Chords for Barbra Streisand with Anne Hathaway and Daisy Ridley - At the Ballet (Official Video)
Tempo:
65.45 bpm
Chords used:
D
A
G
E
Eb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] Everyone is beautiful at the ballet
[A] Another Marvin Hamlisch song [G] is At the Ballet [D] from the chorus line, which I have loved for a long time.
I wanted to [A] work with some women on this album, and [F] I thought, well, give them a little character, have them [E] act scenes, so I have to have good [Eb] actresses who can sing.
He said, Maggie, do you want an
[Ab] Anne Hathaway was perfect casting for the role of Maggie.
When Anne came into the studio, [D] I was so happy to see her looking radiant and glowing, [A] no makeup, but with the beauty of a woman about to give birth to a child.
I was [D] interviewing Daisy Ridley for Gypsy, [B] and I said, can you [D] sing?
And she said, yeah, I can sing.
I [Bb] didn't know whether that was supposed to be like me in Funny Girl when he [Gm] says, can you skate?
And I go, of course I can [Gb] skate.
And then the next minute, she's falling all over the place, because of course she can't skate.
But I took a chance with Daisy, [Dm] and it [G] paid off, because she wasn't kidding, she [D] can sing.
Everyone is beautiful at the ballet
Every prince has got to have his swan
I have had no experience recording, so [G] to have my first experience recording [Dm] with Barbara Streisand is pretty [E] insane.
At the [Gm] ball
Not only am I working with two Oscar-winning actresses, [Bb] both of those actresses won Oscars [G] for musical films, so slightly daunting.
I come to it from an acting point of view, from a dramatic point of view.
What's going on in the scene?
How does the lyric serve [D] that?
When you talk about 8 or 9, [Eb] I don't want to see her smile.
[A] In other words, it [C] was, though I was 8 or 9, and she's telling me this now.
Though I was 8 [A] or 9, though I was 8 or 9, though I was 8 or 9, [D] I hated her.
[B] Beautiful, a thing of beauty.
I think I was as [Em] nervous being directed by her as I was singing with her, but she was great, because everything she was saying, even if it took me a little while to [A] process it, I knew exactly what she wanted.
I went from being like, oh, I can't do it, to like, oh yeah, okay, I fit here, somehow, and it worked out.
[Am] At the [D] ballet
[C] [D]
[N]
[A] Another Marvin Hamlisch song [G] is At the Ballet [D] from the chorus line, which I have loved for a long time.
I wanted to [A] work with some women on this album, and [F] I thought, well, give them a little character, have them [E] act scenes, so I have to have good [Eb] actresses who can sing.
He said, Maggie, do you want an
[Ab] Anne Hathaway was perfect casting for the role of Maggie.
When Anne came into the studio, [D] I was so happy to see her looking radiant and glowing, [A] no makeup, but with the beauty of a woman about to give birth to a child.
I was [D] interviewing Daisy Ridley for Gypsy, [B] and I said, can you [D] sing?
And she said, yeah, I can sing.
I [Bb] didn't know whether that was supposed to be like me in Funny Girl when he [Gm] says, can you skate?
And I go, of course I can [Gb] skate.
And then the next minute, she's falling all over the place, because of course she can't skate.
But I took a chance with Daisy, [Dm] and it [G] paid off, because she wasn't kidding, she [D] can sing.
Everyone is beautiful at the ballet
Every prince has got to have his swan
I have had no experience recording, so [G] to have my first experience recording [Dm] with Barbara Streisand is pretty [E] insane.
At the [Gm] ball
Not only am I working with two Oscar-winning actresses, [Bb] both of those actresses won Oscars [G] for musical films, so slightly daunting.
I come to it from an acting point of view, from a dramatic point of view.
What's going on in the scene?
How does the lyric serve [D] that?
When you talk about 8 or 9, [Eb] I don't want to see her smile.
[A] In other words, it [C] was, though I was 8 or 9, and she's telling me this now.
Though I was 8 [A] or 9, though I was 8 or 9, though I was 8 or 9, [D] I hated her.
[B] Beautiful, a thing of beauty.
I think I was as [Em] nervous being directed by her as I was singing with her, but she was great, because everything she was saying, even if it took me a little while to [A] process it, I knew exactly what she wanted.
I went from being like, oh, I can't do it, to like, oh yeah, okay, I fit here, somehow, and it worked out.
[Am] At the [D] ballet
[C] [D]
[N]
Key:
D
A
G
E
Eb
D
A
G
_ [D] Everyone is beautiful at the ballet
[A] Another Marvin Hamlisch song [G] is At the Ballet [D] from the chorus line, which I have loved for a long time.
I wanted to [A] work with some women on this album, and [F] I thought, well, give them a little character, have them [E] act scenes, so I have to have good [Eb] actresses who can sing.
He said, Maggie, do you want an_
[Ab] Anne Hathaway was perfect casting for the role of Maggie.
When Anne came into the studio, [D] I was so happy to see her looking radiant and glowing, [A] no makeup, but with the beauty of a woman about to give birth to a child.
I was [D] interviewing Daisy Ridley for Gypsy, [B] and I said, can you [D] sing?
And she said, yeah, I can sing.
I [Bb] didn't know whether that was supposed to be like me in Funny Girl when he [Gm] says, can you skate?
And I go, of course I can [Gb] skate.
And then the next minute, she's falling all over the place, because of course she can't skate.
But I took a chance with Daisy, [Dm] and it [G] paid off, because she wasn't kidding, she [D] can sing.
Everyone is beautiful at the ballet
_ Every prince has got to have his swan
I have had no experience recording, so [G] to have my first experience recording [Dm] with Barbara Streisand is pretty [E] insane.
At the [Gm] ball
Not only am I working with two Oscar-winning actresses, [Bb] both of those actresses won Oscars [G] for musical films, so slightly daunting.
I come to it from an acting point of view, from a dramatic point of view.
What's going on in the scene?
How does the lyric serve [D] that?
When you talk about 8 or 9, [Eb] I don't want to see her smile.
[A] In other words, it [C] was, though I was 8 or 9, and she's telling me this now.
Though I was 8 [A] or 9, though I was 8 or 9, though I was 8 or 9, [D] I hated her.
[B] Beautiful, a thing of beauty.
I think I was as [Em] nervous being directed by her as I was singing with her, but she was great, because everything she was saying, even if it took me a little while to [A] process it, I knew exactly what she wanted.
I went from being like, oh, I can't do it, to like, oh yeah, okay, I fit here, somehow, and it worked out.
[Am] At the [D] ballet _
_ _ _ [C] _ _ [D] _ _ _
_ _ _ _ _ _ _ [N] _
[A] Another Marvin Hamlisch song [G] is At the Ballet [D] from the chorus line, which I have loved for a long time.
I wanted to [A] work with some women on this album, and [F] I thought, well, give them a little character, have them [E] act scenes, so I have to have good [Eb] actresses who can sing.
He said, Maggie, do you want an_
[Ab] Anne Hathaway was perfect casting for the role of Maggie.
When Anne came into the studio, [D] I was so happy to see her looking radiant and glowing, [A] no makeup, but with the beauty of a woman about to give birth to a child.
I was [D] interviewing Daisy Ridley for Gypsy, [B] and I said, can you [D] sing?
And she said, yeah, I can sing.
I [Bb] didn't know whether that was supposed to be like me in Funny Girl when he [Gm] says, can you skate?
And I go, of course I can [Gb] skate.
And then the next minute, she's falling all over the place, because of course she can't skate.
But I took a chance with Daisy, [Dm] and it [G] paid off, because she wasn't kidding, she [D] can sing.
Everyone is beautiful at the ballet
_ Every prince has got to have his swan
I have had no experience recording, so [G] to have my first experience recording [Dm] with Barbara Streisand is pretty [E] insane.
At the [Gm] ball
Not only am I working with two Oscar-winning actresses, [Bb] both of those actresses won Oscars [G] for musical films, so slightly daunting.
I come to it from an acting point of view, from a dramatic point of view.
What's going on in the scene?
How does the lyric serve [D] that?
When you talk about 8 or 9, [Eb] I don't want to see her smile.
[A] In other words, it [C] was, though I was 8 or 9, and she's telling me this now.
Though I was 8 [A] or 9, though I was 8 or 9, though I was 8 or 9, [D] I hated her.
[B] Beautiful, a thing of beauty.
I think I was as [Em] nervous being directed by her as I was singing with her, but she was great, because everything she was saying, even if it took me a little while to [A] process it, I knew exactly what she wanted.
I went from being like, oh, I can't do it, to like, oh yeah, okay, I fit here, somehow, and it worked out.
[Am] At the [D] ballet _
_ _ _ [C] _ _ [D] _ _ _
_ _ _ _ _ _ _ [N] _