Chords for Never too Much (tutorial in Dmajor) Luther Vandross

Tempo:
126.5 bpm
Chords used:

G

Ab

A

E

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Never too Much (tutorial in Dmajor) Luther Vandross chords
Start Jamming...
Oh, just thank God for another day.
Boy, we love all the wedding songs and the old school.
Let's go back to old school, the [Em] loop, the band drops.
Let's go to the [D] key of [A] D.
This [Gm] video is going to be so easy, you're going to [Bb] just laugh at it.
I just remember how we do the [C] sevens, the old video with the [Db] [G] [Eb] sevens.
[E]
I'm going to take an F major [F] seven, F, A, C, E.
A G flat [Gb] major seven.
[Bbm] And that's a G flat, B, D flat, F.
[Eb] So we're just going up and [Dbm] down, [F] starting from the F, going up a half step to the [Gb] G flat.
[Eb] And then we'll fall back [G] to the G major seven, which is a G, B, D, G flat.
[C]
[Db] [G] Go [Ab] to your A flat major seven.
We know that down by heart.
[C] [Bbm] [G] [Eb] [A]
[E] So we can actually do the beginning of Never Too Much by Luther with those [C] sevens.
[Db] [G] [Ab]
[A] [Dbm]
[D] [G]
[Ab] [E] So what's your bass line doing when you're [G] doing those sevens?
Your bass line is going to go from a G, [Ab] A flat, [Am] [E] A, B flat, B.
Let me do that [C] slow.
[Db] [G] [Cm] [A]
[E]
I'm ending on an [A] A natural, A, D flat, E.
So real [E] simple, I'm going to add another A with my pinky.
And then even after you get on into the song, you know, when you [G] do those turnaround.
[Ab] [Dbm] You [E] can actually leave the seven [G] off.
And this time you'll be going with your bass line [E] from the A, B flat, [G] B.
[Ab] [Db]
[G] So when you're on that A in your bass, you got a G chord in your right hand.
G, B, D on top of [A] your A bass.
[E] So we're taking [Ab] the sevens off now and using the regular, you know, A flat, C, E flat, [Eb]
with your B flat [G] bass.
[Ab] [E] Like I said, you got your A natural chord on top of your B bass.
So when he's doing [Bb] his verse, [G] you know.
[Ab] [A]
[G] Going to a G.
You can keep that G major seven actually, or you can always put that nine in there.
What [Ab]
[A]
I'm [G] doing on that bass.
[A] That's a B.
[Db]
[D] [Gb] [G] What I [E] did right there when I come off [B] of the B.
To the A.
[Bm]
B flat, D.
G [G] flat, G.
And you can actually go to that E minor 11.
[Em] We know those chords by heart now.
That's the whole song.
[Ab]
[A] [Dbm] [D]
[G]
[Am] [Ab] [G] Sorry.
[Ab] [Dbm] That's that little walk up I was [A] talking about.
[D] [G]
[Ab]
[A] Do that again.
[D]
[G] To the E.
[Ab] [E] [A] That's how it is.
[D] [G]
Walk it up.
[Ab] [A]
[D] [Bb] [G]
Stay on that D left.
And then you can do that [Em] in your bass.
E, E, [G] [Em] D, E, back to your low octave.
[G]
A.
[A]
[G] Real simple.
[A] Crash it.
A natural.
[E]
[G] Back to the.
[Ab] [A]
Of [D] [G]
[Ab]
[E] course, all the rest of the instruments, your horns and everything [Em] make this song.
That's a way you can play Never Too Much.
And remember, [G] if we go back to the intro, we can throw those [C] sevens in there.
[Ab]
[G] [A]
[D] [G]
[Ab] [A] [E]
You know, Luther got some of the prettiest music to play.
And again, that's in the key of D major.
So I hope that can be fun to mess around with.
Big shout out to my man Abel Scruggs.
[N]
Key:  
G
2131
Ab
134211114
A
1231
E
2311
D
1321
G
2131
Ab
134211114
A
1231
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_ _ _ Oh, just thank God for another day.
_ Boy, we love all the wedding songs and the old school.
Let's go back to old school, the [Em] loop, the band drops.
