Chords for Love the one you're with - drop D guitar lesson

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[C#] _ _ Hi, welcome back to Acoustic Coffee Cuppers.
My name's Terry Dean, your host, guitar guy.
Glad to have you back here.
We're looking today at classic
from Crosby, Stills, and Nash here.
Four-way straight, early Crosby, Stills, and Nash.
Young man, [D] _
_ _ _ _ _ looking [F] at open tuning.
So, [C#] _ for some [Fm] of you, this may be a first.
[D] Others of you have been doing this for quite a [F] while.
What we wanna [C#] do is we wanna take the D string here
and match [C#m] it with our low E string.
So [C#] we're gonna take the E and [F] bring it down to D.
Now, if you're tuning [C#] along and playing along with me,
I'm in E flat, so [G#] everything will be just down
a half a step, [B] but [C#] basically, _ you want this chord.
You want a full [G#] D chord, and then the [C#] D will be in the bass.
So we'll talk relative to the D, even though it's in E flat.
[G#] Let's look at the fingering position.
It's an easy song, and a lot of people play it
a little differently.
I think this is more [C#] like how they used to play it.
They'd switch their voices so they [A#m] don't play it
like this key anymore.
I think they actually play it in [G#] A or something.
[Fm] Anyways, we're gonna [D#] start off with a D
up on the seventh fret.
[F#] So it's a D [C#]
fingering, which would be [F#] seven, eight, seven,
for one, three, two.
_ Next chord [C#] being a different D inversion,
but it's a five, seven, seven _ chord.
And then it's like a D [G#m] minor, a [D#m] three, five, four,
or a D minor position [C#] back to a D position right here
at the root.
So again, seven, [F#] D, _ _ _ to [C#] this variation.
_ _ [D#] It's dropping down the voicing [D#m] note there to the D _ minor
[D#] [C#m] fingering or voicing, [C#] and then to the regular.
[D] So what I'm gonna [C#] do is I'm gonna hit the bass string and go.
_ _ _ _ _ _ [D#m] _
_ _ [C#] _ Let me blow this up for you [C#m] so you can see the chords
[D] better, and we're gonna break down.
That's one part [C#] right there. _ _
_ Okay, here's those chords again.
We're a D on [F#] the seventh.
_ So it's seven, eight, seven, _ _ [C#] _ _ _ _
five, seven, seven,
_ D minor [F#]
position, three, [D#] five, [D#m] four,
to a [C#] regular D, _ two, three, two.
Here's the rhythm. _ _ _ _ _ _
_ _ _ _ _ How's that rhythm going?
You're gonna go. _ _ _ _ _ _
[D#m] _ _ [C#] _ _ _ _ _ _
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You're almost hitting the bass every [G#m] other time.
You know, it's like a bom, [C#] bom, bom, bom, _ [F#] bom, [C#] bom, _ bom,
[F#] bom, [C#] _ _ _
[F#] bom, [C#] bom, bom, bom, bom.
If you're down _ and _ [F#] confused, _
[C#] and you [C#m] don't remember
the chords, [C#] who can [F#] talk to you?
_ _ _ Concentration, [C#] _ _ slip [F#] away,
_ [C#] _ _
cause you're dying there, so far [D#m]
away.
[C#] _ Now we'll go into the second, the [A#] verse,
and there's the [A#m] rows, D minor, [G#] to A, [F#] to an E.
Let's look at that G, it may be new for some of you guys
here, two fingers on the six and five, so it's like
the E minor chord, _ [D] instead of on the fourth and fifth,
put them on the fifth [G#] and sixth, and bring it up
to the fifth fret, so E [F#] minor positioning,
but on the sixth and fifth string.
[A#] _ _
[G#] Rows, the face [F#] may glow, _ _
and the [A#m] heat will last, [G#] _ with the [F#] dove,
sing along, [A#m] and if you can't [G#] be,
warm [F#] it up, and let out the one you're with.
Back to the two [C#] booms. _ _ _
_ _ _ Only other part you're [C#m] missing here is the little
power ending here, that [F#] little bridge part,
[B] which _ _
_ _ [C#] _ is really a C [B] chord, _
_ _ _ _ [C#] _ play this two different ways,
you [G#] can play like a full C nine, [F#] whatever,
with the D [C#] in there, or [B] you can just play it
with a open E, but get that D in there too,
if you can't _ _ be _ _
_ _ [C#] _ [B] _ _ _ _ _
_ _ _ _ _ _ with the one you love,
love the one you're with. _ _ _ _
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