Chords for Rick Ross Producer Makes A Beat ON THE SPOT - Oktober1st Ft Jayson Lyric

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_ [Gbm] _ [B] Yo, what's up?
This is October _ 1st.
I'm a producer in Dallas, Texas.
I got [A] the homie Jason Lyric back here.
_ We're about to go through our sample [Am] pack.
So we're going to go through those [G] and figure out what we can [Am] rock with and see what we
can come up with.
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_ _ _ _ _ _ [Bm] Ableton all [A] day.
Ableton gang.
2D4. _ _
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We're going to [Bb] do everything on it.
Push keys, samples, [C] drums, [Ab] everything.
_ So what I'm doing here _ _
[Abm] _ is loading it in the sampler. _
Chop it up.
It's probably going to be a real simple chop.
I'm going to catch the piano part at the end.
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I'm going to do [Gb] something like some drums.
I guess do some [G] drums right now.
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_ [Bm] _ I'm going _ _ [A] _
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[Gb] _ _ _ to [B] _ _ _
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_ [D] make the drums hit.
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In Ableton, it's to use the MS-20 filter.
So if you've got an older version of Ableton, sometimes you'll see an upgrade button right here.
You hit it and new filters pop _ up on MS-20. _
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_ _ [Bm] _ _ _ _ Hi-hats, I usually do like the first pass.
Like the main loop is usually like if I'm going to leave it steady, I'll just leave
it at all [A] at one volume and one [Eb] velocity.
So just hit accent and just full level on the [G] MPC type thing.
And on the repeats, I usually take that off and just do a random velocity.
Kind of fill it in.
Just kind of give it some feel.
A little bit different.
[Bm] And then you can play [B] with them later.
You can add something [Bm] cool to make them sound different.
I'll nudge them to the right and make them slow.
That type of thing.
But the hi-hat groove is good to _ _ _ generate the drum and the kick pattern.
You know, some [A] people, everybody does it different.
[Bm] It's just kind of my thing.
That groove just kind of helps.
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_ _ [Bm] _ _ _ [E] Drag some of these [B] snares down just to make them.
Because it's two different snares, [Bb] but one's pitched up and one's pitched down.
So I'm going to just [A] _ _ drag it down just to keep it.
[G] Keep it.
You know, [Bm] whatever I guess.
_ One for you.
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The MS-20 filter.
I use it on everything because it gives you that.
It makes it sound like [D] everything was done on an FSL.
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_ _ _ [E] I want to add some orbit and shit.
Kind of add to _ [B] the _ _ flyness that's already there. _ _ _ _ _ _
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_ _ _ _ Playing around with the arrangement, I [C] guess.
And then _ [A] put a filter on the sample just seeing if we can change [Bm] it up just a little bit.
See _ how it feels.
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_ So that was definitely an on-the-spot [Gb] session.
Just a wrap.
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_ _ _ _ _ Thanks.
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