Chords for Loverboy - Working For The Weekend (with Intro)

Tempo:
147.1 bpm
Chords used:

B

G

E

C

F#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Loverboy - Working For The Weekend (with Intro) chords
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Key:
B
12341112
G
2131
E
2311
C
3211
F#m
123111112
B
12341112
G
2131
E
2311
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To learn Loverboy - Working for the Weekend chords with lyrics, focus on the sequence of these chords: E, B, G, B, Abm, C, G, C, F#m, D, G. Kick off your practice at a gentle 73 BPM, then escalate to the song's tempo of 147 BPM. Tune your capo to accommodate your vocal range, referencing the song's key: E.

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I think trying to make a point, okay?
.
Matt knows where I'm coming from.
Just a sec, he said .
He went away, it's a viral thing.
It works, right?.
Black the master has his day.
He's not in fear.
He will be done.
He will be done.
Wait a minute, wait a minute.
Hold it.
Okay, I walked in the office.
I figured, this is where the title's gonna be on the album.
And I get a totally different story from the management company, right?.
And I'm going, what's going on here?.
You figured it was gonna be only the lucky ones.
That's right, I thought it was gonna be only the lucky ones.
I was in the office, I was in the office.
I figured it came from the time when I was in Vegas for a week.
It wasn't doing so good.
And I phoned in and said, God, one of these days I'm gonna get lucky.
I wish I could get lucky.
Lucky, my dog.
What?.
The little guy that follows me around.
Your dog?.
Sure, he comes on the road with us.
You're crazy, what are you talking about?.
He's the guy who fills the void on all those lonely nights.
How do you think I make it through them?.
So I went to the record company, I said, look it, we don't dedicate this next album to the.
dog, I'm out.
Wrong, wrong.
Get lucky.
There you go.
.
Lucky, I'm in here.
Anybody got a towel?.
I don't believe you, I don't believe you either.
I don't believe all you guys because it doesn't really matter.
I mean, we have got all these great names for something.
It could be called Watch Out, it could be called Jump, it could be called Emotional,.
it could be called Gangs in the Street, it could be called Take it to the Top.
.
Wrong, wrong, wrong, wrong, wrong.
Right, strong.
This is the voice of the reason.
It's got an opinion.
It's a valid opinion.
It all started when I sang Get Lucky.
It comes from you.
I sang Get Lucky on the tape.
I just felt like singing Get Lucky just before Dean went into his guitar break.
That's where it all started.
Oh, wonderful.
And everybody knows it's a national pastime anyways to get lucky.
Come five o'clock, everybody I know hits the bar in hopes of getting lucky.
Here's your hand.
Okay.
And to be perfectly frank, the buck stops here.
What?.
This is the idea.
Right here.
That's easy for you.
I mean, you get to go out rocking anytime you want, right?.
And you get to go down to Vegas anytime you want to, blow all your bucks if you want.
I don't care.
And you get to sit there, Mr.
Opinion, Mr.
Blase, right?.
But I got commitments, I got responsibilities.
Every night for the past ten years, I got to go home to my wife and kids like a faithful dog, just like you.
My heart cries for you.
Hell, I'm never going to go.
[G] Yeah, right for you.
Ha, ha, ha, ha, ha.
Ha, ha, ha, ha.
Never?.
Never, [C#] never.
[G#m] [B] .
[F] [F#] [B] .
[F] [B] .
[E] [F] [F#m] [B] .
[E] [A] [B] .
Everyone's watching [G] to see what you'll do.
[B] .
Everyone's looking [G#m] at you.
.
[E] [B] .
Everyone's wondering, [G] will you come out tonight?.
[B] .
Everyone's trying to get [G#m] it right, get [E] it right.
[D] .
Everybody's working for [G] the weekend.
.
[F#m] Everybody [D] .
wants a new [G] man.
.
[A] [D] .
Everybody's [G] keeping.
.
[F#m] [D] .
Everybody needs a second [G] chance.
.
You want a piece of [B] my heart?.
[E] You [A] better [F] start [B] from the start.
.
[F#] You want to be [B] in the show?.
[F#m] Come on, baby.
[G] Yeah!
.
[C] [G] .
[C] [G] .
[C] [B] .
[F] [F#m] [B] .
Everyone's looking [G] to see if it's for you.
[B] .
Everyone's watching to [G#m] see .
[E] [B] what you'll do.
Everyone's hoping.
[G] Yeah, .
[B] I'm telling [G#m] .
[E] [D] you.
.
Everybody's working for [G] the weekend.
.
[F#m] [D] .
Everybody wants a new [G] man.
.
Yeah, [C] yeah.
[D] .
Everybody's going out [G] to deep end.
[D] .
Everybody needs a second [G] chance.
.
You want a piece [B] of my heart?.
[F#] You better start [B] from the start.
[F] You want to be [B] in this show?.
[E] [F#m] Come on, baby.
[G] Yeah!
.
[Bm] .
[G] .
[Bm] .
[G] Hey!
.
[C] [G] .
[C] [G] .
[C] [B] .
[F#] You [F] want a piece of [B] my heart?
.
[E] [F#] You better start from [B] the start.
.
[Am] You want to be in [B] the show?
.
[E] [F#] Come on, baby.
[B] Yeah!
.
[E] [F#m] You want to piece of [B] my heart?
.
[E] You better [F#] start from [B] the start.
.
[E] [A] You want to [F#] be in [B] the show?
.
[F#m] Come on, baby.
[G] Yeah.
.
[C] [G] .
[C] [G] .
[C] [B] .
.
.
.

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