Chords for Lloyd Cole on 'Juke Box Jury' 1989

Tempo:
111.15 bpm
Chords used:

G

Ab

E

Cm

Gb

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Lloyd Cole on 'Juke Box Jury' 1989 chords
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[E] [N]
Thank you, good evening and welcome ladies and gentlemen to Jukebox Jury, the vortex of music and VOTE!
Exactly.
On tonight's show we will be deciding whether the records we listen to are either SIX!
Or FIVE!
SIX!
Is indeed ladies and gentlemen.
So without further ado, let me introduce you to our carefully selected jury, who are truly excellent this week.
And our next guest certainly caused a bit of a commotion wherever he went.
Now solo, life has calmed down for the perfect skinned Scot with the Elvis Presley good looks.
An aquarium who likes reading, detective novels and playing golf.
Lloyd Cole ladies and gentlemen!
Let's get straight going with the first record.
[Cm]
[G] Thank you.
Lloyd, are you a rapsman as they say?
I had this nightmare that all the songs were going to be like that when I came on here.
I believe it's, I believe it's kind of the kids are into this stuff these days.
Well, are your kids?
I don't know.
My kids will be, will, yeah.
Probably will be and it'll be hell for me.
That didn't sound like a special rap record.
You, you, you dislike rap anyway really?
No, I just find, I find it so difficult to, to, to sift through it all at the moment because so many are coming out.
It was easier about five years ago when there was only one every couple of weeks.
But now I find it difficult to raise the energy to be bothered listening to any of it because most of it I find dull.
[E] Well, Pam Hull.
Next, Jolly Good.
Jolly Good.
Here we are then, Bon Jovi, Living in Sin.
Lloyd, what do you make of that?
Well, I confess I did like the Bon Jovi record that was called Slippery When Where.
Yes.
That had some good tunes on it but this latest one, I think New Jersey's got a lot to answer for right now.
Yes.
That's awful.
It just, you know, it seems really ordinary and the tune's just not good enough to lift it above the rest of the kind of American FM rock.
They seem to have slid into just sounding like all the other groups whereas maybe they were special for about five minutes.
They did sell 17 million records with their Slippery When Where record in fact.
It's a lot isn't it?
And the, and the, the new one is still, still selling and selling and selling but it's sad.
Quality isn't always quantity then for you.
Obviously not.
I mean quantity isn't always quality.
But that doesn't stop us from cruising into the next record.
[Bb] [Cm]
[F]
Lloyd.
It's awful and if Slim keeps liking everything I'm going to feel terrible when I go [Db] home.
I think Slim has a very wide overview.
See, it doesn't have to be unpleasant, does it?
So let's move along quickly with the next record.
[Ab]
[Gb] [Ab] Feeling passion.
[Gb] She's feeling passion.
[G]
Um, Lloyd.
I was trying to avoid talking about Grace Jones.
So.
Why's that?
You don't?
No, I don't like Grace Jones.
She's made a lot of records that I liked but there's something about her.
She's hateable I think.
Hate.
Hateable?
Yeah, not so keen.
Get a love, get a love.
Love.
Oh.
There's much more. Love.
Yes.
That's the sort of show we are.
This is here for hate.
No.
No time for hate.
Only love here.
But anyway, um, Grace Jones.
That was an average Grace Jones record.
She's made some good ones but not for a couple of years.
Right.
Going to be Zeke Manuka next.
[Dm] [Am]
[Dm]
Lloyd.
Ah, party political broadcast.
Party.
Zeke.
Zeke.
His record is coming out and 30% of the royalties are going to the ANC.
African National Congress.
And he's a right on guy, you know.
He's trying to actually actively change things down there by giving them money instead of just talking about it.
And I, you know, I'm not one of these people that like making records about that stuff but he's actually doing it as well as talking about it.
So, good for him.
And that was a good chorus.
Yes.
I think you're being nice about it then altogether then.
Yeah.
Good.
Good.
[Eb] I'm glad.
I was just getting, yes, I was waiting for you to say but, you see.
I'm sorry, it must have just been the tone.
I'm sorry.
I'm sorry.
Merillion.
Uh, they, uh, Fish is no longer with them but here's their new single.
[C]
I was there when you said
In sincere I love you
To a woman who wasn't yours
Well, Merillion, an uninvited guest.
The new singer is called Steve Hogarth.
Uh, Lloyd.
No, thank you.
No?
No.
At least Fish was funny.
You know, he would wear a kilt every now and again.
And that just sounds kind of ordinary to me.
And I wish them very little success.
[Ab]
As it's getting near Christmas every day.
Why not?
Yes.
Did you like the video?
Did you like the pink coffee chair?
No, I know.
It looked like a sort of pink Floyd type copy, didn't it?
You know, like a hypnosis album sleeve set for life.
Are you a pink Floyd fan?
Yes, I am actually.
Oh.
But that's bad pink Floyd.
Right.
I don't like pink Floyd album sleeves.
Right.
One more record then.
[G]
[Em] Baby, one star [Gbm] enough [Bm] to end all
[Em] If we can fall [Bm] apart
[G] Lloyd, did you like that record?
No, but she is wonderful.
Just as it started, she hit this high note.
She's about my favourite singer.
Right.
And was that Bert Bacharach in the studio?
I wondered that myself.
There was a little glimpse of a greying man and I assumed that was Bert Bacharach.
But I don't know what he is.
I would just get excited watching Bert Bacharach being in the studio.
That's enough for me.
Yes. Me too.
Just, you know, mixing.
Whatever.
Turning sort of little buttons.
I would gladly just be around to carry the team.
Cleaning the tape heads and what have you.
You know, the humdrum daily business of the studio, which Bert does.
Thanks very much our guests who have come on this week.
And it's getting near Christmas, so do remember, if you're driving especially,
remember your name at all times.
Slim Gaylord, ladies and [N] gentlemen.
Pam Hogg, ladies and gentlemen.
Lloyd Cole.
And Mr Simon O'Brien.
Key:  
G
2131
Ab
134211114
E
2311
Cm
13421113
Gb
134211112
G
2131
Ab
134211114
E
2311
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[E] _ _ _ _ _ _ _ [N] _
_ _ _ _ Thank you, good evening and welcome ladies and gentlemen to Jukebox Jury, the vortex of music and_ VOTE!
Exactly.
On tonight's show we will be deciding whether the records we listen to are either_ SIX!
_ Or_ FIVE!
SIX!
Is indeed ladies and gentlemen.
So without further ado, let me introduce you to our carefully selected jury, who are truly excellent this week. _
_ _ And our next guest certainly caused a bit of a commotion wherever he went.
Now solo, life has calmed down for the perfect skinned Scot with the Elvis Presley good looks.
An aquarium who likes reading, detective novels and playing golf.
Lloyd Cole ladies and gentlemen! _ _ _
_ Let's get straight going with the first record. _ _
_ _ [Cm] _ _ _ _ _ _
_ _ [G] Thank you.
Lloyd, are you a rapsman as they say?
I had this nightmare that all the songs were going to be like that when I came on here.
I believe it's, I believe it's kind of the kids are into this stuff these days.
Well, are your kids?
I don't know. _ _
My kids will be, will, yeah.
_ Probably will be and it'll be hell for me.
_ _ That didn't sound like a special rap record. _
_ You, you, you dislike rap anyway really?
No, I just find, I find it so difficult to, to, to sift through it all at the moment because so many are coming out.
It was easier about five years ago when there was only one every couple of weeks.
But now I find it difficult to raise the energy to be bothered listening to any of it because most of it I find dull.
_ [E] _ Well, Pam Hull.
Next, Jolly Good. _ _ _ _ _ _ _
_ _ _ _ _ _ Jolly Good.
Here we are then, Bon Jovi, Living in Sin.
_ Lloyd, what do you make of that?
Well, I confess I did like the Bon Jovi record that was called Slippery When Where.
Yes.
That had some good tunes on it but this latest one, I think New Jersey's got a lot to answer for right now.
Yes.
_ That's awful.
It just, you know, it seems really ordinary and the tune's just not good enough to lift it above the rest of the kind of American FM rock.
They seem to have slid into just sounding like all the other groups whereas maybe they were special for about five minutes.
They did sell 17 million records with their Slippery When Where record in fact.
It's a lot isn't it?
And the, and the, the new one is still, _ still selling and selling and selling but _ it's sad.
Quality isn't always quantity then for you.
Obviously not.
I mean quantity isn't always quality.
But that doesn't stop us from cruising into the next record.
[Bb] _ [Cm] _
_ _ _ [F] _ _ _ _ _
_ _ _ _ _ Lloyd. _
_ _ _ It's awful and if Slim keeps liking everything I'm going to feel terrible when I go [Db] home.
_ I think Slim has a very wide overview.
_ _ See, it doesn't have to be unpleasant, does it?
So let's move along quickly with the next record.
_ [Ab] _
[Gb] _ _ _ _ _ _ [Ab] Feeling passion.
_ [Gb] She's feeling passion.
_ _ [G] _
Um, Lloyd.
I was trying to avoid talking about Grace Jones. _
So.
Why's that?
You don't?
No, I don't like Grace Jones.
She's made a lot of records that I liked but there's something about her.
She's hateable I think. _
Hate.
_ Hateable?
Yeah, not so keen.
Get a love, get a love.
Love.
Oh. _
There's much more. Love.
Yes.
_ _ That's the sort of show we are.
This is here for hate.
No.
No time for hate.
Only love here.
But anyway, um, Grace Jones.
That was an average Grace Jones record.
She's made some good ones but not for a couple of years.
Right.
_ Going to be Zeke Manuka next. _
_ [Dm] _ _ _ [Am] _ _ _ _
_ _ _ [Dm] _ _ _ _ _
_ _ _ _ Lloyd.
Ah, party political broadcast.
Party.
Zeke.
Zeke.
His record is coming out and 30% of the royalties are going to the ANC.
_ African National Congress.
And he's a right on guy, you know.
He's trying to actually actively change things down there by giving them money instead of just talking about it.
And I, you know, I'm not one of these people that like making records about that stuff but he's actually doing it as well as talking about it.
So, good for him.
And that was a good chorus.
Yes.
_ I think you're being nice about it then altogether then.
_ _ Yeah.
Good.
Good.
[Eb] I'm glad.
I was just getting, yes, I was waiting for you to say but, you see.
I'm sorry, it must have just been the tone.
I'm sorry.
I'm sorry.
_ Merillion.
Uh, they, uh, Fish is no longer with them but here's their new single.
_ [C] _
_ I was there when you said
In sincere I love you
To a woman who wasn't yours
Well, Merillion, an uninvited guest.
The new singer is called Steve Hogarth.
Uh, Lloyd.
_ No, thank you.
No?
No.
At least Fish was funny.
You know, he would wear a kilt every now and again.
And that just sounds kind of ordinary to me.
And I wish them very little success.
[Ab] _ _
As it's getting near Christmas every day.
Why not?
Yes.
Did you like the video?
Did you like the pink coffee chair?
No, I know.
It looked like a sort of pink Floyd type copy, didn't it?
You know, like a hypnosis album sleeve set for life.
Are you a pink Floyd fan?
Yes, I am actually.
Oh.
But that's bad pink Floyd.
Right.
I don't like pink Floyd album sleeves.
Right.
_ _ One more record then.
[G] _
_ _ [Em] Baby, _ one star [Gbm] enough [Bm] to end all
[Em] If we can fall [Bm] apart _ _ _ _
_ [G] Lloyd, did you like that record? _ _
No, but she is wonderful.
Just as it started, she hit this high note.
_ _ She's about my favourite singer.
Right.
And was that Bert Bacharach in the studio?
I wondered that myself.
There was a little glimpse of a greying man and I assumed that was Bert Bacharach.
But I don't know what he is.
I would just get excited watching Bert Bacharach being in the studio.
That's enough for me.
Yes. Me too.
Just, you know, mixing.
Whatever.
Turning sort of little buttons.
I would gladly just be around to carry the team.
Cleaning the tape heads and what have you.
You know, the humdrum daily business of the studio, which Bert does.
_ _ Thanks very much our guests who have come on this week.
And it's getting near Christmas, so do remember, if you're driving especially,
remember your name at all times.
Slim Gaylord, ladies and [N] gentlemen.
_ _ _ _ _ _ _ _
_ _ _ _ Pam Hogg, ladies and gentlemen.
_ _ _ _ _ _ _
Lloyd Cole. _ _ _ _ _ _
_ And Mr Simon O'Brien. _ _ _

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