Let's go to the [D] key of [A] D.
_ _ This [Gm] video is going to be so easy, you're going to [Bb] just laugh at it.
I just remember how we do the [C] sevens, the old video with the [Db] _ [G] [Eb] sevens.
[E] _
_ _ _ _ _ I'm going to take an F major [F] seven, F, A, C, E.
A G flat [Gb] major seven.
_ [Bbm] And that's a G flat, B, _ D flat, F.
_ [Eb] So we're just going up and [Dbm] down, [F] starting from the F, _ going up a half step to the [Gb] G flat.
_ _ _ _ [Eb] And then we'll fall back [G] to the G major seven, which is a G, B, D, G flat.
_ _ [C] _ _
[Db] _ [G] _ _ Go [Ab] to your A flat major seven.
_ We know that down by heart. _
_ _ [C] _ _ [Bbm] _ [G] _ [Eb] _ [A] _
_ [E] So we can actually do the beginning of Never Too Much by Luther with those [C] sevens.
[Db] _ [G] _ [Ab] _
[A] _ _ _ _ _ _ [Dbm] _ _
[D] _ [G] _ _ _ _ _ _ _
_ _ [Ab] _ [E] So what's your bass line doing when you're [G] doing those sevens?
Your bass line is going to go from a G, [Ab] A flat, [Am] [E] A, B flat, B.
Let me do that [C] slow.
_ [Db] _ _ [G] _ [Cm] _ _ [A] _
_ _ _ _ _ _ _ [E]
I'm ending on an [A] A natural, _ A, D flat, E.
So real [E] simple, I'm going to add another A with my pinky.
_ And then even after you get on into the song, you know, when you [G] do those turnaround.
[Ab] _ [Dbm] You [E] can actually leave the seven [G] off.
_ And this time you'll be going with your bass line [E] from the A, B flat, [G] B.
[Ab] _ [Db] _ _ _
[G] So when you're on that A in your bass, you got a G chord in your right hand.
G, B, D on top of [A] your A bass.
_ [E] So we're taking [Ab] the sevens off now and using the regular, you know, A flat, C, E flat, [Eb] _
with your B flat [G] bass.
_ [Ab] _ [E] Like I said, you got your A natural chord on top of your B bass.
So when he's doing [Bb] his verse, [G] you know.
_ [Ab] _ [A] _ _ _ _
_ _ _ _ _ [G] _ Going to a G.
_ _ You can keep that G major seven actually, or you can always put that nine in there. _ _
_ _ _ What _ _ [Ab] _
[A] _ _ _ _ _ _ _
I'm [G] _ doing on that bass. _ _ _
[A] _ That's a B.
_ _ _ _ [Db] _
[D] _ [Gb] _ _ [G] What I [E] did right there when I come off [B] of the B.
_ _ To the A.
_ [Bm] _
B flat, D.
_ _ _ G [G] flat, G.
_ _ _ _ _ And you can actually go to that E minor 11.
[Em] We know those chords by heart now.
That's the whole song.
_ [Ab] _
[A] _ _ _ _ _ [Dbm] _ _ [D] _
_ [G] _ _ _ _ _ _ _
[Am] _ [Ab] _ [G] Sorry.
[Ab] _ [Dbm] That's that little walk up I was [A] talking about.
_ _ [D] _ _ [G] _
_ _ _ _ _ _ _ [Ab] _
[A] _ Do that again.
_ _ _ [D] _
_ [G] _ _ To the E. _ _
_ [Ab] _ [E] _ [A] That's how it is. _ _
_ [D] _ _ [G] _ _ _ _ _
_ Walk it up.
[Ab] _ [A] _ _ _
_ _ _ _ [D] _ [Bb] _ [G] _ _
_ _ _ _ _ _ _ _
_ Stay on that D left.
And then you can do that [Em] in your bass.
E, E, [G] _ _ [Em] D, E, back to your low octave.
_ _ _ [G] _ _ _ _
_ _ A.
[A] _ _ _ _
[G] _ _ _ Real _ _ _ _ _ _ simple. _ _ _
_ [A] _ _ Crash it.
A natural.
_ [E] _
_ _ _ [G] Back to the.
[Ab] _ [A] _ _
_ Of _ _ [D] _ _ [G] _
_ _ _ _ _ _ _ [Ab] _
[E] _ _ course, all the rest of the instruments, your horns and everything [Em] make this song.
That's a way you can play Never Too Much.
And remember, [G] if we go back to the intro, we can throw those [C] sevens in there.
[Ab] _
[G] _ _ [A] _ _ _ _ _ _
_ [D] _ _ [G] _ _ _ _ _
_ _ _ _ [Ab] _ [A] _ _ [E]
You know, Luther got some of the prettiest music to play. _
And again, that's in the key of D major.
_ So I hope that can be fun to mess around with.
Big shout out to my man Abel Scruggs.
_ _ _ _ [N] _ _ _

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