Willin (Modified Open G) - Little Feat Chords
Tempo:
144.2 bpm
Chords used:
G
C
D
Ab
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hey, y'all someone suggested an open G version of willing that didn't make much sense to me
For one walk up reasons, but [G] one
You
[C] can hear that [Em] [C] you can hear that high note in there [G] every time through
But if it were tuned if the high you were tuned in open G
[C] The high you would go down a deep then that stretch wouldn't be this
Be this
[G] But you can do it if you tune open G except leave the high E where it is if this [C] is truly [Ab] but
[G]
[C] [G]
[C] [G]
[C] [G]
[C] [G]
See my pretty Allison [C] every [G] day life
[C] [G]
[C]
[D]
[G] You [C]
[D]
give me
[C]
[G] [Am]
[G]
[D]
[G]
[C]
[G]
[C]
[G]
[C]
[G] [C] [G]
[C]
[G] [C] [G]
[C] [D]
[G]
[C]
A [D]
sweet
[C] [G]
[Am] [G]
[D]
[G]
[C] [G]
We
So that that kind of makes a little bit more sense than open G, so it's kind of a modified
Open G where everything
[E] changes to open G except
The high E stays the same [G] because you can't hear this you're muting both these
[C] he does [G] hit that so
That doesn't make much sense for standard tuning either.
Let's get to that so this this actually sound logical
[C] So [G]
you can do a G with just covering that he's doing it the third friend
When you do the [C] little [G]
you [Ab] just mute [Bb] the high so you don't [G] get that
[C] [G] So
For one walk up reasons, but [G] one
You
[C] can hear that [Em] [C] you can hear that high note in there [G] every time through
But if it were tuned if the high you were tuned in open G
[C] The high you would go down a deep then that stretch wouldn't be this
Be this
[G] But you can do it if you tune open G except leave the high E where it is if this [C] is truly [Ab] but
[G]
[C] [G]
[C] [G]
[C] [G]
[C] [G]
See my pretty Allison [C] every [G] day life
[C] [G]
[C]
[D]
[G] You [C]
[D]
give me
[C]
[G] [Am]
[G]
[D]
[G]
[C]
[G]
[C]
[G]
[C]
[G] [C] [G]
[C]
[G] [C] [G]
[C] [D]
[G]
[C]
A [D]
sweet
[C] [G]
[Am] [G]
[D]
[G]
[C] [G]
We
So that that kind of makes a little bit more sense than open G, so it's kind of a modified
Open G where everything
[E] changes to open G except
The high E stays the same [G] because you can't hear this you're muting both these
[C] he does [G] hit that so
That doesn't make much sense for standard tuning either.
Let's get to that so this this actually sound logical
[C] So [G]
you can do a G with just covering that he's doing it the third friend
When you do the [C] little [G]
you [Ab] just mute [Bb] the high so you don't [G] get that
[C] [G] So
Key:
G
C
D
Ab
Am
G
C
D
_ _ Hey, y'all _ someone suggested an open G version of willing _ _ that didn't make much sense to me
_ _ _ For one walk up reasons, but [G] one
_ You _ _ _ _
_ _ _ [C] _ _ can hear that [Em] _ _ _ [C] you can hear that high note in there _ [G] every time through _ _ _ _ _
_ _ _ _ _ _ But if it were tuned if the high you were tuned in open G
[C] The high you would go down a deep then that stretch wouldn't be this
_ Be this _ _ _
_ _ _ _ _ [G] But _ _ _ _ you can do it if you tune open G except leave the high E where it is if this [C] is truly _ [Ab] but
_ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C] _ _ _ [G] _ _
_ _ _ [C] _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C] _ _ _ [G] _ _
_ _ _ [C] _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ See my pretty Allison [C] _ every [G] day life
_ _ _ [C] _ [G] _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ [D] _ _ _ _ _
_ _ [G] _ _ _ _ You _ _ _ _ _ [C] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ give _ me
[C] _
_ _ _ [G] _ _ _ [Am] _ _
[G] _ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
[G] _ _ _ _ _ [C] _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [C] _ _
_ [G] _ _ _ _ _ [C] _ [G] _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ _
_ _ A _ _ [D] _ _
_ _ _ _ _ sweet _
_ _ [C] _ _ _ _ [G] _ _
_ [Am] _ _ [G] _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [G] _ _ _ _
[C] _ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ We
So that _ _ that kind of makes a little bit more sense than open G, so it's kind of a modified
_ _ Open G where everything
_ [E] _ changes to open G except
_ The high E stays the same [G] because you can't hear this _ _ _ you're muting both these _ _ _ _ _ _
_ [C] _ _ _ he does [G] hit that _ so
_ _ That doesn't make much sense for standard tuning either.
Let's get to that so this this actually sound logical
_ _ [C] So _ [G] _ _ _
_ _ _ _ _ _ _ _
_ you can do a G with just covering that he's doing it the third friend
_ When _ _ _ _ _ _ you do the [C] little [G]
you [Ab] just mute [Bb] the high so you don't [G] get that
_ _ [C] _ [G] _ _ _ So _ _ _ _ _ _ _ _
_ _ _ For one walk up reasons, but [G] one
_ You _ _ _ _
_ _ _ [C] _ _ can hear that [Em] _ _ _ [C] you can hear that high note in there _ [G] every time through _ _ _ _ _
_ _ _ _ _ _ But if it were tuned if the high you were tuned in open G
[C] The high you would go down a deep then that stretch wouldn't be this
_ Be this _ _ _
_ _ _ _ _ [G] But _ _ _ _ you can do it if you tune open G except leave the high E where it is if this [C] is truly _ [Ab] but
_ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C] _ _ _ [G] _ _
_ _ _ [C] _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C] _ _ _ [G] _ _
_ _ _ [C] _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ See my pretty Allison [C] _ every [G] day life
_ _ _ [C] _ [G] _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ [D] _ _ _ _ _
_ _ [G] _ _ _ _ You _ _ _ _ _ [C] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ give _ me
[C] _
_ _ _ [G] _ _ _ [Am] _ _
[G] _ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
[G] _ _ _ _ _ [C] _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [C] _ _
_ [G] _ _ _ _ _ [C] _ [G] _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ _
_ _ A _ _ [D] _ _
_ _ _ _ _ sweet _
_ _ [C] _ _ _ _ [G] _ _
_ [Am] _ _ [G] _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [G] _ _ _ _
[C] _ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ We
So that _ _ that kind of makes a little bit more sense than open G, so it's kind of a modified
_ _ Open G where everything
_ [E] _ changes to open G except
_ The high E stays the same [G] because you can't hear this _ _ _ you're muting both these _ _ _ _ _ _
_ [C] _ _ _ he does [G] hit that _ so
_ _ That doesn't make much sense for standard tuning either.
Let's get to that so this this actually sound logical
_ _ [C] So _ [G] _ _ _
_ _ _ _ _ _ _ _
_ you can do a G with just covering that he's doing it the third friend
_ When _ _ _ _ _ _ you do the [C] little [G]
you [Ab] just mute [Bb] the high so you don't [G] get that
_ _ [C] _ [G] _ _ _ So _ _ _ _ _ _ _ _