played on an acoustic but _ _ it's_ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [Bm] _ _ _ [B] _ _
_ _ _ _ _ [G] _ _ _
_ _ _ [Bm] _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ Yeah, White Wedding is, you know, Billy pulled an all-nighter in the studio, came back to
the hotel and [G#] _ had a little demo of it and [B] was basically that opening [G]
Spaghetti Western
thing which is that Ennio Morricone.
[Bm] _ _ _ _ _ _ _ [E]
It's _ _ [N] _ just an arrangement idea, you know, as a verse, _ you know, passes by, a chorus passes
by, keep adding these elements so that the song builds. _ _ _
Right.
So, _ and that's that, you know, that's a style that, you know, once I hit upon that, I think
every sort of light bulb went off and everyone _ _
_ _ _ _ [Bm] _ went_ _
_ [A] _ _ [D] _ _ _ _ _
_ [A] _ _ _ [Bm] _ _ _ _
_ _ [A] _ _ [D] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ _ [A] _ _ [D] _ _ _
_ _ _ [A] _ _ [Bm] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [E] _ _ _ _ [B] _ _
_ _ _ The _ _ _ _ _ _ _ _ _ _
chord structure for Eyes came from, I was _ _ living in _ my [N] parents' basement and the
only radio station I could get on was CBS FM in New York which is [B] an oldie [E] station and
they had all those, you _ _ _ _ [C#m] _
know_
_ _ [G#m] _ _ _ _ [B] _
I _ [E] _ _ _ _ _
just kind of made those into major _ _ 7th, _ _ _ [C#m] _ _ _
_ _ _ _ _ [G#m] _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ [E] first of Eyes Without a Face. _
_ _ _ _ _ _ [C#m] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _ _
_ [G#m] _ _ _ _ _ _ [E] _
[B] _ _ _ _ _ _ [A] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ [A] _ _ _ _
_ _ _ [B] _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ [B] _ _ _ _ _ _ [E] _
[F#m] _ _ _ _ _ _ _ [G#m] _
_ _ _ _ _ _ [E] _ _
_ _ So _ [N] _ _ _
_ _ _ _ _ _ _ _
_ let's get right on to, we'll do Rebel Yell which is just really awesome, there's so many
great guitar parts in there.
I hear that you actually do that live, both parts _ at the same time or do you have another
guy playing that?
No, no, I mean it's always been one guitar part.
Yeah, I mean that came from, _ _ I mean I started playing guitar when I was 7 and a half and
I didn't get an electric until I was 13, so the early stuff that I listened to was _ all,
_ you know, _ James Taylor, Joni Mitchell, you know, folk stuff and _ then I _ discovered Leo
Kotke, so he had this _ [E] _ _ _ _ _ _ [C#m] _
_ whole [F#] _ _ _ _ [C#m] _
_ _ _ _ _ _ [F#] _ _
_ _ _ [B] _ _ [E] _ [A] _ _
_ [D] _ [A] _ _ _ _ _ [E]
kind of idea [G#] of independent bass and treble.
_ _ _ It's played [N] entirely with the fingers, there's no pick _ and it just [Bm] _
_ _ became_ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Okay, so Rebel Yell intro. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ [G] _ _ _ _ [F#] _
_ [E] _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
[F#] _ _ [E] _ _ _ _ _ [D] _
_ _ _ [A] _ _ [B] _ _ _
_ _ [Bm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ [D] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ [D] _ _
[F#] _ _ _ [E] _ _ _ _ _
[D] _ _ [E] _ [D] _ _ [A] _ [B] _ _
_ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
_ You know, when you're at 110 dB that's pretty full. _ _ _ _ _
_ [D] _ _ For the verses, when Billy comes in, it's [E] kind of narrow it down, _ [D#m] _ _
[E] _ _ _ _ _ _ a bit smaller.
Oh, so [G] you're just using the one open string?
Yeah, so it opens up room for the vocal a little bit _
_ _ [E] _ and _ [Am] _ _
you _ [G#] _ _ don't always want the guitar
so [E] _ full, you want the differences in shade.
_ _ _ _ So that intro is_ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Are we hitting all three strings?
First is the third string.
_ Yeah.
And then the _ _ first two. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I always liked the _ incarnation of King Crimson when [B] Adrian Blue joined, those kind of _ _ interplayed
guitar parts _ and _ _ Rat _ Race was kind of [E] _ a_
_ _ [G] _
_ _ _ _ _ _ [E] _ _
_ The surface was [D] kind of simple. _ _
[B] _ _ _ _ _ _ [G] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ [G] _ _ _ _ [Bm] _
_ _ _ [B] _ _ _ _ [G] _
I wanted something that almost _ had [N] the effect of looking at an _ _ old watch.
We had these _ _ _ [D] big [Gm] gears and little gears and they all kind of_
Some move at their own speed and _ [B] some move faster, some move slower.
So _ _ _ that's originally played on an acoustic but _ _ it's_ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [Bm] _ _ _ [B] _ _
_ _ _ _ _ [G] _ _ _
_ _ _ [Bm] _ _ [B] _ _ _