Chords for Nobody Knows You When You're Down & Out

Tempo:
108.85 bpm
Chords used:

A

G

D

C

Dm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Nobody Knows You When You're Down & Out chords
Start Jamming...
Yeah, I'd like to do a song that I hear a lot these days, different versions of it.
It's called Nobody Knows You When You're Down and Out.
This song I first learned it was in the John Lomax Folk Songs of North America, which was
published back in the 30s sometime.
And so it sort of [G] makes this tune in the public domain, which I hear so many different versions of it.
This is one I'd like to teach today.
It's a very slow version of it that you can see all the chord changes and the nuances of.
So here you go.
Nobody Knows You When You're Down and Out.
[Bb] [C] [Em]
[A] [Dm]
[A] [Dm] [A] [D]
[F] [C] [G]
[A] [D] [G]
[Bm] [G] [C] Once I [B] live a [D] life [A] of a millionaire [Dm] Spending [A] my money [Dm] [D] I didn't [Em] care
[B]
[F] Taking my friends [C] out for a [A] mighty good [G] time [D] I'm buying booze and [G] liquor, champagne and
[Cm] [G] wine Nobody [A] knows you [B] [A] when you're [D] down and [A] out
[Dm] [E] [F]
In my pocket [C] [G] there's not [A] one penny [D] And as for friends, [G] well I don't have [Cm] any
But [G] when I [A] get back on my [Dbm] feet [A] again [Dm] Everybody [A]
wants [Dm] to [A] be my [Dm] friend
[F] You know but it's strange [C] without [A] a doubt
[D] Nobody knows you [G] when you're down [C] and out
[B] [A]
[E] [Dm] [G] [A] [B] [A]
[D] [F] [C]
[G] [A] [Em]
[D] [G] [C] Mmm [Eb]-mmm [G]-mmm [A]-mmm-mmm-mmm
[Em]
[Dm] Da [A]-dee-da-da-da [Dm]-da
[A] [D]
[F] Da-dee-da [C]-da-da-da
Da-dee [A]-da-da-da
[D] Da-dee
Da [G]-dee-da-da-da-da
What do you want
[C] But [Em] when [G] I get back [A] on my feet again [D]
[A] Everybody [Dm] wants to be my [Em] friend
[F] You know but it's strange [C] [A] without a doubt.
[Em] [D] Nobody knows you [G] when you're [Cm] down and [Em] out.
[A] I mean [D] baby, [G] when you're down and [C] out.
[E] [C]
[G]
[A] [Dm]
[A] [B] [A] [D] [F]
[C] [B] [A]
[F] That chord right there.
F [C] to C.
[B] [C] C.
[B] [A] Open up to C.
To [Eb] A7.
Then A7, yeah.
[F] So you're F [C] to C.
[G] But you're not really playing the whole chord.
You're just [C] running in [B] the
[G] That's just a running [Ab] C.
Do that again.
[C]
[B] [A] See?
[F] So you're going
[C]
[G] [A] [Dm] [D]
[E] See that?
[A] [F] That's
[C] [B] [A] [D] a D7 right there.
Which sounds better than
A lot of times I'll sneak [Cm] that one in, but this [D] one is a better sound.
That's that chord.
It's the same chord, see?
And [C]
you're just taking a [Cm] C7 [D] and moving it up to here.
So that's how you do it.
You see?
[Eb] Now, I try to tell that over and over again.
It's that all the up-the-neck chords are based on these [C] chords.
And that's an easy way to learn.
[D] And I use this all the time.
That's just my normal way.
See, I don't need this bass note in when I'm doing a lot of it.
So I'm not using it.
But if I want the bass note in, I have to play it right here.
[Am] It's harder to grab it right [G] there.
But of all your chords up-the-neck, this will be the first [D] one to learn.
This will be the second one.
Now, you've got to learn these sometimes or not.
So sit down and do it right away.
Because you're going to need this.
[F] Now, there's your F.
You want to get that thumb on it.
And the F is the hardest one of all because they're so spaced out right here.
As you get up-the [Ab]-neck, they're [A] closer together.
So they get easier.
Learn [G] these two first.
See, I was [D] just playing it in this arrangement.
And you probably don't play it that way because you don't know where to go.
Well, just think of it.
This is the same chord right here.
[E] And remember, in Irene Unite, I was even going out of [D] this chord.
[Em] Right from one to [D] the other just is an interesting thing to do.
I mean, the chord wise, it's [G] the same chord, so it doesn't need to change.
[D] But it just sounded good [Gb] right [Em] there.
[Gb]
Play a little bit of it, Ken.
Key:  
A
1231
G
2131
D
1321
C
3211
Dm
2311
A
1231
G
2131
D
1321
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_ Yeah, I'd like to do a song that I hear a lot these days, different versions of it.
It's called Nobody Knows You When You're Down and Out.
_ _ This song I first learned it was in the John Lomax Folk Songs of North America, which was
published back in the 30s sometime.
And so it sort of [G] makes this tune in the public domain, which I hear so many different versions of it.
This is one I'd like to teach today.
It's a very slow version of it that you can see all the chord changes and the nuances of.
So here you go.
Nobody Knows You When You're Down and Out.
_ _ _ [Bb] _ [C] _ _ [Em] _ _
_ [A] _ _ _ _ _ [Dm] _ _
[A] _ _ _ [Dm] _ _ [A] _ [D] _ _
[F] _ _ _ _ _ [C] _ _ [G] _
[A] _ _ [D] _ _ _ _ _ [G] _
[Bm] _ _ [G] _ _ [C] _ Once I [B] live a [D] life [A] of a millionaire _ [Dm] Spending _ [A] my money [Dm] [D] I didn't [Em] care
[B] _
[F] Taking my friends [C] out for a [A] mighty good [G] time [D] I'm buying booze and [G] liquor, _ champagne and
_ [Cm] _ [G] _ wine Nobody [A] knows you _ _ [B] _ [A] when you're [D] down and [A] out
[Dm] _ [E] _ [F] _
In my pocket [C] _ [G] there's not [A] one penny [D] And as for friends, [G] _ well I don't have [Cm] any
But [G] when I [A] get back on my [Dbm] feet [A] again [Dm] _ Everybody [A]
wants [Dm] to [A] be my [Dm] friend
[F] You know but it's strange [C] without [A] a doubt _
[D] Nobody knows you [G] when you're down [C] and out
_ [B] _ [A] _ _ _ _
[E] _ [Dm] _ [G] _ [A] _ _ [B] _ _ [A] _
[D] _ _ [F] _ _ _ _ _ [C] _
[G] _ _ [A] _ _ [Em] _ _ _ _
_ _ _ [D] _ [G] _ _ [C] Mmm [Eb]-mmm [G]-mmm [A]-mmm-mmm-mmm
_ [Em] _
[Dm] Da [A]-dee-da-da-da [Dm]-da
[A] _ [D] _
_ [F] _ Da-dee-da [C]-da-da-da
Da-dee [A]-da-da-da
[D] _ Da-dee
Da [G]-dee-da-da-da-da
What do you want
[C] But [Em] when [G] I get back [A] on my feet again _ [D] _ _
[A] Everybody [Dm] wants to be my [Em] friend
[F] You know but it's strange [C] _ [A] without a doubt.
[Em] _ [D] Nobody knows you [G] when you're [Cm] down and [Em] out.
[A] I mean [D] _ baby, _ [G] _ when you're down and [C] out.
[E] _ [C] _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
[A] _ _ _ _ _ [Dm] _ _ _
[A] _ _ _ [B] _ [A] _ [D] _ _ [F] _
_ _ _ _ [C] _ _ [B] _ [A] _
_ _ [F] That chord right there.
_ F [C] to C.
[B] [C] C.
[B] [A] Open up to C.
To [Eb] A7.
Then A7, yeah.
[F] So you're F [C] to C.
[G] But you're not really playing the whole chord.
You're just [C] running in [B] the_
[G] That's just a running [Ab] C.
Do that again.
[C] _
[B] _ [A] See? _ _ _ _ _
[F] So you're going_
_ _ _ [C] _
[G] _ _ _ [A] _ _ [Dm] _ _ [D]
[E] See that?
_ [A] [F] That's _ _ _
[C] _ [B] _ [A] _ _ _ [D] _ a D7 right there.
Which sounds better than_
A lot of times I'll sneak [Cm] that one in, but this [D] one is a better sound.
That's that chord.
It's the same chord, see?
_ _ And [C]
you're just taking a [Cm] C7 _ [D] and moving it up to here. _
So that's how you do it.
_ You see?
[Eb] Now, I try to tell that over and over again.
It's that all the up-the-neck chords are based on these [C] chords.
And that's an easy way to learn.
[D] And I use this all the time.
_ That's just my normal way.
_ _ See, I don't need this bass note in when I'm doing a lot of it.
So I'm not using it.
But if I want the bass note in, I have to play it right here. _ _ _ _ _
_ _ _ [Am] _ It's harder to grab it right [G] there.
But _ of all your chords up-the-neck, this will be the first [D] one to learn.
This will be the second one.
_ Now, you've got to learn these sometimes or not.
So sit down and do it right away.
Because you're going to need this.
[F] Now, there's your F.
You want to get that thumb on it.
And the F is the hardest one of all because they're so spaced out right here.
As you get up-the [Ab]-neck, they're [A] closer together.
So they get easier. _
Learn _ _ _ _ _ _ _ [G] these two first.
_ _ See, I was [D] just playing it in this arrangement.
And you probably don't play it that way because you don't know where to go.
_ _ Well, just think of it.
This is the same chord right here. _ _
[E] And remember, in Irene Unite, I was even going out of [D] this chord.
_ _ _ _ [Em] Right _ from one to [D] the other just is an interesting thing to do.
I mean, the chord wise, it's [G] the same chord, so it doesn't need to change.
[D] But it just sounded good [Gb] right [Em] there.
_ _ _ [Gb] _
_ _ Play a little bit of it, Ken. _ _

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