Chords for Yamaha Silent Guitar and THR5A - Tom Dale

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_ _ _ _ _ _ [D] The [G] main thing that I use it for is lap slide guitars.
When I [C] first started playing it, [D] [G] it [C] just settled into that [D] role.
The tone of the guitar [C] suits the lap [D] slide, it's got a lot of [Em] sustain.
_ The onboard [C] effects are [D] very useful.
[G] _ They're instantly accessible right on the _ preamp there.
You've got two different kinds of reverb and a chorus and an echo, which pretty much covers
all of the [C] acoustic [G] sounds that you'd want.
And they're [D] subtle [G] as [Em] well, they're not going to take over the sound [G] of the guitar. _ _ _ _
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_ _ [D] _ [G] It's great as a practice aid for ideas, anything you might have, [C] two, three o'clock in the
morning, [G] you know, [D] you're not going to disturb anyone, [Em] the neighbours, the walls or the [C] wife.
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_ When I turn up at gigs, you know, a lot of the time it might be at a [C] folk club or in
front of a [G] traditional audience and they won't be expecting this kind of guitar.
Yeah, it does draw the attention of the crowd sometimes and usually in [D] a positive way, [G] but
[C] they're convinced after they hear it.
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[G] _ _ as a [Gm] traditionalist, I like the look of [Em] it, you know, it's a [Gm] modern _ guitar for a modern [Cm] acoustic performer.
_ _ [G] _ _ Yeah, you don't know _ when you get it into your playing, [C] you forget that [G] you're playing
on a framework guitar.
I don't approach it any [C] differently at all.
To me, it sounds like an acoustic [G] when you plug [Gm] it in.
You always get a really good solid sound out of it.
It's the kind of sound that you would want from [G] your electroacoustic without any feedback
problems that you might come across in a certain stage situation.
So [Gm] it's a [F] win-win for me really as [G] a live performer. _
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