Chords for LFDH Episode 6-5 Daryl Hall at SXSW Somebody Like You
Tempo:
74.125 bpm
Chords used:
G
C
Am
F
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Did you ever off to the side say, what the hell is this race talk that they're accusing us of copying black people's music?
To any of the people at Andy, or Orchestra, or anyone else in your community of friends outside of the record companies?
I've never had to have that conversation with any musician.
I think that that whole concept is so enormously wrong that I don't even want to start with it.
I could start with the 60s.
You know, European culture, black culture, has been coming together since then, since the 60s.
There's a little known thing about indentured servitude, where they actually used to teach people in school, English people.
Put them all in the same place, and they were all out in the fields.
They were all slaves.
Indentured servitude and slavery and things, in a lot of cases you couldn't get out in seven years.
There's always been an underclass culture of people where a lot of music comes from.
And this is an integrated, racially integrated culture that is the history and the strength of American music.
It's not about white people taking black people's music.
I'll say that once and for all.
It's not about black people taking white people's music.
It's about the interaction of two racial groups that is the strength of American music.
And it's our biggest export all over the world.
You hear that?
All [Bb] my songs are pretty personal.
Well, not pretty.
They are quite personal.
[Am] And here's a, this one is no exception.
It's called Someone Like You.
[C]
[G] [F] [F]
[C] [G] [Am]
[G] [F]
[C] [G]
[Am] Only you could [Em] ever know [Am] a heart that burned to [Em] let you go.
[D] Hard to face all [F] those nights [C] and suffer through all the [G] fools that lie.
It [Am] seems to me it's [Em] not so bad [Am] to try for the kind of love [Em] that we have.
All [D] I need is [F] that romance.
[C] One that grows strong when it's [G] got no chance.
[C] Now [Dm] you're gone away, [C] let the carry on.
[G]
[Dm] Ain't nobody else on the barrel [C] to compare us.
[G]
[Dm] And if I gotta have the real thing, [G] I gotta find somebody [Am] like you.
I hope [C] someone will come [G] to me.
[F] Somebody like you.
Someone will [C] take me [G] all the way.
[Am] Somebody like you.
Someone to [C] [G] take your place.
[F] Somebody like you.
Someone to [C] fill this [G] empty space.
[Am] What you got, [G] what you need.
[Am] This pain and that
[Em] disease.
Yeah, [D] I'm [F] satisfied.
[C] But nobody else, ain't [G] that on my side.
[Am] Now [Dm] you're gone away.
[C] [G] [Dm] Ain't nobody else on the barrel [C] to compare us.
[G] [Dm] And if I gotta have the real thing, [C] I gotta [G] find somebody [Am] like you.
I hope [D] someone [C] will come [G] to me.
[F] Somebody like you.
Someone [C] will take me [G] all the way.
Somebody [Am] like you.
[D] Someone [Em] to take [G] your place.
[F] Someone [C] to fill this [G] empty space.
[Am]
[G]
[C] [Am] [Em]
[D] [F]
[Am] [C] [G] [Am] Now [Dm] you're gone away.
[C] [G]
[Dm] Ain't nobody else on the [C] barrel to compare [G] us.
[F] And if I gotta have the real thing, [C] I [G] gotta find someone.
Somebody [Am] like you.
I hope someone [C] will come [G] today.
Somebody like you.
Someone will [C] take me all [G] the way.
[Am] Somebody like you.
[C] Someone to take [G] your place.
[F] Somebody like you.
Someone to [C] fill this [G] empty [Am] space.
I hope somebody's gonna send [C] somebody.
Somebody [G] gonna send somebody.
[Am] I hope somebody's gonna send somebody.
[C] [G] I [Am] hope somebody's gonna send [C] somebody.
Somebody gonna [G] send somebody.
[Am] I hope somebody's gonna send somebody.
[C] Somebody's gonna [G] send somebody.
[Am]
[G]
[Am] [C] [G] [Am]
[G] [Am]
[C] [F] [G]
Somebody gonna [Em]
[Am] send somebody.
[C] [G] [Am]
[F] [N]
To any of the people at Andy, or Orchestra, or anyone else in your community of friends outside of the record companies?
I've never had to have that conversation with any musician.
I think that that whole concept is so enormously wrong that I don't even want to start with it.
I could start with the 60s.
You know, European culture, black culture, has been coming together since then, since the 60s.
There's a little known thing about indentured servitude, where they actually used to teach people in school, English people.
Put them all in the same place, and they were all out in the fields.
They were all slaves.
Indentured servitude and slavery and things, in a lot of cases you couldn't get out in seven years.
There's always been an underclass culture of people where a lot of music comes from.
And this is an integrated, racially integrated culture that is the history and the strength of American music.
It's not about white people taking black people's music.
I'll say that once and for all.
It's not about black people taking white people's music.
It's about the interaction of two racial groups that is the strength of American music.
And it's our biggest export all over the world.
You hear that?
All [Bb] my songs are pretty personal.
Well, not pretty.
They are quite personal.
[Am] And here's a, this one is no exception.
It's called Someone Like You.
[C]
[G] [F] [F]
[C] [G] [Am]
[G] [F]
[C] [G]
[Am] Only you could [Em] ever know [Am] a heart that burned to [Em] let you go.
[D] Hard to face all [F] those nights [C] and suffer through all the [G] fools that lie.
It [Am] seems to me it's [Em] not so bad [Am] to try for the kind of love [Em] that we have.
All [D] I need is [F] that romance.
[C] One that grows strong when it's [G] got no chance.
[C] Now [Dm] you're gone away, [C] let the carry on.
[G]
[Dm] Ain't nobody else on the barrel [C] to compare us.
[G]
[Dm] And if I gotta have the real thing, [G] I gotta find somebody [Am] like you.
I hope [C] someone will come [G] to me.
[F] Somebody like you.
Someone will [C] take me [G] all the way.
[Am] Somebody like you.
Someone to [C] [G] take your place.
[F] Somebody like you.
Someone to [C] fill this [G] empty space.
[Am] What you got, [G] what you need.
[Am] This pain and that
[Em] disease.
Yeah, [D] I'm [F] satisfied.
[C] But nobody else, ain't [G] that on my side.
[Am] Now [Dm] you're gone away.
[C] [G] [Dm] Ain't nobody else on the barrel [C] to compare us.
[G] [Dm] And if I gotta have the real thing, [C] I gotta [G] find somebody [Am] like you.
I hope [D] someone [C] will come [G] to me.
[F] Somebody like you.
Someone [C] will take me [G] all the way.
Somebody [Am] like you.
[D] Someone [Em] to take [G] your place.
[F] Someone [C] to fill this [G] empty space.
[Am]
[G]
[C] [Am] [Em]
[D] [F]
[Am] [C] [G] [Am] Now [Dm] you're gone away.
[C] [G]
[Dm] Ain't nobody else on the [C] barrel to compare [G] us.
[F] And if I gotta have the real thing, [C] I [G] gotta find someone.
Somebody [Am] like you.
I hope someone [C] will come [G] today.
Somebody like you.
Someone will [C] take me all [G] the way.
[Am] Somebody like you.
[C] Someone to take [G] your place.
[F] Somebody like you.
Someone to [C] fill this [G] empty [Am] space.
I hope somebody's gonna send [C] somebody.
Somebody [G] gonna send somebody.
[Am] I hope somebody's gonna send somebody.
[C] [G] I [Am] hope somebody's gonna send [C] somebody.
Somebody gonna [G] send somebody.
[Am] I hope somebody's gonna send somebody.
[C] Somebody's gonna [G] send somebody.
[Am]
[G]
[Am] [C] [G] [Am]
[G] [Am]
[C] [F] [G]
Somebody gonna [Em]
[Am] send somebody.
[C] [G] [Am]
[F] [N]
Key:
G
C
Am
F
Em
G
C
Am
Did you ever off to the side say, what the hell is this race talk that they're accusing us of copying black people's music?
To any of the people at Andy, or Orchestra, or anyone else in your community of friends outside of the record companies?
I've never had to have that conversation with any musician.
_ _ _ I think that that whole concept is so enormously wrong that I don't even want to start with it.
I could start with the 60s.
_ _ _ _ _ You know, _ European culture, black culture, has been coming together since then, since the 60s.
There's a little known thing about indentured servitude, where they actually used to teach people in school, English people.
Put them all in the same place, and they were all out in the fields.
They were all slaves.
Indentured servitude and slavery and things, in a lot of cases you couldn't get out in seven years.
There's always been an underclass culture of people where a lot of music comes from.
And this is an integrated, racially integrated culture that is the history and the strength of American music.
It's not about white people taking black people's music.
I'll say that once and for all.
It's not about black people taking white people's music.
It's about the interaction of two racial groups that is the strength of American music.
And it's our biggest export all over the world.
You hear that?
_ All _ _ _ [Bb] my songs are pretty personal.
Well, not pretty.
They are quite personal.
[Am] And here's a, this one is no exception.
It's called Someone Like You. _
_ _ _ _ _ _ _ [C] _
_ _ [G] _ _ [F] _ _ _ [F] _
[C] _ _ [G] _ _ [Am] _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
[C] _ _ [G] _ _ _ _ _
[Am] Only you could [Em] ever know _ [Am] a heart that burned to [Em] let you go. _
[D] Hard to face all [F] those nights _ [C] and suffer through all the [G] fools that lie.
It [Am] seems to me it's [Em] not so bad _ [Am] to try for the kind of love [Em] that we have.
All [D] I need is [F] that romance. _
[C] One that grows strong when it's [G] got no chance.
[C] Now [Dm] you're gone away, [C] let the carry on.
[G] _
[Dm] Ain't nobody else on the barrel [C] to compare us.
[G] _
[Dm] And if I gotta have the real thing, [G] I gotta find somebody [Am] like you.
I hope [C] someone will come [G] to me.
[F] Somebody like you.
Someone will [C] take me [G] all the way.
[Am] Somebody like you.
_ Someone to [C] [G] take your place.
[F] Somebody like you.
Someone to [C] fill this [G] empty space.
_ _ [Am] What you got, _ [G] what you need.
_ [Am] This pain and that _
[Em] disease.
Yeah, [D] _ _ I'm [F] satisfied.
_ _ [C] But nobody else, ain't [G] that on my side.
[Am] Now [Dm] you're gone away. _ _
[C] _ _ [G] _ [Dm] Ain't nobody else on the barrel [C] to compare us.
[G] _ [Dm] And if I gotta have the real thing, [C] I gotta [G] find somebody [Am] like you.
I hope [D] someone [C] will come [G] to me.
[F] Somebody like you.
Someone [C] will take me [G] all the way.
Somebody [Am] like you.
[D] Someone [Em] to take [G] your place.
_ [F] _ Someone [C] to fill this [G] empty _ _ space.
[Am] _
_ _ _ _ _ [G] _ _ _
[C] _ _ [Am] _ _ _ [Em] _ _ _
_ [D] _ _ _ _ [F] _ _ _
[Am] _ [C] _ _ _ _ [G] _ [Am] Now [Dm] you're gone away.
_ [C] _ _ [G] _ _
[Dm] Ain't nobody else on the [C] barrel to compare [G] us.
[F] And if I gotta have the real thing, [C] I [G] gotta find someone.
Somebody [Am] like you.
I hope someone [C] will come [G] today.
Somebody like you.
Someone will [C] take me all [G] the way.
[Am] Somebody like you.
_ [C] Someone to take [G] your place.
[F] Somebody like you.
Someone to [C] fill this [G] empty [Am] space.
I hope somebody's gonna send [C] somebody.
Somebody [G] gonna send somebody.
[Am] I hope somebody's gonna send somebody.
[C] _ [G] I [Am] hope somebody's gonna send [C] somebody.
Somebody gonna [G] send somebody.
[Am] I hope somebody's gonna send somebody.
[C] Somebody's gonna [G] send somebody.
[Am] _
_ _ _ _ [G] _ _ _ _
[Am] _ _ _ _ [C] _ [G] _ _ [Am] _
_ _ _ _ [G] _ _ _ [Am] _
_ _ _ [C] _ [F] _ [G] _ _ _
_ _ _ _ _ _ _ _
_ Somebody gonna _ [Em] _
[Am] send somebody.
_ _ _ [C] _ _ _ [G] _ [Am] _ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ _ [N] _
To any of the people at Andy, or Orchestra, or anyone else in your community of friends outside of the record companies?
I've never had to have that conversation with any musician.
_ _ _ I think that that whole concept is so enormously wrong that I don't even want to start with it.
I could start with the 60s.
_ _ _ _ _ You know, _ European culture, black culture, has been coming together since then, since the 60s.
There's a little known thing about indentured servitude, where they actually used to teach people in school, English people.
Put them all in the same place, and they were all out in the fields.
They were all slaves.
Indentured servitude and slavery and things, in a lot of cases you couldn't get out in seven years.
There's always been an underclass culture of people where a lot of music comes from.
And this is an integrated, racially integrated culture that is the history and the strength of American music.
It's not about white people taking black people's music.
I'll say that once and for all.
It's not about black people taking white people's music.
It's about the interaction of two racial groups that is the strength of American music.
And it's our biggest export all over the world.
You hear that?
_ All _ _ _ [Bb] my songs are pretty personal.
Well, not pretty.
They are quite personal.
[Am] And here's a, this one is no exception.
It's called Someone Like You. _
_ _ _ _ _ _ _ [C] _
_ _ [G] _ _ [F] _ _ _ [F] _
[C] _ _ [G] _ _ [Am] _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
[C] _ _ [G] _ _ _ _ _
[Am] Only you could [Em] ever know _ [Am] a heart that burned to [Em] let you go. _
[D] Hard to face all [F] those nights _ [C] and suffer through all the [G] fools that lie.
It [Am] seems to me it's [Em] not so bad _ [Am] to try for the kind of love [Em] that we have.
All [D] I need is [F] that romance. _
[C] One that grows strong when it's [G] got no chance.
[C] Now [Dm] you're gone away, [C] let the carry on.
[G] _
[Dm] Ain't nobody else on the barrel [C] to compare us.
[G] _
[Dm] And if I gotta have the real thing, [G] I gotta find somebody [Am] like you.
I hope [C] someone will come [G] to me.
[F] Somebody like you.
Someone will [C] take me [G] all the way.
[Am] Somebody like you.
_ Someone to [C] [G] take your place.
[F] Somebody like you.
Someone to [C] fill this [G] empty space.
_ _ [Am] What you got, _ [G] what you need.
_ [Am] This pain and that _
[Em] disease.
Yeah, [D] _ _ I'm [F] satisfied.
_ _ [C] But nobody else, ain't [G] that on my side.
[Am] Now [Dm] you're gone away. _ _
[C] _ _ [G] _ [Dm] Ain't nobody else on the barrel [C] to compare us.
[G] _ [Dm] And if I gotta have the real thing, [C] I gotta [G] find somebody [Am] like you.
I hope [D] someone [C] will come [G] to me.
[F] Somebody like you.
Someone [C] will take me [G] all the way.
Somebody [Am] like you.
[D] Someone [Em] to take [G] your place.
_ [F] _ Someone [C] to fill this [G] empty _ _ space.
[Am] _
_ _ _ _ _ [G] _ _ _
[C] _ _ [Am] _ _ _ [Em] _ _ _
_ [D] _ _ _ _ [F] _ _ _
[Am] _ [C] _ _ _ _ [G] _ [Am] Now [Dm] you're gone away.
_ [C] _ _ [G] _ _
[Dm] Ain't nobody else on the [C] barrel to compare [G] us.
[F] And if I gotta have the real thing, [C] I [G] gotta find someone.
Somebody [Am] like you.
I hope someone [C] will come [G] today.
Somebody like you.
Someone will [C] take me all [G] the way.
[Am] Somebody like you.
_ [C] Someone to take [G] your place.
[F] Somebody like you.
Someone to [C] fill this [G] empty [Am] space.
I hope somebody's gonna send [C] somebody.
Somebody [G] gonna send somebody.
[Am] I hope somebody's gonna send somebody.
[C] _ [G] I [Am] hope somebody's gonna send [C] somebody.
Somebody gonna [G] send somebody.
[Am] I hope somebody's gonna send somebody.
[C] Somebody's gonna [G] send somebody.
[Am] _
_ _ _ _ [G] _ _ _ _
[Am] _ _ _ _ [C] _ [G] _ _ [Am] _
_ _ _ _ [G] _ _ _ [Am] _
_ _ _ [C] _ [F] _ [G] _ _ _
_ _ _ _ _ _ _ _
_ Somebody gonna _ [Em] _
[Am] send somebody.
_ _ _ [C] _ _ _ [G] _ [Am] _ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ _ [N] _