Chords for Mike Marshall's Arpeggio Workout for Mandolin
Tempo:
70.15 bpm
Chords used:
G
D
C
A
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] [C]
[D] [G]
[D] [G]
[F#] Hello there, my name is Mike Marshall and welcome [A] to my third video for Homespun Tapes.
Working out of the A minor is A major.
[C] Of course you clap the third, which in this case is [Am] C.
Then it's going [Dm] to go to D minor.
It's [E] going to go to E.
[A] So I'm trying to accentuate, especially those top notes that change, and really highlight them.
That gives you the sense of what chord it is.
So from the A, 1, 2, 3, 4.
[F#m] [F]
We're going to start with an E minor here, and then an A7, which leads us to D.
But then what we're going to do is we're going to transform this D into a minor,
which now becomes the 2 of C.
And this becomes 2 and the 5 of C.
And then we transform C into a minor.
C, F7 is the 5 of B, and it's the key of B flat.
Alright, this time I'm going to solo over those same changes a little bit slower,
just to give you an idea of what kinds of things I might do.
I'm going to try to outline the arpeggios, and mostly use those over each chord.
But I'll throw a few other things in probably.
1, 2, 3, [D] 4.
[D] [G]
[D] [G]
[F#] Hello there, my name is Mike Marshall and welcome [A] to my third video for Homespun Tapes.
Working out of the A minor is A major.
[C] Of course you clap the third, which in this case is [Am] C.
Then it's going [Dm] to go to D minor.
It's [E] going to go to E.
[A] So I'm trying to accentuate, especially those top notes that change, and really highlight them.
That gives you the sense of what chord it is.
So from the A, 1, 2, 3, 4.
[F#m] [F]
We're going to start with an E minor here, and then an A7, which leads us to D.
But then what we're going to do is we're going to transform this D into a minor,
which now becomes the 2 of C.
And this becomes 2 and the 5 of C.
And then we transform C into a minor.
C, F7 is the 5 of B, and it's the key of B flat.
Alright, this time I'm going to solo over those same changes a little bit slower,
just to give you an idea of what kinds of things I might do.
I'm going to try to outline the arpeggios, and mostly use those over each chord.
But I'll throw a few other things in probably.
1, 2, 3, [D] 4.
Key:
G
D
C
A
F#
G
D
C
_ _ [G] _ _ _ _ _ [C] _
_ _ _ [D] _ _ [G] _ _ _
_ [D] _ _ _ _ [G] _ _ _
[F#] Hello there, my name is Mike Marshall and welcome [A] to my third video for Homespun Tapes.
Working out of the A minor is A major.
[C] Of course you clap the third, which in this case is [Am] C.
_ _ Then it's going [Dm] to go to D minor.
_ It's [E] going to go to E.
_ [A] So I'm trying to accentuate, especially those top notes that change, and really highlight them.
That gives you the sense of what chord it is.
So from the A, 1, 2, 3, 4. _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ _ _ _ [F]
We're going to start with an E minor here, and then an A7, which leads us to D.
But then what we're going to do is we're going to transform this D into a minor,
which now becomes the 2 of C.
And this becomes 2 and the 5 of C.
And then we transform C into a minor.
C, F7 is the 5 of B, and it's the key of B flat.
Alright, this time I'm going to solo over those same changes a little bit slower,
just to give you an idea of what kinds of things I might do.
I'm going to try to outline the arpeggios, and mostly use those over each chord.
But I'll throw a few other things in probably.
1, 2, 3, [D] 4. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ [G] _ _ _
_ [D] _ _ _ _ [G] _ _ _
[F#] Hello there, my name is Mike Marshall and welcome [A] to my third video for Homespun Tapes.
Working out of the A minor is A major.
[C] Of course you clap the third, which in this case is [Am] C.
_ _ Then it's going [Dm] to go to D minor.
_ It's [E] going to go to E.
_ [A] So I'm trying to accentuate, especially those top notes that change, and really highlight them.
That gives you the sense of what chord it is.
So from the A, 1, 2, 3, 4. _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ _ _ _ [F]
We're going to start with an E minor here, and then an A7, which leads us to D.
But then what we're going to do is we're going to transform this D into a minor,
which now becomes the 2 of C.
And this becomes 2 and the 5 of C.
And then we transform C into a minor.
C, F7 is the 5 of B, and it's the key of B flat.
Alright, this time I'm going to solo over those same changes a little bit slower,
just to give you an idea of what kinds of things I might do.
I'm going to try to outline the arpeggios, and mostly use those over each chord.
But I'll throw a few other things in probably.
1, 2, 3, [D] 4. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _