Chords for Matt Smith Gives A Killer Slide Guitar Lesson - Part 2

[Dm] _ _ _ [D] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ This [N] is what I call the secret Rycuder diagram. _ _
And the way this works is like this.
So all those movies and licks you've heard in _ _ _ _ soundtracks, you know, any place you have
like movies with trucks with very large wheels and swamps.
By the way, if you're ever walking down a backcountry road and out of the blue you hear
this, _
[D] _ you _ _ better get out of there quick.
Because you know as well as I do, any time you hear that lick in a [N] movie, nothing good's
going to happen.
All right, so here's the idea.
So basically the idea with this is you can slide from the second fret to the fourth fret
on the first string.
[Gb] _ Then slide back to the second fret and pull [D] off open.
So [B] you can either end at four or end it open, but you always start at the second fret.
If I did this with a slide, it would be like this. _ _
[D] _ _ Then I play a couple open strings. _
Slide back to the second fret and pull off.
_ _ Now _ _ on the second string, [Dbm] I can start on the second [C] fret and [B] slide up to the third fret.
[C] _ _ [D] _ _
Slide back to the second fret and pull off.
_ [A]
Then slide between the third and fifth [B] frets.
_ [Bm] _ _ _
[D] _ _ _ _ [Bb] Then we're going to have an L shape, and this is what I call the train lick, because whenever
you hear this you know there's a train coming.
[Am] _ _ _ _ Another lick that's going to have a sheriff with mirrored sunglasses calling you boy.
So here's how it works.
So first string, two to four, back to two, [D] zero.
_ _ Third string, [Ab] two to three, three, two, [Eb] zero.
_ [Gbm] Three to [N] five on the second string.
_ _ Third string, two to three, and then play the third fret of the second string.
So it's an [Am] L shape like this.
_ _ [G] Fourth string, [F] two, four, two, [D] zero.
_ Fifth string, [Am] two, three, two, zero.
[A] _ And then three to [D] five.
_ _ _ _ _ [N] And then sixth string.
What you want to do is for the end of the thing, that real sinister swampy slide guitar
lick is just second to third, back to two to zero with the sixth, fifth, and fourth strings.
[Fm] _ _
[D] _ _ _ Now all the licks I'm about to play you are right there on those licks.
_ [Am] _ _
[D] _ _ _ [Ab] _ [Am] _ _ _ [D] _
_ _ _ _ _ [Gm] [G] L shape to the fourth or fifth fret, _ _ [D] and eleven to twelve. _
_ _ _ _ Six to [Cm] seven, [A] _ _ _ _ _ _ [F] _ _
[D] _ Rikuda lick. _ _ _ _
_ _ _ _ [Db] _ [C] _ [D] _
[Bb] Stupid guitar lick.
[Dbm] _ _ [Ab] Now that's a Hawaiian lick.
You've heard great guitar players like Sonny Landreth, who is one of my favorite slide
guitar players, has taken a lot of stuff from this.
Basically, you're playing a harmonic, which you lightly touch the note at the twelfth fret.
_ You let it go.
[Gm] You start the slide from behind the nut, [Ab] _ and then slide the_
[Gm] _ _ _ _
[C] _ _ _ [Bb] _ _ _ [D] Another thing that comes from Hawaiian guitar players is this.
Basically, you put the slide over the twelfth fret and play behind the slide.
Now when you play a harmonic, I don't know if you realize, you can play the string behind
it or in front of it.
It doesn't make any difference.
_ _ But when you put [B] the slide over the harmonic and you [G] play behind it, you get this very [D] ethereal sound. _ _ _ _ _ _ _
_ _ _ You _ _ [Db] notice when I'm off the [Ebm] harmonic even a little bit, you don't hear it. _ _
[D] _ _ _ _ _ _ _
[Bm] Now you also have [A] harmonics here at the seventh fret, _ _ and at [G] the fifth fret.
_ And [Ebm] back here you have all these little harmonics, which I like to call _ insane clown music.
I mean, it's my pick, but for example, you [Db] know when you see the horror movie with the
weird insane clown and you [Eb] hear _ weird carnival music like [D] this and you can [N] never see a clown
again and you have to have therapy for years because you hear music like this in your head.
_ [G] We'll put the slide down [A] and back away slowly.
Alright, anyway.
[E] So that's some cool stuff you can do.
Now I'm going to play a blues and I'm going to narrate the whole solo. _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Dbm] _ [C] _
[D] _ _ _ [G] _ _ _ _ _
Alright, let me just get to the solo and narrate it.
We don't have all day here.
Alright, so I'm going to start with the Rye Kudelix.
_ [D] _ _ _ _ _ _ _
[Am] _ _ [D] _ _ _ [Am] _ _ [D] _
_ _ _ [Db] _ [Am] _ _ [Bb] _ [B] _
[D] _ [Ebm] [G] Fourth to fifth fret with L shapes. _ _
[Gb] [G] L _ _ _ [D] shapes in the 11th to 12th fret. _ _ _ _ _ _ _
_ L shapes in the 6th [A] to 7th fret. _
_ _ [C] Fourth to fifth [G] fret. _ _ _
[D] _ _ Turn around. _ _ _
_ _ _ _ Wiley.
Now _ _ _ _ _ _ _ make sure [C] you rewind this and go over it a few times.
And don't forget that Dario brought you this stuff.
Go out and get some of their strings right now.
And by the way, visit me at mattsmithsworld.com. _ _ _ _