Chords for Blake Shelton - Nobody But You (Duet with Gwen Stefani) (Behind the Scenes)
Tempo:
71.85 bpm
Chords used:
C
Am
F
Em
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Am] [F] Roll camera please.
[C] Easy, easy Dave.
Hey everybody, this is Gwyn Stefani.
[Am] I'm Blake Shelton.
And this [C] is the behind the scenes of the making of the [Am] filming of the video for Nobody But [C] You.
Want to say it now, [Am] want to make it clear.
[F]
There are only you [C] and God to hear.
When you love someone, they say [Am] you set them free.
But that ain't gonna [C] work for me.
I would like to tell you what the idea is of [F] this video, but I don't know.
[C] There is no concept.
This is literally just [Am] Sophie Moeller being Sophie Moeller.
Like, oh, I have an idea.
[C] Let's do this, this, this, this.
And then we're like, okay.
[Am] I mean, right, there's not really a strong, like
There's no point to this video, okay, but it's [C] a cool song.
I want to say it now, want to make it clear.
There are only you and God to hear.
I don't really care if we're tired.
We have sang the song now three times, so we're making [C] some progress.
The most [Am] recent direction I got was to lean down, chin [C] up.
And that kind of eliminates the pelican effect.
[Am] You know what they say about the camera adding 10 pounds, and there's several cameras on me right now.
So I had that up.
All the wasted days, all the [Am] wasted nights.
[F] I blame it all on [C] being young.
Got no regrets, God [Am] got me here.
[F] But I don't want to waste [C] another one.
We were working out in the gym.
Is this how you remember it?
[Am] Yeah.
I'm thinking to myself, [C] wow, I wish you would have put me on that song.
I was keeping it to myself.
And then he turned the [Am] music off, he's like, dang it, I wish I would [C] have put you on this song.
I was like, I was just thinking that.
And then you made it happen.
[Am]
[F] [C] And it's just such a beautiful, like, addicting [Am] song.
You're addicted to it, [C] instantly.
It's like drugs.
It's like drugs to me.
I don't like it without [Am] you.
I [F] don't want to leave with me.
So now we're about to [C] hop into my actual real truck that I [Am] bought to have a [F] vehicle in L.A.
And I'm going [C] to sing a song called Nobody But You while I'm in it, I think.
And we [C] also brought in a horse walker, which we borrowed from the [Am] Temecula FFA Club.
[F] We wanted to recreate a [C] romantic drive through [Am] downtown [F] Los Angeles.
I don't [C] know, actually, now that I've said all that, [Am] where I'm supposed to be driving to.
[F] I'm hoping that they've set a GPS or something in the truck.
All the wasted days, all the wasted [Am] nights.
Are we really putting [C] in the hours?
Yeah, burning the midnight oil, as they say.
You know what I'm saying?
[Am]
[F] Anyway, we have now done a Dairy Queen set up.
We've done a truck driving set up.
We've done a concert footage.
[Em] We have done [D] the portrait [Cm] thing.
Yeah, we did [C] the portrait.
That seemed like years ago.
[Am] Nobody [C] but you.
[Am] [F] I don't want [C] you.
You're a rat.
We're going.
Bye.
[Am] I [F] don't want nobody [C] but you.
[N]
[C] Easy, easy Dave.
Hey everybody, this is Gwyn Stefani.
[Am] I'm Blake Shelton.
And this [C] is the behind the scenes of the making of the [Am] filming of the video for Nobody But [C] You.
Want to say it now, [Am] want to make it clear.
[F]
There are only you [C] and God to hear.
When you love someone, they say [Am] you set them free.
But that ain't gonna [C] work for me.
I would like to tell you what the idea is of [F] this video, but I don't know.
[C] There is no concept.
This is literally just [Am] Sophie Moeller being Sophie Moeller.
Like, oh, I have an idea.
[C] Let's do this, this, this, this.
And then we're like, okay.
[Am] I mean, right, there's not really a strong, like
There's no point to this video, okay, but it's [C] a cool song.
I want to say it now, want to make it clear.
There are only you and God to hear.
I don't really care if we're tired.
We have sang the song now three times, so we're making [C] some progress.
The most [Am] recent direction I got was to lean down, chin [C] up.
And that kind of eliminates the pelican effect.
[Am] You know what they say about the camera adding 10 pounds, and there's several cameras on me right now.
So I had that up.
All the wasted days, all the [Am] wasted nights.
[F] I blame it all on [C] being young.
Got no regrets, God [Am] got me here.
[F] But I don't want to waste [C] another one.
We were working out in the gym.
Is this how you remember it?
[Am] Yeah.
I'm thinking to myself, [C] wow, I wish you would have put me on that song.
I was keeping it to myself.
And then he turned the [Am] music off, he's like, dang it, I wish I would [C] have put you on this song.
I was like, I was just thinking that.
And then you made it happen.
[Am]
[F] [C] And it's just such a beautiful, like, addicting [Am] song.
You're addicted to it, [C] instantly.
It's like drugs.
It's like drugs to me.
I don't like it without [Am] you.
I [F] don't want to leave with me.
So now we're about to [C] hop into my actual real truck that I [Am] bought to have a [F] vehicle in L.A.
And I'm going [C] to sing a song called Nobody But You while I'm in it, I think.
And we [C] also brought in a horse walker, which we borrowed from the [Am] Temecula FFA Club.
[F] We wanted to recreate a [C] romantic drive through [Am] downtown [F] Los Angeles.
I don't [C] know, actually, now that I've said all that, [Am] where I'm supposed to be driving to.
[F] I'm hoping that they've set a GPS or something in the truck.
All the wasted days, all the wasted [Am] nights.
Are we really putting [C] in the hours?
Yeah, burning the midnight oil, as they say.
You know what I'm saying?
[Am]
[F] Anyway, we have now done a Dairy Queen set up.
We've done a truck driving set up.
We've done a concert footage.
[Em] We have done [D] the portrait [Cm] thing.
Yeah, we did [C] the portrait.
That seemed like years ago.
[Am] Nobody [C] but you.
[Am] [F] I don't want [C] you.
You're a rat.
We're going.
Bye.
[Am] I [F] don't want nobody [C] but you.
[N]
Key:
C
Am
F
Em
D
C
Am
F
_ _ _ _ _ [Am] _ [F] Roll camera please.
[C] _ _ _ _ Easy, easy Dave.
Hey everybody, this is Gwyn Stefani.
[Am] I'm Blake Shelton.
And this [C] is the behind the scenes of the making of the [Am] filming of the video for Nobody But [C] You.
Want to say it now, [Am] want to make it clear.
[F]
There are only you [C] and God to hear.
When you love someone, they say [Am] you set them free.
But that ain't gonna [C] work for me.
I would like to tell you what the idea is of [F] this video, but I don't know.
[C] There is no concept.
This is literally just [Am] Sophie Moeller being Sophie Moeller.
Like, oh, I have an idea.
[C] Let's do this, this, this, this.
And then we're like, okay.
[Am] I mean, right, there's not really a strong, like_
There's no point to this video, okay, but it's [C] a cool song.
I want to say it now, want to make it clear.
There are only you and God to hear. _
I don't really care if we're tired.
We have sang the song now three times, so we're making [C] some progress.
The most [Am] recent direction I got was to lean down, chin [C] up.
And that kind of eliminates the pelican effect.
[Am] You know what they say about the camera adding 10 pounds, and there's several cameras on me right now.
So I had that up.
_ All the wasted days, all the [Am] wasted nights.
[F] I blame it all on [C] being young.
Got no regrets, God [Am] got me here.
[F] But I don't want to waste [C] another one.
We were working out in the gym.
Is this how you remember it?
[Am] Yeah.
I'm thinking to myself, [C] wow, I wish you would have put me on that song.
I was keeping it to myself.
And then he turned the [Am] music off, he's like, dang it, I wish I would [C] have put you on this song.
I was like, I was just thinking that.
And then you made it happen.
[Am] _
_ [F] _ [C] And it's just such a beautiful, like, addicting [Am] song.
You're addicted to it, [C] instantly.
It's like drugs.
It's like drugs to me.
I don't like it without [Am] you.
I [F] don't want to leave with me.
So now we're about to [C] hop into my actual real truck that I [Am] bought to have a [F] vehicle in L.A.
And I'm going [C] to sing a song called Nobody But You while I'm in it, I think.
And we [C] also brought in a horse walker, which we borrowed from the [Am] Temecula FFA Club.
[F] We wanted to recreate a [C] romantic drive through [Am] downtown [F] Los Angeles.
I don't [C] know, actually, now that I've said all that, [Am] where I'm supposed to be driving to.
[F] I'm hoping that they've set a GPS or something in the truck.
All the wasted days, all the wasted [Am] nights.
Are we really putting [C] in the hours?
Yeah, burning the midnight oil, as they say.
You know what I'm saying?
[Am] _
[F] Anyway, we have now done a Dairy Queen set up.
We've done a truck driving set up.
We've done a concert footage.
[Em] We have done [D] the portrait [Cm] thing.
Yeah, we did [C] the portrait.
That seemed like years ago.
[Am] _ Nobody [C] but you. _
_ _ _ [Am] _ [F] I don't want [C] you.
You're a rat.
We're going.
Bye.
_ [Am] I [F] don't want nobody [C] but you.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
[C] _ _ _ _ Easy, easy Dave.
Hey everybody, this is Gwyn Stefani.
[Am] I'm Blake Shelton.
And this [C] is the behind the scenes of the making of the [Am] filming of the video for Nobody But [C] You.
Want to say it now, [Am] want to make it clear.
[F]
There are only you [C] and God to hear.
When you love someone, they say [Am] you set them free.
But that ain't gonna [C] work for me.
I would like to tell you what the idea is of [F] this video, but I don't know.
[C] There is no concept.
This is literally just [Am] Sophie Moeller being Sophie Moeller.
Like, oh, I have an idea.
[C] Let's do this, this, this, this.
And then we're like, okay.
[Am] I mean, right, there's not really a strong, like_
There's no point to this video, okay, but it's [C] a cool song.
I want to say it now, want to make it clear.
There are only you and God to hear. _
I don't really care if we're tired.
We have sang the song now three times, so we're making [C] some progress.
The most [Am] recent direction I got was to lean down, chin [C] up.
And that kind of eliminates the pelican effect.
[Am] You know what they say about the camera adding 10 pounds, and there's several cameras on me right now.
So I had that up.
_ All the wasted days, all the [Am] wasted nights.
[F] I blame it all on [C] being young.
Got no regrets, God [Am] got me here.
[F] But I don't want to waste [C] another one.
We were working out in the gym.
Is this how you remember it?
[Am] Yeah.
I'm thinking to myself, [C] wow, I wish you would have put me on that song.
I was keeping it to myself.
And then he turned the [Am] music off, he's like, dang it, I wish I would [C] have put you on this song.
I was like, I was just thinking that.
And then you made it happen.
[Am] _
_ [F] _ [C] And it's just such a beautiful, like, addicting [Am] song.
You're addicted to it, [C] instantly.
It's like drugs.
It's like drugs to me.
I don't like it without [Am] you.
I [F] don't want to leave with me.
So now we're about to [C] hop into my actual real truck that I [Am] bought to have a [F] vehicle in L.A.
And I'm going [C] to sing a song called Nobody But You while I'm in it, I think.
And we [C] also brought in a horse walker, which we borrowed from the [Am] Temecula FFA Club.
[F] We wanted to recreate a [C] romantic drive through [Am] downtown [F] Los Angeles.
I don't [C] know, actually, now that I've said all that, [Am] where I'm supposed to be driving to.
[F] I'm hoping that they've set a GPS or something in the truck.
All the wasted days, all the wasted [Am] nights.
Are we really putting [C] in the hours?
Yeah, burning the midnight oil, as they say.
You know what I'm saying?
[Am] _
[F] Anyway, we have now done a Dairy Queen set up.
We've done a truck driving set up.
We've done a concert footage.
[Em] We have done [D] the portrait [Cm] thing.
Yeah, we did [C] the portrait.
That seemed like years ago.
[Am] _ Nobody [C] but you. _
_ _ _ [Am] _ [F] I don't want [C] you.
You're a rat.
We're going.
Bye.
_ [Am] I [F] don't want nobody [C] but you.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _