Chords for Kirk Fletcher - Comping Chords in 12-Bar Blues | Musicians Institute | MI

Tempo:
99.45 bpm
Chords used:

Eb

G

Gm

F

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Kirk Fletcher - Comping Chords in 12-Bar Blues | Musicians Institute | MI chords
Start Jamming...
Hi, my name is Kirk Fletcher and I want to talk to [D] you about some blues comping ideas in B-flat.
[C] Alright, here's a few things I picked up from the great [G] Robin Ford.
[Abm]
[Gm] [F]
[Bbm]
[Gm] [Dm] [E]
[Cm] [Eb] [F]
[F]
[A] [Gm]
[G] [A] [Gm]
[E] [Cm] [Db]
[G] [Eb] [Ab]
[Eb] [Ab]
[Bb] [Eb] [Ab] [F]
[Gm] [Eb]
[Abm] [Gm] I don't know, [A] something like that.
[Ab] [Bb] [Ab]
[G] [G] I like to have a whole big handful of ideas over the different chords, [Am] like for your I chord.
[D]
[Gm] [Ab] [G]
[F] [F]
[Eb] [Bb] [G]
[E] [G] You know, that [Em] kind of stuff.
It's a lot [A] of fun too, because it keeps it interesting for the rhythm guitar player.
It also adds excitement and gives you some more harmonic ideas [G] to play over, you know, in just a regular B-flat blues.
So yeah, I like that one.
[Ab] Sometimes you strum your [Gm] guitar chords in a certain [Bb] way too, like that.
Oh [G] yeah, yeah.
Why?
You know, [C] that's so fun.
I never get asked that [F] question.
It goes back really quick, I'll just say, you know, this Robin Ford and Jimmy Witherspoon [A] live record that came out in the 70s or something like that.
That kind [Ab] of is what got the ball started and then I [G] listened to big bands and stuff.
If you're playing the [Bm] swing blues, there's one idea you can [Gm] go like
[C] [G]
[Dm] [Eb] [F]
[Dm] [Gm] [D] [G]
[Gm]
[Db] [Gm] [Ab] That's one way of playing it. And [Gm] then
[G] [Bbm]
[E] [Gm] [A]
[Cm] [Eb]
[G] [Eb] [Bb]
[Eb] [G] [Bb]
[Eb] [Db]
[G] That's another thing.
And then for a funky blues, sometimes you can play like
[D]
[Bb]
[F] [Eb] [Gm]
[E]
[F] [G] [F]
That's [C] another thing, I didn't talk about that either, this little thing to give it some [D] movement.
[Eb] [Ab] [Eb] [C]
[A]
[Eb] [Bb]
[Fm] You know, just for [Gb] movement, you know, and it's real fun and kind of makes everybody smile.
[G] I like it when you do the brush [Ab] stroke too.
Oh!
[Gm]
What is that and why do you do that?
Because I heard a big band do [Em] it.
I don't know, like Count Basie, you know.
You hear those guys, the horn section, [Bb] you know.
[E] So I'm just trying to imitate like a horn section [G] kind of thing, you know.
And once again, give like the blues some movement, you know, when you're comping behind somebody.
[D] [Eb]
Oh yeah, [Bm] there's another thing [Em] on the slow blues. Man!
[D] [Bbm]
[Eb] [D] That's something I got from T-Bone [Db] Walker, you know.
[D] [Bbm]
[Eb] [Bb] [Dbm]
[Eb] [D] [Gm]
[F] [Eb]
[Db] [D]
[Gb] [Bbm]
[D] [Bb]
[Gb] [Bbm]
[Fm] [Gm] [Eb]
[Dm] [F]
[E] [Eb]
[Bb]
[Eb] [Gb] [Ab]
I love that [A] color.
Kirk Fletcher, ladies and gentlemen, [E] right on, thank you.
Key:  
Eb
12341116
G
2131
Gm
123111113
F
134211111
D
1321
Eb
12341116
G
2131
Gm
123111113
Show All Diagrams
Chords
NotesBeta
Download PDF
Download Midi
Edit This Version
Hide Lyrics Hint
Hi, my name is Kirk Fletcher and I want to talk to [D] you about some blues comping ideas in B-flat.
[C] Alright, here's a few things I picked up from the great [G] Robin Ford.
_ _ _ [Abm] _ _ _
[Gm] _ _ [F] _ _ _ _ _ _
_ _ _ _ [Bbm] _ _ _ _
_ _ [Gm] _ _ _ [Dm] _ _ [E] _
_ [Cm] _ _ _ [Eb] _ _ [F] _ _
_ _ _ _ _ [F] _ _ _
_ _ [A] _ _ [Gm] _ _ _ _
[G] _ _ [A] _ _ _ _ [Gm] _ _
[E] _ _ [Cm] _ _ _ [Db] _ _ _
[G] _ _ [Eb] _ _ _ _ [Ab] _ _
_ _ [Eb] _ _ [Ab] _ _ _ _
[Bb] _ _ [Eb] _ [Ab] _ _ [F] _ _ _
_ _ [Gm] _ _ _ _ _ [Eb] _
_ _ _ _ _ _ _ _
[Abm] _ _ [Gm] _ I don't know, [A] something like that.
[Ab] _ _ [Bb] _ [Ab] _ _ _ _ _
_ _ [G] _ _ _ [G] I like to have a whole big handful of ideas over the different chords, [Am] like for your I chord.
[D] _ _ _ _ _ _ _
[Gm] _ _ [Ab] _ [G] _ _ _ _ _
_ _ [F] _ _ _ _ [F] _ _
[Eb] _ _ [Bb] _ [G] _ _ _ _ _
_ _ [E] _ _ [G] _ _ You know, that [Em] kind of stuff.
It's a lot [A] of fun too, because it keeps it interesting for the rhythm guitar player.
It also adds excitement and gives you some more harmonic ideas [G] to play over, you know, in just a regular B-flat blues.
So yeah, I like that one.
_ [Ab] _ Sometimes you strum your [Gm] guitar chords in a certain [Bb] way too, like that.
Oh [G] yeah, yeah.
Why?
You know, [C] that's so fun.
I never get asked that [F] question.
It goes back really quick, I'll just say, you know, this Robin Ford and Jimmy Witherspoon [A] live record that came out in the 70s or something like that.
That kind [Ab] of is what got the ball started and then I [G] listened to big bands and stuff.
If you're playing the [Bm] swing blues, there's one idea you can [Gm] go like_ _ _
_ [C] _ _ _ _ [G] _ _ _
_ _ [Dm] _ _ [Eb] _ _ [F] _ _
[Dm] _ _ [Gm] _ _ _ [D] _ _ [G] _
_ _ _ [Gm] _ _ _ _ _
[Db] _ _ [Gm] [Ab] That's one way of playing it. And [Gm] then_
_ _ [G] _ _ [Bbm] _ _ _ _
[E] _ _ [Gm] _ _ _ _ [A] _ _
_ [Cm] _ _ [Eb] _ _ _ _ _
[G] _ _ [Eb] _ _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
[Eb] _ _ _ [G] _ _ _ [Bb] _ _
_ _ _ _ [Eb] _ _ [Db] _ _
_ _ _ [G] That's another thing.
And then for a funky blues, sometimes you can play like_
_ [D] _ _
[Bb] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ [Eb] _ _ _ _ _ [Gm] _
_ _ _ _ _ _ [E] _ _
[F] _ _ _ [G] _ _ _ _ [F] _
That's [C] another thing, I didn't talk about that either, this little thing to give it some [D] movement. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Eb] _ _ [Ab] _ _ [Eb] _ _ [C] _ _
_ _ _ _ _ _ _ [A] _
_ [Eb] _ _ _ _ _ [Bb] _
[Fm] You know, just for [Gb] movement, you know, and it's real fun and kind of makes everybody smile.
[G] I like it when you do the brush [Ab] stroke too.
Oh!
[Gm] _
What is that and why do you do that?
Because _ I heard a big band do [Em] it.
I don't know, like Count Basie, you know.
You hear those guys, the horn section, [Bb] you know.
_ _ [E] So I'm just trying to imitate like a horn section [G] kind of thing, you know.
And once again, give like the blues some movement, you know, when you're comping behind somebody.
[D] _ _ _ [Eb] _ _ _
Oh yeah, [Bm] there's another thing [Em] on the slow blues. Man!
_ [D] _ _ _ _ [Bbm] _ _ _
[Eb] _ _ [D] That's something I got from T-Bone [Db] Walker, you know. _
[D] _ _ _ _ [Bbm] _ _ _ _
[Eb] _ _ [Bb] _ _ _ _ [Dbm] _ _
[Eb] _ _ _ _ [D] _ _ _ [Gm] _
_ _ [F] _ _ _ [Eb] _ _ _
_ [Db] _ _ _ [D] _ _ _ _
_ _ [Gb] _ [Bbm] _ _ _ _ _
_ [D] _ _ _ _ _ _ [Bb] _
_ _ _ [Gb] _ _ _ [Bbm] _ _
_ _ _ _ _ _ _ _
_ _ [Fm] _ _ [Gm] _ _ [Eb] _ _
_ _ [Dm] _ _ _ _ [F] _ _
_ _ _ _ _ [E] _ _ [Eb] _
_ _ _ _ _ [Bb] _ _ _
[Eb] _ _ [Gb] _ _ _ _ [Ab] _ _
I love that [A] color.
Kirk Fletcher, ladies and gentlemen, [E] right on, thank you.

You may also like to play

7:18
Friday afternoon meeting at LsL: Eric Garcia and Kirk Fletcher
4:10
Blues Cube Ultimate Blues Tone Capsule feat. Kirk Fletcher
6:11
Josh Smith & Kirk Fletcher - Tube Screamer Demo #1 - Ibanez Booth NAMM 2019
5:31
Josh Smith & Kirk Fletcher - Tube Screamer Demo #2 - Ibanez Booth NAMM 2019