Chords for Essential R&B Guitar Techniques To Play With Soul And Stand Out by Kerry 2 Smooth
Tempo:
103.65 bpm
Chords used:
Am
E
Em
Bb
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Dm]
[F] [Gm] [F] [D] [G]
[Eb] Hi, I'm Keri T.
Smooth, and in today's lesson, we're going to talk about playing muted playing,
also how to use a pentatonic scale to give us really cool riffs while we're playing,
and also how to just use it all together to really [Am] make our playing stand out.
So I'm going to play through a couple of examples, I'm going to break it down for you.
Here we go.
[D] [Am]
[Em] [Am]
[E] [Em] [F]
[Dm] [A] [Am]
[F] [Am]
[E] [Am]
[N] Okay, so our main chords that we're using here [Am] is going to be the A minor seven, the
E [Em] minor seven, F major [F] seven.
[Abm] So we're using the [G] pentatonic scale, the A minor pentatonic.
[E]
So when we're doing these [Bb] kind of licks, we're going to play muted, and that means like really
using the heel of our hand to sit right here on the bridge.
Just rest it, you don't have to [G] worry about it, just rest it, you know, like if you were
just kind of just casually playing.
And when you're [Bb] playing, you want to hear the sound.
[E] And I'm using [Abm] two strings at the same [G] time.
[E] [D] [Bb] So I'm using [A] the A string and G string.
[E]
So if I'm not playing muted, you'll hear this.
When I [G] get ready to do my riffs, I'm going to pull the string, I'm plucking the [Gb] string,
and I'm bending the string at the same time.
I'm bending down.
[Gbm] [F]
[Em] [Am]
[A] I'm plucking, really I'm picking [Eb] the string in between my pick.
[Gm] [D]
[Em] [Am] [Bb]
[E] And when I'm doing this chord down here, I'm really [Em] playing like an F shape, like I'm playing
an F triad.
But instead of [E] me holding down the E [Bb] string and playing the F, I'm leaving [F] it open.
[B] And then with my pinky, I'm hammering on [Dm] the B string.
[Am]
[A] [Am] [A]
[Am] It's [D] [Em]
[Am] [D] [Gm] [Am]
[E]
[G] like I'm recycling the same lick.
[Em] [A]
[Am] [Gm] [G]
[A] [Cm] [Gbm]
[Em] [Am] [A]
[Am] [Em]
[F] [E]
[Am]
[Em] [E] [F] [B]
And everything we [C] do when we use that chord, it's about a timing issue.
So if it's taking you a little bit longer to squeeze that chord in, then don't play it.
But if you can get it [Dm] in there, [Bb]
and within the proper [Eb] time, then definitely do it.
[A]
[F] [Em] [Am] [Dm]
[E] [Am]
[Em]
[Gb] So me, [E] instead of me playing the bass note in that F major 7, [F] [C] and [Am]
[A] [Am]
[Em] [G] [Am]
[G] I'm recycling [B] that
same lick, I'm just playing the different [Gm] octaves.
[Bb]
[E] And you'll see me do a lot of plucking and bending.
[Bb] That's really to kind of give you that oomph.
You don't want to play it so straight so that way the song and that particular part [Eb] doesn't have character.
You as a guitarist, when you're playing those parts, you've got to give that attitude, [N] that
oomph when you're playing so the way that people can feel what you're saying.
That's kind of that soul that people talk about.
So if you do it, [Bb]
it sounds cool.
[Gm] [E]
[Em] [Am] [Bb]
[Em] [Em]
[Am] [A]
[Am] [A] See [G] again, I'm using that muted.
[E] And you can always [Bb] go in and out with that muted.
[Am]
[G] [Am]
[Bb] So hopefully you enjoyed that lesson.
Again, I just want to recap that we talked about playing, using the A minor pentatonic
scale, playing with soul, kind of using those plucking and bending.
[Gm]
[G] [E] And a lot of that stuff you can experiment with.
Once you get those licks, just [Eb] experiment.
You may like to bend up, you may not like to bend down.
And then playing [Dm] this chord.
[E] Again, it's that [Bb] F shape, but we're not playing that E [F] string, we're leaving that open.
And then we're going to hammer [Dm] on the B string.
[Am]
[Dm] [Bb]
[Dm] [Eb] So hopefully that helped you out.
Again, like I said, [G] it's just the A minor pentatonic [E] scale.
[Gb] [F] So hopefully that'll help you out.
Like I said, if you like it, please subscribe to this channel.
Please share it and please tell others about it.
Have a good one.
[F] [Gm] [F] [D] [G]
[Eb] Hi, I'm Keri T.
Smooth, and in today's lesson, we're going to talk about playing muted playing,
also how to use a pentatonic scale to give us really cool riffs while we're playing,
and also how to just use it all together to really [Am] make our playing stand out.
So I'm going to play through a couple of examples, I'm going to break it down for you.
Here we go.
[D] [Am]
[Em] [Am]
[E] [Em] [F]
[Dm] [A] [Am]
[F] [Am]
[E] [Am]
[N] Okay, so our main chords that we're using here [Am] is going to be the A minor seven, the
E [Em] minor seven, F major [F] seven.
[Abm] So we're using the [G] pentatonic scale, the A minor pentatonic.
[E]
So when we're doing these [Bb] kind of licks, we're going to play muted, and that means like really
using the heel of our hand to sit right here on the bridge.
Just rest it, you don't have to [G] worry about it, just rest it, you know, like if you were
just kind of just casually playing.
And when you're [Bb] playing, you want to hear the sound.
[E] And I'm using [Abm] two strings at the same [G] time.
[E] [D] [Bb] So I'm using [A] the A string and G string.
[E]
So if I'm not playing muted, you'll hear this.
When I [G] get ready to do my riffs, I'm going to pull the string, I'm plucking the [Gb] string,
and I'm bending the string at the same time.
I'm bending down.
[Gbm] [F]
[Em] [Am]
[A] I'm plucking, really I'm picking [Eb] the string in between my pick.
[Gm] [D]
[Em] [Am] [Bb]
[E] And when I'm doing this chord down here, I'm really [Em] playing like an F shape, like I'm playing
an F triad.
But instead of [E] me holding down the E [Bb] string and playing the F, I'm leaving [F] it open.
[B] And then with my pinky, I'm hammering on [Dm] the B string.
[Am]
[A] [Am] [A]
[Am] It's [D] [Em]
[Am] [D] [Gm] [Am]
[E]
[G] like I'm recycling the same lick.
[Em] [A]
[Am] [Gm] [G]
[A] [Cm] [Gbm]
[Em] [Am] [A]
[Am] [Em]
[F] [E]
[Am]
[Em] [E] [F] [B]
And everything we [C] do when we use that chord, it's about a timing issue.
So if it's taking you a little bit longer to squeeze that chord in, then don't play it.
But if you can get it [Dm] in there, [Bb]
and within the proper [Eb] time, then definitely do it.
[A]
[F] [Em] [Am] [Dm]
[E] [Am]
[Em]
[Gb] So me, [E] instead of me playing the bass note in that F major 7, [F] [C] and [Am]
[A] [Am]
[Em] [G] [Am]
[G] I'm recycling [B] that
same lick, I'm just playing the different [Gm] octaves.
[Bb]
[E] And you'll see me do a lot of plucking and bending.
[Bb] That's really to kind of give you that oomph.
You don't want to play it so straight so that way the song and that particular part [Eb] doesn't have character.
You as a guitarist, when you're playing those parts, you've got to give that attitude, [N] that
oomph when you're playing so the way that people can feel what you're saying.
That's kind of that soul that people talk about.
So if you do it, [Bb]
it sounds cool.
[Gm] [E]
[Em] [Am] [Bb]
[Em] [Em]
[Am] [A]
[Am] [A] See [G] again, I'm using that muted.
[E] And you can always [Bb] go in and out with that muted.
[Am]
[G] [Am]
[Bb] So hopefully you enjoyed that lesson.
Again, I just want to recap that we talked about playing, using the A minor pentatonic
scale, playing with soul, kind of using those plucking and bending.
[Gm]
[G] [E] And a lot of that stuff you can experiment with.
Once you get those licks, just [Eb] experiment.
You may like to bend up, you may not like to bend down.
And then playing [Dm] this chord.
[E] Again, it's that [Bb] F shape, but we're not playing that E [F] string, we're leaving that open.
And then we're going to hammer [Dm] on the B string.
[Am]
[Dm] [Bb]
[Dm] [Eb] So hopefully that helped you out.
Again, like I said, [G] it's just the A minor pentatonic [E] scale.
[Gb] [F] So hopefully that'll help you out.
Like I said, if you like it, please subscribe to this channel.
Please share it and please tell others about it.
Have a good one.
Key:
Am
E
Em
Bb
F
Am
E
Em
_ [Dm] _ _ _ _ _ _ _
[F] _ _ [Gm] _ [F] _ _ [D] _ _ [G] _
_ _ _ _ [Eb] Hi, I'm Keri T.
Smooth, and in today's lesson, we're going to talk about playing muted playing,
also how to use a pentatonic scale to give us really cool riffs while we're playing,
and also how to just use it all together to really [Am] make our playing stand out.
So I'm going to play through a couple of examples, I'm going to break it down for you.
Here we go.
_ _ _ [D] _ _ [Am] _ _
[Em] _ [Am] _ _ _ _ _ _ _
_ [E] _ _ _ [Em] _ _ [F] _ _
[Dm] _ _ [A] _ _ [Am] _ _ _ _
_ _ [F] _ _ _ _ [Am] _ _
_ [E] _ _ _ _ _ _ [Am] _
_ _ _ _ [N] Okay, so our main chords that we're using here [Am] is going to be the A minor seven, _ _ _ _ the
E [Em] minor seven, F _ _ major [F] seven.
_ _ [Abm] So we're using the [G] pentatonic scale, the A minor pentatonic.
_ [E] _ _ _ _
So when we're doing these [Bb] kind of licks, we're going to play muted, and that means like really
using the heel of our hand to sit right here on the bridge.
_ Just rest it, you don't have to [G] worry about it, just rest it, you know, like if you were
just kind of just casually playing.
And when you're [Bb] playing, you want to hear the sound.
_ [E] _ _ _ _ And I'm using [Abm] two strings at the same [G] time.
[E] _ _ [D] _ [Bb] So I'm using [A] the A string and G string.
[E] _ _ _ _
_ _ So if I'm not playing muted, you'll hear this. _
_ _ _ _ When I [G] get ready to do my riffs, I'm going to pull the string, I'm plucking the [Gb] string,
and I'm bending the string at the same time.
I'm bending down.
[Gbm] _ _ [F] _ _ _ _
[Em] _ _ [Am] _ _ _ _ _ _
_ _ [A] _ _ I'm plucking, really I'm picking [Eb] the string in between my pick.
[Gm] _ _ _ [D] _ _ _
_ _ [Em] _ _ [Am] _ _ [Bb] _
[E] And when I'm doing this chord down here, I'm really [Em] playing like an F shape, like I'm playing
an F triad.
But instead of [E] me holding down the E [Bb] string and playing the F, I'm leaving [F] it open.
_ _ _ [B] And then with my pinky, I'm hammering on [Dm] the B string.
_ _ _ _ _ [Am] _
_ _ [A] _ _ [Am] _ _ _ [A] _
[Am] It's _ _ [D] _ _ [Em] _ _
[Am] _ _ [D] _ _ [Gm] _ _ [Am] _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ [G] like I'm recycling the same lick.
_ _ [Em] _ _ [A] _ _ _ _
[Am] _ _ _ _ _ [Gm] _ _ [G] _
_ [A] _ _ _ [Cm] _ _ [Gbm] _ _
[Em] _ _ [Am] _ _ _ [A] _ _ _
_ _ [Am] _ _ _ _ [Em] _ _
[F] _ _ _ _ [E] _ _ _ _
_ [Am] _ _ _ _ _ _ _
[Em] _ [E] _ _ [F] _ _ [B] _ _
And everything we [C] do when we use that chord, it's about a timing issue.
So if it's taking you a little bit longer to squeeze that chord in, then don't play it.
But if you can get it [Dm] in there, _ [Bb]
and within the proper [Eb] time, then definitely do it.
[A] _ _ _ _
[F] _ _ _ [Em] _ _ [Am] _ _ [Dm] _
_ _ [E] _ [Am] _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ [Gb] So me, [E] instead of me playing the bass note in that F major 7, [F] _ _ _ [C] and _ _ [Am] _
_ _ [A] _ _ _ _ [Am] _ _
[Em] _ _ _ _ [G] _ _ [Am] _ _
_ _ _ _ [G] _ _ I'm recycling [B] that
same lick, I'm just playing the different [Gm] octaves.
_ [Bb] _ _ _
_ _ _ _ [E] _ And you'll see me do a lot of plucking and bending.
[Bb] That's really to kind of give you that oomph.
You don't want to play it so straight so that way the song and that particular part [Eb] doesn't have character.
You as a guitarist, when you're playing those parts, you've got to give that attitude, [N] that
oomph when you're playing so the way that people can feel what you're saying.
That's kind of that soul that people talk about.
So if you do it, [Bb] _
it sounds cool.
_ _ [Gm] _ _ [E] _
_ _ [Em] _ _ [Am] _ _ [Bb] _ _
_ _ [Em] _ _ _ _ _ [Em] _
_ _ [Am] _ _ _ _ [A] _ _
[Am] _ _ _ [A] _ _ See [G] again, I'm using that muted.
_ [E] _ _ And you can always [Bb] go in and out with that muted.
[Am] _ _ _ _ _ _ _ _
_ _ [G] _ _ [Am] _ _ _ _
_ _ _ _ _ [Bb] So hopefully you enjoyed that lesson.
Again, I just want to recap that we talked about playing, using the A minor pentatonic
scale, playing with soul, kind of using those plucking and bending.
_ [Gm] _
_ _ [G] _ [E] And a lot of that stuff you can experiment with.
Once you get those licks, just [Eb] experiment.
You may like to bend up, you may not like to bend down.
And then playing [Dm] this chord.
_ _ _ [E] Again, it's that [Bb] F shape, but we're not playing that E [F] string, we're leaving that open. _ _
And then we're going to hammer [Dm] on the B string.
_ _ _ _ [Am] _ _
_ _ [Dm] _ _ [Bb] _ _ _ _
[Dm] _ _ _ [Eb] So hopefully that helped you out.
Again, like I said, [G] it's just the A minor pentatonic [E] scale. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Gb] _ [F] So hopefully that'll help you out.
Like I said, if you like it, please subscribe to this channel.
Please share it and please tell others about it.
Have a good one.
[F] _ _ [Gm] _ [F] _ _ [D] _ _ [G] _
_ _ _ _ [Eb] Hi, I'm Keri T.
Smooth, and in today's lesson, we're going to talk about playing muted playing,
also how to use a pentatonic scale to give us really cool riffs while we're playing,
and also how to just use it all together to really [Am] make our playing stand out.
So I'm going to play through a couple of examples, I'm going to break it down for you.
Here we go.
_ _ _ [D] _ _ [Am] _ _
[Em] _ [Am] _ _ _ _ _ _ _
_ [E] _ _ _ [Em] _ _ [F] _ _
[Dm] _ _ [A] _ _ [Am] _ _ _ _
_ _ [F] _ _ _ _ [Am] _ _
_ [E] _ _ _ _ _ _ [Am] _
_ _ _ _ [N] Okay, so our main chords that we're using here [Am] is going to be the A minor seven, _ _ _ _ the
E [Em] minor seven, F _ _ major [F] seven.
_ _ [Abm] So we're using the [G] pentatonic scale, the A minor pentatonic.
_ [E] _ _ _ _
So when we're doing these [Bb] kind of licks, we're going to play muted, and that means like really
using the heel of our hand to sit right here on the bridge.
_ Just rest it, you don't have to [G] worry about it, just rest it, you know, like if you were
just kind of just casually playing.
And when you're [Bb] playing, you want to hear the sound.
_ [E] _ _ _ _ And I'm using [Abm] two strings at the same [G] time.
[E] _ _ [D] _ [Bb] So I'm using [A] the A string and G string.
[E] _ _ _ _
_ _ So if I'm not playing muted, you'll hear this. _
_ _ _ _ When I [G] get ready to do my riffs, I'm going to pull the string, I'm plucking the [Gb] string,
and I'm bending the string at the same time.
I'm bending down.
[Gbm] _ _ [F] _ _ _ _
[Em] _ _ [Am] _ _ _ _ _ _
_ _ [A] _ _ I'm plucking, really I'm picking [Eb] the string in between my pick.
[Gm] _ _ _ [D] _ _ _
_ _ [Em] _ _ [Am] _ _ [Bb] _
[E] And when I'm doing this chord down here, I'm really [Em] playing like an F shape, like I'm playing
an F triad.
But instead of [E] me holding down the E [Bb] string and playing the F, I'm leaving [F] it open.
_ _ _ [B] And then with my pinky, I'm hammering on [Dm] the B string.
_ _ _ _ _ [Am] _
_ _ [A] _ _ [Am] _ _ _ [A] _
[Am] It's _ _ [D] _ _ [Em] _ _
[Am] _ _ [D] _ _ [Gm] _ _ [Am] _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ [G] like I'm recycling the same lick.
_ _ [Em] _ _ [A] _ _ _ _
[Am] _ _ _ _ _ [Gm] _ _ [G] _
_ [A] _ _ _ [Cm] _ _ [Gbm] _ _
[Em] _ _ [Am] _ _ _ [A] _ _ _
_ _ [Am] _ _ _ _ [Em] _ _
[F] _ _ _ _ [E] _ _ _ _
_ [Am] _ _ _ _ _ _ _
[Em] _ [E] _ _ [F] _ _ [B] _ _
And everything we [C] do when we use that chord, it's about a timing issue.
So if it's taking you a little bit longer to squeeze that chord in, then don't play it.
But if you can get it [Dm] in there, _ [Bb]
and within the proper [Eb] time, then definitely do it.
[A] _ _ _ _
[F] _ _ _ [Em] _ _ [Am] _ _ [Dm] _
_ _ [E] _ [Am] _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ [Gb] So me, [E] instead of me playing the bass note in that F major 7, [F] _ _ _ [C] and _ _ [Am] _
_ _ [A] _ _ _ _ [Am] _ _
[Em] _ _ _ _ [G] _ _ [Am] _ _
_ _ _ _ [G] _ _ I'm recycling [B] that
same lick, I'm just playing the different [Gm] octaves.
_ [Bb] _ _ _
_ _ _ _ [E] _ And you'll see me do a lot of plucking and bending.
[Bb] That's really to kind of give you that oomph.
You don't want to play it so straight so that way the song and that particular part [Eb] doesn't have character.
You as a guitarist, when you're playing those parts, you've got to give that attitude, [N] that
oomph when you're playing so the way that people can feel what you're saying.
That's kind of that soul that people talk about.
So if you do it, [Bb] _
it sounds cool.
_ _ [Gm] _ _ [E] _
_ _ [Em] _ _ [Am] _ _ [Bb] _ _
_ _ [Em] _ _ _ _ _ [Em] _
_ _ [Am] _ _ _ _ [A] _ _
[Am] _ _ _ [A] _ _ See [G] again, I'm using that muted.
_ [E] _ _ And you can always [Bb] go in and out with that muted.
[Am] _ _ _ _ _ _ _ _
_ _ [G] _ _ [Am] _ _ _ _
_ _ _ _ _ [Bb] So hopefully you enjoyed that lesson.
Again, I just want to recap that we talked about playing, using the A minor pentatonic
scale, playing with soul, kind of using those plucking and bending.
_ [Gm] _
_ _ [G] _ [E] And a lot of that stuff you can experiment with.
Once you get those licks, just [Eb] experiment.
You may like to bend up, you may not like to bend down.
And then playing [Dm] this chord.
_ _ _ [E] Again, it's that [Bb] F shape, but we're not playing that E [F] string, we're leaving that open. _ _
And then we're going to hammer [Dm] on the B string.
_ _ _ _ [Am] _ _
_ _ [Dm] _ _ [Bb] _ _ _ _
[Dm] _ _ _ [Eb] So hopefully that helped you out.
Again, like I said, [G] it's just the A minor pentatonic [E] scale. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Gb] _ [F] So hopefully that'll help you out.
Like I said, if you like it, please subscribe to this channel.
Please share it and please tell others about it.
Have a good one.