Chords for Dave Matthews - May 27, 1996 - "Crash Into Me" & "Watchtower" [In-Studio] - Pinkpop - Landgraaf, NLD
Tempo:
102.75 bpm
Chords used:
B
G
E
D
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Pardon?
[B] That's an American expression, [Bm] right?
Dog eat dog.
Dog eat [B] dog, yeah.
It's a dog eat dog [Gb] world, I guess, and all that stuff.
It's a dog eat dog world.
I'm sitting here with Dave [Eb] Matthews.
He played with his band this morning, very early, when [Abm] our cameras were [Bb] still rehearsing.
So [Ab] we don't have any footage of that, but you brought your [D] guitar.
Yeah, we were the breakfast band.
We were the early show.
You have your eggs and [G] bacon, then you come and see that shit.
That's [Bb] strange for you, because [Bm] in the States you're quite big.
You [Gb] sell millions of records with Dave Matthews' band, [D] right?
Yeah, but we've been there for a lot longer, and [Ab] working with [G] the audience is there for a lot longer.
[Ab] So I think we have to just do the [Bm] same thing here, and [A] it's fun.
It's fun [Abm] to work it, come [G] over and meet new people and try and win their support.
[E] We just want [G] to play, and we just want people to be psyched about what we're doing,
rather than [Ab] feel [D] [G] discouraged if we came here [Ab] and it's only [D] 500 people.
It's good if it's 400 more.
We have about 300,000 at home right now, so you've got to talk to them with your guitar.
What are you going to do?
Which song are you going to play?
The album [Bb] is called Crash, the newest [G] album we put out, so I was going to play a song called Crash.
What is it [A] about?
[B] It's about having [Bm] sex, but it's a nice song about sex.
It's begging for [D] sex.
It's sort of a little [Ab] bit of voyeurism, through the [G] window of a pretty [Ab] girl next door,
something like [G] that.
Good, solid [Am] psychotic [E] murder episode coming up as a result of this obsession.
Go ahead.
[Db] [B]
[E] [B]
[Dbm] You've [E] got your ball, [B] you've got your chain
[E] Tie it to me tight, [B] tie me up again
[Dbm] Who's got [E] the claws [B] in you, my [Abm] friend?
Into [B] your heart, heart beat again
[E] Sweet like [B] candy to my [Abm] soul
Sweet [B] you rock and sweet you [Dbm] roll
Lost for [B] you I'm so lost [Abm] [B] for you
Oh, [A] and you [Dbm] come crying
[E] to [D] me
And I come and [Dbm] tell [B]
you
[Abm] [B]
And I come [Dbm] and [Db] tell [E] you
[B]
In a boy's [E] dream
In a boy's dream
[B]
[Abm] [B]
[Dbm] Oh, now [E] I've gone overboard
And I'm [Abm] begging [E] you to [B] forgive me, Lord, in [Dbm] my age
[B] But I'm holding you up, [E] girl, close [B] to me
When [Dbm] you come crash [A] into [E] me, [Gbm] baby
And I come and [A] tell [B]
you
[E] [B]
In a [Dbm] boy's dream
In a [A] boy's [B] dream
Oh, [Abm] yeah
[B]
[E] Oh, now I've gone overboard
And I'm [Abm] begging [E] you to [B] forgive me, Lord, in my [E] age
[B] But I'm holding you so, girl,
[E] close [B] to me
When you come [Dbm] crash [G] [E] into me, [Gbm] baby
Please come crash into [B] [B] me
[E]
[B] Oh, [E] hike up your skirt a little [B] more
And show [Abm] your world to [E] me
[B] Yeah, [Dbm] hike up your [Gb] skirt a little [B] more
And show your [Abm] world to [B] me
Oh, when you [Abm] crash [Gb] into [B] me
[Abm] Crash [E] into [B] me
Crash [Abm]
[D] into [B] me
Oh, oh, [E] oh,
[B] oh
Oh, oh, oh, oh
[Abm] Oh, oh, [Gb] oh, oh
[B] [E]
[A] [B] [E]
[Bm] Thank you, man.
That was nice.
[D] I love the song, I suppose.
[B] Sorry?
I love the song, I [D] suppose.
I love [G] the song.
A song about a song about [Eb] a boy's dream and desire for [A] sex.
Yeah, I had to say that, right?
That's what it's about, yeah.
[D] Did you make your
Did you used to make a living as a street musician, or?
Yeah, actually, I used to play [Ab] in Amsterdam for a while.
[B] Is that so?
Yeah, I used to play all in the [Abm] Watchtower, around and around,
because it was cold.
I did it from January, February, March of [D] 90
1990
No, [B] 1989.
OK, just play one little [C] verse from that.
Just one verse?
Yeah, and the [Ab] chorus.
Yeah, OK.
[G] I should go
Now we get [F] excited [D] What's that?
I got it.
I'll say [Am] it.
[G] No reason to [F] get excited
[D] To [G] feel a kind [F] response
[B] And [Am]
[G] I'm not a [F] young man
Who [Am]
[G] feels like [A] this but that's a joke
[Am] But [G] you and I, we've [F] been through all that
[Am]
[G] And this is not [F] our fate
[Am] So [G] let us not [F] talk falsely now
[Am] The hour [G] is [F] getting [G]
[A] near
[G] [F]
[Am] [G] [F] [G]
[Am] All [F] along the [G] Watchtower
Princes [D] kept their [Am] view
While [G] all the women, all [F] the women, all the women [Am] came
And they were [G] there [F] for sale and stew
[G] Now suddenly [F] for a distance
[Am] A [G] wild-handed [F] crowd
[G] [A]
[F] Approaching [G] [Am] the room [F] into
[Am] [G] [F]
[G] [Am] [F] Your [Am] eyes
And I said, [D] whoa!
Thank you.
That was pretty intense.
Did you make a lot of money with [Eb] that?
Some days.
You were doing it on [D] the streets.
Some days.
I found that it wasn't really
I found that sometimes I was so cold I [Bb] couldn't do a whole lot
So I'd just play the same [A] thing and just wait for the coins
At rush [Ab] hour when people got to go past
But there was a couple of times people sat down
And [D] then I could play some other stuff for them.
I see, OK.
Let me translate [G] quickly.
He said he used to play in Amsterdam
And he played this song to stay warm
And sometimes he [D] got some money from the passers-by.
[A]
[D] [N]
[B] That's an American expression, [Bm] right?
Dog eat dog.
Dog eat [B] dog, yeah.
It's a dog eat dog [Gb] world, I guess, and all that stuff.
It's a dog eat dog world.
I'm sitting here with Dave [Eb] Matthews.
He played with his band this morning, very early, when [Abm] our cameras were [Bb] still rehearsing.
So [Ab] we don't have any footage of that, but you brought your [D] guitar.
Yeah, we were the breakfast band.
We were the early show.
You have your eggs and [G] bacon, then you come and see that shit.
That's [Bb] strange for you, because [Bm] in the States you're quite big.
You [Gb] sell millions of records with Dave Matthews' band, [D] right?
Yeah, but we've been there for a lot longer, and [Ab] working with [G] the audience is there for a lot longer.
[Ab] So I think we have to just do the [Bm] same thing here, and [A] it's fun.
It's fun [Abm] to work it, come [G] over and meet new people and try and win their support.
[E] We just want [G] to play, and we just want people to be psyched about what we're doing,
rather than [Ab] feel [D] [G] discouraged if we came here [Ab] and it's only [D] 500 people.
It's good if it's 400 more.
We have about 300,000 at home right now, so you've got to talk to them with your guitar.
What are you going to do?
Which song are you going to play?
The album [Bb] is called Crash, the newest [G] album we put out, so I was going to play a song called Crash.
What is it [A] about?
[B] It's about having [Bm] sex, but it's a nice song about sex.
It's begging for [D] sex.
It's sort of a little [Ab] bit of voyeurism, through the [G] window of a pretty [Ab] girl next door,
something like [G] that.
Good, solid [Am] psychotic [E] murder episode coming up as a result of this obsession.
Go ahead.
[Db] [B]
[E] [B]
[Dbm] You've [E] got your ball, [B] you've got your chain
[E] Tie it to me tight, [B] tie me up again
[Dbm] Who's got [E] the claws [B] in you, my [Abm] friend?
Into [B] your heart, heart beat again
[E] Sweet like [B] candy to my [Abm] soul
Sweet [B] you rock and sweet you [Dbm] roll
Lost for [B] you I'm so lost [Abm] [B] for you
Oh, [A] and you [Dbm] come crying
[E] to [D] me
And I come and [Dbm] tell [B]
you
[Abm] [B]
And I come [Dbm] and [Db] tell [E] you
[B]
In a boy's [E] dream
In a boy's dream
[B]
[Abm] [B]
[Dbm] Oh, now [E] I've gone overboard
And I'm [Abm] begging [E] you to [B] forgive me, Lord, in [Dbm] my age
[B] But I'm holding you up, [E] girl, close [B] to me
When [Dbm] you come crash [A] into [E] me, [Gbm] baby
And I come and [A] tell [B]
you
[E] [B]
In a [Dbm] boy's dream
In a [A] boy's [B] dream
Oh, [Abm] yeah
[B]
[E] Oh, now I've gone overboard
And I'm [Abm] begging [E] you to [B] forgive me, Lord, in my [E] age
[B] But I'm holding you so, girl,
[E] close [B] to me
When you come [Dbm] crash [G] [E] into me, [Gbm] baby
Please come crash into [B] [B] me
[E]
[B] Oh, [E] hike up your skirt a little [B] more
And show [Abm] your world to [E] me
[B] Yeah, [Dbm] hike up your [Gb] skirt a little [B] more
And show your [Abm] world to [B] me
Oh, when you [Abm] crash [Gb] into [B] me
[Abm] Crash [E] into [B] me
Crash [Abm]
[D] into [B] me
Oh, oh, [E] oh,
[B] oh
Oh, oh, oh, oh
[Abm] Oh, oh, [Gb] oh, oh
[B] [E]
[A] [B] [E]
[Bm] Thank you, man.
That was nice.
[D] I love the song, I suppose.
[B] Sorry?
I love the song, I [D] suppose.
I love [G] the song.
A song about a song about [Eb] a boy's dream and desire for [A] sex.
Yeah, I had to say that, right?
That's what it's about, yeah.
[D] Did you make your
Did you used to make a living as a street musician, or?
Yeah, actually, I used to play [Ab] in Amsterdam for a while.
[B] Is that so?
Yeah, I used to play all in the [Abm] Watchtower, around and around,
because it was cold.
I did it from January, February, March of [D] 90
1990
No, [B] 1989.
OK, just play one little [C] verse from that.
Just one verse?
Yeah, and the [Ab] chorus.
Yeah, OK.
[G] I should go
Now we get [F] excited [D] What's that?
I got it.
I'll say [Am] it.
[G] No reason to [F] get excited
[D] To [G] feel a kind [F] response
[B] And [Am]
[G] I'm not a [F] young man
Who [Am]
[G] feels like [A] this but that's a joke
[Am] But [G] you and I, we've [F] been through all that
[Am]
[G] And this is not [F] our fate
[Am] So [G] let us not [F] talk falsely now
[Am] The hour [G] is [F] getting [G]
[A] near
[G] [F]
[Am] [G] [F] [G]
[Am] All [F] along the [G] Watchtower
Princes [D] kept their [Am] view
While [G] all the women, all [F] the women, all the women [Am] came
And they were [G] there [F] for sale and stew
[G] Now suddenly [F] for a distance
[Am] A [G] wild-handed [F] crowd
[G] [A]
[F] Approaching [G] [Am] the room [F] into
[Am] [G] [F]
[G] [Am] [F] Your [Am] eyes
And I said, [D] whoa!
Thank you.
That was pretty intense.
Did you make a lot of money with [Eb] that?
Some days.
You were doing it on [D] the streets.
Some days.
I found that it wasn't really
I found that sometimes I was so cold I [Bb] couldn't do a whole lot
So I'd just play the same [A] thing and just wait for the coins
At rush [Ab] hour when people got to go past
But there was a couple of times people sat down
And [D] then I could play some other stuff for them.
I see, OK.
Let me translate [G] quickly.
He said he used to play in Amsterdam
And he played this song to stay warm
And sometimes he [D] got some money from the passers-by.
[A]
[D] [N]
Key:
B
G
E
D
F
B
G
E
Pardon?
[B] That's an American expression, [Bm] right?
Dog eat dog.
Dog eat [B] dog, yeah.
It's a dog eat dog [Gb] world, I guess, and all that stuff.
It's a dog eat dog world.
I'm sitting here with Dave [Eb] Matthews.
He played with his band this morning, very early, when [Abm] our cameras were _ _ [Bb] still rehearsing.
So [Ab] we don't have any footage of that, but you brought your [D] guitar.
Yeah, we were the breakfast band.
We were the early show.
You have your eggs and [G] bacon, then you come and see that shit.
That's [Bb] strange for you, because [Bm] in the States you're quite big.
You [Gb] sell millions of records with Dave Matthews' band, [D] right?
Yeah, but we've been there for a lot longer, and [Ab] working with [G] the audience is there for a lot longer.
[Ab] So I think we have to just do the [Bm] same thing here, and [A] it's fun.
It's fun [Abm] to work it, come [G] over and meet new people and try and win their support.
[E] _ We just want [G] to play, and we just want people to be psyched about what we're doing,
rather than [Ab] feel [D] [G] discouraged if we came here [Ab] and it's only [D] 500 people.
It's good if it's 400 more.
We have about 300,000 at home right now, so you've got to talk to them with your guitar.
What are you going to do?
Which song are you going to play?
The album [Bb] is called Crash, the newest [G] album we put out, so I was going to play a song called Crash.
What is it [A] about?
[B] It's about having [Bm] sex, but it's a nice song about sex.
It's begging for [D] sex.
It's sort of a little [Ab] bit of voyeurism, through the [G] window of a pretty [Ab] girl next door,
something like [G] that.
Good, solid _ [Am] psychotic [E] murder episode coming up as a result of this obsession.
Go ahead.
[Db] _ _ [B] _ _ _ _ _ _
[E] _ _ _ _ [B] _ _ _ _
[Dbm] You've [E] got your ball, [B] you've got your chain
[E] Tie it to me tight, [B] tie me up again
[Dbm] Who's got [E] the claws [B] in you, my [Abm] friend?
Into [B] your heart, heart beat again
[E] Sweet like [B] candy to my [Abm] soul
Sweet [B] you rock and sweet you [Dbm] roll
Lost for [B] you I'm so lost [Abm] _ [B] for you _ _
Oh, [A] and you [Dbm] come crying _ _ _
[E] _ to [D] me
And _ I come and [Dbm] tell [B] _ _ _ _
you
[Abm] _ _ _ _ [B] _
And I come [Dbm] and [Db] tell [E] you _ _
_ _ _ _ _ _ [B] _
In a boy's [E] dream _ _ _ _
_ In a boy's dream
[B] _ _
_ _ [Abm] _ _ [B] _ _ _ _
[Dbm] Oh, now [E] I've gone overboard
And I'm [Abm] begging [E] you to [B] forgive me, Lord, in [Dbm] my age
[B] _ But I'm holding you up, [E] girl, _ close [B] to me
When [Dbm] you come crash [A] into [E] me, _ [Gbm] baby
_ And I come and [A] tell _ _ _ [B] _ _
you
_ _ [E] _ _ [B] _ _
In a [Dbm] boy's dream _ _ _
In a [A] boy's [B] dream
_ Oh, [Abm] yeah
_ [B] _ _ _ _ _
[E] Oh, now I've gone overboard
And I'm [Abm] begging [E] you to [B] forgive me, Lord, in my [E] age
_ _ [B] But I'm holding you so, girl, _
_ _ [E] close [B] to me
When you come [Dbm] crash [G] [E] into me, _ [Gbm] baby
_ _ Please come crash into [B] _ [B] me
_ _ [E] _ _ _
_ _ [B] _ Oh, [E] hike up your skirt a little [B] more
And show [Abm] your world to [E] me
_ [B] _ Yeah, [Dbm] hike up your [Gb] skirt a little [B] more
_ And show your [Abm] world to [B] me
_ Oh, when you [Abm] crash [Gb] into [B] me
_ _ [Abm] Crash [E] into [B] me
_ Crash [Abm] _
[D] into _ [B] me
Oh, oh, _ [E] oh, _
[B] oh
Oh, oh, oh, oh
[Abm] Oh, oh, [Gb] oh, oh
_ [B] _ _ _ _ [E] _ _
[A] _ _ [B] _ _ [E] _ _ _ _
_ [Bm] Thank you, man.
That was nice.
_ [D] I love the song, I suppose.
[B] Sorry?
I love the song, I [D] suppose.
I love [G] the song.
A song about a song about [Eb] a boy's dream and desire for [A] sex.
Yeah, I had to say that, right?
That's what it's about, yeah.
[D] Did you make your_
Did you used to make a living as a street musician, or_?
Yeah, actually, I used to play [Ab] in Amsterdam for a while.
[B] Is that so?
Yeah, I used to play all in the [Abm] Watchtower, around and around,
because it was cold.
I did it from January, February, March of [D] 90_
1990_
No, [B] 1989.
OK, just play one little [C] verse from that.
Just one verse?
Yeah, and the [Ab] chorus.
Yeah, OK.
[G] I should go_
Now we get [F] excited_ [D] What's that?
I got it.
I'll say [Am] it.
[G] No reason to [F] get excited
[D] To _ [G] feel a kind [F] response
[B] And _ [Am] _
[G] I'm not a [F] young man
Who [Am] _
[G] feels like [A] this but that's a joke
[Am] But [G] you and I, we've [F] been through all that
_ [Am] _
[G] And this is not [F] our fate
_ [Am] So [G] let us not [F] talk falsely now
[Am] The hour [G] is [F] getting _ [G] _ _ _
[A] near
_ [G] _ _ [F] _ _ _ _
[Am] _ [G] _ _ _ [F] _ _ [G] _
[Am] All _ [F] along the [G] Watchtower _ _
Princes [D] kept their [Am] view
While [G] all the women, all [F] the women, all the women [Am] came
And they were [G] there [F] for sale and stew
[G] Now suddenly [F] for a distance
[Am] A [G] wild-handed [F] crowd
[G] _ _ [A] _ _ _ _
[F] Approaching [G] [Am] the room [F] into _
_ _ [Am] _ _ [G] _ _ [F] _ _
[G] _ _ [Am] _ _ [F] Your _ [Am] eyes
And I said, [D] whoa!
_ _ Thank you.
That was pretty intense.
Did you make a lot of money with [Eb] that?
Some days.
You were doing it on [D] the streets.
Some days.
I found that it wasn't really_
I found that sometimes I was so cold I [Bb] couldn't do a whole lot
So I'd just play the same [A] thing and just wait for the coins
At rush [Ab] hour when people got to go past
But there was a couple of times people sat down
And [D] then I could play some other stuff for them.
I see, OK.
Let me translate [G] quickly.
He said he used to play in Amsterdam
And he played this song to stay warm
And sometimes he [D] got some money from the passers-by.
_ _ [A] _ _ _ _ _ _
[D] _ _ _ _ _ _ [N] _ _
[B] That's an American expression, [Bm] right?
Dog eat dog.
Dog eat [B] dog, yeah.
It's a dog eat dog [Gb] world, I guess, and all that stuff.
It's a dog eat dog world.
I'm sitting here with Dave [Eb] Matthews.
He played with his band this morning, very early, when [Abm] our cameras were _ _ [Bb] still rehearsing.
So [Ab] we don't have any footage of that, but you brought your [D] guitar.
Yeah, we were the breakfast band.
We were the early show.
You have your eggs and [G] bacon, then you come and see that shit.
That's [Bb] strange for you, because [Bm] in the States you're quite big.
You [Gb] sell millions of records with Dave Matthews' band, [D] right?
Yeah, but we've been there for a lot longer, and [Ab] working with [G] the audience is there for a lot longer.
[Ab] So I think we have to just do the [Bm] same thing here, and [A] it's fun.
It's fun [Abm] to work it, come [G] over and meet new people and try and win their support.
[E] _ We just want [G] to play, and we just want people to be psyched about what we're doing,
rather than [Ab] feel [D] [G] discouraged if we came here [Ab] and it's only [D] 500 people.
It's good if it's 400 more.
We have about 300,000 at home right now, so you've got to talk to them with your guitar.
What are you going to do?
Which song are you going to play?
The album [Bb] is called Crash, the newest [G] album we put out, so I was going to play a song called Crash.
What is it [A] about?
[B] It's about having [Bm] sex, but it's a nice song about sex.
It's begging for [D] sex.
It's sort of a little [Ab] bit of voyeurism, through the [G] window of a pretty [Ab] girl next door,
something like [G] that.
Good, solid _ [Am] psychotic [E] murder episode coming up as a result of this obsession.
Go ahead.
[Db] _ _ [B] _ _ _ _ _ _
[E] _ _ _ _ [B] _ _ _ _
[Dbm] You've [E] got your ball, [B] you've got your chain
[E] Tie it to me tight, [B] tie me up again
[Dbm] Who's got [E] the claws [B] in you, my [Abm] friend?
Into [B] your heart, heart beat again
[E] Sweet like [B] candy to my [Abm] soul
Sweet [B] you rock and sweet you [Dbm] roll
Lost for [B] you I'm so lost [Abm] _ [B] for you _ _
Oh, [A] and you [Dbm] come crying _ _ _
[E] _ to [D] me
And _ I come and [Dbm] tell [B] _ _ _ _
you
[Abm] _ _ _ _ [B] _
And I come [Dbm] and [Db] tell [E] you _ _
_ _ _ _ _ _ [B] _
In a boy's [E] dream _ _ _ _
_ In a boy's dream
[B] _ _
_ _ [Abm] _ _ [B] _ _ _ _
[Dbm] Oh, now [E] I've gone overboard
And I'm [Abm] begging [E] you to [B] forgive me, Lord, in [Dbm] my age
[B] _ But I'm holding you up, [E] girl, _ close [B] to me
When [Dbm] you come crash [A] into [E] me, _ [Gbm] baby
_ And I come and [A] tell _ _ _ [B] _ _
you
_ _ [E] _ _ [B] _ _
In a [Dbm] boy's dream _ _ _
In a [A] boy's [B] dream
_ Oh, [Abm] yeah
_ [B] _ _ _ _ _
[E] Oh, now I've gone overboard
And I'm [Abm] begging [E] you to [B] forgive me, Lord, in my [E] age
_ _ [B] But I'm holding you so, girl, _
_ _ [E] close [B] to me
When you come [Dbm] crash [G] [E] into me, _ [Gbm] baby
_ _ Please come crash into [B] _ [B] me
_ _ [E] _ _ _
_ _ [B] _ Oh, [E] hike up your skirt a little [B] more
And show [Abm] your world to [E] me
_ [B] _ Yeah, [Dbm] hike up your [Gb] skirt a little [B] more
_ And show your [Abm] world to [B] me
_ Oh, when you [Abm] crash [Gb] into [B] me
_ _ [Abm] Crash [E] into [B] me
_ Crash [Abm] _
[D] into _ [B] me
Oh, oh, _ [E] oh, _
[B] oh
Oh, oh, oh, oh
[Abm] Oh, oh, [Gb] oh, oh
_ [B] _ _ _ _ [E] _ _
[A] _ _ [B] _ _ [E] _ _ _ _
_ [Bm] Thank you, man.
That was nice.
_ [D] I love the song, I suppose.
[B] Sorry?
I love the song, I [D] suppose.
I love [G] the song.
A song about a song about [Eb] a boy's dream and desire for [A] sex.
Yeah, I had to say that, right?
That's what it's about, yeah.
[D] Did you make your_
Did you used to make a living as a street musician, or_?
Yeah, actually, I used to play [Ab] in Amsterdam for a while.
[B] Is that so?
Yeah, I used to play all in the [Abm] Watchtower, around and around,
because it was cold.
I did it from January, February, March of [D] 90_
1990_
No, [B] 1989.
OK, just play one little [C] verse from that.
Just one verse?
Yeah, and the [Ab] chorus.
Yeah, OK.
[G] I should go_
Now we get [F] excited_ [D] What's that?
I got it.
I'll say [Am] it.
[G] No reason to [F] get excited
[D] To _ [G] feel a kind [F] response
[B] And _ [Am] _
[G] I'm not a [F] young man
Who [Am] _
[G] feels like [A] this but that's a joke
[Am] But [G] you and I, we've [F] been through all that
_ [Am] _
[G] And this is not [F] our fate
_ [Am] So [G] let us not [F] talk falsely now
[Am] The hour [G] is [F] getting _ [G] _ _ _
[A] near
_ [G] _ _ [F] _ _ _ _
[Am] _ [G] _ _ _ [F] _ _ [G] _
[Am] All _ [F] along the [G] Watchtower _ _
Princes [D] kept their [Am] view
While [G] all the women, all [F] the women, all the women [Am] came
And they were [G] there [F] for sale and stew
[G] Now suddenly [F] for a distance
[Am] A [G] wild-handed [F] crowd
[G] _ _ [A] _ _ _ _
[F] Approaching [G] [Am] the room [F] into _
_ _ [Am] _ _ [G] _ _ [F] _ _
[G] _ _ [Am] _ _ [F] Your _ [Am] eyes
And I said, [D] whoa!
_ _ Thank you.
That was pretty intense.
Did you make a lot of money with [Eb] that?
Some days.
You were doing it on [D] the streets.
Some days.
I found that it wasn't really_
I found that sometimes I was so cold I [Bb] couldn't do a whole lot
So I'd just play the same [A] thing and just wait for the coins
At rush [Ab] hour when people got to go past
But there was a couple of times people sat down
And [D] then I could play some other stuff for them.
I see, OK.
Let me translate [G] quickly.
He said he used to play in Amsterdam
And he played this song to stay warm
And sometimes he [D] got some money from the passers-by.
_ _ [A] _ _ _ _ _ _
[D] _ _ _ _ _ _ [N] _ _