Chords for Barbra Streisand with Seth MacFarlane - Pure Imagination (Official Video)
Tempo:
151.1 bpm
Chords used:
Bb
Eb
B
Gb
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F]
Come with [G] me and you'll be in a [Bb] world of pure imagination.
[Db] [Gm] I've always loved the song Pure Imagination.
It was another Tony Newley song.
As a matter of fact, I didn't [Gbm] know he wrote it for many years.
[Bb] And I thought Seth MacFarlane would be great.
[F] Hey!
When I heard that Barbra Streisand wanted to work with me, it honestly shocked the hell
out of me.
It still shocks the hell out of me.
We'll [Cm] begin [Eb] with [Bb] a spin.
Validating would be an understatement.
And it is nothing short of [A] a spectacular [Bb] honor.
[C] We're recording the song Pure [Eb] Imagination by Leslie Brickus and Anthony Newley from
the musical Charlie and the Chocolate Factory.
[A] That's a song that I have always loved.
I didn't know what we were going [D] to be doing.
And when I got that song, [N] I was like, oh, this is great.
Compare with pure imagination.
Oh, can I turn to?
That's very funny.
When nobody needs me.
We need to change the melody.
You got him right there.
Oh my [E] god.
[B]
To [Dbm] [Ab] [Ebm]
[Abm] me, this is one of the most underrated songs [Ebm] ever [Gb] written.
It's a [B] beautiful melody.
[Gb] It goes to some very [Abm] interesting [Eb] places.
I've always loved this song, but I [Gbm] don't think it's ever been [Gb] recorded as a duet.
[B] Do you want me to go high at the end there too?
The harmonies in this song are pretty complicated.
They're really complex.
But Seth [D]
really knows music, and he sang them with ease.
[Bb]
[Eb] [Dm]
[Fm] [Eb]
[Bb] Barbara's got [A] one of the most extraordinary voices that popular music has [D] ever been blessed with.
And to this day, it's all [Cm] still there.
You hear that vibrato, and it's just about keeping up.
[Eb]
There is [B] no [Dbm]
place [Ab] to go.
To [B] compare [Dbm] with [F] pure [Ebm]
imagination.
[Bb] [B] [Gb]
Come with [G] me and you'll be in a [Bb] world of pure imagination.
[Db] [Gm] I've always loved the song Pure Imagination.
It was another Tony Newley song.
As a matter of fact, I didn't [Gbm] know he wrote it for many years.
[Bb] And I thought Seth MacFarlane would be great.
[F] Hey!
When I heard that Barbra Streisand wanted to work with me, it honestly shocked the hell
out of me.
It still shocks the hell out of me.
We'll [Cm] begin [Eb] with [Bb] a spin.
Validating would be an understatement.
And it is nothing short of [A] a spectacular [Bb] honor.
[C] We're recording the song Pure [Eb] Imagination by Leslie Brickus and Anthony Newley from
the musical Charlie and the Chocolate Factory.
[A] That's a song that I have always loved.
I didn't know what we were going [D] to be doing.
And when I got that song, [N] I was like, oh, this is great.
Compare with pure imagination.
Oh, can I turn to?
That's very funny.
When nobody needs me.
We need to change the melody.
You got him right there.
Oh my [E] god.
[B]
To [Dbm] [Ab] [Ebm]
[Abm] me, this is one of the most underrated songs [Ebm] ever [Gb] written.
It's a [B] beautiful melody.
[Gb] It goes to some very [Abm] interesting [Eb] places.
I've always loved this song, but I [Gbm] don't think it's ever been [Gb] recorded as a duet.
[B] Do you want me to go high at the end there too?
The harmonies in this song are pretty complicated.
They're really complex.
But Seth [D]
really knows music, and he sang them with ease.
[Bb]
[Eb] [Dm]
[Fm] [Eb]
[Bb] Barbara's got [A] one of the most extraordinary voices that popular music has [D] ever been blessed with.
And to this day, it's all [Cm] still there.
You hear that vibrato, and it's just about keeping up.
[Eb]
There is [B] no [Dbm]
place [Ab] to go.
To [B] compare [Dbm] with [F] pure [Ebm]
imagination.
[Bb] [B] [Gb]
Key:
Bb
Eb
B
Gb
F
Bb
Eb
B
[F] _ _ _ _ _ _ _
Come with [G] me _ and you'll _ be _ _ in a _ [Bb] world of pure _ _ imagination.
_ _ [Db] [Gm] I've always loved the song Pure Imagination.
It was another Tony Newley song.
As a matter of fact, I didn't [Gbm] know he wrote it for many years.
[Bb] And I thought Seth MacFarlane would be great.
[F] Hey!
_ When I heard that Barbra Streisand wanted to work with me, it honestly shocked the hell
out of me.
It still shocks the hell out of me.
We'll _ [Cm] begin _ _ _ [Eb] with [Bb] a spin.
Validating would be an understatement.
And it is nothing short of [A] a spectacular [Bb] honor.
_ _ [C] We're recording the song Pure [Eb] Imagination _ by Leslie Brickus and Anthony Newley from
the musical Charlie and the Chocolate Factory.
[A] That's a song that I have always loved.
I didn't know what we were going [D] to be doing.
And when I got that song, [N] I was like, oh, this is great.
Compare with pure _ imagination.
_ Oh, can I turn to?
_ _ _ _ That's very funny.
When nobody needs me.
We need to change the melody.
You got him right there.
Oh my [E] god.
_ _ [B]
To _ [Dbm] _ _ [Ab] _ [Ebm] _ _ _
[Abm] me, this is one of the most underrated songs [Ebm] ever [Gb] written.
It's a [B] beautiful melody.
[Gb] It goes to some very [Abm] interesting [Eb] places.
I've always loved this song, but I [Gbm] don't think it's ever been [Gb] recorded as a duet. _
_ _ [B] _ Do you want me to go high at the end there too?
The harmonies in this song are pretty complicated.
They're really complex.
But Seth [D]
really knows music, and he sang them with ease.
_ [Bb] _
_ _ _ [Eb] _ _ [Dm] _ _ _
_ _ [Fm] _ _ [Eb] _ _ _ _
_ _ [Bb] _ _ _ _ Barbara's got [A] one of the most extraordinary voices that popular music has [D] ever been blessed with.
And to this day, it's all [Cm] still there.
You hear that vibrato, and it's just about keeping up.
_ [Eb]
There _ is [B] no _ [Dbm] _
place [Ab] to _ go.
To [B] compare [Dbm] with [F] pure _ [Ebm] _
imagination.
[Bb] _ _ _ [B] _ _ _ _ _ _ _ _ _ [Gb] _ _
Come with [G] me _ and you'll _ be _ _ in a _ [Bb] world of pure _ _ imagination.
_ _ [Db] [Gm] I've always loved the song Pure Imagination.
It was another Tony Newley song.
As a matter of fact, I didn't [Gbm] know he wrote it for many years.
[Bb] And I thought Seth MacFarlane would be great.
[F] Hey!
_ When I heard that Barbra Streisand wanted to work with me, it honestly shocked the hell
out of me.
It still shocks the hell out of me.
We'll _ [Cm] begin _ _ _ [Eb] with [Bb] a spin.
Validating would be an understatement.
And it is nothing short of [A] a spectacular [Bb] honor.
_ _ [C] We're recording the song Pure [Eb] Imagination _ by Leslie Brickus and Anthony Newley from
the musical Charlie and the Chocolate Factory.
[A] That's a song that I have always loved.
I didn't know what we were going [D] to be doing.
And when I got that song, [N] I was like, oh, this is great.
Compare with pure _ imagination.
_ Oh, can I turn to?
_ _ _ _ That's very funny.
When nobody needs me.
We need to change the melody.
You got him right there.
Oh my [E] god.
_ _ [B]
To _ [Dbm] _ _ [Ab] _ [Ebm] _ _ _
[Abm] me, this is one of the most underrated songs [Ebm] ever [Gb] written.
It's a [B] beautiful melody.
[Gb] It goes to some very [Abm] interesting [Eb] places.
I've always loved this song, but I [Gbm] don't think it's ever been [Gb] recorded as a duet. _
_ _ [B] _ Do you want me to go high at the end there too?
The harmonies in this song are pretty complicated.
They're really complex.
But Seth [D]
really knows music, and he sang them with ease.
_ [Bb] _
_ _ _ [Eb] _ _ [Dm] _ _ _
_ _ [Fm] _ _ [Eb] _ _ _ _
_ _ [Bb] _ _ _ _ Barbara's got [A] one of the most extraordinary voices that popular music has [D] ever been blessed with.
And to this day, it's all [Cm] still there.
You hear that vibrato, and it's just about keeping up.
_ [Eb]
There _ is [B] no _ [Dbm] _
place [Ab] to _ go.
To [B] compare [Dbm] with [F] pure _ [Ebm] _
imagination.
[Bb] _ _ _ [B] _ _ _ _ _ _ _ _ _ [Gb] _ _