Chords for The Making Of Trippie Redd's "Dark Knight Dummo" With Honorable C.N.O.T.E. | Deconstructed

_ _ _ I think somebody was talking about Korea bombing America or some shit.
So I was like, what the fuck do that sound like?
[C] Like if the world was just fucked up and you came outside into the world,
what do the year 2020 sound [F] like?
Some of my beats [Ebm] tell stories.
[F] This happens to be one of those beats that [Ebm] tells stories.
_ _ [F] _ _
_ [Ebm] _ _ _ [F] _ _
_ [Ebm] _ _ _ [F] _ _
_ [Ebm] _ _ _ _ _
_ _ _ _ _
I have like eight different styles.
You'll hear some of the shit [D] I did for Uzi, like 20 minutes,
and it sound like some _ [A] synthesized_
But this is a lineup of beats that I call and it has a name.
It's like 2020.
Mosh Pit Heavy Music, man.
A$AP Ferg New Level, that's 2020.
Meat Meal Way Up, [Ab] that's 2020.
Dark Knight Domo, that's 2020.
You know [Bb] what I'm saying?
_ [F] I was on Instagram Live when I made this beat, man.
I made like two wack-ass beats before it, man.
They was talking shit.
They was like, oh man.
I was like, man, y'all got me [F] fucked up, man.
So if I [Bbm] make like three bullshit [Fm] beats, I go on live because it'll make me_
Make something hard to me.
Like sometimes I need an audience. _
_ _ _ [Bbm] _ _ [Fm]
I [Bb] got started on a beat, man.
The first thing I do if I'm looking for something, like I told you, we're in 2020.
I need something dark.
I need something to feel like, damn man, what the fuck finna [F] happen?
Like the eclipse just happened.
Something just happened.
I bring up VIP.
This is a program I like to use.
I'm a sound designer.
And I put together these sounds. _ _
_ [Ebm] _ _ _ [Fm] _ _
_ _ _ _ _ _
When you hear something like this, it's not just one sound from one VST.
It's like five or six VSTs that I put together to make this one sound. _ _ _
[Ebm] _ _ _ [F] _ _
It just feel like you just woke up [Bb] in the morning and damn, like the sun rise.
It's going to be a high [Eb] type of day.
You know what I'm saying?
But you [Ab] ain't even ready for the destruction.
When the [F] 808 come in.
This right here, the destruction part, like damn, like some shit going down.
This is like a bomb.
_ _ [Ebm] _ _
_ [F] _ _ _ [Ebm] _ _
_ _ [F] After you got the 808 and the little sunrise shit, you got to hit the clap. _ _ _
_ [Ebm] _ _ _ [F] _ _
_ [Ebm] _ [C] That's the tempo of it right now.
So you know you got your day started.
Something is happening.
So you got the 808 and you got the clap and now you moving with it.
Now I got this. _
_ [Ebm] _ _ _ [F] _ _
_ [Ebm] _ _ So you got the hi-hats and then [C] after that, I got to put the kick in there on top of the 808.
And the kick is kind of like an unorthodox type of kick.
The way that the kick hits like in between the bass.
So it's like the bass hit one, and then the kick come in.
So it's just like a march.
So you outside, the sun don't rise, but it's a bloody sun.
You don't know what's going to happen.
So you outside, now you [F] walking. _ _ _ _ _
[F] _ _ _ [Ebm] _ _ _
[F] _ _ _ Now as you're walking, something happens.
You might see some bombs flying out the sky.
What the fuck do that sound like?
This is what it sound like when bombs coming out the sky.
What the 808 do? _ _ _ _ _
_ _ _ Like if you look up to the sky, it's like_
_ _ [Db] _ _ Bombs dropping.
Like you like, man, what the fuck?
So what you doing after you hear the bombs dropping?
You [F] running.
_ _ [Ebm] _ _
_ [F] _ _ _ [Ebm] _ _
_ [F] _ _ _ [Ebm] _ _
_ [F] _ _ _ _ _
_ _ _ _ _
You're not supposed to be sitting still when that come on.
If you sitting still, you're an asshole.
The last part of that with the strings doing that_
_ _ That's like a victory lap.
_ [Eb] _ _ [Ebm] _ _ _
_ [F] _ _ _ [Eb] _ _
_ [Eb] _ You know, like back in the day when you listen to classical music,
that music told stories.
Like people will [B] go listen to classical music and [Ebm] it'll be no fucking words,
but everybody know what the fuck is going on through the music. _
[F] I never heard of Trippie Redd music before.
[Ebm] My homeboy was telling me,
hey man, you need [Bb] to fuck with Trippie Redd.
The kids fuck with him, you know, [Ebm] they fuck with him, man.
_ [F] _ Come on, come on, [Ebm] come on.
All these [F] rats coming in, [Ebm] coming in.
[B] Trippie Redd's melodies is hard.
[F] _ _
_ Like that's hard.
[Ebm] Like my nephew, that's all he say all [F] through the house, every day.
_ [Ebm] _
Yeah, [F] I like the beat with this.
_ [Ebm] All right, you got it.
_ _ [F] _ _ _
[Ebm] _ _ _ [F] _ _ _
_ I want this [Fm] to feel like a person don't give a [Ebm] fuck about selling a record.
I want it to feel like, hey man, I ain't never heard this before.
When people listen to my shit, like, you know, it's [Bb] just not like,
okay, I'm finna get a C-note beat so I know what that's gonna sound like.
Fuck that, no, you're not gonna know what it's gonna sound like.
I wanna raise the bar, that's what I wanna do.
I don't wanna fit in.
I want people to feel the struggle that came from just trying to [Eb] create that sound.
It's a lot of emotion [B] in that type of music, man.
[Ebm] I think it translates well into the [Abm] crowd.
You know, they feel it.
_ [Eb] _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _