Chords for ZZ Top Inducts Cream into the Rock and Roll Hall of Fame

Tempo:
141.65 bpm
Chords used:

E

G

F

D

Ab

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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ZZ Top Inducts Cream into the Rock and Roll Hall of Fame chords
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Well, I'm really glad to be here tonight, not because [G] it's the place to be on a [Gb] Tuesday
night,
[G] [A] [Ab] not because once a year this is the place to be, [G] not because [Ab] you get to see your
old [G] friends once again, you get to maybe meet somebody you didn't meet that [E] you'd heard
their work, [N] and not because we were in the studio and I'd do anything [F] to get out of the
studio, [N] but because tonight I get to hear Ginger Baker play drums.
Starting out in the 60s, there were [G] a hundred drummers in Dallas, and [Ab] when Ginger Baker
and the Cream came out, we all set our drums [E] up like [Eb] Ginger Baker.
We all [Gbm] had two bass drums now, [G] and we all had our tom-toms set [F] sideways, [E] and we all
put two cymbals on each stand.
[Gm] And it worked out good, [G] you went from club to club and the set was just right.
I mean, you could jam here, you could jam there, and it all worked out good.
But what I'm trying to say is that he was the one drummer that we all wanted to be like,
and we all studied his work and listened to the record and how did he do that, how did
he make [F] that sound.
[Ab]
Sometimes [G] he would be playing a solo and it sounded [Fm] like he was sawing on something.
[Gb] And so when we get through introducing Cream, the [Ab] gentleman tries to lead me [Fm] back to my
table over [N] there.
I'm not going.
I'm going to be hiding over here behind an [G] amplifier and I'm going to be [Gb] watching [F] Ginger
Baker play [N] drums.
And he better do it like the records because I spent two, three, four hundred hours learning
those songs just like those records, and I'm going to know if he did it.
Yeah, well this is going to be short.
About the same time Frank was listening, I was listening to Jack Bruce, I was much younger than Frank.
And I thought I could play the bass at the time until I heard Jack Bruce play and I had
to rethink that.
And the best compliment around then and now was to be a musician's band.
And every musician loved Cream and they still do.
That's all I got to say.
There's only one name that rounds out this [E] trio and [Eb] we'll [F] discuss this backstage.
It was [Gb] [B]
of [Dm] talented musicians [Gb] that made up three [F] guys that [E] expressed power.
Eric Clapton being the third, following the two names that were previously mentioned,
[Eb] [Bb] [Ab] created a sound that [Gb] everybody in this [D] room [E] [Db] [Eb]
certainly [D] [E] set the stage [Db] for [D] our outfit.
[F] And it's with great pleasure, [G]
[F] we bid [E]
[D] bad [Dbm] boys a very [N] good night.
Cream. Cream.
[E]
Well, [Am] [E]
[A] [Em] [E]
[Am] [E]
[D]
[E] [D] [E]
[D]
[E] [D]
[A] [E] [N]
this is really fantastic.
I can't tell you.
I come from Glasgow in Scotland.
It doesn't seem so far away now.
I think that must be what rock and roll is about.
It brings people together.
And if the three of us can be together again, anybody can be together again, I'll tell you.
I'd like to thank everybody ever.
But I'd mostly like to thank Amit, really, first of all, for believing in us enough to
record us and so on.
I'd like to thank Ginger for showing me some mad African rhythms that I can't get over.
And Eric for clearing my mind and teaching me the purity of the [A] blues and the honesty of it.
Thank you.
Thank [N] you.
I have to be honest and say that until very recently I just didn't believe in this institution at all.
I don't believe in institutions, I suppose.
And it seemed to me that rock and roll should never be respectable.
And then a friend of mine, not so long ago, Robbie Robertson, pointed out to me that minor and major miracles take place in here.
It deeply moved me and I looked at this from a different point of view.
A lot could be gained by coming here tonight and a lot has been gained.
I've been reunited with two people that I love very dearly.
It's very moving.
Yesterday, we played together for the first time in 25 years.
It was pretty amazing.
It was wonderful.
And we're going to play again in a little while.
I don't know how it'll be, but as Ginger says, or as I say to Ginger, apparently, whatever you do, don't worry.
The last time actually the three of us were together, we were on acid down at my house.
And this drug dealer came round the corner.
We were in the garden.
This drug [Bb] dealer that owed [A] me money or drugs [Bb] or something came round the corner.
And he stopped about 30 feet away and he couldn't get any closer.
He just, it was like a wall, like a force field.
And that kind of, that symbolizes to me what happens when the three of us get together.
And it can be good or bad.
You never know.
But I'm very, very grateful to be here [E] tonight.
[Ab] And I [F] want to thank Armit [E] too.
And I want to thank Tom Dowd.
And I thank Roger Forrester.
[Fm] I thank all [E] of you [N] for making this happen.
Yeah, I think everybody's said everything.
So I'll be very brief.
Just thanks very much.
It's nice to be here.
Key:  
E
2311
G
2131
F
134211111
D
1321
Ab
134211114
E
2311
G
2131
F
134211111
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_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Well, I'm really glad to be here tonight, not because [G] it's the place to be on a [Gb] Tuesday
night, _ _
_ [G] _ [A] [Ab] not because once a year this is the place to be, [G] not because _ _ [Ab] you get to see your
old [G] friends once again, you get to maybe meet somebody you didn't meet that [E] you'd heard
their work, [N] and _ not _ _ because we were in the studio and I'd do anything [F] to get out of the
studio, [N] but _ because tonight I get to hear Ginger Baker play drums. _ _ _ _ _ _
_ _ _ _ _ _ _
Starting out in the 60s, there were [G] a hundred drummers in Dallas, and [Ab] when Ginger Baker
and the Cream came out, we all set our drums [E] up like [Eb] Ginger Baker.
We all [Gbm] had two bass drums now, [G] and we all had our tom-toms set [F] sideways, _ [E] and we all
put two cymbals on each stand.
[Gm] And it worked out good, [G] you went from club to club and the set was just right.
I mean, you could jam here, you could jam there, and it all worked out good.
But what I'm trying to say is that _ _ he was the one drummer _ that _ we all wanted to be like,
and we all studied his work and listened to the record and how did he do that, how did
he make [F] that sound.
[Ab] _
Sometimes [G] he would be playing a solo and it sounded [Fm] like he was sawing on something.
[Gb] _ _ _ And so when we get through introducing Cream, _ _ _ _ _ the [Ab] gentleman tries to lead me [Fm] back to my
table over [N] there.
I'm not going.
I'm going to be hiding over here behind an [G] amplifier and I'm going to be [Gb] watching [F] Ginger
Baker play [N] drums.
And he better do it like the records because I spent two, three, four hundred hours learning
those songs just like those records, and I'm going to know if he did it. _ _ _ _ _ _
_ _ _ _ _ _ Yeah, well this is going to be short.
About the same time Frank was listening, I was listening to Jack Bruce, I was much younger than Frank.
_ _ _ _ And I thought I could play the bass at the time until I heard Jack Bruce play and I had
to rethink that.
_ And the best compliment around then and now was to be a musician's band.
_ And every musician loved Cream and they still do.
_ That's all I got to say. _ _ _ _ _ _ _
_ _ _ _ _ _ There's only one name _ that rounds out this [E] trio and _ _ [Eb] _ _ we'll [F] _ discuss this backstage.
It was [Gb] _ [B] _
_ _ _ _ _ of [Dm] talented musicians [Gb] that made up _ three [F] guys that _ [E] expressed power. _ _
_ Eric Clapton being the third, following the two names that were previously mentioned, _
_ [Eb] _ _ [Bb] [Ab] created a sound that [Gb] everybody in this [D] room [E] _ _ [Db] _ [Eb] _ _ _
_ certainly [D] [E] set the stage [Db] for _ [D] our outfit.
_ _ _ [F] And it's with great pleasure, _ _ _ [G]
[F] we _ bid [E] _ _ _ _
_ _ [D] bad [Dbm] boys a very [N] good night.
_ Cream. Cream.
_ _ _ _ [E] _
_ _ _ _ _ _ Well, _ _ [Am] _ _ [E] _ _ _ _
_ _ [A] _ [Em] _ _ _ _ [E] _
_ _ _ [Am] _ [E] _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ _ [E] _ _ [D] _ _ [E] _
_ _ _ _ _ _ _ [D] _
_ _ _ _ [E] _ _ [D] _ _
[A] _ _ _ _ [E] _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ this is really fantastic. _
I can't tell you.
_ _ _ I come from Glasgow in Scotland.
_ _ It doesn't seem so far away now.
I think _ that must be what rock and roll is about.
It brings people together.
_ And if the three of us can be together again, anybody can be together again, I'll tell you.
_ _ _ _ _ I'd like to thank everybody ever. _ _ _
_ _ _ But I'd mostly like to thank Amit, really, first of all, for believing in us enough to
record us and so on.
I'd like to thank Ginger for _ showing me some mad African rhythms that I can't get over.
And Eric for clearing my mind and teaching me the purity of the [A] blues and the honesty of it.
Thank you.
Thank [N] you. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ I have to be honest and say that until very recently I just didn't believe in this institution at all.
_ I don't believe in institutions, I suppose.
And it seemed to me that rock and roll should never be respectable.
_ _ And then _ _ _ a friend of mine, not so long ago, Robbie Robertson, _ pointed out to me that _ _ _ minor and major miracles take place in here. _ _
It deeply moved me and I looked at this from a different point of view.
_ _ _ A lot could be gained by coming here tonight and a lot has been gained. _ _
I've been reunited with two people that I love very dearly.
_ _ _ It's very moving. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Yesterday, we played together for the first time in 25 years. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ It was pretty amazing.
It was wonderful.
And we're going to play again in a little while.
I don't know how it'll be, but _ as Ginger says, or as I say to Ginger, apparently, whatever you do, don't worry.
_ _ _ _ _ _ The last time actually the three of us were together, we were on acid down at my house. _ _ _ _ _ _
_ _ And this drug dealer came round the corner.
We were in the garden.
This drug [Bb] dealer that owed [A] me money or drugs [Bb] or something came round the corner.
_ And he stopped about 30 feet away and he couldn't get any closer.
_ He just, it was like a wall, like a force field.
And that _ _ kind of, that symbolizes to me what happens when the three of us get together.
And _ it can be good or bad.
You never know.
But I'm very, very grateful to be here [E] tonight.
[Ab] And I [F] want to thank Armit [E] too.
And I want to thank Tom Dowd.
And I thank Roger Forrester.
[Fm] I thank all [E] of you [N] for making this _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ happen.
Yeah, I _ _ think _ everybody's said everything.
So I'll be very brief.
Just thanks very much.
It's nice to be here. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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