Chords for Action Bronson - Let Me Breathe [OFFICIAL MUSIC VIDEO]
Tempo:
90.7 bpm
Chords used:
Ab
Eb
E
Gb
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Um, so can you describe the video to me?
Can I [E] describe the video?
[F]
Listen man, [Ab] I'm not good at fucking these types of descriptions.
It's just something you're gonna have to see for yourself.
I don't fucking know how to explain this one.
I don't know.
This video we did, I think it's gonna be epic.
I really, really think so.
I don't know what's going [Abm] on right now in this shoot, so I'm just, [A] I'm winging it like [B] everybody else.
To be [G] honest, I'm not sure what the concept of the [E] video is.
You
[N]
[Eb] like the way [Gb] it sounds, Frody?
[C] [E]
[Bb] Just let me breathe for a [N] minute, man.
Just [Bb] let me breathe.
[G] Just let me breathe for [Ab] a minute, man.
Just let me [B] breathe for a minute.
Just let me breathe.
[Dbm] It's [Ab] too hot, drop the top off the wagon.
Lay back, [Dbm] glowing fire like dragon.
[Eb] Man, I'm flying past Saturn.
[Ab] Fuck outta here like I ain't [Bb] that savage.
Two Uzi's and [Dbm] a rifle.
[Bb] It's like I'm at the studio with Michael.
You can hear [F] me dancing on the beat.
Been, been bout to put [Dbm] a mission on the beach, yeah.
[G] Hundred latins in [Ab] your lobby.
That's what happens when you fucking around [Db] with body.
And [B] I put that on my mommy.
I [Bb] will never give my heart to a thotty.
If I could just make a dance that goes with this song,
then I'm a be on.
[Gm] Basic bitches gonna dance to it.
One, two, [N] three, four.
Hold your arms out, arms length.
I met Action and knew right away that there was [B] so much talent.
Let's just start, let's just do one [Eb] choreographed situation.
Action is an amazing choreographer.
Did you know that you were gonna be dancing for the shoot?
[B] No, I didn't know I was gonna be, you know, dancing for the shoot.
One, two, cross your heart, shake [N] your fucking asshole.
His approach was very soft, [A] cut worldwide,
just gently pushing one into one, you know, into [B] direction.
That's your fucking dick, I want your ass shaking.
Hey, turn it, get a close up on his mustache, you motherfucker.
The way he moves, the way he, the way he, he lifts expressions in the face,
and, and [Gb] the hands, and, and the movements,
and, and gets in the mood of a grooving [Db] thing.
It's all in the face.
[G] Certain steps [Gb] and stuff you have to, you know, you just have to work on.
It's all in timing.
He's good.
[Ab] He knows what he's doing.
[Dbm] [Gb]
[Dbm] [N]
[Bbm] [Abm]
[Bb] [E]
I've always been well impressed with ladies that are much larger [A] than myself.
She's a phenomenally [Ab] stunning woman.
I'm too short [G] for this movie.
[Eb] Statuesque.
Just like a mountain you want to climb, you know [Bb] what I mean?
Oh, yes.
[G] Walk a little bit so [Eb] that I can get in the
I kind of noticed that Harwood had been eyeballing her too.
And [A] she and I kind of hit it off pretty well from the beginning.
[Ab] Harwood and Robert were fighting [E] over Ashley.
Hey, [Abm] I told you to quit fucking around with this motherfucker, didn't I?
He always [A] fancies himself as a [G] ladies man.
Shut the fuck [E] up, man.
What?
Are you going to fuck with me?
Hater!
Hater!
What's up, [Bb] man?
You know, me and that guy have gone [A] through this, I don't know how many times on set.
Maybe half a dozen times more.
And [Gb] Harwood, I'm going to fuck you up if you [Ab] try to take this woman from me.
Hater!
What's up, fool?
What's [B] up?
And then this dally fellow, Jeff Garlin, showed up.
Hey, hey, hey, hey.
No more.
[E]
Oh, dear God.
I'm with [F] him.
I'll take care of it.
Oh, my [Eb] God.
How are you?
I'm fine.
I need a break for that.
Hi, Ashley.
How are [N] you?
The pleasure is mine.
You got a fat ass, baby, shake that shit.
Shake that shit.
Shake that shit.
You got a fat ass, baby, shake [C] that shit.
Shake [F] that shit.
Shake, shake, shake.
I got [Ab] two shows, I'm about to pitch another.
Throwing alley-oops to my brothers.
We all shine, nobody's victims.
Armani sweatsuit pimping.
Black pimpin'.
I swag different.
That's why the money in the bag different.
Come up short, you'll have your [Db] motherfucking fam missing.
I lay [Eb] on beaches and swerving whips.
[D] You ain't serving, shit, [Db] you just an urban myth.
Every day [Eb] get flea.
Ride around Queens on the jet ski.
It's [Bb] me.
[Gb] Every day get [E] high.
Till the day I die.
[Db] Every day get [Ab] high.
Man, I roll that shit.
And I smoke that shit.
[Db] Money bouncing up and [Gm] down.
She nearly broke my dick.
She nearly broke my [Gb] dick.
Ah, just let me breathe for a minute.
Just let me breathe [Db] for a minute.
Ah, [Ab] just let me breathe for a minute.
White Range Rover blowing trees all in [C] it.
Let me breathe [Abm] for a minute.
Just let me breathe for a minute, [C] man.
Just let me breathe for a minute.
[F] White Range Rover blowing trees all in it.
[Gb]
[Dbm] [Eb] [Gb]
[F] You guys seem like you guys switched the idea like in the mid-second.
Like, [Eb] even if you don't want to talk about what you guys actually did, like,
how does it feel like [E] to change that up?
[Ab] It's not even a change up.
Sometimes you got to call audibles in the middle of the game, you know?
Sometimes the defense is ready for your play.
They know what you're going to do.
You see something, you read something in the defense,
and you call the fucking run play instead of the pass,
and he takes it fucking 43 yards up the middle for a touchdown.
That's kind of what we did.
Cool.
Awesome.
Thanks, man.
You're good.
I'm Johnny B, the man to see, the most definite thing,
and I'm chilling, not killing.
I'm getting the juice, tearing you all [F] loose.
You got to use my desire [N] to loosen you all up.
Can I [E] describe the video?
[F]
Listen man, [Ab] I'm not good at fucking these types of descriptions.
It's just something you're gonna have to see for yourself.
I don't fucking know how to explain this one.
I don't know.
This video we did, I think it's gonna be epic.
I really, really think so.
I don't know what's going [Abm] on right now in this shoot, so I'm just, [A] I'm winging it like [B] everybody else.
To be [G] honest, I'm not sure what the concept of the [E] video is.
You
[N]
[Eb] like the way [Gb] it sounds, Frody?
[C] [E]
[Bb] Just let me breathe for a [N] minute, man.
Just [Bb] let me breathe.
[G] Just let me breathe for [Ab] a minute, man.
Just let me [B] breathe for a minute.
Just let me breathe.
[Dbm] It's [Ab] too hot, drop the top off the wagon.
Lay back, [Dbm] glowing fire like dragon.
[Eb] Man, I'm flying past Saturn.
[Ab] Fuck outta here like I ain't [Bb] that savage.
Two Uzi's and [Dbm] a rifle.
[Bb] It's like I'm at the studio with Michael.
You can hear [F] me dancing on the beat.
Been, been bout to put [Dbm] a mission on the beach, yeah.
[G] Hundred latins in [Ab] your lobby.
That's what happens when you fucking around [Db] with body.
And [B] I put that on my mommy.
I [Bb] will never give my heart to a thotty.
If I could just make a dance that goes with this song,
then I'm a be on.
[Gm] Basic bitches gonna dance to it.
One, two, [N] three, four.
Hold your arms out, arms length.
I met Action and knew right away that there was [B] so much talent.
Let's just start, let's just do one [Eb] choreographed situation.
Action is an amazing choreographer.
Did you know that you were gonna be dancing for the shoot?
[B] No, I didn't know I was gonna be, you know, dancing for the shoot.
One, two, cross your heart, shake [N] your fucking asshole.
His approach was very soft, [A] cut worldwide,
just gently pushing one into one, you know, into [B] direction.
That's your fucking dick, I want your ass shaking.
Hey, turn it, get a close up on his mustache, you motherfucker.
The way he moves, the way he, the way he, he lifts expressions in the face,
and, and [Gb] the hands, and, and the movements,
and, and gets in the mood of a grooving [Db] thing.
It's all in the face.
[G] Certain steps [Gb] and stuff you have to, you know, you just have to work on.
It's all in timing.
He's good.
[Ab] He knows what he's doing.
[Dbm] [Gb]
[Dbm] [N]
[Bbm] [Abm]
[Bb] [E]
I've always been well impressed with ladies that are much larger [A] than myself.
She's a phenomenally [Ab] stunning woman.
I'm too short [G] for this movie.
[Eb] Statuesque.
Just like a mountain you want to climb, you know [Bb] what I mean?
Oh, yes.
[G] Walk a little bit so [Eb] that I can get in the
I kind of noticed that Harwood had been eyeballing her too.
And [A] she and I kind of hit it off pretty well from the beginning.
[Ab] Harwood and Robert were fighting [E] over Ashley.
Hey, [Abm] I told you to quit fucking around with this motherfucker, didn't I?
He always [A] fancies himself as a [G] ladies man.
Shut the fuck [E] up, man.
What?
Are you going to fuck with me?
Hater!
Hater!
What's up, [Bb] man?
You know, me and that guy have gone [A] through this, I don't know how many times on set.
Maybe half a dozen times more.
And [Gb] Harwood, I'm going to fuck you up if you [Ab] try to take this woman from me.
Hater!
What's up, fool?
What's [B] up?
And then this dally fellow, Jeff Garlin, showed up.
Hey, hey, hey, hey.
No more.
[E]
Oh, dear God.
I'm with [F] him.
I'll take care of it.
Oh, my [Eb] God.
How are you?
I'm fine.
I need a break for that.
Hi, Ashley.
How are [N] you?
The pleasure is mine.
You got a fat ass, baby, shake that shit.
Shake that shit.
Shake that shit.
You got a fat ass, baby, shake [C] that shit.
Shake [F] that shit.
Shake, shake, shake.
I got [Ab] two shows, I'm about to pitch another.
Throwing alley-oops to my brothers.
We all shine, nobody's victims.
Armani sweatsuit pimping.
Black pimpin'.
I swag different.
That's why the money in the bag different.
Come up short, you'll have your [Db] motherfucking fam missing.
I lay [Eb] on beaches and swerving whips.
[D] You ain't serving, shit, [Db] you just an urban myth.
Every day [Eb] get flea.
Ride around Queens on the jet ski.
It's [Bb] me.
[Gb] Every day get [E] high.
Till the day I die.
[Db] Every day get [Ab] high.
Man, I roll that shit.
And I smoke that shit.
[Db] Money bouncing up and [Gm] down.
She nearly broke my dick.
She nearly broke my [Gb] dick.
Ah, just let me breathe for a minute.
Just let me breathe [Db] for a minute.
Ah, [Ab] just let me breathe for a minute.
White Range Rover blowing trees all in [C] it.
Let me breathe [Abm] for a minute.
Just let me breathe for a minute, [C] man.
Just let me breathe for a minute.
[F] White Range Rover blowing trees all in it.
[Gb]
[Dbm] [Eb] [Gb]
[F] You guys seem like you guys switched the idea like in the mid-second.
Like, [Eb] even if you don't want to talk about what you guys actually did, like,
how does it feel like [E] to change that up?
[Ab] It's not even a change up.
Sometimes you got to call audibles in the middle of the game, you know?
Sometimes the defense is ready for your play.
They know what you're going to do.
You see something, you read something in the defense,
and you call the fucking run play instead of the pass,
and he takes it fucking 43 yards up the middle for a touchdown.
That's kind of what we did.
Cool.
Awesome.
Thanks, man.
You're good.
I'm Johnny B, the man to see, the most definite thing,
and I'm chilling, not killing.
I'm getting the juice, tearing you all [F] loose.
You got to use my desire [N] to loosen you all up.
Key:
Ab
Eb
E
Gb
Bb
Ab
Eb
E
Um, so can you describe the video to me?
Can I [E] describe the video?
_ [F]
Listen man, [Ab] I'm not good at fucking these types of descriptions.
It's just something you're gonna have to see for yourself.
I don't fucking know how to explain this one.
I don't know.
This video we did, I think it's gonna be epic.
I really, really think so.
I don't know what's going [Abm] on right now in this shoot, so I'm just, [A] I'm winging it like [B] everybody else.
To be [G] honest, I'm not sure what the concept of the [E] video is.
You _ _ _
_ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ _
_ _ _ _ [Eb] like the way [Gb] it sounds, Frody? _
_ [C] _ _ _ [E] _ _ _
[Bb] Just let me breathe for a [N] minute, man. _ _ _ _ _
_ _ Just [Bb] _ let me breathe.
[G] _ Just let me breathe for [Ab] a minute, man.
Just let me [B] breathe for a minute.
Just let me breathe.
[Dbm] It's [Ab] too hot, drop the top off the wagon.
Lay back, [Dbm] glowing fire like dragon.
[Eb] Man, I'm flying past Saturn.
[Ab] Fuck outta here like I ain't [Bb] that savage.
Two Uzi's and [Dbm] a rifle.
[Bb] It's like I'm at the studio with Michael.
You can hear [F] me dancing on the beat.
Been, been bout to put [Dbm] a mission on the beach, yeah.
[G] Hundred latins in [Ab] your lobby.
That's what happens when you fucking around [Db] with body.
And [B] I put that on my mommy.
I [Bb] will never give my heart to a thotty.
If I could just make a dance that goes with this song,
then I'm a be on.
_ [Gm] Basic bitches gonna dance to it.
One, two, [N] three, four.
Hold your arms out, arms length.
I met Action and knew right away that there was [B] so much talent.
Let's just start, let's just do one [Eb] choreographed situation.
Action is an amazing choreographer.
Did you know that you were gonna be dancing for the shoot?
[B] No, I didn't know I was gonna be, you know, dancing for the shoot.
One, two, cross your heart, shake [N] your fucking asshole.
His approach was very soft, [A] cut worldwide,
just gently pushing one into one, you know, into [B] direction.
That's your fucking dick, I want your ass shaking.
Hey, turn it, get a close up on his mustache, you motherfucker.
The way he moves, the way he, the way he, he lifts expressions in the face,
and, and [Gb] the hands, and, and the movements,
and, and gets in the mood of a grooving [Db] thing.
It's all in the face.
[G] Certain steps [Gb] and stuff you have to, you know, you just have to work on.
It's all in timing.
He's good.
[Ab] He knows what he's doing.
[Dbm] _ _ _ [Gb] _ _ _
_ _ _ [Dbm] _ _ _ [N] _ _
_ _ _ _ _ [Bbm] _ _ [Abm] _
_ _ _ _ _ [Bb] _ _ [E] _
_ _ _ _ I've always been well impressed with ladies that are much larger [A] than myself.
She's a phenomenally [Ab] stunning woman.
I'm too short [G] for this movie.
[Eb] Statuesque.
Just like a mountain you want to climb, you know [Bb] what I mean?
Oh, yes.
[G] Walk a little bit so [Eb] that I can get in the_
I kind of noticed that Harwood had been eyeballing her too.
And [A] she and I kind of hit it off pretty well from the beginning.
[Ab] Harwood and Robert were fighting [E] over Ashley.
Hey, [Abm] I told you to quit fucking around with this motherfucker, didn't I?
He always [A] fancies himself as a [G] ladies man.
Shut the fuck [E] up, man.
What?
Are you going to fuck with me?
Hater!
Hater!
What's up, [Bb] man?
You know, me and that guy have gone [A] through this, I don't know how many times on set.
Maybe half a dozen times more.
And [Gb] Harwood, I'm going to fuck you up if you [Ab] try to take this woman from me.
Hater!
What's up, fool?
What's [B] up?
And then this dally fellow, Jeff Garlin, showed up.
Hey, hey, hey, hey.
No more.
[E]
Oh, dear God.
I'm with [F] him.
I'll take care of it.
Oh, my [Eb] God.
How are you?
I'm fine.
I need a break for that.
Hi, Ashley.
How are [N] you?
The pleasure is mine.
You got a fat ass, baby, shake that shit.
Shake that shit.
Shake that shit.
You got a fat ass, baby, shake [C] that shit.
Shake [F] that shit.
Shake, shake, shake.
I got [Ab] two shows, I'm about to pitch another.
Throwing alley-oops to my brothers.
We all shine, nobody's victims.
Armani sweatsuit pimping.
Black pimpin'.
I swag different.
That's why the money in the bag different.
Come up short, you'll have your [Db] motherfucking fam missing.
I lay [Eb] on beaches and swerving whips.
[D] You ain't serving, shit, [Db] you just an urban myth.
Every day [Eb] get flea.
Ride around Queens on the jet ski.
It's [Bb] me.
[Gb] Every day get [E] high.
Till the day I die.
[Db] Every day get [Ab] high.
Man, I roll that shit.
And I smoke that shit.
[Db] Money bouncing up and [Gm] down.
She nearly broke my dick.
She nearly broke my [Gb] dick.
Ah, just let me breathe for a minute. _
Just let me breathe [Db] for a minute.
Ah, [Ab] just let me breathe for a minute.
White Range Rover blowing trees all in [C] it.
Let me breathe [Abm] for a minute. _
Just let me breathe for a minute, [C] man.
Just let me breathe for a minute.
[F] White Range Rover blowing trees all in it.
_ _ [Gb] _ _ _
[Dbm] _ _ [Eb] _ _ _ [Gb] _ _ _
_ _ _ [F] You guys seem like you guys switched the idea like in the mid-second.
Like, [Eb] even if you don't want to talk about what you guys actually did, like,
how does it feel like [E] to change that up?
[Ab] It's not even a change up.
Sometimes you got to call audibles in the middle of the game, you know?
Sometimes the defense is ready for your play.
They know what you're going to do.
You see something, you read something in the defense,
and you call the fucking run play instead of the pass,
and he takes it fucking 43 yards up the middle for a touchdown.
That's kind of what we did.
Cool.
Awesome.
Thanks, man.
You're good.
_ I'm Johnny B, the man to see, the most definite thing,
and I'm chilling, not killing.
I'm getting the juice, tearing you all [F] loose.
You got to use my desire [N] to _ _ loosen you all up.
_ _ _ _ _ _ _ _
Can I [E] describe the video?
_ [F]
Listen man, [Ab] I'm not good at fucking these types of descriptions.
It's just something you're gonna have to see for yourself.
I don't fucking know how to explain this one.
I don't know.
This video we did, I think it's gonna be epic.
I really, really think so.
I don't know what's going [Abm] on right now in this shoot, so I'm just, [A] I'm winging it like [B] everybody else.
To be [G] honest, I'm not sure what the concept of the [E] video is.
You _ _ _
_ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ _
_ _ _ _ [Eb] like the way [Gb] it sounds, Frody? _
_ [C] _ _ _ [E] _ _ _
[Bb] Just let me breathe for a [N] minute, man. _ _ _ _ _
_ _ Just [Bb] _ let me breathe.
[G] _ Just let me breathe for [Ab] a minute, man.
Just let me [B] breathe for a minute.
Just let me breathe.
[Dbm] It's [Ab] too hot, drop the top off the wagon.
Lay back, [Dbm] glowing fire like dragon.
[Eb] Man, I'm flying past Saturn.
[Ab] Fuck outta here like I ain't [Bb] that savage.
Two Uzi's and [Dbm] a rifle.
[Bb] It's like I'm at the studio with Michael.
You can hear [F] me dancing on the beat.
Been, been bout to put [Dbm] a mission on the beach, yeah.
[G] Hundred latins in [Ab] your lobby.
That's what happens when you fucking around [Db] with body.
And [B] I put that on my mommy.
I [Bb] will never give my heart to a thotty.
If I could just make a dance that goes with this song,
then I'm a be on.
_ [Gm] Basic bitches gonna dance to it.
One, two, [N] three, four.
Hold your arms out, arms length.
I met Action and knew right away that there was [B] so much talent.
Let's just start, let's just do one [Eb] choreographed situation.
Action is an amazing choreographer.
Did you know that you were gonna be dancing for the shoot?
[B] No, I didn't know I was gonna be, you know, dancing for the shoot.
One, two, cross your heart, shake [N] your fucking asshole.
His approach was very soft, [A] cut worldwide,
just gently pushing one into one, you know, into [B] direction.
That's your fucking dick, I want your ass shaking.
Hey, turn it, get a close up on his mustache, you motherfucker.
The way he moves, the way he, the way he, he lifts expressions in the face,
and, and [Gb] the hands, and, and the movements,
and, and gets in the mood of a grooving [Db] thing.
It's all in the face.
[G] Certain steps [Gb] and stuff you have to, you know, you just have to work on.
It's all in timing.
He's good.
[Ab] He knows what he's doing.
[Dbm] _ _ _ [Gb] _ _ _
_ _ _ [Dbm] _ _ _ [N] _ _
_ _ _ _ _ [Bbm] _ _ [Abm] _
_ _ _ _ _ [Bb] _ _ [E] _
_ _ _ _ I've always been well impressed with ladies that are much larger [A] than myself.
She's a phenomenally [Ab] stunning woman.
I'm too short [G] for this movie.
[Eb] Statuesque.
Just like a mountain you want to climb, you know [Bb] what I mean?
Oh, yes.
[G] Walk a little bit so [Eb] that I can get in the_
I kind of noticed that Harwood had been eyeballing her too.
And [A] she and I kind of hit it off pretty well from the beginning.
[Ab] Harwood and Robert were fighting [E] over Ashley.
Hey, [Abm] I told you to quit fucking around with this motherfucker, didn't I?
He always [A] fancies himself as a [G] ladies man.
Shut the fuck [E] up, man.
What?
Are you going to fuck with me?
Hater!
Hater!
What's up, [Bb] man?
You know, me and that guy have gone [A] through this, I don't know how many times on set.
Maybe half a dozen times more.
And [Gb] Harwood, I'm going to fuck you up if you [Ab] try to take this woman from me.
Hater!
What's up, fool?
What's [B] up?
And then this dally fellow, Jeff Garlin, showed up.
Hey, hey, hey, hey.
No more.
[E]
Oh, dear God.
I'm with [F] him.
I'll take care of it.
Oh, my [Eb] God.
How are you?
I'm fine.
I need a break for that.
Hi, Ashley.
How are [N] you?
The pleasure is mine.
You got a fat ass, baby, shake that shit.
Shake that shit.
Shake that shit.
You got a fat ass, baby, shake [C] that shit.
Shake [F] that shit.
Shake, shake, shake.
I got [Ab] two shows, I'm about to pitch another.
Throwing alley-oops to my brothers.
We all shine, nobody's victims.
Armani sweatsuit pimping.
Black pimpin'.
I swag different.
That's why the money in the bag different.
Come up short, you'll have your [Db] motherfucking fam missing.
I lay [Eb] on beaches and swerving whips.
[D] You ain't serving, shit, [Db] you just an urban myth.
Every day [Eb] get flea.
Ride around Queens on the jet ski.
It's [Bb] me.
[Gb] Every day get [E] high.
Till the day I die.
[Db] Every day get [Ab] high.
Man, I roll that shit.
And I smoke that shit.
[Db] Money bouncing up and [Gm] down.
She nearly broke my dick.
She nearly broke my [Gb] dick.
Ah, just let me breathe for a minute. _
Just let me breathe [Db] for a minute.
Ah, [Ab] just let me breathe for a minute.
White Range Rover blowing trees all in [C] it.
Let me breathe [Abm] for a minute. _
Just let me breathe for a minute, [C] man.
Just let me breathe for a minute.
[F] White Range Rover blowing trees all in it.
_ _ [Gb] _ _ _
[Dbm] _ _ [Eb] _ _ _ [Gb] _ _ _
_ _ _ [F] You guys seem like you guys switched the idea like in the mid-second.
Like, [Eb] even if you don't want to talk about what you guys actually did, like,
how does it feel like [E] to change that up?
[Ab] It's not even a change up.
Sometimes you got to call audibles in the middle of the game, you know?
Sometimes the defense is ready for your play.
They know what you're going to do.
You see something, you read something in the defense,
and you call the fucking run play instead of the pass,
and he takes it fucking 43 yards up the middle for a touchdown.
That's kind of what we did.
Cool.
Awesome.
Thanks, man.
You're good.
_ I'm Johnny B, the man to see, the most definite thing,
and I'm chilling, not killing.
I'm getting the juice, tearing you all [F] loose.
You got to use my desire [N] to _ _ loosen you all up.
_ _ _ _ _ _ _ _