Chords for Confunkshun - Loves Train Tutorial

Alright, Love Train by ConFunction.
So, it starts out here with the D [D] major,
_ _ _ _ [B]
and it goes to a C sharp suspended.
Let's take a look at the D major.
[Dm] So it's just [A] D in the bass and [F#m] D major seven,
except I'm playing the E, which is the [D] ninth.
_ _ _ [G] _
And then, you know, you got your [C#m] C sharp _ [B] suspended.
So it's just a [N] B major triad in the [B] right hand,
and then you [G#m] C sharp in the left hand.
_ _ _ _ [D] _ _ _
_ _ [B] _ _ _ [E] _ And then you go into the verses, you know, it's like, _ _ _ _
[F#m] _ [E] _ _ _ _ _ [F#m] _ [D] _
_ _ _ [A] _ [D] _ _ _ _
_ [A] _ [E] _ _ [N] anyways, so that part is just, it's F sharp [F#] suspended.
So you have F sharp as [C#] a bass and an E major [D] triad
in the right hand, that's the [F#] suspended.
You take the bass note, you drop it [N] down a whole step,
and then that triad, so F sharp, drop down a whole step,
[E] is E, and that's the E triad. _
_ _ _ _ _ _ _
And then it's gonna be [Bm] B minor seventh.
_ _ And in this case, the B is taken [N] care of in the root,
and you've got the third, the fifth, and the seventh,
which comprise the major [D] triad. _ _
_ _ [A] _ And that's just, [E] I'm adding the [F#] A major there.
This could have [D] sounded good.
And then, back _ _ _ [A] _ _ [C#m] to the [E] F sharp suspended.
_ _ _ [A] _ [E] _ _
_ [A] And [D] _ _ [N] then it goes to, this is kind of a weird chord,
but it starts [D] out with, _ _ [E] this is [N] E suspended,
so you know, E in the bass, drop down a whole step,
and then that's your triad, so [E] it's D major triad.
_ [D] _ _ And then [N] this one's kind of weird, it's just,
there's no other way to say it, but E major triad
in the [E] right hand, and D in the bass.
_ [G#] _ _
[A] Again, that's E [D] suspended. _ _ _ _
[N] So you're D in the bass, and E major in the [E] right hand. _
_ [C#m] And then keep that E major in the right hand,
and drop the bass down to C sharp,
and that's just C sharp [C#] minor seven,
if you take a look at it, that's right now [D] we got.
_ _ [E] _ _ _ [C#m] _ _
And the bass comes [N] up to F sharp in the bass
with A major triad.
So the whole thing about R&B is that a lot of times
they'll play minor seven chords by playing the bass note
in [F#] the bass, and instead of playing the [F#m] F sharp
minor seven chord like this,
_ _ they'll take [A] this triad here, [F] and do an [Em] inversion of that,
so instead [F#] of playing, [F#m] you know, just boring old that,
you know, A in first, [A] you know, in zeroth [Fm] inversion,
you take it to the second inversion,
or the first inversion in [F#m] this case, _ _ _
just sounds a lot [Bm] cooler.
[F#m] So anyway, we got, we started with E in the [D] bass,
and D major, _ [E] _ _
_ [C#m] F [F#m] _ _ _ _ [G#]
[F#m] sharp minor seven,
_ and [N] then it goes up to A flat in the bass,
and it's the same whole R&B trick that I just talked about,
A _ flat in the bass is A flat [B] minor. _
_ _ _ _ _ _ Then [G] it bumps up to [E] B in the bass [D] with a A, [Em] D, F sharp,
[N] so this is D, you know, D major [F] triad in second [Bm] inversion. _
_ [B] Let's do that again.
_ [Bm] _ _ _ [Em] _
_ _ [D] So that's actually E minus [N] seven,
and it jumps up to C sharp suspended,
[E] _ [C#m] which is C sharp in the bass,
and an E major triad in the right hand. _ _ _ _
[E] _ _ So again, it's [B] A flat in the bass, _
A flat minor seven, [D] B minor seven, _ [C#m] C sharp suspended.
_ _ [D] Then it resolves to D major seven,
_ _ _ to _ _ _ D major seven with the ninth E right there,
[G] then it hops down to C sharp suspended [B] again.
_ [G#m] You'd be a fright to the world.
[G#] _ [E] And then it goes back to the verse as you know. _
_ _ [A] _ [E] _ _ _ So [F#m] _ [D] _ _ _ _ [A] _ [D] _ _
_ _ [A] _ _ _ let's just talk about that bridge right there
one more time, because there's a lot of chords.
So it started [E] with, or it [D] started with _ _ _ _ E in the bass,
and D major triad.
_ _ _ [N] The D major triad heads up to an E major triad,
and the bass goes [E] down to a D.
_ [D] _ _
[E] _ _ _ _ [N] Then you stay in the E major triad,
but the bass goes to [C#m] a C sharp. _ _ _ _ _
_ And then the [F#] bass goes up to an F sharp,
[F#m] and the right hand you play A major.
_ _ _ _ [D] _ _ _
_ [E] _ _ _ [C#m] _ _ [F#m] _ _
_ _ [B] Bass goes up to A flat, _
and you play this here _ triad here,
whatever you wanna call it, B major in second inversion.
_ Heads up to [Bm] a B minor seven,
_ which is just D major triad in the right hand,
B in the left hand, and then C sharp in the left hand,
E major [C#m] triad in the right hand.
_ So [G#m] again, _ [Bm] that's_
[C#m] _
_ _ _ [B] _ _ _ [Bm] _ _
_ _ [C#m] _ _ _ And then down to D major [D] seven with a nine, _ _ _ _ _
_ _ _ [B] _ _ _ _
[F] and that's just D [B] sharp suspended.
B major in the right hand, C sharp in the left hand.
_ _ _ [E] To the verses. _ _
_ _ [F#m] _ [E] _ _ _ _ [F#m]
[D] And then _ _ _ _ [A] _ [D] _ _
_ _ [A] _ [E] _ _ [F#] _ [E] _
[A] here's just a B minor major triad,
one, two, [E] _ _ _ _ [F#m] _ [D] _ _
_ _ _ [A] _ _ [D] _ _ _
[E] I'll _ [C#m] _ _ _ [F#m] _ [E] _
[B] _ _ [G#m] _ [Bm] _ _ [C#m] _ [D] _ _
_ _ _ [B] _ _ _ _ [N] _