Chords for Paul Baloche - Your Name (Christmas Version) (OFFICIAL TUTORIAL VIDEO)
Tempo:
72 bpm
Chords used:
Bb
F
Eb
Gm
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Eb]
[F] [Bb] Your name, [Eb] just walking up here, [Bb] a lot of different voicings you could use, but I like
[Eb] capoing on the third fret [F] and [Bb] [Eb] using the G [Am] voicings, [Bb] capo the third fret.
[Eb]
[F] [Bb] [C] Again, trying to keep it all there, [F] that's our anchor [Bb] note, just keeping that there.
[F] [Gm] [Eb] [F]
[Bb] [Dm] [Gm]
[Bb] [Eb] Notice all the voicings here, [F] kind of keep that [Bb] finger there.
It's [Eb] a common tone, just good for [Gm] voicings,
[Bb] and also it [Eb] avoids having to move [Bb] your wrist around [Eb] a lot.
[F] [Bb] I like sometimes [Eb] going
[Dm] [Bb] [Eb] like
[F] [Bb] [Eb]
[F] There's a good turnaround figure there.
[Bb] [Bb] Again, there's 50 ways you [F] could play this song, so I'm just showing you a couple different voicings.
[Eb]
[F] [Gm] [Eb] And as the song builds, we'll [F] start, instead of picking, [Bb] we have our pick here now, we'll start strumming.
[Dm] [Gm]
[Bb] [Eb] [F] [Gm]
[Bb] [Eb] [F] Again, [Gm] the trick for me [Bb] also is to just lock into that [Eb] time, [Bb] the temptation to [Eb] rush.
[F] Just to lock into that time.
[Gm]
[F] I like that shape there, it's like a C chord moved up.
[C]
[Gm] So it's like a [F] C shape, I love that, D add 4.
[C]
[Eb]
[Bb] You could do [C] this like
Again, it's mostly piano, it's just [Eb] getting out of the way guitar-wise.
You could [F] come in [Gm] [Bb] here
[Eb] And build into [Bb] that back chorus.
[Eb] [F] And then you can just kind of play it like this.
[Gm] [Bb] [Eb]
[F] [Gm] [Bb] [C]
[F] [Bb] [Eb]
[Bb] [Eb] [F]
[Bb] [Eb] [F] And then I bring out those bass notes [Bb] at the end there.
[F] I bring out those bass notes [Bb] at the end there.
[F] [Bb] So even [F] on the guitar, I'm just really trying [Bb] to accent those.
[F] [Bb]
[Eb] [F] [Gm] [Eb] And then I'm just really
[F] trying to accent those.
[Bb] Yeah, just let me show you that one little figure that's [C] kind of nice.
[Eb] I like [Bb] that little figure there.
If you don't have a piano player playing that, if you're just you on a guitar, you could do this.
So that's basically like a G5 shape.
And there's a third in the bass, so
[Eb] See I'm lifting those fingers, so that becomes like a Cmaj7, well, Ebmaj7, but [Gm] it's like a Cmaj7 type shape.
[F] So [Bb] let's try that again.
[Eb]
[Bb] I play it that way a lot on the intro [F] and the turnaround.
[Bb] [F] [Bb]
But just getting that first [C] line, [Gm] it's pretty much what the [F] piano player is doing.
[Bb]
Yep.
[F] [Bb] Your name, [Eb] just walking up here, [Bb] a lot of different voicings you could use, but I like
[Eb] capoing on the third fret [F] and [Bb] [Eb] using the G [Am] voicings, [Bb] capo the third fret.
[Eb]
[F] [Bb] [C] Again, trying to keep it all there, [F] that's our anchor [Bb] note, just keeping that there.
[F] [Gm] [Eb] [F]
[Bb] [Dm] [Gm]
[Bb] [Eb] Notice all the voicings here, [F] kind of keep that [Bb] finger there.
It's [Eb] a common tone, just good for [Gm] voicings,
[Bb] and also it [Eb] avoids having to move [Bb] your wrist around [Eb] a lot.
[F] [Bb] I like sometimes [Eb] going
[Dm] [Bb] [Eb] like
[F] [Bb] [Eb]
[F] There's a good turnaround figure there.
[Bb] [Bb] Again, there's 50 ways you [F] could play this song, so I'm just showing you a couple different voicings.
[Eb]
[F] [Gm] [Eb] And as the song builds, we'll [F] start, instead of picking, [Bb] we have our pick here now, we'll start strumming.
[Dm] [Gm]
[Bb] [Eb] [F] [Gm]
[Bb] [Eb] [F] Again, [Gm] the trick for me [Bb] also is to just lock into that [Eb] time, [Bb] the temptation to [Eb] rush.
[F] Just to lock into that time.
[Gm]
[F] I like that shape there, it's like a C chord moved up.
[C]
[Gm] So it's like a [F] C shape, I love that, D add 4.
[C]
[Eb]
[Bb] You could do [C] this like
Again, it's mostly piano, it's just [Eb] getting out of the way guitar-wise.
You could [F] come in [Gm] [Bb] here
[Eb] And build into [Bb] that back chorus.
[Eb] [F] And then you can just kind of play it like this.
[Gm] [Bb] [Eb]
[F] [Gm] [Bb] [C]
[F] [Bb] [Eb]
[Bb] [Eb] [F]
[Bb] [Eb] [F] And then I bring out those bass notes [Bb] at the end there.
[F] I bring out those bass notes [Bb] at the end there.
[F] [Bb] So even [F] on the guitar, I'm just really trying [Bb] to accent those.
[F] [Bb]
[Eb] [F] [Gm] [Eb] And then I'm just really
[F] trying to accent those.
[Bb] Yeah, just let me show you that one little figure that's [C] kind of nice.
[Eb] I like [Bb] that little figure there.
If you don't have a piano player playing that, if you're just you on a guitar, you could do this.
So that's basically like a G5 shape.
And there's a third in the bass, so
[Eb] See I'm lifting those fingers, so that becomes like a Cmaj7, well, Ebmaj7, but [Gm] it's like a Cmaj7 type shape.
[F] So [Bb] let's try that again.
[Eb]
[Bb] I play it that way a lot on the intro [F] and the turnaround.
[Bb] [F] [Bb]
But just getting that first [C] line, [Gm] it's pretty much what the [F] piano player is doing.
[Bb]
Yep.
Key:
Bb
F
Eb
Gm
C
Bb
F
Eb
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
[F] _ _ _ [Bb] Your name, [Eb] just walking up here, _ [Bb] _ a lot of different voicings you could use, but I like
[Eb] capoing on the third fret [F] and _ [Bb] _ _ _ [Eb] using the G [Am] voicings, [Bb] capo the third fret.
_ _ [Eb] _ _
[F] _ _ [Bb] _ _ _ [C] Again, trying to keep it all there, [F] that's our anchor [Bb] note, just keeping that there. _ _ _ _
[F] _ _ [Gm] _ _ [Eb] _ _ [F] _ _
[Bb] _ _ _ _ [Dm] _ _ [Gm] _ _
[Bb] _ [Eb] Notice all the voicings here, [F] kind of keep that [Bb] finger there.
It's [Eb] a common tone, just good for [Gm] voicings, _
[Bb] and also it [Eb] avoids having to move [Bb] your wrist around [Eb] a lot. _
[F] _ _ _ _ [Bb] I like sometimes [Eb] going _
[Dm] _ _ [Bb] _ _ _ [Eb] like_ _
[F] _ _ [Bb] _ _ _ _ [Eb] _ _
[F] There's a good turnaround figure there.
[Bb] _ [Bb] Again, there's 50 ways you [F] could play this song, so I'm just showing you a couple different voicings.
_ [Eb] _ _
[F] _ _ [Gm] _ [Eb] And as the song builds, we'll [F] start, instead of picking, [Bb] we have our pick here now, we'll start strumming.
[Dm] _ _ [Gm] _ _
[Bb] _ _ [Eb] _ _ [F] _ _ [Gm] _ _
[Bb] _ _ [Eb] _ _ [F] Again, [Gm] the trick for me [Bb] also is to just lock into that [Eb] time, [Bb] the temptation to [Eb] rush. _
[F] _ Just to lock into that time.
[Gm] _ _ _
[F] I like that shape there, it's like a C chord moved up.
[C] _ _ _ _
_ _ _ _ [Gm] _ _ So it's like a [F] C shape, I love that, D add 4.
[C] _ _ _ _
[Eb] _ _ _ _ _ _ _ _
[Bb] _ _ You could do [C] this _ _ like_
Again, it's mostly piano, it's just [Eb] getting out of the way guitar-wise.
You could [F] come in _ [Gm] _ [Bb] here_
_ [Eb] And build into [Bb] that back chorus.
[Eb] _ _ [F] And then you can just kind of play it like this. _ _
_ _ [Gm] _ _ [Bb] _ _ [Eb] _ _
[F] _ _ [Gm] _ _ [Bb] _ _ [C] _ _
[F] _ _ _ _ [Bb] _ _ [Eb] _ _
[Bb] _ _ [Eb] _ _ [F] _ _ _ _
[Bb] _ _ [Eb] _ [F] And then I bring out those bass notes [Bb] at the end there. _
_ [F] I bring out those bass notes [Bb] at the end there. _ _ _
_ _ [F] _ _ [Bb] _ So even _ [F] on the guitar, I'm just really trying [Bb] to accent those. _ _
_ _ [F] _ _ [Bb] _ _ _ _
[Eb] _ _ [F] _ _ [Gm] _ [Eb] And then I'm just really _
[F] trying to accent those.
[Bb] Yeah, _ _ _ _ _ _ _ just let me show you that one little figure that's [C] kind of nice. _ _
[Eb] _ I like [Bb] that little figure there.
If you don't have a piano player playing that, if you're just you on a guitar, you could do this.
So that's basically like a G5 shape.
And there's a third in the bass, so_
[Eb] _ _ See I'm lifting those fingers, so that becomes like a Cmaj7, well, Ebmaj7, but [Gm] it's like a Cmaj7 type shape.
[F] So [Bb] let's try that again.
_ _ [Eb] _ _ _ _
[Bb] _ _ _ I play it that way a lot on the intro [F] and the turnaround.
_ [Bb] _ _ _ [F] _ _ [Bb]
But just getting that first [C] line, _ [Gm] _ _ it's pretty much what the [F] piano player is doing.
_ _ [Bb] _ _ _ _ _
_ _ _ Yep. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
[F] _ _ _ [Bb] Your name, [Eb] just walking up here, _ [Bb] _ a lot of different voicings you could use, but I like
[Eb] capoing on the third fret [F] and _ [Bb] _ _ _ [Eb] using the G [Am] voicings, [Bb] capo the third fret.
_ _ [Eb] _ _
[F] _ _ [Bb] _ _ _ [C] Again, trying to keep it all there, [F] that's our anchor [Bb] note, just keeping that there. _ _ _ _
[F] _ _ [Gm] _ _ [Eb] _ _ [F] _ _
[Bb] _ _ _ _ [Dm] _ _ [Gm] _ _
[Bb] _ [Eb] Notice all the voicings here, [F] kind of keep that [Bb] finger there.
It's [Eb] a common tone, just good for [Gm] voicings, _
[Bb] and also it [Eb] avoids having to move [Bb] your wrist around [Eb] a lot. _
[F] _ _ _ _ [Bb] I like sometimes [Eb] going _
[Dm] _ _ [Bb] _ _ _ [Eb] like_ _
[F] _ _ [Bb] _ _ _ _ [Eb] _ _
[F] There's a good turnaround figure there.
[Bb] _ [Bb] Again, there's 50 ways you [F] could play this song, so I'm just showing you a couple different voicings.
_ [Eb] _ _
[F] _ _ [Gm] _ [Eb] And as the song builds, we'll [F] start, instead of picking, [Bb] we have our pick here now, we'll start strumming.
[Dm] _ _ [Gm] _ _
[Bb] _ _ [Eb] _ _ [F] _ _ [Gm] _ _
[Bb] _ _ [Eb] _ _ [F] Again, [Gm] the trick for me [Bb] also is to just lock into that [Eb] time, [Bb] the temptation to [Eb] rush. _
[F] _ Just to lock into that time.
[Gm] _ _ _
[F] I like that shape there, it's like a C chord moved up.
[C] _ _ _ _
_ _ _ _ [Gm] _ _ So it's like a [F] C shape, I love that, D add 4.
[C] _ _ _ _
[Eb] _ _ _ _ _ _ _ _
[Bb] _ _ You could do [C] this _ _ like_
Again, it's mostly piano, it's just [Eb] getting out of the way guitar-wise.
You could [F] come in _ [Gm] _ [Bb] here_
_ [Eb] And build into [Bb] that back chorus.
[Eb] _ _ [F] And then you can just kind of play it like this. _ _
_ _ [Gm] _ _ [Bb] _ _ [Eb] _ _
[F] _ _ [Gm] _ _ [Bb] _ _ [C] _ _
[F] _ _ _ _ [Bb] _ _ [Eb] _ _
[Bb] _ _ [Eb] _ _ [F] _ _ _ _
[Bb] _ _ [Eb] _ [F] And then I bring out those bass notes [Bb] at the end there. _
_ [F] I bring out those bass notes [Bb] at the end there. _ _ _
_ _ [F] _ _ [Bb] _ So even _ [F] on the guitar, I'm just really trying [Bb] to accent those. _ _
_ _ [F] _ _ [Bb] _ _ _ _
[Eb] _ _ [F] _ _ [Gm] _ [Eb] And then I'm just really _
[F] trying to accent those.
[Bb] Yeah, _ _ _ _ _ _ _ just let me show you that one little figure that's [C] kind of nice. _ _
[Eb] _ I like [Bb] that little figure there.
If you don't have a piano player playing that, if you're just you on a guitar, you could do this.
So that's basically like a G5 shape.
And there's a third in the bass, so_
[Eb] _ _ See I'm lifting those fingers, so that becomes like a Cmaj7, well, Ebmaj7, but [Gm] it's like a Cmaj7 type shape.
[F] So [Bb] let's try that again.
_ _ [Eb] _ _ _ _
[Bb] _ _ _ I play it that way a lot on the intro [F] and the turnaround.
_ [Bb] _ _ _ [F] _ _ [Bb]
But just getting that first [C] line, _ [Gm] _ _ it's pretty much what the [F] piano player is doing.
_ _ [Bb] _ _ _ _ _
_ _ _ Yep. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _