Chords for Hey Hey What Can I Do Lesson - Led Zeppelin
Tempo:
123.3 bpm
Chords used:
Ab
B
Gb
Db
Cm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Abm] Hey y'all we're gonna do a lesson today on
Hey, hey, what can I do [E] and
[Ab] You're gonna probably hear Sid running around the room chasing after the reflections
But but the first thing to know is there's a lot of confusion around the song
I think probably because [Gb] of the the way the guitar sounds because it sounds like it's in G
But [B] he's actually playing it [N] in a so what I suspect is he
Recorded it in standard pitch in a and then slow the tape down one of the things is there's a few giveaways to that for starters
[Ab]
That's [Bb] not a riff you do in G.
That's just not
[Bm] [Db] That's an a riff so that that's one thing
Sid watch the camera dude and the
[Ab] The other thing is listen to things like the way the symbols in those dead spaces and the symbol just kind of
Flows gorgeously over the empty space that that just sounds like a slowdown
Symbol to me not not your natural sounding
Symbol, so things like [Gb] that
Lead [Bm] me to believe it's it's this in fact.
I know it's this it's not done G
So throw out anything you've ever heard about it being played in G
So here's how it starts it [B] starts with this [Ab] little thing and does [Bm] that I think three or four times or whatever it is
So the way that little riff goes is you got your a?
You're a good playing on a and then this little intro riff goes a string third fret [B] to fourth [Cm] fret
[Ab] So [B] those third fret third [C] fret fourth fret then [Bm] the D string [Eb] second or fourth [Fm] [Ab] and then that G string [B] at that second [Ab] fret
[B] And he I think he kind of is picking [Gb] it pretty indiscriminately so you're [Bm] getting multiple strings It's [Ab] not
[B] It's not that [Ab] it's
[Cm] You know you're kind of getting [Gb] most of the chord into [Ab] it at least
The a D [E] and G strings for each of that so you do that what [Cm] four [Ab] times?
And then it [Gb] goes [Db]
[Gb] which is just G to D
[Db] And then the verse [E] is those
No, it's the same kind of
Eight days a week chord progression, and there's some Tom Petty songs.
I think the waiting is another [Ab] one of these it does a [Eb] a
[Gb] G [Db] D [Gb]
[Ab] [Ebm] a
E [Gb] G [Db] E, and that just doesn't I'm off on the high E string
[B] [Abm] Right [Em] and that's just [Db] the ace the
So
[B] [Ab] [E] that's on the a string you do three [B] four
[Ab] Then back to an a chord
[Eb] [Ab] So I'll do that part one more time
[Eb] [Gb]
[Db]
[B] [Ab] [Eb] Right goes through it [Gb] again
[Db] And the second time through it does it
[Abm]
[Ab] Which is kind of [G] similar to the [E] other one, but it just ends to [G] me you do a string third to fourth fret
[C]
[Eb] [F] So [B] [Ab] [B] it just goes back down on [Ab] it on [Bm] that a string third fret
[Ab] [B] [Cm] So [B] [Ab] the [B] first time through you would be
[Ab] [B] in that [Ab] intro
And you'd end up on that a note, [B] but at this time instead you do
[Ab] [Eb] [Gb]
[Db]
[Ab] And then I think it goes directly to the
[Cm]
[Fm] [Db] Right to go it into that's sort of the bridge into the court, which is [Ab] an a up here
[N] Let's see that's your same a as if you were borrowing it, but you're only doing the the
Four strings the highest four strings and leave the a string open for that
[Ab] [Cm]
[E] That's a C sharp minor, but you can play it on the top four strings.
You can do these anyway you want you [Ab] could do
[Cm] But [Fm]
[Db] I just [Ab] do them as a more of a walk down
So it's a C [Cm] sharp minor [B] F [Fm] sharp minor
[Db] D
Gonna leave you and you get to play and then the [Ab] course is just [B] a
[Gb] [Db] So [Ab] goes a a [Gb] [Db] G D
So [Dbm] for that D chord in the [D] course you take your finger out your middle finger off the high E string put back [Ebm] on the same
Thing you've been doing in between
[Ab] that [Gb]
[Db] [B]
[Ab] [B] same thing in [Ab] between
[Gb] [Db]
[Gb] [Ab] [Gb] [Db]
There's a mention [B] won't be
[Ab] [B] [Ab] And [Eb] it goes back into [Gb] another [Db] verse
[N] And that's that's the whole that's the whole tune
Again, the only trick if you call it that is once you figure out that it's actually [B] a and not G
That becomes a really simple song
That's not to take anything away [E] from it.
It's brilliant, but
It's not exactly Paganini, right?
So if you have any trouble with it
Let me know and send me a note
Hey, hey, what can I do [E] and
[Ab] You're gonna probably hear Sid running around the room chasing after the reflections
But but the first thing to know is there's a lot of confusion around the song
I think probably because [Gb] of the the way the guitar sounds because it sounds like it's in G
But [B] he's actually playing it [N] in a so what I suspect is he
Recorded it in standard pitch in a and then slow the tape down one of the things is there's a few giveaways to that for starters
[Ab]
That's [Bb] not a riff you do in G.
That's just not
[Bm] [Db] That's an a riff so that that's one thing
Sid watch the camera dude and the
[Ab] The other thing is listen to things like the way the symbols in those dead spaces and the symbol just kind of
Flows gorgeously over the empty space that that just sounds like a slowdown
Symbol to me not not your natural sounding
Symbol, so things like [Gb] that
Lead [Bm] me to believe it's it's this in fact.
I know it's this it's not done G
So throw out anything you've ever heard about it being played in G
So here's how it starts it [B] starts with this [Ab] little thing and does [Bm] that I think three or four times or whatever it is
So the way that little riff goes is you got your a?
You're a good playing on a and then this little intro riff goes a string third fret [B] to fourth [Cm] fret
[Ab] So [B] those third fret third [C] fret fourth fret then [Bm] the D string [Eb] second or fourth [Fm] [Ab] and then that G string [B] at that second [Ab] fret
[B] And he I think he kind of is picking [Gb] it pretty indiscriminately so you're [Bm] getting multiple strings It's [Ab] not
[B] It's not that [Ab] it's
[Cm] You know you're kind of getting [Gb] most of the chord into [Ab] it at least
The a D [E] and G strings for each of that so you do that what [Cm] four [Ab] times?
And then it [Gb] goes [Db]
[Gb] which is just G to D
[Db] And then the verse [E] is those
No, it's the same kind of
Eight days a week chord progression, and there's some Tom Petty songs.
I think the waiting is another [Ab] one of these it does a [Eb] a
[Gb] G [Db] D [Gb]
[Ab] [Ebm] a
E [Gb] G [Db] E, and that just doesn't I'm off on the high E string
[B] [Abm] Right [Em] and that's just [Db] the ace the
So
[B] [Ab] [E] that's on the a string you do three [B] four
[Ab] Then back to an a chord
[Eb] [Ab] So I'll do that part one more time
[Eb] [Gb]
[Db]
[B] [Ab] [Eb] Right goes through it [Gb] again
[Db] And the second time through it does it
[Abm]
[Ab] Which is kind of [G] similar to the [E] other one, but it just ends to [G] me you do a string third to fourth fret
[C]
[Eb] [F] So [B] [Ab] [B] it just goes back down on [Ab] it on [Bm] that a string third fret
[Ab] [B] [Cm] So [B] [Ab] the [B] first time through you would be
[Ab] [B] in that [Ab] intro
And you'd end up on that a note, [B] but at this time instead you do
[Ab] [Eb] [Gb]
[Db]
[Ab] And then I think it goes directly to the
[Cm]
[Fm] [Db] Right to go it into that's sort of the bridge into the court, which is [Ab] an a up here
[N] Let's see that's your same a as if you were borrowing it, but you're only doing the the
Four strings the highest four strings and leave the a string open for that
[Ab] [Cm]
[E] That's a C sharp minor, but you can play it on the top four strings.
You can do these anyway you want you [Ab] could do
[Cm] But [Fm]
[Db] I just [Ab] do them as a more of a walk down
So it's a C [Cm] sharp minor [B] F [Fm] sharp minor
[Db] D
Gonna leave you and you get to play and then the [Ab] course is just [B] a
[Gb] [Db] So [Ab] goes a a [Gb] [Db] G D
So [Dbm] for that D chord in the [D] course you take your finger out your middle finger off the high E string put back [Ebm] on the same
Thing you've been doing in between
[Ab] that [Gb]
[Db] [B]
[Ab] [B] same thing in [Ab] between
[Gb] [Db]
[Gb] [Ab] [Gb] [Db]
There's a mention [B] won't be
[Ab] [B] [Ab] And [Eb] it goes back into [Gb] another [Db] verse
[N] And that's that's the whole that's the whole tune
Again, the only trick if you call it that is once you figure out that it's actually [B] a and not G
That becomes a really simple song
That's not to take anything away [E] from it.
It's brilliant, but
It's not exactly Paganini, right?
So if you have any trouble with it
Let me know and send me a note
Key:
Ab
B
Gb
Db
Cm
Ab
B
Gb
_ [Abm] Hey y'all we're gonna do a lesson today on
_ Hey, hey, what can I do [E] and _
[Ab] You're gonna probably hear Sid running around the room chasing after the reflections _ _ _ _ _ _
_ But _ _ but the first thing to know is there's a lot of confusion around the song
I think probably because [Gb] of the the way the guitar sounds because it sounds like it's in G
But [B] he's actually playing it [N] in a so what I suspect is he
Recorded it in standard pitch in a and then slow the tape down one of the things is there's a few giveaways to that for starters
[Ab] _ _
_ That's [Bb] not a riff you do in G.
That's just not
[Bm] _ [Db] That's an a riff so that that's one thing
Sid watch the camera dude and _ the
[Ab] _ The other thing is listen to things like the way the symbols in those dead spaces and the symbol just kind of
_ Flows gorgeously over the empty space that that just sounds like a slowdown
Symbol to me not not your natural sounding
Symbol, so things like [Gb] that
Lead [Bm] me to believe it's it's this in fact.
I know it's this it's not done G
So throw out anything you've ever heard about it being played in G
_ So here's how it starts it [B] starts with this [Ab] little thing _ _ _ _ _ _ _ _ _ _ and does [Bm] that I think three or four times or whatever it is
So the way that little riff goes is you got your a?
You're a good playing on a and then this little intro riff goes _ a string third fret [B] to fourth [Cm] fret
[Ab] So _ _ [B] those third fret third [C] fret fourth fret then [Bm] the D string [Eb] second or fourth [Fm] [Ab] and _ then that G string [B] at that second [Ab] fret
_ _ [B] And he I think he kind of is picking [Gb] it pretty indiscriminately so you're [Bm] getting multiple strings It's [Ab] not
[B] It's not that [Ab] it's
_ _ _ _ _ _ _ _
[Cm] You know you're kind of getting [Gb] most of the chord into [Ab] it at least _
The a D [E] and G strings for each of that so you do that what [Cm] four [Ab] times?
_ And then it [Gb] goes _ [Db] _
[Gb] which is just G to D
[Db] _ And then the verse [E] is those
No, it's the same kind of
_ _ _ Eight days a week chord progression, and there's some Tom Petty songs.
I think the waiting is another [Ab] one of these it does a [Eb] a
_ [Gb] G [Db] D _ _ _ _ _ [Gb] _
[Ab] _ [Ebm] a
E [Gb] G [Db] E, and that just doesn't I'm off _ on the high E string _
_ _ _ [B] _ [Abm] Right [Em] and that's just [Db] the ace the
So _ _ _
_ [B] _ [Ab] _ _ _ [E] that's on the a string you do three [B] four
[Ab] Then back to an a chord _
[Eb] [Ab] So I'll do that part one more time
[Eb] _ _ [Gb] _
_ [Db] _ _ _ _ _ _ _
[B] _ [Ab] _ [Eb] Right goes through it [Gb] again
[Db] And _ the second time through it does it
[Abm] _ _ _
[Ab] _ Which is kind of [G] similar to the [E] other one, but it just ends to [G] me you do a string third to fourth fret
[C] _
[Eb] [F] So [B] _ _ [Ab] _ _ [B] it just goes back down on [Ab] it on [Bm] that a string third fret
[Ab] _ [B] [Cm] So [B] _ [Ab] _ the [B] first time through you would be
[Ab] _ [B] in that [Ab] intro _
And you'd end up on that a note, [B] but at this time instead you do
_ [Ab] _ _ _ [Eb] _ [Gb] _
_ [Db] _ _ _ _ _ _ _
[Ab] And then I think it goes directly to the
[Cm] _ _
[Fm] _ [Db] _ _ _ Right to go it into that's sort of the bridge into the court, which is [Ab] an a up here _ _ _
[N] _ _ Let's see that's your same a as if you were borrowing it, but you're only doing the the
_ Four strings the highest four strings and leave the a string open for that
[Ab] _ _ _ [Cm] _
_ [E] That's a C sharp minor, but you can play it on the top four strings.
You can do these anyway you want you [Ab] could do
[Cm] But _ [Fm] _
[Db] _ _ I just [Ab] do them as a more of a walk down
So it's a C [Cm] sharp minor [B] F [Fm] sharp minor
_ _ [Db] D
Gonna leave you and you get to play and then the [Ab] course is just _ [B] a
[Gb] [Db] So _ [Ab] goes a a [Gb] [Db] G D
_ So [Dbm] for that D chord in the [D] course you take your finger out your middle finger off the high E string put back [Ebm] on the same
Thing you've been doing in between
[Ab] that _ [Gb] _
[Db] _ _ _ _ _ _ _ [B] _
[Ab] _ [B] same thing in [Ab] between _ _ _
[Gb] _ [Db] _ _ _ _ _ _ _
[Gb] _ [Ab] _ _ _ [Gb] _ [Db] _ _ _
_ There's a mention [B] won't be
[Ab] _ [B] [Ab] And [Eb] it goes back into [Gb] another [Db] verse
[N] And that's that's the whole that's the whole tune
Again, the only trick if you call it that is once you figure out that it's actually [B] a and not G
That becomes a really simple song
That's not to take anything away [E] from it.
It's brilliant, but
It's not exactly Paganini, right?
So if you have any trouble with it
Let me know and send me a note
_ Hey, hey, what can I do [E] and _
[Ab] You're gonna probably hear Sid running around the room chasing after the reflections _ _ _ _ _ _
_ But _ _ but the first thing to know is there's a lot of confusion around the song
I think probably because [Gb] of the the way the guitar sounds because it sounds like it's in G
But [B] he's actually playing it [N] in a so what I suspect is he
Recorded it in standard pitch in a and then slow the tape down one of the things is there's a few giveaways to that for starters
[Ab] _ _
_ That's [Bb] not a riff you do in G.
That's just not
[Bm] _ [Db] That's an a riff so that that's one thing
Sid watch the camera dude and _ the
[Ab] _ The other thing is listen to things like the way the symbols in those dead spaces and the symbol just kind of
_ Flows gorgeously over the empty space that that just sounds like a slowdown
Symbol to me not not your natural sounding
Symbol, so things like [Gb] that
Lead [Bm] me to believe it's it's this in fact.
I know it's this it's not done G
So throw out anything you've ever heard about it being played in G
_ So here's how it starts it [B] starts with this [Ab] little thing _ _ _ _ _ _ _ _ _ _ and does [Bm] that I think three or four times or whatever it is
So the way that little riff goes is you got your a?
You're a good playing on a and then this little intro riff goes _ a string third fret [B] to fourth [Cm] fret
[Ab] So _ _ [B] those third fret third [C] fret fourth fret then [Bm] the D string [Eb] second or fourth [Fm] [Ab] and _ then that G string [B] at that second [Ab] fret
_ _ [B] And he I think he kind of is picking [Gb] it pretty indiscriminately so you're [Bm] getting multiple strings It's [Ab] not
[B] It's not that [Ab] it's
_ _ _ _ _ _ _ _
[Cm] You know you're kind of getting [Gb] most of the chord into [Ab] it at least _
The a D [E] and G strings for each of that so you do that what [Cm] four [Ab] times?
_ And then it [Gb] goes _ [Db] _
[Gb] which is just G to D
[Db] _ And then the verse [E] is those
No, it's the same kind of
_ _ _ Eight days a week chord progression, and there's some Tom Petty songs.
I think the waiting is another [Ab] one of these it does a [Eb] a
_ [Gb] G [Db] D _ _ _ _ _ [Gb] _
[Ab] _ [Ebm] a
E [Gb] G [Db] E, and that just doesn't I'm off _ on the high E string _
_ _ _ [B] _ [Abm] Right [Em] and that's just [Db] the ace the
So _ _ _
_ [B] _ [Ab] _ _ _ [E] that's on the a string you do three [B] four
[Ab] Then back to an a chord _
[Eb] [Ab] So I'll do that part one more time
[Eb] _ _ [Gb] _
_ [Db] _ _ _ _ _ _ _
[B] _ [Ab] _ [Eb] Right goes through it [Gb] again
[Db] And _ the second time through it does it
[Abm] _ _ _
[Ab] _ Which is kind of [G] similar to the [E] other one, but it just ends to [G] me you do a string third to fourth fret
[C] _
[Eb] [F] So [B] _ _ [Ab] _ _ [B] it just goes back down on [Ab] it on [Bm] that a string third fret
[Ab] _ [B] [Cm] So [B] _ [Ab] _ the [B] first time through you would be
[Ab] _ [B] in that [Ab] intro _
And you'd end up on that a note, [B] but at this time instead you do
_ [Ab] _ _ _ [Eb] _ [Gb] _
_ [Db] _ _ _ _ _ _ _
[Ab] And then I think it goes directly to the
[Cm] _ _
[Fm] _ [Db] _ _ _ Right to go it into that's sort of the bridge into the court, which is [Ab] an a up here _ _ _
[N] _ _ Let's see that's your same a as if you were borrowing it, but you're only doing the the
_ Four strings the highest four strings and leave the a string open for that
[Ab] _ _ _ [Cm] _
_ [E] That's a C sharp minor, but you can play it on the top four strings.
You can do these anyway you want you [Ab] could do
[Cm] But _ [Fm] _
[Db] _ _ I just [Ab] do them as a more of a walk down
So it's a C [Cm] sharp minor [B] F [Fm] sharp minor
_ _ [Db] D
Gonna leave you and you get to play and then the [Ab] course is just _ [B] a
[Gb] [Db] So _ [Ab] goes a a [Gb] [Db] G D
_ So [Dbm] for that D chord in the [D] course you take your finger out your middle finger off the high E string put back [Ebm] on the same
Thing you've been doing in between
[Ab] that _ [Gb] _
[Db] _ _ _ _ _ _ _ [B] _
[Ab] _ [B] same thing in [Ab] between _ _ _
[Gb] _ [Db] _ _ _ _ _ _ _
[Gb] _ [Ab] _ _ _ [Gb] _ [Db] _ _ _
_ There's a mention [B] won't be
[Ab] _ [B] [Ab] And [Eb] it goes back into [Gb] another [Db] verse
[N] And that's that's the whole that's the whole tune
Again, the only trick if you call it that is once you figure out that it's actually [B] a and not G
That becomes a really simple song
That's not to take anything away [E] from it.
It's brilliant, but
It's not exactly Paganini, right?
So if you have any trouble with it
Let me know and send me a note