Chords for Alchemist - Secret Sauce (Behind The Beat Video + Alchemist Drum Kit)
Tempo:
154.35 bpm
Chords used:
C
E
Eb
F
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Eb]
But I would just sit and try to figure out my formula, [Dm] just figure out a way that I could
make it work for me.
[C] I didn't know what some of the things [Dm] meant, words, [Eb] quantize, transpose.
I didn't know what any of it [Db] meant.
I [Bb] just knew when you press this button [D] it does that.
I made that work for me.
[Eb]
My process, I basically get up very early.
[Dm] I don't like sleep.
[C] I try to get sleep out of the way.
When [B] I'm working, if I [Gm] feel like I'm starting to get tired, I get mad.
I genuinely get upset.
[Db]
I just want to keep [D] working.
I wish I could just never [A] sleep.
[D]
[Ab] Now, I'm going to put you back to violence.
I'm a hunter.
In this world you have gatherers and you have hunters.
I'm a hunter.
We're all looking for that one record that's the greatest record on the planet [Gb] Earth.
We never [Eb] find it, but [Bbm]
that's the whole idea.
[F] Keep looking.
[Ebm] [Bb] I usually have a nice checklist in [Fm] my head as I'm looking at the records.
A [Ab] naked girl in a cover is an instant bot.
Always.
[Eb] Naked women, cover.
Fire.
[Abm]
100%.
[G] [E]
Sometimes I'm listening to records in the store [Ab] and I'm feeling [Abm] the inspiration and I'm hearing things on the records.
Then I [Ab] go home, put the records back on in a different environment.
The [F] records don't sound the same.
[Gb] Sometimes I wish I just had a drum machine right there sitting next to me [Ab] in the record store.
A record should give you an idea.
It should spark you.
It's source material.
I'm doing work.
[B] This is my source material.
[Ab]
[E]
[Ab] My [D] production style is probably
[G] well described as scatterbrain.
[Gbm] I [N] like the mystery of grabbing a bunch of things [Db] and samples and not knowing where it's [D] going to go.
Usually what I'm starting with and what I'm finishing with is just completely [Bm] different.
[Gbm]
You [Db] got to do the same thing over and over until you really get a technique or become precise.
There really is no method to the madness.
I try to get inspiration.
I try to reach for some inspiration that's beyond me.
I just try to be the circuit, the conduit where the energy travels through.
I try to reach up for some energy that will go through me because it's got to be bigger than me.
Whatever I'm going to make has to be somehow something more than what I could have created just as a mortal human being.
How do you finish [F] [A] a beat?
When do you say, alright, this is it, that's it, the beat is done?
To me that's the hardest part is how to let go and pull the trigger.
There's nothing [Abm] worse than an overcooked meal.
[Bbm] Something with too much flavor.
You can actually have too much flavor.
Just every fucking spice dump is hot.
What is this?
I think [Bb] with all the options and work [Db] on music now, it's possible [Cm] to [Fm] just [Bbm] free fall down the [Cm] rabbit hole of [Dbm] endless possibilities.
[C] [Dbm]
People always ask me what machine I use and it's like, whatever.
Just make it sing.
[B]
When I came up I started it was all ASR 10.
I used to sit with the ASR 10 and just try to master it.
[Abm] To this day still there's things in the ASR 10 that I don't know about.
I [Bb] kind of [E] found my way with it and just started cooking.
[Abm]
[E] I never looked at myself as a drum guy.
But I feel like there were a bunch of [Abm] sounds that I used over the years that kind of gave you a feel for what I was going for.
With the way the snare might have sounded or kicks.
So the idea was to go back to the old discs.
The floppy discs, zips, went back to the ASR 10.
And I just [F] loaded up all the old beats, soloed the drums and [Am] giving them to the people.
[Eb] [Gm]
[F] [Gm] My [C] friends don't [Gm] call me.
They don't call me.
They just show [Eb] up.
Show up at 6 [Gm].30 in the morning.
[Dm] Bang on the door.
[Gm] [Am] That's how I work.
[F]
[Bb] [G]
I can remember [C] the day that I made the beat for We Gon' Make [Gb] It.
I had it up on the ASR 10 and DJ Premier came by my crib.
I [E] was afraid to play it for him [G] because [C] I used a clap instead of a snare.
I said, you [G] know what, fuck [C] it.
He just played it and it [Dm] came up.
I [E] played it for him.
He was like, [G] yeah, I like this [Fm] man.
I can rap to it.
The [C] Ensoniq ASR 10 is like the good trusty old pal.
Always comes through.
[F] It's got its quirks.
[Eb] [F] It'll shuffle some data.
[B] It might error [F] reboot or something like that.
[Bbm] In the end, we always made it work.
[Eb]
[F] Being safe is whack.
That's like a [Eb] false sense of security.
[Abm] This is safe.
This will work.
Safe is [E] corny.
[Gb] [C] Never be afraid to save a beat.
[E] Never be afraid to erase a beat.
Did you make the track or did the track make you?
That's a good [Eb] question.
We've got to ask ourselves.
[C]
We hold on to things that are great that we [E] created sometimes and it can stunt our growth.
As if that one beat or that one verse makes you.
[Gb] Music is therapy.
It's spiritual.
[C]
Way beyond something that I could even put words to.
It's [E] something that I probably need.
[Gb]
[E]
Thank you.
[A] [C]
[E]
But I would just sit and try to figure out my formula, [Dm] just figure out a way that I could
make it work for me.
[C] I didn't know what some of the things [Dm] meant, words, [Eb] quantize, transpose.
I didn't know what any of it [Db] meant.
I [Bb] just knew when you press this button [D] it does that.
I made that work for me.
[Eb]
My process, I basically get up very early.
[Dm] I don't like sleep.
[C] I try to get sleep out of the way.
When [B] I'm working, if I [Gm] feel like I'm starting to get tired, I get mad.
I genuinely get upset.
[Db]
I just want to keep [D] working.
I wish I could just never [A] sleep.
[D]
[Ab] Now, I'm going to put you back to violence.
I'm a hunter.
In this world you have gatherers and you have hunters.
I'm a hunter.
We're all looking for that one record that's the greatest record on the planet [Gb] Earth.
We never [Eb] find it, but [Bbm]
that's the whole idea.
[F] Keep looking.
[Ebm] [Bb] I usually have a nice checklist in [Fm] my head as I'm looking at the records.
A [Ab] naked girl in a cover is an instant bot.
Always.
[Eb] Naked women, cover.
Fire.
[Abm]
100%.
[G] [E]
Sometimes I'm listening to records in the store [Ab] and I'm feeling [Abm] the inspiration and I'm hearing things on the records.
Then I [Ab] go home, put the records back on in a different environment.
The [F] records don't sound the same.
[Gb] Sometimes I wish I just had a drum machine right there sitting next to me [Ab] in the record store.
A record should give you an idea.
It should spark you.
It's source material.
I'm doing work.
[B] This is my source material.
[Ab]
[E]
[Ab] My [D] production style is probably
[G] well described as scatterbrain.
[Gbm] I [N] like the mystery of grabbing a bunch of things [Db] and samples and not knowing where it's [D] going to go.
Usually what I'm starting with and what I'm finishing with is just completely [Bm] different.
[Gbm]
You [Db] got to do the same thing over and over until you really get a technique or become precise.
There really is no method to the madness.
I try to get inspiration.
I try to reach for some inspiration that's beyond me.
I just try to be the circuit, the conduit where the energy travels through.
I try to reach up for some energy that will go through me because it's got to be bigger than me.
Whatever I'm going to make has to be somehow something more than what I could have created just as a mortal human being.
How do you finish [F] [A] a beat?
When do you say, alright, this is it, that's it, the beat is done?
To me that's the hardest part is how to let go and pull the trigger.
There's nothing [Abm] worse than an overcooked meal.
[Bbm] Something with too much flavor.
You can actually have too much flavor.
Just every fucking spice dump is hot.
What is this?
I think [Bb] with all the options and work [Db] on music now, it's possible [Cm] to [Fm] just [Bbm] free fall down the [Cm] rabbit hole of [Dbm] endless possibilities.
[C] [Dbm]
People always ask me what machine I use and it's like, whatever.
Just make it sing.
[B]
When I came up I started it was all ASR 10.
I used to sit with the ASR 10 and just try to master it.
[Abm] To this day still there's things in the ASR 10 that I don't know about.
I [Bb] kind of [E] found my way with it and just started cooking.
[Abm]
[E] I never looked at myself as a drum guy.
But I feel like there were a bunch of [Abm] sounds that I used over the years that kind of gave you a feel for what I was going for.
With the way the snare might have sounded or kicks.
So the idea was to go back to the old discs.
The floppy discs, zips, went back to the ASR 10.
And I just [F] loaded up all the old beats, soloed the drums and [Am] giving them to the people.
[Eb] [Gm]
[F] [Gm] My [C] friends don't [Gm] call me.
They don't call me.
They just show [Eb] up.
Show up at 6 [Gm].30 in the morning.
[Dm] Bang on the door.
[Gm] [Am] That's how I work.
[F]
[Bb] [G]
I can remember [C] the day that I made the beat for We Gon' Make [Gb] It.
I had it up on the ASR 10 and DJ Premier came by my crib.
I [E] was afraid to play it for him [G] because [C] I used a clap instead of a snare.
I said, you [G] know what, fuck [C] it.
He just played it and it [Dm] came up.
I [E] played it for him.
He was like, [G] yeah, I like this [Fm] man.
I can rap to it.
The [C] Ensoniq ASR 10 is like the good trusty old pal.
Always comes through.
[F] It's got its quirks.
[Eb] [F] It'll shuffle some data.
[B] It might error [F] reboot or something like that.
[Bbm] In the end, we always made it work.
[Eb]
[F] Being safe is whack.
That's like a [Eb] false sense of security.
[Abm] This is safe.
This will work.
Safe is [E] corny.
[Gb] [C] Never be afraid to save a beat.
[E] Never be afraid to erase a beat.
Did you make the track or did the track make you?
That's a good [Eb] question.
We've got to ask ourselves.
[C]
We hold on to things that are great that we [E] created sometimes and it can stunt our growth.
As if that one beat or that one verse makes you.
[Gb] Music is therapy.
It's spiritual.
[C]
Way beyond something that I could even put words to.
It's [E] something that I probably need.
[Gb]
[E]
Thank you.
[A] [C]
[E]
Key:
C
E
Eb
F
Ab
C
E
Eb
[Eb] _ _ _ _ _ _ _ _
_ _ But I would just sit and try to figure out my formula, _ [Dm] just figure out a way that I could
make it work for me.
[C] I didn't know what some of the things [Dm] meant, words, [Eb] quantize, _ transpose. _ _ _
_ I didn't know what any of it [Db] meant.
I [Bb] just knew when you press this button [D] it does that.
_ I made that work for me.
_ _ _ _ [Eb] _
My process, _ I basically get up very early.
_ [Dm] _ I don't like sleep.
[C] I try to get sleep out of the way.
When [B] I'm working, if I [Gm] feel like I'm starting to get tired, I get mad.
I genuinely get upset.
[Db] _
_ _ I just want to keep [D] working.
I wish I could just never [A] sleep.
_ _ _ [D] _
_ _ _ _ [Ab] Now, _ _ I'm going to put you back to violence.
_ _ I'm _ _ a hunter.
_ In this world you have gatherers and you have hunters. _ _
I'm a hunter.
_ _ _ _ We're all looking for that one record that's the greatest record on the planet [Gb] Earth.
We never [Eb] find it, but [Bbm]
that's the whole idea.
[F] Keep looking. _ _
_ _ [Ebm] _ _ _ [Bb] I usually have a nice checklist in [Fm] my head as I'm looking at the records.
_ A _ [Ab] naked girl in a cover is an instant bot.
Always.
[Eb] Naked women, cover.
_ Fire.
[Abm] _ _
100%.
[G] _ _ _ _ [E] _ _
Sometimes I'm listening to records in the store [Ab] and I'm _ _ feeling [Abm] the inspiration and I'm hearing things on the records.
Then I [Ab] go home, put the records back on in a different environment.
_ The [F] records don't sound the same.
[Gb] _ _ _ Sometimes I wish I just had a drum machine right there sitting next to me [Ab] in the record store. _ _
_ _ _ _ _ A record should give you an idea.
It should spark you. _
It's source material. _ _ _ _
I'm doing work.
[B] This is my source material. _ _ _
_ _ [Ab] _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
[Ab] My [D] production style is probably _
[G] well _ described as _ _ scatterbrain.
[Gbm] I [N] like the mystery _ of grabbing a bunch of things [Db] and samples and not knowing where it's [D] going to go.
_ _ _ _ Usually what I'm starting with and what I'm finishing with is just completely [Bm] different.
_ _ _ _ [Gbm] _ _
You [Db] got to do the same thing over and over _ until you really get _ _ _ a technique or become precise.
There really is no method to the madness.
_ _ I try to get inspiration.
I try to reach _ for some inspiration that's beyond me.
I just try to be the circuit, the conduit where the energy travels through.
_ _ I try to reach up for some energy that _ will go through me because it's got to be bigger than me.
_ Whatever I'm going to make has to be somehow _ _ _ something more than what I could have created just as a mortal human being. _ _ _ _ _
_ _ _ _ _ _ How do you finish [F] _ _ _ [A] a beat?
When do you say, alright, _ this is it, that's it, the beat is done?
To me that's the hardest part is how to let go and pull the trigger. _
_ There's nothing [Abm] worse than an overcooked meal. _
[Bbm] _ Something with too much flavor.
You can actually have too much flavor.
_ Just every fucking spice dump is _ hot.
_ What is this?
_ _ I think [Bb] with all the options and work [Db] on music now, it's possible [Cm] to [Fm] just _ _ [Bbm] free fall down the [Cm] rabbit hole of [Dbm] endless possibilities. _
_ [C] _ _ _ _ _ [Dbm] _ _
_ _ _ People always ask me what machine I use and it's like, _ _ whatever. _
Just make it sing.
_ [B]
When I came up I started it was all ASR 10.
I used to sit with the ASR 10 and just try to master it.
[Abm] _ To this day still there's things in the ASR 10 that I don't know about.
I [Bb] kind of [E] found my way with it and just started cooking.
_ [Abm] _ _
_ [E] I never looked at myself as a drum guy.
_ But I feel like there were a bunch of [Abm] sounds that I used over the years that kind of gave you a feel for what I was going for.
With the way the snare might have sounded or kicks.
_ So the idea was to go back to the old discs.
The floppy discs, zips, went back to the ASR 10.
And I just [F] loaded up all the old beats, _ soloed the drums _ and [Am] giving them to the people.
_ [Eb] _ _ _ [Gm] _ _ _ _
_ [F] _ _ [Gm] _ _ _ My [C] friends don't [Gm] call me.
_ They don't call me.
They just show [Eb] up.
Show up at 6 [Gm].30 in the morning.
_ [Dm] _ Bang on the door.
[Gm] _ _ [Am] That's how I work.
_ [F] _ _
_ [Bb] _ _ _ _ [G] _ _ _
_ I can remember [C] the day that I made the beat for We Gon' Make [Gb] It.
I had it up on the ASR 10 and DJ Premier came by my crib.
I [E] was afraid to play it for him [G] because _ [C] I used a clap instead of a snare.
_ _ _ I said, you [G] know what, fuck [C] it.
He just played it and it [Dm] came up.
I [E] played it for him.
He was like, [G] yeah, I like this [Fm] man.
I can rap to it.
_ _ _ The [C] Ensoniq ASR 10 is like the good trusty old pal.
_ Always comes through.
[F] It's got its quirks.
[Eb] _ _ [F] It'll shuffle some data. _
[B] It might error [F] reboot or something like that.
[Bbm] In the end, we always made it work.
_ [Eb] _ _
_ [F] Being safe is whack.
That's like a _ [Eb] false sense of security. _
[Abm] This _ is safe.
This will work. _
Safe is [E] corny. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Gb] _ _ _ _ [C] Never be afraid to save a beat.
_ _ [E] Never be afraid to erase a beat. _ _ _ _
Did _ you make the track or did the track make you?
_ _ _ _ That's a good [Eb] question.
We've got to ask ourselves.
_ _ [C] _
We hold on to things that are great that we [E] created sometimes and it can stunt our growth. _ _ _
As if that one beat or that one verse _ makes you. _ _
_ _ [Gb] Music is therapy.
It's spiritual.
[C]
Way beyond _ something that I could even put words to.
It's [E] something that I probably need. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Gb] _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Thank you. _ _ _
[A] _ _ [C] _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ But I would just sit and try to figure out my formula, _ [Dm] just figure out a way that I could
make it work for me.
[C] I didn't know what some of the things [Dm] meant, words, [Eb] quantize, _ transpose. _ _ _
_ I didn't know what any of it [Db] meant.
I [Bb] just knew when you press this button [D] it does that.
_ I made that work for me.
_ _ _ _ [Eb] _
My process, _ I basically get up very early.
_ [Dm] _ I don't like sleep.
[C] I try to get sleep out of the way.
When [B] I'm working, if I [Gm] feel like I'm starting to get tired, I get mad.
I genuinely get upset.
[Db] _
_ _ I just want to keep [D] working.
I wish I could just never [A] sleep.
_ _ _ [D] _
_ _ _ _ [Ab] Now, _ _ I'm going to put you back to violence.
_ _ I'm _ _ a hunter.
_ In this world you have gatherers and you have hunters. _ _
I'm a hunter.
_ _ _ _ We're all looking for that one record that's the greatest record on the planet [Gb] Earth.
We never [Eb] find it, but [Bbm]
that's the whole idea.
[F] Keep looking. _ _
_ _ [Ebm] _ _ _ [Bb] I usually have a nice checklist in [Fm] my head as I'm looking at the records.
_ A _ [Ab] naked girl in a cover is an instant bot.
Always.
[Eb] Naked women, cover.
_ Fire.
[Abm] _ _
100%.
[G] _ _ _ _ [E] _ _
Sometimes I'm listening to records in the store [Ab] and I'm _ _ feeling [Abm] the inspiration and I'm hearing things on the records.
Then I [Ab] go home, put the records back on in a different environment.
_ The [F] records don't sound the same.
[Gb] _ _ _ Sometimes I wish I just had a drum machine right there sitting next to me [Ab] in the record store. _ _
_ _ _ _ _ A record should give you an idea.
It should spark you. _
It's source material. _ _ _ _
I'm doing work.
[B] This is my source material. _ _ _
_ _ [Ab] _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
[Ab] My [D] production style is probably _
[G] well _ described as _ _ scatterbrain.
[Gbm] I [N] like the mystery _ of grabbing a bunch of things [Db] and samples and not knowing where it's [D] going to go.
_ _ _ _ Usually what I'm starting with and what I'm finishing with is just completely [Bm] different.
_ _ _ _ [Gbm] _ _
You [Db] got to do the same thing over and over _ until you really get _ _ _ a technique or become precise.
There really is no method to the madness.
_ _ I try to get inspiration.
I try to reach _ for some inspiration that's beyond me.
I just try to be the circuit, the conduit where the energy travels through.
_ _ I try to reach up for some energy that _ will go through me because it's got to be bigger than me.
_ Whatever I'm going to make has to be somehow _ _ _ something more than what I could have created just as a mortal human being. _ _ _ _ _
_ _ _ _ _ _ How do you finish [F] _ _ _ [A] a beat?
When do you say, alright, _ this is it, that's it, the beat is done?
To me that's the hardest part is how to let go and pull the trigger. _
_ There's nothing [Abm] worse than an overcooked meal. _
[Bbm] _ Something with too much flavor.
You can actually have too much flavor.
_ Just every fucking spice dump is _ hot.
_ What is this?
_ _ I think [Bb] with all the options and work [Db] on music now, it's possible [Cm] to [Fm] just _ _ [Bbm] free fall down the [Cm] rabbit hole of [Dbm] endless possibilities. _
_ [C] _ _ _ _ _ [Dbm] _ _
_ _ _ People always ask me what machine I use and it's like, _ _ whatever. _
Just make it sing.
_ [B]
When I came up I started it was all ASR 10.
I used to sit with the ASR 10 and just try to master it.
[Abm] _ To this day still there's things in the ASR 10 that I don't know about.
I [Bb] kind of [E] found my way with it and just started cooking.
_ [Abm] _ _
_ [E] I never looked at myself as a drum guy.
_ But I feel like there were a bunch of [Abm] sounds that I used over the years that kind of gave you a feel for what I was going for.
With the way the snare might have sounded or kicks.
_ So the idea was to go back to the old discs.
The floppy discs, zips, went back to the ASR 10.
And I just [F] loaded up all the old beats, _ soloed the drums _ and [Am] giving them to the people.
_ [Eb] _ _ _ [Gm] _ _ _ _
_ [F] _ _ [Gm] _ _ _ My [C] friends don't [Gm] call me.
_ They don't call me.
They just show [Eb] up.
Show up at 6 [Gm].30 in the morning.
_ [Dm] _ Bang on the door.
[Gm] _ _ [Am] That's how I work.
_ [F] _ _
_ [Bb] _ _ _ _ [G] _ _ _
_ I can remember [C] the day that I made the beat for We Gon' Make [Gb] It.
I had it up on the ASR 10 and DJ Premier came by my crib.
I [E] was afraid to play it for him [G] because _ [C] I used a clap instead of a snare.
_ _ _ I said, you [G] know what, fuck [C] it.
He just played it and it [Dm] came up.
I [E] played it for him.
He was like, [G] yeah, I like this [Fm] man.
I can rap to it.
_ _ _ The [C] Ensoniq ASR 10 is like the good trusty old pal.
_ Always comes through.
[F] It's got its quirks.
[Eb] _ _ [F] It'll shuffle some data. _
[B] It might error [F] reboot or something like that.
[Bbm] In the end, we always made it work.
_ [Eb] _ _
_ [F] Being safe is whack.
That's like a _ [Eb] false sense of security. _
[Abm] This _ is safe.
This will work. _
Safe is [E] corny. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Gb] _ _ _ _ [C] Never be afraid to save a beat.
_ _ [E] Never be afraid to erase a beat. _ _ _ _
Did _ you make the track or did the track make you?
_ _ _ _ That's a good [Eb] question.
We've got to ask ourselves.
_ _ [C] _
We hold on to things that are great that we [E] created sometimes and it can stunt our growth. _ _ _
As if that one beat or that one verse _ makes you. _ _
_ _ [Gb] Music is therapy.
It's spiritual.
[C]
Way beyond _ something that I could even put words to.
It's [E] something that I probably need. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Gb] _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Thank you. _ _ _
[A] _ _ [C] _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _