Chords for XTC at Abbey Road
Tempo:
113.15 bpm
Chords used:
E
D
B
G
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B]
[E]
[G#m] [C#m]
[E] [D]
[F#]
[F#m] [E] i think the overriding memory of uh
of abbey [B] road is just the [D] vastness of
studio one it's like god's musical aircraft [E] hangar or something
just an inordinately huge space that [A#] sounds [G] fantastic i mean they've obviously
put a lot of work into to make the the thing acoustically attractive or maybe
it was just a giant accident who [N] knows
but it's the place to record orchestras so many
good classical records have been made there
i think most of the pop stuff was done in studios two and three
but one has got this uh
this very reverential
uh
thrilling cathedral like space
it's it's it feels
exciting and naughty to be in there like you shouldn't be in there
what are you doing in there boy
you feel like you've
you've nicked off school and you've come into some
uh
big church or something while they're doing
an important service or renovation and you really shouldn't be in there
so it was an overriding feeling of [G] um
naughtiness
and the expense of it
[E]
they've done some great stuff in there
i [F#m] think the overriding [B] kind of feeling [D] of of of a piece of music that came out
of studio one in [E] abbey road
is really got to be the phrase [D] from day in the life that [C] goes
bam [G] bam bam bam bam
that is the essence
[E]
[G#m] [C#m]
[E] [D]
[F#]
[F#m] [E] i think the overriding memory of uh
of abbey [B] road is just the [D] vastness of
studio one it's like god's musical aircraft [E] hangar or something
just an inordinately huge space that [A#] sounds [G] fantastic i mean they've obviously
put a lot of work into to make the the thing acoustically attractive or maybe
it was just a giant accident who [N] knows
but it's the place to record orchestras so many
good classical records have been made there
i think most of the pop stuff was done in studios two and three
but one has got this uh
this very reverential
uh
thrilling cathedral like space
it's it's it feels
exciting and naughty to be in there like you shouldn't be in there
what are you doing in there boy
you feel like you've
you've nicked off school and you've come into some
uh
big church or something while they're doing
an important service or renovation and you really shouldn't be in there
so it was an overriding feeling of [G] um
naughtiness
and the expense of it
[E]
they've done some great stuff in there
i [F#m] think the overriding [B] kind of feeling [D] of of of a piece of music that came out
of studio one in [E] abbey road
is really got to be the phrase [D] from day in the life that [C] goes
bam [G] bam bam bam bam
that is the essence
Key:
E
D
B
G
F#m
E
D
B
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ _ _ _ [E] _
_ _ _ [G#m] _ _ _ _ [C#m] _
_ _ _ [E] _ _ _ _ [D] _
_ _ _ _ _ _ _ [F#] _
_ _ _ [F#m] _ _ _ [E] i think the overriding memory of uh_
of abbey [B] road is just the [D] vastness of
studio one it's like god's musical aircraft [E] hangar or something
just an inordinately huge space that [A#] sounds [G] fantastic i mean they've obviously
put a lot of work into to make the the thing acoustically attractive or maybe
it was just a giant accident who [N] knows
but it's the place to record orchestras so many
good classical records have been made there
i think most of the pop stuff was done in studios two and three
but one has got this uh_
this very reverential
uh_
thrilling cathedral like space
it's it's it feels
_ _ exciting and naughty to be in there like you shouldn't be in there
what are you doing in there boy
you feel like you've
you've nicked off school and you've come into some
uh_
big church or something while they're doing
an important service or renovation and you really shouldn't be in there
so it was an overriding feeling of [G] um_
naughtiness
and the expense of it
_ _ _ _ [E] _
they've done some great stuff in there
i [F#m] think the overriding [B] kind of feeling [D] of of of a piece of music that came out
of studio one in [E] abbey road
is really got to be the phrase [D] from day in the life that [C] goes
bam [G] bam bam bam bam
that is the essence
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ _ _ _ [E] _
_ _ _ [G#m] _ _ _ _ [C#m] _
_ _ _ [E] _ _ _ _ [D] _
_ _ _ _ _ _ _ [F#] _
_ _ _ [F#m] _ _ _ [E] i think the overriding memory of uh_
of abbey [B] road is just the [D] vastness of
studio one it's like god's musical aircraft [E] hangar or something
just an inordinately huge space that [A#] sounds [G] fantastic i mean they've obviously
put a lot of work into to make the the thing acoustically attractive or maybe
it was just a giant accident who [N] knows
but it's the place to record orchestras so many
good classical records have been made there
i think most of the pop stuff was done in studios two and three
but one has got this uh_
this very reverential
uh_
thrilling cathedral like space
it's it's it feels
_ _ exciting and naughty to be in there like you shouldn't be in there
what are you doing in there boy
you feel like you've
you've nicked off school and you've come into some
uh_
big church or something while they're doing
an important service or renovation and you really shouldn't be in there
so it was an overriding feeling of [G] um_
naughtiness
and the expense of it
_ _ _ _ [E] _
they've done some great stuff in there
i [F#m] think the overriding [B] kind of feeling [D] of of of a piece of music that came out
of studio one in [E] abbey road
is really got to be the phrase [D] from day in the life that [C] goes
bam [G] bam bam bam bam
that is the essence