Chords for CJM MUSIC // Bread of Life guitar tutorial with Jo Boyce
Tempo:
149.6 bpm
Chords used:
Eb
Bb
F
Gm
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, I'm Jo Boyce from CJM Music and in this video
I'm going to be sharing with you a few tips about how we play Bread of Life, Truth Eternal on the guitar.
Now the first thing is that the guitar inversion that we use is capo 3 G.
It's sort of a B-flat major and
using a capo, I use one of these trigger capos because it's really quick and easy to get on and off and
put that on the third fret and that means that when I play a G chord, it actually sounds B-flat major.
So as I explain this, it's going to be a little tricky because I'm going to be talking about
G
major chordings and
then the notes of the song are in B-flat major.
So just bear with me a little bit on that and
one of the other things is that this is something that I do quite instinctively.
So breaking it down is a little bit tricky, but I'm going to try my best.
[Bb] So
the first note of the melody is right here on the top string in the G major chord and
[Gb]
as I play the chords, I can somehow just get my fingers to hit the right strings to get the melody.
So it would go [Bb] like this.
[Eb]
[F]
[Bb] [C]
[Bb] [Eb]
[F]
[G] [Eb]
[F]
[Bb]
[Gm] [Eb]
[F]
[Bb] [C]
[Bb]
So, let me see if I can break that down for you.
As I said, the first note is there on the first string.
So it's actually the note is B-flat and
[Eb] the second chord is a C and [F] then we move up to a D and
[Eb] as I move
to the chords, I can work down from the [A] B-flat
[Gm] through the A [Eb] to the G like [Bb] this.
[A] [Eb] It depends on what inversion of G you're using.
You can do it like that or
if [C] you use these three fingers, you can use this, your ring [Dm] finger, to get [Gm] the A on it like that.
[Eb]
[Gm] Bread [Eb] of life.
And then I'm ending up on the C and sometimes I do a little hammer-on
[F] as I work up to the D major chord.
So,
that just fills in that little gap and then I'm back on truth eternal.
So that's on the root of that chord, truth eternal.
[Eb] [Gm]
So that's all on the second string this time.
So the first phrase is all on the top string,
[Eb] second phrase all on the [G] second string, [D] truth eternal.
[F] So I do that.
[Bb]
So I'm kind of going back to [Eb] my G and that becomes a sort [Gm] of sus.
And then the next bit is more or less the same as the first bit, broken now, back on the first string.
[Eb]
[F] And then to set us free, [Bb] starts here on your A,
[F]
to set us.
[Eb] So I sort of do a D suspension chord [F] to get that note in.
[Bb] And then for free, staying on the B flat but putting an E minor in.
[Eb] So it becomes a sort of like an [F] E minor seventh.
And then back to D to [G] get the A in.
So it's free,
again all on the top [Bb] string, free.
[F] And then back to the top [Bbm] of the pattern.
[G]
The risen,
these three notes here, the [E] risen, and I do that all around [F] the D.
[Bb] And then I'm back to [Eb] C, open note on the first [F] string.
[Bb] [A] And then I just [Gm] fall down through the bass to get to the E minor [Bb] there.
So that's the [A] F sharp [Gm] bass.
Is, that's the lowest note in [Bb] the melody and that comes in on the third string.
[Eb] Is, and then we're going back up to the B flat.
[A] [Eb]
Here, bread.
[F]
[Bb]
[C] [Bb]
So I'll just do that bit again.
So it is [G] here, in, [Eb]
bread, [F] and wine.
That's the A on the top string and then we're [Bb] finishing where we started on the B.
[C] [Bb]
[Eb] So that's a sort of [Bb] G suspension.
And I'm putting in the A as well.
It's just a little bit more interesting.
So it's not a straight sus.
[F]
[G] So that's pretty much it in a nutshell.
It's a little bit complicated, but it's worth the time.
It's a lovely way to start the song.
We often start with an instrumental chorus and then maybe sing the verse
first, so that the first words that you hear are the echo of our response to the invitation to communion.
[F] Obviously a slightly different translation nowadays
[E] in terms of the revised translation of the Mass for the Catholic liturgy.
But still a beautiful echo nonetheless.
[Bb] [Gm]
[Eb]
[G]
[Fm]
[A] [Gm]
[Eb] [F]
[C] [Gm]
[F]
[D] [Gm]
[Eb] [Bb] [Cm]
[Bbm] [Ab] One cup, one [G] family.
[F] [Gm]
And [Bb]
[C] you know the rest [N] of course.
So have a go at that and
maybe film a video of yourself playing it if you've managed to figure it out and share it with us.
We'd love to see how you're getting on.
Take care.
God bless.
[Gm] [Eb]
I'm going to be sharing with you a few tips about how we play Bread of Life, Truth Eternal on the guitar.
Now the first thing is that the guitar inversion that we use is capo 3 G.
It's sort of a B-flat major and
using a capo, I use one of these trigger capos because it's really quick and easy to get on and off and
put that on the third fret and that means that when I play a G chord, it actually sounds B-flat major.
So as I explain this, it's going to be a little tricky because I'm going to be talking about
G
major chordings and
then the notes of the song are in B-flat major.
So just bear with me a little bit on that and
one of the other things is that this is something that I do quite instinctively.
So breaking it down is a little bit tricky, but I'm going to try my best.
[Bb] So
the first note of the melody is right here on the top string in the G major chord and
[Gb]
as I play the chords, I can somehow just get my fingers to hit the right strings to get the melody.
So it would go [Bb] like this.
[Eb]
[F]
[Bb] [C]
[Bb] [Eb]
[F]
[G] [Eb]
[F]
[Bb]
[Gm] [Eb]
[F]
[Bb] [C]
[Bb]
So, let me see if I can break that down for you.
As I said, the first note is there on the first string.
So it's actually the note is B-flat and
[Eb] the second chord is a C and [F] then we move up to a D and
[Eb] as I move
to the chords, I can work down from the [A] B-flat
[Gm] through the A [Eb] to the G like [Bb] this.
[A] [Eb] It depends on what inversion of G you're using.
You can do it like that or
if [C] you use these three fingers, you can use this, your ring [Dm] finger, to get [Gm] the A on it like that.
[Eb]
[Gm] Bread [Eb] of life.
And then I'm ending up on the C and sometimes I do a little hammer-on
[F] as I work up to the D major chord.
So,
that just fills in that little gap and then I'm back on truth eternal.
So that's on the root of that chord, truth eternal.
[Eb] [Gm]
So that's all on the second string this time.
So the first phrase is all on the top string,
[Eb] second phrase all on the [G] second string, [D] truth eternal.
[F] So I do that.
[Bb]
So I'm kind of going back to [Eb] my G and that becomes a sort [Gm] of sus.
And then the next bit is more or less the same as the first bit, broken now, back on the first string.
[Eb]
[F] And then to set us free, [Bb] starts here on your A,
[F]
to set us.
[Eb] So I sort of do a D suspension chord [F] to get that note in.
[Bb] And then for free, staying on the B flat but putting an E minor in.
[Eb] So it becomes a sort of like an [F] E minor seventh.
And then back to D to [G] get the A in.
So it's free,
again all on the top [Bb] string, free.
[F] And then back to the top [Bbm] of the pattern.
[G]
The risen,
these three notes here, the [E] risen, and I do that all around [F] the D.
[Bb] And then I'm back to [Eb] C, open note on the first [F] string.
[Bb] [A] And then I just [Gm] fall down through the bass to get to the E minor [Bb] there.
So that's the [A] F sharp [Gm] bass.
Is, that's the lowest note in [Bb] the melody and that comes in on the third string.
[Eb] Is, and then we're going back up to the B flat.
[A] [Eb]
Here, bread.
[F]
[Bb]
[C] [Bb]
So I'll just do that bit again.
So it is [G] here, in, [Eb]
bread, [F] and wine.
That's the A on the top string and then we're [Bb] finishing where we started on the B.
[C] [Bb]
[Eb] So that's a sort of [Bb] G suspension.
And I'm putting in the A as well.
It's just a little bit more interesting.
So it's not a straight sus.
[F]
[G] So that's pretty much it in a nutshell.
It's a little bit complicated, but it's worth the time.
It's a lovely way to start the song.
We often start with an instrumental chorus and then maybe sing the verse
first, so that the first words that you hear are the echo of our response to the invitation to communion.
[F] Obviously a slightly different translation nowadays
[E] in terms of the revised translation of the Mass for the Catholic liturgy.
But still a beautiful echo nonetheless.
[Bb] [Gm]
[Eb]
[G]
[Fm]
[A] [Gm]
[Eb] [F]
[C] [Gm]
[F]
[D] [Gm]
[Eb] [Bb] [Cm]
[Bbm] [Ab] One cup, one [G] family.
[F] [Gm]
And [Bb]
[C] you know the rest [N] of course.
So have a go at that and
maybe film a video of yourself playing it if you've managed to figure it out and share it with us.
We'd love to see how you're getting on.
Take care.
God bless.
[Gm] [Eb]
Key:
Eb
Bb
F
Gm
G
Eb
Bb
F
_ _ _ _ Hi, I'm Jo Boyce from CJM Music and in this video
I'm going to be sharing with you a few tips about how we play Bread of Life, Truth Eternal on the guitar. _ _
_ _ _ _ _ _ _ _
Now the first thing is that the guitar inversion that we use is capo 3 _ G.
It's sort of a B-flat major and
_ using a capo, I use one of these trigger capos because it's really quick and easy to get on and off and _ _ _
put that on the third fret and that means that when I play a G chord, it actually sounds B-flat major.
_ _ So as I explain this, it's going to be a little tricky because I'm going to be talking about
_ G
_ major chordings _ and
then the notes of the song are in B-flat major.
So just bear with me a little bit on that and _ _
one of the other things is that this is something that I do quite instinctively.
So breaking it down is a little bit tricky, but I'm going to try my best.
_ [Bb] So
_ the first note of the melody is right here on the top string in the G major chord and
_ [Gb] _
_ _ as I play the chords, I can somehow just get my fingers to hit the right strings to get the melody.
So it would go [Bb] like this.
_ _ _ [Eb] _ _
_ _ _ _ [F] _ _ _ _
_ [Bb] _ _ _ _ _ [C] _ _
[Bb] _ _ _ _ _ _ [Eb] _ _
_ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ [F] _ _ _
_ _ [Bb] _ _ _ _ _ _
_ [Gm] _ _ _ _ _ _ [Eb] _
_ _ _ _ _ [F] _ _ _
_ _ [Bb] _ _ _ _ _ [C] _
_ _ [Bb] _ _ _ _ _ _
_ _ So, let me see if I can break that down for you.
As I said, the first note is there _ on the first string.
So it's actually the note is B-flat and
[Eb] _ _ _ the second chord is a C and [F] then we move up to a D and
[Eb] _ _ as I move
to the chords, I can work down from the [A] B-flat
[Gm] _ _ through the A [Eb] to the G like [Bb] this. _ _ _
_ [A] _ _ _ [Eb] _ _ It depends on what inversion of G you're using.
You can do it like that or
if [C] you use these three fingers, you can use this, your ring [Dm] finger, to get [Gm] the A on it like that.
_ _ _ _ [Eb] _ _
_ _ _ [Gm] Bread [Eb] of life.
And then I'm ending up on the C and sometimes I do a little hammer-on
_ _ [F] _ _ as I work up to the D major chord.
_ So,
_ _ _ _ that just fills in that little gap and then I'm back on truth eternal.
So that's on the root of that chord, truth eternal.
[Eb] _ _ [Gm] _ _
So that's all on the second string this time.
So the first phrase is all on the top string,
_ _ _ [Eb] second phrase all on the [G] second string, _ _ [D] _ _ truth eternal.
_ [F] So I do that. _ _
_ _ [Bb] _ _ _ _ _ _
So I'm kind of going back to [Eb] my G and that becomes a sort [Gm] of sus.
_ _ _ And then the next bit is more or less the same as the first bit, broken now, back on the first string.
_ _ [Eb] _ _ _ _ _
_ _ _ [F] _ _ _ And then to set us free, [Bb] starts _ here on your A,
_ _ [F] _ _ _
to set us.
[Eb] So I sort of do a D suspension chord [F] to get _ _ that note in. _
_ _ [Bb] _ _ And then for free, staying on the B flat but putting an E minor in.
[Eb] So it becomes a sort of like an [F] E minor seventh. _ _
_ _ And then back to D _ to [G] get the A in.
So it's free, _
again all on the top [Bb] string, _ free. _
_ _ [F] _ _ _ _ And then back to the top [Bbm] of the pattern.
_ _ [G] _ _
The risen,
these three notes here, the _ [E] risen, and I do that all around [F] the D.
_ _ _ _ _ _ _ _
[Bb] And then I'm back to [Eb] C, _ _ _ open note on the first [F] string. _ _ _ _
[Bb] _ _ _ _ _ [A] _ And then I just [Gm] fall down through the bass to get to the E minor [Bb] there.
So that's the _ [A] _ F sharp [Gm] bass. _ _ _ _ _ _
Is, that's the lowest note in [Bb] the melody and that comes in on the third string.
_ [Eb] Is, and then we're going back up to the B flat.
_ _ _ [A] _ _ [Eb] _ _
Here, bread.
_ _ _ [F] _ _ _
_ _ _ _ [Bb] _ _ _ _
_ _ [C] _ _ [Bb] _ _ _ _
_ So I'll just do that bit again.
So it is _ [G] here, in, [Eb] _ _
bread, _ _ [F] and wine.
That's the A on the top string and then we're [Bb] finishing where we started on the B. _ _ _ _ _
_ _ _ _ _ [C] _ _ [Bb] _
_ [Eb] So that's a sort of [Bb] G suspension. _ _
_ _ _ _ _ _ _
And I'm putting in the A as well.
It's just a little bit more interesting.
So it's not a straight sus.
_ [F] _ _ _ _
_ _ [G] So that's pretty much it in a nutshell.
It's a little bit complicated, but it's worth the time.
It's a lovely way to start the song.
We often start with an instrumental chorus and then maybe sing the verse
_ first, so that the first words that you hear are the echo of our response to the invitation to communion.
[F] Obviously a slightly different translation nowadays
[E] _ _ in terms of the revised translation of the Mass for the Catholic liturgy.
But _ still a beautiful echo nonetheless.
_ [Bb] _ _ _ _ _ [Gm] _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ [Fm] _ _ _
[A] _ _ [Gm] _ _ _ _ _ _
[Eb] _ _ _ _ _ _ _ [F] _
_ _ [C] _ _ _ _ [Gm] _ _
_ _ _ _ [F] _ _ _ _
_ _ [D] _ _ _ _ [Gm] _ _
_ [Eb] _ _ _ [Bb] _ _ _ [Cm] _
_ _ _ [Bbm] _ _ [Ab] One cup, _ one _ [G] family. _ _
_ _ _ [F] _ _ _ [Gm] _ _
And [Bb] _ _ _ _ _ _
[C] you know the rest [N] of course.
So have a go at that and
maybe film a video of yourself playing it if you've managed to figure it out and share it with us.
We'd love to see how you're getting on.
Take care.
God bless. _
_ [Gm] _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
I'm going to be sharing with you a few tips about how we play Bread of Life, Truth Eternal on the guitar. _ _
_ _ _ _ _ _ _ _
Now the first thing is that the guitar inversion that we use is capo 3 _ G.
It's sort of a B-flat major and
_ using a capo, I use one of these trigger capos because it's really quick and easy to get on and off and _ _ _
put that on the third fret and that means that when I play a G chord, it actually sounds B-flat major.
_ _ So as I explain this, it's going to be a little tricky because I'm going to be talking about
_ G
_ major chordings _ and
then the notes of the song are in B-flat major.
So just bear with me a little bit on that and _ _
one of the other things is that this is something that I do quite instinctively.
So breaking it down is a little bit tricky, but I'm going to try my best.
_ [Bb] So
_ the first note of the melody is right here on the top string in the G major chord and
_ [Gb] _
_ _ as I play the chords, I can somehow just get my fingers to hit the right strings to get the melody.
So it would go [Bb] like this.
_ _ _ [Eb] _ _
_ _ _ _ [F] _ _ _ _
_ [Bb] _ _ _ _ _ [C] _ _
[Bb] _ _ _ _ _ _ [Eb] _ _
_ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ [F] _ _ _
_ _ [Bb] _ _ _ _ _ _
_ [Gm] _ _ _ _ _ _ [Eb] _
_ _ _ _ _ [F] _ _ _
_ _ [Bb] _ _ _ _ _ [C] _
_ _ [Bb] _ _ _ _ _ _
_ _ So, let me see if I can break that down for you.
As I said, the first note is there _ on the first string.
So it's actually the note is B-flat and
[Eb] _ _ _ the second chord is a C and [F] then we move up to a D and
[Eb] _ _ as I move
to the chords, I can work down from the [A] B-flat
[Gm] _ _ through the A [Eb] to the G like [Bb] this. _ _ _
_ [A] _ _ _ [Eb] _ _ It depends on what inversion of G you're using.
You can do it like that or
if [C] you use these three fingers, you can use this, your ring [Dm] finger, to get [Gm] the A on it like that.
_ _ _ _ [Eb] _ _
_ _ _ [Gm] Bread [Eb] of life.
And then I'm ending up on the C and sometimes I do a little hammer-on
_ _ [F] _ _ as I work up to the D major chord.
_ So,
_ _ _ _ that just fills in that little gap and then I'm back on truth eternal.
So that's on the root of that chord, truth eternal.
[Eb] _ _ [Gm] _ _
So that's all on the second string this time.
So the first phrase is all on the top string,
_ _ _ [Eb] second phrase all on the [G] second string, _ _ [D] _ _ truth eternal.
_ [F] So I do that. _ _
_ _ [Bb] _ _ _ _ _ _
So I'm kind of going back to [Eb] my G and that becomes a sort [Gm] of sus.
_ _ _ And then the next bit is more or less the same as the first bit, broken now, back on the first string.
_ _ [Eb] _ _ _ _ _
_ _ _ [F] _ _ _ And then to set us free, [Bb] starts _ here on your A,
_ _ [F] _ _ _
to set us.
[Eb] So I sort of do a D suspension chord [F] to get _ _ that note in. _
_ _ [Bb] _ _ And then for free, staying on the B flat but putting an E minor in.
[Eb] So it becomes a sort of like an [F] E minor seventh. _ _
_ _ And then back to D _ to [G] get the A in.
So it's free, _
again all on the top [Bb] string, _ free. _
_ _ [F] _ _ _ _ And then back to the top [Bbm] of the pattern.
_ _ [G] _ _
The risen,
these three notes here, the _ [E] risen, and I do that all around [F] the D.
_ _ _ _ _ _ _ _
[Bb] And then I'm back to [Eb] C, _ _ _ open note on the first [F] string. _ _ _ _
[Bb] _ _ _ _ _ [A] _ And then I just [Gm] fall down through the bass to get to the E minor [Bb] there.
So that's the _ [A] _ F sharp [Gm] bass. _ _ _ _ _ _
Is, that's the lowest note in [Bb] the melody and that comes in on the third string.
_ [Eb] Is, and then we're going back up to the B flat.
_ _ _ [A] _ _ [Eb] _ _
Here, bread.
_ _ _ [F] _ _ _
_ _ _ _ [Bb] _ _ _ _
_ _ [C] _ _ [Bb] _ _ _ _
_ So I'll just do that bit again.
So it is _ [G] here, in, [Eb] _ _
bread, _ _ [F] and wine.
That's the A on the top string and then we're [Bb] finishing where we started on the B. _ _ _ _ _
_ _ _ _ _ [C] _ _ [Bb] _
_ [Eb] So that's a sort of [Bb] G suspension. _ _
_ _ _ _ _ _ _
And I'm putting in the A as well.
It's just a little bit more interesting.
So it's not a straight sus.
_ [F] _ _ _ _
_ _ [G] So that's pretty much it in a nutshell.
It's a little bit complicated, but it's worth the time.
It's a lovely way to start the song.
We often start with an instrumental chorus and then maybe sing the verse
_ first, so that the first words that you hear are the echo of our response to the invitation to communion.
[F] Obviously a slightly different translation nowadays
[E] _ _ in terms of the revised translation of the Mass for the Catholic liturgy.
But _ still a beautiful echo nonetheless.
_ [Bb] _ _ _ _ _ [Gm] _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ [Fm] _ _ _
[A] _ _ [Gm] _ _ _ _ _ _
[Eb] _ _ _ _ _ _ _ [F] _
_ _ [C] _ _ _ _ [Gm] _ _
_ _ _ _ [F] _ _ _ _
_ _ [D] _ _ _ _ [Gm] _ _
_ [Eb] _ _ _ [Bb] _ _ _ [Cm] _
_ _ _ [Bbm] _ _ [Ab] One cup, _ one _ [G] family. _ _
_ _ _ [F] _ _ _ [Gm] _ _
And [Bb] _ _ _ _ _ _
[C] you know the rest [N] of course.
So have a go at that and
maybe film a video of yourself playing it if you've managed to figure it out and share it with us.
We'd love to see how you're getting on.
Take care.
God bless. _
_ [Gm] _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _