Downtown Chords by Lloyd Cole

Tempo:
64.825 bpm
Chords used:

Gm

Cm

Eb

Bb

Fm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Lloyd Cole - Downtown chords
Start Jamming...
Now tell me what you want.
More [Gm] than anything else in the world.
What do you want?
[Bb] [Eb] [Cm] [G]
[Bb] [Eb] [Gm]
[Bb] [Eb] [Gm]
[Bb] [Eb] [Cm] [Gm]
[Bb] [Eb] [C] [Gm] Your face look on the corner.
Take a [Eb] dollar for going where [Cm] she's only doing what?
[Gm]
I want to take you [Cm] down.
I [Fm] want to take you down.
[Cm] I [Gm] want to take you
Wanna see time to people [Eb] in your [Gm] eye
[Cm] All I'm getting bit [Gm] sweetness lie.
I [Bb] want to see something that [Eb] I might desire
I [Cm] want to take it down, babe
[Gm]
Deals going down
[Eb] Jacks, no plastic
[Cm] Waffles sure never get [Gm] what you're asking the [Bb] cunt with
Johnson's the [Eb] cunt with not the [Cm] rubbing your boots
[Gm]
I want to take you [Cm] down
Wanna take you
I [Gm] want to take you I
Wanna [Fm] take you
[Cm] I
[Gm] Wanna take you Oh
[Ab]
[Eb] [Db] [Cm] [Ab]
[Eb] [Bb] [Cm] [Gm]
[Bb] [Eb] [Cm] [Gm]
[Bb] [Eb] [Cm] [Gm]
Slow train down, bit [Eb] track 29
There's [Cm] no looking back, there's no [Gm] sense in time
Cause it's [Bb] me on the 24 [Eb] hours a day
You're [Cm] sure looking pretty when it's [Gm] hitting on your face
With a [Bb] touch of evil [Eb] in your eye
[Cm] With a [Gm] touch of evil in your eye
I [Bb] wanna take you down to the [Eb] side of the city
I [Cm] wanna take you down to the [Gm] side
I [Fm] wanna take you down
[Cm] I wanna take you [Gm] right down
I [Fm] wanna take you down
[Cm]
Yes, I [Gm] wanna take you right down
[G]
I wanna [F] take you out
I [Dm] wanna [C] take you out
It's like I [Gm] wanna take you out
[Bb] [Fm] [Cm]
[Gm]
[Fm]
Key:  
Gm
123111113
Cm
13421113
Eb
12341116
Bb
12341111
Fm
123111111
Gm
123111113
Cm
13421113
Eb
12341116
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Chords
NotesBeta

To start learning Lloyd Cole - Downtown chords, build your understanding on these basic chords - Cm, Gm, Bb, Eb, Gm, Eb and Gm in sequence. A strategic approach would be to train at 32 BPM initially, and then accelerate to the song's tempo of 65. Set the capo considering your vocal range and favored chords, aligned with the key: G Minor.

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Now tell me what you want.
More [Gm] than anything else in the world.
What do you want?
_ _ [Bb] _ [Eb] _ _ _ [Cm] _ [G] _
_ [Bb] _ _ [Eb] _ _ _ _ [Gm] _
_ [Bb] _ _ [Eb] _ _ [Gm] _ _ _
_ [Bb] _ _ [Eb] _ _ [Cm] _ _ [Gm] _
_ [Bb] _ _ [Eb] _ _ [C] _ [Gm] Your face look on the corner.
Take a [Eb] dollar for going where [Cm] she's only doing what?
[Gm]
I _ want to take you [Cm] down.
I [Fm] want to take you down.
[Cm] I [Gm] want to take you
_ Wanna _ see time to people [Eb] in your [Gm] eye
[Cm] All I'm getting bit [Gm] sweetness lie.
I [Bb] want to see something that [Eb] I might desire
I [Cm] want to take it down, babe
[Gm] _
Deals going down
[Eb] Jacks, no plastic
[Cm] Waffles sure never get [Gm] what you're asking the [Bb] cunt with
Johnson's the [Eb] cunt with not the [Cm] rubbing your boots
[Gm]
I _ want to take you [Cm] down
_ Wanna take you
I [Gm] want to take you _ _ I
_ Wanna [Fm] take you
_ _ _ [Cm] I
_ [Gm] Wanna take you Oh
_ _ [Ab] _
[Eb] _ _ _ [Db] _ _ [Cm] _ _ [Ab] _
[Eb] _ _ _ [Bb] _ _ [Cm] _ _ [Gm] _
_ [Bb] _ _ [Eb] _ _ [Cm] _ _ [Gm] _
_ [Bb] _ _ [Eb] _ _ [Cm] _ [Gm] _
Slow train down, bit [Eb] track 29
There's [Cm] no looking back, there's no [Gm] sense in time
Cause it's [Bb] me on the 24 [Eb] hours a day
You're [Cm] sure looking pretty when it's [Gm] hitting on your face
With a [Bb] touch of evil [Eb] in your eye
[Cm] With a [Gm] touch of evil in your eye
I [Bb] wanna take you down to the [Eb] side of the city
I [Cm] wanna take you down to the [Gm] side
I [Fm] wanna take you down
[Cm] I wanna take you _ _ _ [Gm] right down
I _ [Fm] wanna take you down
_ [Cm] _ _
_ Yes, I [Gm] wanna take you right down
[G] _
_ I wanna [F] take you out
I [Dm] wanna [C] take you out
It's like I [Gm] wanna take you out _ _ _
_ _ _ [Bb] _ [Fm] _ _ [Cm] _ _
_ _ _ [Gm] _ _ _ _ _
_ _ _ [Fm] _ _ _ _ _

Facts about this song

This song was penned by Blair Cowan and Lloyd Cole.

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