Chords for Eric Johnson Interview - Guitars Amp Effects On Up Close Album - part 3 of 3

Tempo:
94.1 bpm
Chords used:

E

A

B

D

Bm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Eric Johnson Interview - Guitars Amp Effects On Up Close Album - part 3 of 3 chords
Start Jamming...
[E]
[C#] [A]
[F#] [D#] [D]
[C#] [E]
[A] [D] [E] [Em]
[E]
[C#] [C]
[C#]
[F#m] [Bm] [D#]
[F#]
[Em] [F#] [B]
[E]
[A] [B]
[E] [E]
I
[F#] [A] [B]
[C#m] [C#] [A]
[Bm] [B] [E]
[E]
[A#] use this guitar on the record.
It's a [G] 57 Strat with a DiMarzio HS2 in [F] the bridge position.
And then I also used my signature [E] Strat as well.
This is actually the first signature
Strat I ever got, number one, [B] and I really like it a lot.
I used this Red Rosewood DJ
Strat, but I've put a Super V tremolo on this because I kind of like the Super Vs.
They don't take any modifications.
They're just totally stock, and they actually sound
to me for a locking tremolo, they sound about the best I've heard.
They actually can retain
really close to the original vintage sound of the guitar, and they stay in tune real
well.
I use Gibsons a little bit.
I used a 335 and an SG.
[D] [A]
[D] [Em]
[A] [Em]
My [G#] rhythm tone's still a couple
of twins with the stereo TC chorus, and before that I have a couple of different echo selections.
I replaced the [E] EchoPlex with a DD2, so [B] it works pretty good.
And then also I have the
Memory Man if I want to kick in a little extra stuff.
[Bm] [B] [Bm]
I could put in the extra echo.
[B]
[E] [A]
[G] [F#m]
[C#] I'm
trying to go back to a stereo 412 [E] cabinet with two piggyback twin heads.
It has a little
[B] more bottom than just the suitcase amps, but I still like the way the suitcase sounds.
If you're in the studio, sometimes Mike and I are real close where it's not an issue.
They can sound a little sweeter.
So I kind of do like [E] those, but for live use it seems
[N] to have a little more of a [E] thicker.
[B]
[D] [A]
Dirty rhythm's [D] pretty much like it was, except I
have added a loop system.
[A] [C] [C]
I can put in the Tube [Gm] Screamer.
[C]
[D]
[D] [G] I use it mainly just for power
chords.
[F] I did [G#] the Hendrix tour recently, and we were doing House Burning Down on the tour,
so I had to find a flanger.
Howard Leeds gave me one of these flangers to [B] check out, and
I actually love it.
It's the [E] Barracuda Toadworks flanger.
[Em]
[E] It doesn't screw the [Em] tone up.
The
fuzz [E] face is really picky about what is in line [Em] with it.
[A] [Am]
[A] [E] [Bm]
[E] [B]
[G#m] The leads to the same kind of
just a 50 or 100 watt Marshall with an EchoPlex and a tube driver.
Same thing for [E] many years.
[G]
[C] [B]
[F#] [E]
[E]
[C] [A] [Dm]
[C] [A] [Dm]
[E] [G] [D] [A]
[E] [A]
[B] [A]
[B]
[A] Now really, it's time to be [D] really candid.
[E] So right here, [A] I use this on the whole record.
That's it, baby.
That's all I use.
But then I had a special ingredient I used to use,
Fantastik, but now I've found a better sound with Armor All.
You don't even have to spray
it.
You just take the top off.
[C#m] It doesn't matter what you do to the top.
You [E] lay it
up there [A] and woo-hoo, you know, it's great.
That's it right there.
I did it all just like,
whoops.
Okay, [B] there we go.
Okay, now that's it right there.
[F#m] That does it all.
And you
[E] see how it's at an [Bm] angle?
That's part of the [A] effect.
I mean, forget the [E] battery thing about,
oh, [Bm] you know, he likes [A] batteries from Jamaica.
[D] No, that's over.
That's [A] yesterday's news.
It's about tilted box DC amplifiers now.
[Bm] [A] [D]
Key:  
E
2311
A
1231
B
12341112
D
1321
Bm
13421112
E
2311
A
1231
B
12341112
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_ _ _ _ _ [E] _ _ _
[C#] _ _ _ _ _ _ [A] _ _
[F#] _ _ _ _ [D#] _ _ [D] _ _
_ [C#] _ _ _ _ _ [E] _ _
[A] _ [D] _ _ [E] _ _ _ [Em] _ _
_ _ _ _ _ _ _ [E] _
_ [C#] _ _ _ _ _ _ [C] _
_ _ _ _ _ [C#] _ _ _
_ [F#m] _ _ _ [Bm] _ _ _ [D#] _
_ _ _ _ _ [F#] _ _ _
_ [Em] _ _ [F#] _ _ _ _ [B] _
_ _ _ _ [E] _ _ _ _
_ [A] _ _ _ _ _ [B] _ _
_ _ [E] _ _ _ _ [E] _ _
_ _ I _ _ _ _
_ _ _ _ _ _ _ _
[F#] _ _ _ [A] _ _ _ _ [B] _
_ _ [C#m] _ _ [C#] _ _ [A] _ _
_ [Bm] _ _ _ _ [B] _ _ [E] _
_ _ _ _ [E] _ _ _ _
_ _ [A#] use this guitar on the record.
It's a [G] 57 Strat with a DiMarzio HS2 in [F] the bridge position.
And then I also used my signature [E] _ Strat as well.
This is actually the first signature
Strat I ever got, number one, [B] and I really like it a lot.
I used this Red Rosewood DJ
Strat, but I've put a Super V tremolo on this because I kind of like the Super Vs.
They don't take any modifications.
They're just totally stock, and they actually sound
to me for a locking tremolo, they sound about the best I've heard.
They actually can retain
really close to the original vintage sound of the guitar, and they stay in tune real
well.
I use Gibsons a little bit.
I used a 335 and an SG.
[D] _ _ [A] _ _ _
_ _ [D] _ _ [Em] _ _ _ _
_ [A] _ _ _ _ _ _ [Em] _
_ _ _ My [G#] rhythm tone's still a couple
of twins with the stereo TC chorus, and before that I have a couple of different echo selections.
I replaced the _ [E] EchoPlex with a DD2, _ so [B] it works pretty good.
And then also I have the
Memory Man if I want to kick in a little extra stuff.
[Bm] _ _ [B] _ _ _ _ [Bm] _ _
I could put in the extra echo.
[B] _ _ _ _
_ _ [E] _ _ _ _ _ [A] _
_ [G] _ _ _ _ [F#m] _ _ _
[C#] I'm
trying to go back to a stereo 412 [E] cabinet with two piggyback twin heads.
It has a little
[B] more bottom than just the suitcase amps, but I still like the way the suitcase sounds.
If you're in the studio, sometimes Mike and I are real close where it's not an issue.
They can sound a little sweeter.
So I kind of do like [E] those, but for live use it seems
[N] to have a little more of a _ [E] thicker.
_ [B] _ _
_ [D] _ _ _ _ [A] _ _
Dirty rhythm's [D] pretty much like it was, except I
have added a loop system. _ _
_ [A] _ _ [C] _ _ _ [C] _
I can put in the Tube [Gm] Screamer.
_ _ [C] _ _ _
_ [D] _ _ _ _ _ _ _
[D] _ _ [G] _ I use it mainly just for power
chords. _
_ [F] _ _ I did [G#] the Hendrix tour recently, and we were doing House Burning Down on the tour,
so I had to find a flanger.
Howard Leeds gave me one of these flangers to [B] check out, and
I actually love it.
It's the [E] Barracuda Toadworks flanger.
[Em] _ _ _
_ [E] _ _ _ _ It doesn't screw the [Em] tone up.
The
fuzz [E] face is really picky about what is in line [Em] with it. _
_ [A] _ _ _ _ [Am] _ _ _
_ _ [A] _ _ [E] _ _ [Bm] _ _
_ [E] _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _
[G#m] The leads to the same kind of
just a 50 or 100 watt Marshall with an EchoPlex and a tube driver.
Same thing for [E] many years.
_ _ [G] _ _ _
_ [C] _ _ _ [B] _ _ _ _
[F#] _ _ _ _ [E] _ _ _ _
_ _ _ _ [E] _ _ _ _
_ [C] _ _ _ [A] _ _ [Dm] _ _
[C] _ [A] _ _ _ [Dm] _ _ _ _
[E] _ _ [G] _ _ [D] _ _ [A] _ _
[E] _ _ _ _ [A] _ _ _ _
[B] _ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ [B] _ _
_ _ _ _ _ [A] Now really, it's time to be [D] really candid.
[E] So right here, [A] I use this on the whole record.
That's it, baby.
That's all I use.
But then I had a special ingredient I used to use,
Fantastik, but now _ I've found a better sound with Armor All.
You don't even have to spray
it.
You just take the top off.
[C#m] It doesn't matter what you do to the top.
You [E] lay it
up there [A] and woo-hoo, you know, it's great.
That's it right there.
I did it all just like,
whoops.
Okay, [B] there we go.
Okay, now that's it right there.
[F#m] That does it all.
And you
[E] see how it's at an [Bm] angle?
That's part of the [A] effect.
I mean, forget the [E] battery thing about,
oh, [Bm] you know, he likes [A] batteries from Jamaica.
[D] No, that's over.
That's [A] yesterday's news.
It's about tilted box DC amplifiers now.
_ [Bm] _ _ _ _ _ [A] _ _ [D] _ _ _

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