Chords for You+Me - The Story of You+Me

[E] _ _ _ _ _ _ _ _
[C#m] _ _ _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
[A] _ _ _ _ [B] _ _ _ _
[E] _ _ _ My dear Dallas and I have been [G#m] friends for many years.
Yes.
And we've toured together.
We met through a mutual [E] friend.
And he has the most_
I'm not going to let you talk.
That's fine.
He has the most [D#] angelic voice I've ever heard in my life.
And I thought, huh, maybe one day if I get good enough, he'd sing with me.
So I asked him.
_ Partially true.
You asked me one night, [G#m] and I said, sure.
_ Whenever you want.
So I said, hey, what are you doing in March?
I'm coming over.
Yep.
[N] And_
Let's do it.
I thought, remember, I thought that you were just_
I was just going to come over to your house and we'd play guitar and see if we could do something.
But you were like, oh, I got a studio rented just in case.
Just in case.
And then_
I like to be prepared when the mood strikes.
Hi! _ _ _
What's up?
What's up?
_ _ _ It's still the weirdest thing I've ever seen.
Welcome [A] to You and Me. _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ _ _ [N] One of the most important parts of this project is right here.
And it's called Thunder Spring.
That line?
Yeah.
_ _ [D#m] I'm going to turn around.
Yeah, it sounds like just the_
I hit the wrong_
_ _ See what I'm saying?
You can't hear it.
_ _ [F#] Does anything suck in that?
I don't think it does.
It's fucking awesome. _
_ That was a good idea because we [D#] made a record.
Well, the first [C#m] day we were like, let's just go drop [D] off your guitar and you can [E] just see the spot.
[D] Just see if we like [C#m] it, whatever, and then we'll just go drink.
[E] And that night [B] we recorded.
We wrote and recorded, [C#m] I think.
Well, we did from [E] a closet [A] that night, [E] but_
We may have started another one too [B] that night. Gently.
Gently, right.
Yeah, [G#m] so we wrote [C#m] and recorded one and wrote [F#m] and started another.
The first night.
The night we were going to drop off our guitar.
[A] _ _ [D] _ _ _ _ _ [F#m] _
[C#m] _ _ [D] _ _ _ _ [F#m] _ _
[A] _ _ [D] _ _ _ _ _ [F#m] _
[A] _ _ [D] Dallas _ _ _ _
[A] _ _ [D] _ had [B] never written a song with another [A] person.
He usually writes by himself [D] and I only write with other [C#m] people.
Well, see, you're making it look like I didn't want to do it with you because I thought I was [D] better than you.
No, I just_
I didn't want you to hate [A] it.
That's what I remember.
But there was no way.
I was outside of a Mexican restaurant and I had to talk him off the ledge.
Yes.
And the next day we started our record and six days later we were finished.
Yes.
[D] That's the truth.
It was very_
[A] It just was seamless.
It was very organic.
It doesn't sound like me featuring you or you featuring me.
It sounds like us.
Don't you think so?
It's hard to harmonize with other people.
It's hard to sound _ [D] cohesive.
It's hard to have the same [A] levels and the same aggression and the same tone to even have it sound good.
You can collaborate with other people but to actually marry your voices_
We were both kind of taken aback by how well our voices_
How quickly.
[Bm] Yes.
How quickly we were able to do [A] it.
My friend said, people spend their whole lives trying to sound that good together.
[D] _ _ _
[A] _ So fuck you guys.
[Bm] _ You edit that [A] out, right?
I gave it enough pause.
[G] _ _ _ _ [Am] _ _
_ _ [C] Hangin' on. _ _ _
[Am] I keep _ _ [G] hangin' on.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _