Chords for Joy and Pain Tutorial in E (Gmajor9 i said it wrong)

_ _ _ _ _ Jordan Payne.
I just thank God for all kind of music.
I just love music.
Got a good question.
Big shout out to my boy Dave down there in Daytona Beach.
Big shout out to my boy Charles in Miami and my boy JJ down there in Oklahoma.
Jeffrey Jordan.
May God bless everybody.
I had a good [G] question about Jordan Payne and the way Frankie Beverly and [Dm] Mays did.
That's [G] why I always use this card a lot.
Especially in old school.
I used the G minor 9 a lot _ _ because it kind of goes with a lot of old school.
You know you hear it in Jordan Payne.
_ _ _ _ _ [F#m] _
_ _ _ [G] _ _ _ _ _
_ [F#m] _ _ _ [G] _ _ Or you hear it in _ Charlie Wilson's Yearning for [A] Your Love.
You [F#m] know.
_ [G] _ You can't keep running, [Em] running out of my [F#m] life.
_ _ [G] _
So [Em] that card, you know when you learn that card you can pretty much use that in a lot of stuff.
_ But Jordan [N] Payne, back to Don't Let Me Get Off Sudden.
That's in the key of E.
You're in the key of E minor.
And you hear it, it comes on [E] like this. _ _
_ _ _ [A] _ [B] _ [D] _ [E] _
You know.
_ And all it is is tapping that E from the B.
_ _ A, B, E. _ _ _
[B] Then walk up from that A.
B, [A] flat, B.
[B] _
_ _ [E] _ _ _ _ _ _
[B] _ _ [N] And a song like that you can just use those two [G] chords.
_ You already got the G minor 9.
_ _ _ [Em] _ _ Then when [F#m] you go to B, _ _ you take a regular A natural.
[A] _ _ _ A, _ B flat, [F#m] B.
_ _ If you want to you can stretch your pinky to another high octave A.
So that's all [G] that is. _
_ _ _ _ _ [F#m] _ _ _
[G] _ _ _ _ _ _ _ [F#m] _
_ [Em] That's _ Jordan Payne, now change.
So you know the song, it pretty much does it all the way until it goes to the change.
So when it goes to the change it drops down to your C on your bass.
[C] _ We're going to do a C on the bass with an [Em] E minor. _
_ _ And that's an [G] E, G, B, D.
_ _ [C] _ _ _ _
Right then, go to that B with the [F#m] A natural. _ _ _
_ _ Back to the change, [C] C. _
_ _ _ That's a repeat. _ _ _
[F#m] _ _ _ _ _ _ _ _
[Bm] _ _ [C] _ _ _ I just roll [Em] it with the pedal.
_ _ _ [F#m] _ _
[B] Then you go back down to the G minor 9.
_ [Bm] _ _
[Em] And it's the only change we're going to walk up like this.
[Fm] _ [F#m] _
[Gm] _ _ _ [G] _ [Fm] _ [F#m] _ [Gm] _ _
_ _ [D] _ _ [G] _ [F#] _ [Em] _ _
So then right [Fm] there, [F#m] _ [Gm] _ _ _
[G] you're already on the G minor.
[Em] We're going to go to the A flat major 7.
[Fm] _ _ _ _ [G] _ [G#] But [Em] let's leave the 7 [Fm] off.
[F] Let's do this real [G] easy.
[Fm] _
[F#m] _ [Gm] _ _ [Em] And that's going to be on the F [F] on your bass.
Your [E] bass line is going to go [F] _
[E] [F] E, [F#] F, [G] G flat, G.
_ [E] _ [F] _
[F#] _ [G] _ So [Em] we already know we're on the G minor 9.
[Fm] _ So we're going to take a A flat, regular A flat on top of that F bass.
_ _ _ A flat, C, E flat.
_ [G] _ [Fm] _ _ [F#m] _
We're going to go up a half step to G flat.
_ My left hand has a G flat, D flat, G flat.
And I'm just using that regular A natural again.
_ A, _ E [A] flat, E.
_ [Em] _ [Fm] _
[F#m] _ _ [Gm] _ Then I'm going down to G.
_ G, D, G with my left hand.
On my right hand, I've got a B [A#] flat, regular.
_ Regular, natural, B flat.
B flat, D, F.
And another B flat.
So that's how we do [G] that.
[F#m] _ [Gm] _ _
Then walk right down.
[A] _ [G] _ _ [F#] _ [E] _
[Em] _ _ Coming off a little cold.
And all I did [A] right there, _ [G] _ [F#] I [E] _ [Em] _ _
just walked [A] down from there.
[G] A, G, _ _ [F#]
G [E] flat, [Em] E.
_ _ So that's how we do that.
_ _ Sun [G] _
is [F#m] pain.
[D] _ _ [G] I like [Em] sunshine.
_ You [F#m] will.
_ _ [G] _ _
_ _ _ So hopefully that could be a blessing.
Big shout out to you, Tim.
_ _ _ _ _ [N] _