Chords for How to play Abilene - Guitar Lesson
Tempo:
112.7 bpm
Chords used:
G
A
Ab
D
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[B] [Abm] [C]
[G] [Ab] [A]
[D] [G] [Cm]
[G] [D] Hi, [A] [G]
I'm [Bb] Doc Marshall for Lessons.io.
[G]
And [N] today I'd like to look at the song Abilene.
This was done a long time ago, back in the 60s, by George Hamilton IV.
It's a nice song, and it's one of those country classic kind of songs.
We'll do it in the key of G.
Now, the chords that you need are [G] G, B, [B]
[Em] [C] C.
[A] You need an A, [G] a [D] D7, [G] and a C [Cm] minor.
And that's it.
Those are the chords that [Fm] you need.
Now, here's the sequence.
We want [G] to go G, [Db] B, [Eb] and D7 [Gbm] probably is your best.
You want [B] that sound, not [Db] that sound.
[G] So you want G, [A] [Gbm] D7, [C] up on C, and [G] back to the G.
[Ab] [A] That's an A chord.
[D] D7, [Dbm] [G] G,
[C] [Cm] C minor, [G] and a G.
[Em] And [D] then you want D7, and that gives you the set up [A] for [G] the next verse.
[Db] First short [Gm] song, [Ab] and very nice song.
The verse and the chorus sound exactly alike.
What we just [D] sang there was [Eb] the chorus, [G] but also the first verse.
So, we play
[Bb] [Eb] Avaline, [C] Avaline, prettiest [G] town I've ever [Ab] seen.
[A] Never [E] been, [D] don't treat you [G] mean.
An Avaline, [Cm] right [G] on the scene.
[D]
Okay, [Ab] let's look at the [B] characteristics of this song.
[Bb]
We mentioned that we wanted [G] a G chord.
It's a full G [Dbm] chord.
Now, we go to the [Gbm] B7.
[B] [A] We don't [B] want the B chord [G] on [Gb] [B] a B7.
[Db] We go to a regular [C] C chord, [E] back to [G] your G.
It's a full G chord.
Now, we're going to go from the [A] G up to the A.
[Gb] But it sounds much [Db] nicer if instead of [G] going here,
[A]
[G] you go [Ab] put that in [D] between chord, that A flat [G] chord there.
[Ab] [A] [Dbm] Now, what I'm doing there, here [G] I'm playing a G chord.
[Bb] And I'm playing [A] a whole [E] A chord.
But when I hit [Ab] this, I'm staying on those last two notes there.
[G] So, [Ab] [A] [Db] [G] slowly, on the whole chord, [Ab] just the first couple of strings there,
and [A] then the whole chord again.
[G] [Ab] [A]
[G] Because we really [Ab] want to hear [A] this.
[G] G, [Ab] [A] A.
[Dbm] And then, after [A] we play the A chord,
we're [Ab] going to a D7, [D]
and then [N] back to [G] our G.
And then [Db] we hit [D] that [Cm] C minor.
[Ebm]
[G] The [Cm] [G]
turnaround [E] [Ab] [D] chord is our D7.
That sets this up for our [G] next [A] verse.
So, all [G] together.
[Gbm]
[C] [G]
[Ab] [A]
[D] D7, [G] G, [Cm] C minor, [G] G, [D] D7, [G]
and so on.
[E] [Bb] Now we look at the right hand to [E] see how the strumming works on here.
[G]
You want to hit the bass note,
but you don't want to separate it from the chord [E] too much.
You wouldn't want to play [G] it like this.
It's a [A] [B] [C] [G]
[Db] particular [Gm] sound.
So, we want to emphasize [E] the bottom notes,
but we want to [G] do it as part of the chord.
[B] [A] [Eb] [C] [G]
See, I'm hitting it harder first,
[Ab] and then [G] I'm ramping it.
[Eb] It's a cowboy [Dbm] song, so we want to hear a horse in there, don't [G] we?
[B] [Am]
[C] [G] [E]
[A] [E] It [A] helps [Ab] too when you go and hit that A [Dbm] flat [G] section in there.
[E] Hit it along with the down strokes.
[A] [Em] [Ab] [A]
Whereas [G] before, I'm hitting it [A] on all the other chords.
[G] I want to do that once, second.
[E] [A]
[Ab] [Bm] [G] [Cm]
[G] [A] [D]
And [Eb] you can [Ab] vary the tempo on this too.
You can play it [G] a little faster or a little slower,
but you want to have a nice middle-of-the-road feel.
Happily, [E] [A] happily,
[C]
this town [G] I've ever [Ab] seen.
[A]
Women there [D] don't treat you mean.
[G] D7, G, [Cm] C minor, [G] G, [D]
D7, [G] and so on.
There's your whole [E] song, done in the key of G for you.
If there's any questions, please [N] give us a comment below,
and we'll give you a good answer to the question that you might pose.
Tell us how great we're doing, how about that?
That'd be okay too, wouldn't it?
Subscribe, and let us know what you're thinking out there,
because we'd surely like to know.
I'm Dark Marshall.
Bye for now.
[B] [Abm] [C]
[G] [Ab] [A]
[D] [G] [Cm]
[G] [D] Hi, [A] [G]
I'm [Bb] Doc Marshall for Lessons.io.
[G]
And [N] today I'd like to look at the song Abilene.
This was done a long time ago, back in the 60s, by George Hamilton IV.
It's a nice song, and it's one of those country classic kind of songs.
We'll do it in the key of G.
Now, the chords that you need are [G] G, B, [B]
[Em] [C] C.
[A] You need an A, [G] a [D] D7, [G] and a C [Cm] minor.
And that's it.
Those are the chords that [Fm] you need.
Now, here's the sequence.
We want [G] to go G, [Db] B, [Eb] and D7 [Gbm] probably is your best.
You want [B] that sound, not [Db] that sound.
[G] So you want G, [A] [Gbm] D7, [C] up on C, and [G] back to the G.
[Ab] [A] That's an A chord.
[D] D7, [Dbm] [G] G,
[C] [Cm] C minor, [G] and a G.
[Em] And [D] then you want D7, and that gives you the set up [A] for [G] the next verse.
[Db] First short [Gm] song, [Ab] and very nice song.
The verse and the chorus sound exactly alike.
What we just [D] sang there was [Eb] the chorus, [G] but also the first verse.
So, we play
[Bb] [Eb] Avaline, [C] Avaline, prettiest [G] town I've ever [Ab] seen.
[A] Never [E] been, [D] don't treat you [G] mean.
An Avaline, [Cm] right [G] on the scene.
[D]
Okay, [Ab] let's look at the [B] characteristics of this song.
[Bb]
We mentioned that we wanted [G] a G chord.
It's a full G [Dbm] chord.
Now, we go to the [Gbm] B7.
[B] [A] We don't [B] want the B chord [G] on [Gb] [B] a B7.
[Db] We go to a regular [C] C chord, [E] back to [G] your G.
It's a full G chord.
Now, we're going to go from the [A] G up to the A.
[Gb] But it sounds much [Db] nicer if instead of [G] going here,
[A]
[G] you go [Ab] put that in [D] between chord, that A flat [G] chord there.
[Ab] [A] [Dbm] Now, what I'm doing there, here [G] I'm playing a G chord.
[Bb] And I'm playing [A] a whole [E] A chord.
But when I hit [Ab] this, I'm staying on those last two notes there.
[G] So, [Ab] [A] [Db] [G] slowly, on the whole chord, [Ab] just the first couple of strings there,
and [A] then the whole chord again.
[G] [Ab] [A]
[G] Because we really [Ab] want to hear [A] this.
[G] G, [Ab] [A] A.
[Dbm] And then, after [A] we play the A chord,
we're [Ab] going to a D7, [D]
and then [N] back to [G] our G.
And then [Db] we hit [D] that [Cm] C minor.
[Ebm]
[G] The [Cm] [G]
turnaround [E] [Ab] [D] chord is our D7.
That sets this up for our [G] next [A] verse.
So, all [G] together.
[Gbm]
[C] [G]
[Ab] [A]
[D] D7, [G] G, [Cm] C minor, [G] G, [D] D7, [G]
and so on.
[E] [Bb] Now we look at the right hand to [E] see how the strumming works on here.
[G]
You want to hit the bass note,
but you don't want to separate it from the chord [E] too much.
You wouldn't want to play [G] it like this.
It's a [A] [B] [C] [G]
[Db] particular [Gm] sound.
So, we want to emphasize [E] the bottom notes,
but we want to [G] do it as part of the chord.
[B] [A] [Eb] [C] [G]
See, I'm hitting it harder first,
[Ab] and then [G] I'm ramping it.
[Eb] It's a cowboy [Dbm] song, so we want to hear a horse in there, don't [G] we?
[B] [Am]
[C] [G] [E]
[A] [E] It [A] helps [Ab] too when you go and hit that A [Dbm] flat [G] section in there.
[E] Hit it along with the down strokes.
[A] [Em] [Ab] [A]
Whereas [G] before, I'm hitting it [A] on all the other chords.
[G] I want to do that once, second.
[E] [A]
[Ab] [Bm] [G] [Cm]
[G] [A] [D]
And [Eb] you can [Ab] vary the tempo on this too.
You can play it [G] a little faster or a little slower,
but you want to have a nice middle-of-the-road feel.
Happily, [E] [A] happily,
[C]
this town [G] I've ever [Ab] seen.
[A]
Women there [D] don't treat you mean.
[G] D7, G, [Cm] C minor, [G] G, [D]
D7, [G] and so on.
There's your whole [E] song, done in the key of G for you.
If there's any questions, please [N] give us a comment below,
and we'll give you a good answer to the question that you might pose.
Tell us how great we're doing, how about that?
That'd be okay too, wouldn't it?
Subscribe, and let us know what you're thinking out there,
because we'd surely like to know.
I'm Dark Marshall.
Bye for now.
Key:
G
A
Ab
D
E
G
A
Ab
[G] _ _ _ _ _ _ _ _
[B] _ _ _ [Abm] _ [C] _ _ _ _
_ [G] _ _ _ [Ab] _ [A] _ _ _
[D] _ _ _ _ [G] _ _ _ [Cm] _
_ [G] _ [D] Hi, _ [A] _ [G] _ _
_ I'm [Bb] Doc Marshall for Lessons.io.
[G]
And [N] today I'd like to look at the song Abilene.
This was done a long time ago, back in the 60s, by George Hamilton IV.
It's a nice song, and it's one of those country classic kind of songs.
We'll do it in the key of G.
Now, the chords that you need are [G] G, _ B, [B] _ _
_ [Em] [C] C.
_ _ [A] You need an A, _ _ [G] a [D] D7, _ [G] and a C [Cm] minor.
_ _ And that's it.
Those are the chords that [Fm] you need.
Now, here's the sequence.
We want [G] to go G, _ _ _ _ [Db] B, [Eb] and D7 [Gbm] probably is your best.
You want [B] that sound, not [Db] that sound.
[G] So you want G, _ [A] _ [Gbm] D7, _ _ [C] up on C, _ and [G] back to the G.
_ _ [Ab] _ [A] _ That's an A chord.
_ [D] _ D7, _ [Dbm] [G] G, _
[C] [Cm] C minor, _ [G] and a G.
[Em] And [D] then you want _ _ D7, and that gives you the set up [A] for [G] the next verse.
[Db] First short [Gm] song, [Ab] and very nice song.
_ _ _ The verse and the chorus sound exactly alike.
What we just [D] sang there was [Eb] the chorus, [G] but also the first verse.
So, we play_
_ [Bb] _ [Eb] _ Avaline, [C] Avaline, prettiest [G] town I've ever [Ab] seen.
[A] _ Never [E] been, [D] don't treat you [G] mean.
An Avaline, [Cm] _ right [G] on the scene.
[D] _
Okay, [Ab] let's look at the [B] characteristics of this song.
[Bb]
We mentioned that we wanted [G] a G chord.
It's a full G [Dbm] chord.
Now, we go to the [Gbm] B7.
_ _ [B] _ [A] We don't [B] want the B chord [G] on [Gb] [B] a B7.
_ [Db] We go to a regular [C] C chord, _ [E] back to [G] your G.
It's a full G chord.
Now, we're going to go from the [A] G up to the A.
[Gb] But it sounds much [Db] nicer if instead of [G] going here,
[A] _
_ [G] you go [Ab] put that in [D] between chord, that A flat [G] chord there.
[Ab] _ [A] _ [Dbm] Now, what I'm doing there, here [G] I'm playing a G chord.
[Bb] And I'm playing [A] a whole [E] A chord.
But when I hit [Ab] this, I'm staying on those last two notes there.
_ _ [G] So, [Ab] _ _ [A] _ _ [Db] _ [G] slowly, on the whole chord, [Ab] just the first couple of strings there,
and [A] then the whole chord again.
_ [G] _ _ _ [Ab] _ _ [A] _
_ [G] Because we really [Ab] want to hear [A] this. _ _
[G] G, [Ab] _ [A] _ A.
[Dbm] And then, after [A] we play the A chord,
we're [Ab] going to a D7, [D] _
_ and then [N] back to [G] our G. _ _
And then [Db] we hit [D] that [Cm] C minor.
_ _ [Ebm] _
[G] _ _ The _ [Cm] _ _ [G]
turnaround _ [E] _ _ [Ab] [D] chord is our D7.
That sets this up for our [G] next [A] verse.
So, all [G] together.
_ _ _ _ [Gbm] _ _ _
_ _ [C] _ _ _ _ _ [G] _
_ _ [Ab] _ [A] _ _ _ _ _
[D] _ _ D7, [G] G, [Cm] C minor, [G] G, [D] _ D7, _ [G]
and so on.
[E] _ [Bb] Now we look at the right hand to [E] see how the strumming works on here.
[G] _ _ _
_ _ _ You want to hit the bass note,
but you don't want to separate it from the chord [E] too much.
You wouldn't want to play [G] it like this.
It's a _ _ [A] _ [B] _ [C] _ _ [G] _
_ _ _ [Db] _ particular [Gm] sound.
So, we want to emphasize [E] the bottom notes,
but we want to [G] do it as part of the chord. _ _ _ _ _ _
_ [B] _ _ [A] _ [Eb] _ [C] _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ See, I'm hitting it harder first,
_ [Ab] and then [G] I'm ramping it. _ _ _
_ _ _ _ _ _ _ _
_ [Eb] It's a cowboy [Dbm] song, so we want to hear a horse in there, don't [G] we?
_ _ _ [B] _ _ _ _ [Am] _
[C] _ _ _ _ [G] _ _ _ [E] _
_ [A] [E] It [A] _ helps [Ab] too when you go and hit that A [Dbm] flat [G] section in there.
[E] _ _ Hit it along with the down strokes.
_ [A] _ _ [Em] _ _ [Ab] _ [A] _
_ Whereas [G] before, I'm hitting it _ _ _ _ _ _ [A] on all the other chords.
[G] I want to do that once, second.
_ [E] _ _ [A] _
_ _ [Ab] _ [Bm] _ _ _ [G] _ [Cm] _
_ _ [G] _ [A] _ _ [D] _ _ _
And [Eb] you can [Ab] vary the tempo on this too.
You can play it [G] a little faster or a little slower,
but you want to have a nice middle-of-the-road feel. _
Happily, [E] _ [A] _ happily,
_ [C] _
this town _ [G] I've ever [Ab] seen.
[A] _
Women there [D] don't treat you mean.
[G] D7, G, [Cm] C minor, [G] G, [D] _
D7, [G] and so on.
There's your whole [E] song, done in the key of G for you.
_ If there's any questions, please [N] give us a comment below,
and we'll give you a good answer to the question that you might pose.
Tell us how great we're doing, how about that?
That'd be okay too, wouldn't it?
_ _ Subscribe, and let us know what you're thinking out there,
because we'd surely like to know.
I'm Dark Marshall.
Bye for now. _ _ _ _ _ _ _
[B] _ _ _ [Abm] _ [C] _ _ _ _
_ [G] _ _ _ [Ab] _ [A] _ _ _
[D] _ _ _ _ [G] _ _ _ [Cm] _
_ [G] _ [D] Hi, _ [A] _ [G] _ _
_ I'm [Bb] Doc Marshall for Lessons.io.
[G]
And [N] today I'd like to look at the song Abilene.
This was done a long time ago, back in the 60s, by George Hamilton IV.
It's a nice song, and it's one of those country classic kind of songs.
We'll do it in the key of G.
Now, the chords that you need are [G] G, _ B, [B] _ _
_ [Em] [C] C.
_ _ [A] You need an A, _ _ [G] a [D] D7, _ [G] and a C [Cm] minor.
_ _ And that's it.
Those are the chords that [Fm] you need.
Now, here's the sequence.
We want [G] to go G, _ _ _ _ [Db] B, [Eb] and D7 [Gbm] probably is your best.
You want [B] that sound, not [Db] that sound.
[G] So you want G, _ [A] _ [Gbm] D7, _ _ [C] up on C, _ and [G] back to the G.
_ _ [Ab] _ [A] _ That's an A chord.
_ [D] _ D7, _ [Dbm] [G] G, _
[C] [Cm] C minor, _ [G] and a G.
[Em] And [D] then you want _ _ D7, and that gives you the set up [A] for [G] the next verse.
[Db] First short [Gm] song, [Ab] and very nice song.
_ _ _ The verse and the chorus sound exactly alike.
What we just [D] sang there was [Eb] the chorus, [G] but also the first verse.
So, we play_
_ [Bb] _ [Eb] _ Avaline, [C] Avaline, prettiest [G] town I've ever [Ab] seen.
[A] _ Never [E] been, [D] don't treat you [G] mean.
An Avaline, [Cm] _ right [G] on the scene.
[D] _
Okay, [Ab] let's look at the [B] characteristics of this song.
[Bb]
We mentioned that we wanted [G] a G chord.
It's a full G [Dbm] chord.
Now, we go to the [Gbm] B7.
_ _ [B] _ [A] We don't [B] want the B chord [G] on [Gb] [B] a B7.
_ [Db] We go to a regular [C] C chord, _ [E] back to [G] your G.
It's a full G chord.
Now, we're going to go from the [A] G up to the A.
[Gb] But it sounds much [Db] nicer if instead of [G] going here,
[A] _
_ [G] you go [Ab] put that in [D] between chord, that A flat [G] chord there.
[Ab] _ [A] _ [Dbm] Now, what I'm doing there, here [G] I'm playing a G chord.
[Bb] And I'm playing [A] a whole [E] A chord.
But when I hit [Ab] this, I'm staying on those last two notes there.
_ _ [G] So, [Ab] _ _ [A] _ _ [Db] _ [G] slowly, on the whole chord, [Ab] just the first couple of strings there,
and [A] then the whole chord again.
_ [G] _ _ _ [Ab] _ _ [A] _
_ [G] Because we really [Ab] want to hear [A] this. _ _
[G] G, [Ab] _ [A] _ A.
[Dbm] And then, after [A] we play the A chord,
we're [Ab] going to a D7, [D] _
_ and then [N] back to [G] our G. _ _
And then [Db] we hit [D] that [Cm] C minor.
_ _ [Ebm] _
[G] _ _ The _ [Cm] _ _ [G]
turnaround _ [E] _ _ [Ab] [D] chord is our D7.
That sets this up for our [G] next [A] verse.
So, all [G] together.
_ _ _ _ [Gbm] _ _ _
_ _ [C] _ _ _ _ _ [G] _
_ _ [Ab] _ [A] _ _ _ _ _
[D] _ _ D7, [G] G, [Cm] C minor, [G] G, [D] _ D7, _ [G]
and so on.
[E] _ [Bb] Now we look at the right hand to [E] see how the strumming works on here.
[G] _ _ _
_ _ _ You want to hit the bass note,
but you don't want to separate it from the chord [E] too much.
You wouldn't want to play [G] it like this.
It's a _ _ [A] _ [B] _ [C] _ _ [G] _
_ _ _ [Db] _ particular [Gm] sound.
So, we want to emphasize [E] the bottom notes,
but we want to [G] do it as part of the chord. _ _ _ _ _ _
_ [B] _ _ [A] _ [Eb] _ [C] _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ See, I'm hitting it harder first,
_ [Ab] and then [G] I'm ramping it. _ _ _
_ _ _ _ _ _ _ _
_ [Eb] It's a cowboy [Dbm] song, so we want to hear a horse in there, don't [G] we?
_ _ _ [B] _ _ _ _ [Am] _
[C] _ _ _ _ [G] _ _ _ [E] _
_ [A] [E] It [A] _ helps [Ab] too when you go and hit that A [Dbm] flat [G] section in there.
[E] _ _ Hit it along with the down strokes.
_ [A] _ _ [Em] _ _ [Ab] _ [A] _
_ Whereas [G] before, I'm hitting it _ _ _ _ _ _ [A] on all the other chords.
[G] I want to do that once, second.
_ [E] _ _ [A] _
_ _ [Ab] _ [Bm] _ _ _ [G] _ [Cm] _
_ _ [G] _ [A] _ _ [D] _ _ _
And [Eb] you can [Ab] vary the tempo on this too.
You can play it [G] a little faster or a little slower,
but you want to have a nice middle-of-the-road feel. _
Happily, [E] _ [A] _ happily,
_ [C] _
this town _ [G] I've ever [Ab] seen.
[A] _
Women there [D] don't treat you mean.
[G] D7, G, [Cm] C minor, [G] G, [D] _
D7, [G] and so on.
There's your whole [E] song, done in the key of G for you.
_ If there's any questions, please [N] give us a comment below,
and we'll give you a good answer to the question that you might pose.
Tell us how great we're doing, how about that?
That'd be okay too, wouldn't it?
_ _ Subscribe, and let us know what you're thinking out there,
because we'd surely like to know.
I'm Dark Marshall.
Bye for now. _ _ _ _ _ _ _