Chords for Working Class Dog Album/Sound City: Reminiscing w/ RICK SPRINGFIELD & BILL DRESCHER
Tempo:
104.65 bpm
Chords used:
Ab
C
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
And go!
Shooting.
Shooting?
Oh, man, it's so heavy for my sore shoulder.
So we'll just set it here in case aliens attack.
I was working at a studio called Sound City,
and the guy who owned the studio, Joe Gottfried
God bless Joe.
Yeah, he was Rick's manager, and that's basically how we met.
And at one point, Bill went to Joe Gottfried
and said the immortal words,
let me see if I can do something with this Springfield kid.
Kid?
You're much older than I am.
Or Springfield guy.
Uh-oh.
Your gun's falling apart.
Where did that come off of?
I was on staff at Sound City as an engineer, and so
Which basically meant you didn't get paid much.
And if you did, you had
Sometimes you had to wait a while to get paid, actually.
You had to run and cash a check.
You'd work with maybe 2, 3, 4, 5 sessions a day,
and you could go from hard rock to jazz to orchestra to jingles
To Bill Cosby.
To Bill Cosby.
To
Don't let in, go say it.
What's his name?
Charles Manson.
No, I didn't work with him.
I was involved when the district attorney came out and seized the tapes.
And at that point, they wanted to play them.
Because he'd recorded at Sound City.
So there's a lot of people who recorded at Sound City.
There's me, Charles Manson, Nirvana.
Yeah, Nirvana.
Tom Petty.
Lots of different people.
We always just went in the studio to work.
I know there were a lot of bands [Ab] who went in and
You know, it'd be 10 hours before they started work,
because they had to do blow and then get a hooker in, you know.
And we went in, we started with Working Class Dog,
where we only had a certain amount of time.
We went in, worked as hard as we could, and went home.
And we always stayed with that.
With Rick and I, it was always like, you know,
both of us sitting there
Experimenting.
Experimentation was great.
[C] We'd figure out ways
It was kind of like the thing where you go,
I want the guitars to go
Like this.
I'd build it and figure out how to do it.
And it was amazing.
I mean, he really
I did that.
Who, you?
I don't remember.
Do I know you?
Who's this guy?
It was really
When we did Inside Sylvia for Working Class Dog,
I wanted a bell sound.
Like
[F] So we took one of the panels, metal panels, off the board,
tied a [N] piece of tape around the two holes,
got a bucket of water, hit it, and dipped it in a bucket of water.
So it went
That was cool.
We did a lot of stuff like that.
It was a great studio.
It still is a great studio.
I think Queen's just done some stuff there.
Still a very happening studio.
Shooting.
Shooting?
Oh, man, it's so heavy for my sore shoulder.
So we'll just set it here in case aliens attack.
I was working at a studio called Sound City,
and the guy who owned the studio, Joe Gottfried
God bless Joe.
Yeah, he was Rick's manager, and that's basically how we met.
And at one point, Bill went to Joe Gottfried
and said the immortal words,
let me see if I can do something with this Springfield kid.
Kid?
You're much older than I am.
Or Springfield guy.
Uh-oh.
Your gun's falling apart.
Where did that come off of?
I was on staff at Sound City as an engineer, and so
Which basically meant you didn't get paid much.
And if you did, you had
Sometimes you had to wait a while to get paid, actually.
You had to run and cash a check.
You'd work with maybe 2, 3, 4, 5 sessions a day,
and you could go from hard rock to jazz to orchestra to jingles
To Bill Cosby.
To Bill Cosby.
To
Don't let in, go say it.
What's his name?
Charles Manson.
No, I didn't work with him.
I was involved when the district attorney came out and seized the tapes.
And at that point, they wanted to play them.
Because he'd recorded at Sound City.
So there's a lot of people who recorded at Sound City.
There's me, Charles Manson, Nirvana.
Yeah, Nirvana.
Tom Petty.
Lots of different people.
We always just went in the studio to work.
I know there were a lot of bands [Ab] who went in and
You know, it'd be 10 hours before they started work,
because they had to do blow and then get a hooker in, you know.
And we went in, we started with Working Class Dog,
where we only had a certain amount of time.
We went in, worked as hard as we could, and went home.
And we always stayed with that.
With Rick and I, it was always like, you know,
both of us sitting there
Experimenting.
Experimentation was great.
[C] We'd figure out ways
It was kind of like the thing where you go,
I want the guitars to go
Like this.
I'd build it and figure out how to do it.
And it was amazing.
I mean, he really
I did that.
Who, you?
I don't remember.
Do I know you?
Who's this guy?
It was really
When we did Inside Sylvia for Working Class Dog,
I wanted a bell sound.
Like
[F] So we took one of the panels, metal panels, off the board,
tied a [N] piece of tape around the two holes,
got a bucket of water, hit it, and dipped it in a bucket of water.
So it went
That was cool.
We did a lot of stuff like that.
It was a great studio.
It still is a great studio.
I think Queen's just done some stuff there.
Still a very happening studio.
Key:
Ab
C
F
Ab
C
F
Ab
C
_ _ _ _ _ _ And go!
Shooting.
_ Shooting? _
Oh, man, it's so heavy for my sore shoulder.
So we'll just set it here in case aliens attack.
_ I was working at a studio called Sound City,
and the guy who owned the studio, Joe Gottfried_
God bless Joe.
Yeah, he was Rick's manager, and that's basically how we met.
And at one point, Bill went to Joe Gottfried
and said _ the immortal words,
let me see if I can do something with this Springfield kid.
Kid?
You're much older than I am.
Or Springfield guy.
_ _ _ Uh-oh.
Your gun's falling apart.
Where did that come off of?
I was on staff at Sound City as an engineer, and so_
Which basically meant you didn't get paid much.
And if you did, you had_
Sometimes you had to wait a while to get paid, actually.
You had to run and cash a check.
You'd work with maybe 2, 3, 4, 5 sessions a day,
and you could go from hard rock to jazz to orchestra to jingles_
To Bill Cosby.
To Bill Cosby.
_ To_
_ Don't let in, go say it.
What's his name?
_ Charles Manson.
No, I didn't work with him.
I was involved when the district attorney came out and seized the tapes.
And at that point, they wanted to play them.
Because he'd recorded at Sound City.
So there's a lot of people who recorded at Sound City.
There's me, Charles Manson, _ _ Nirvana.
Yeah, Nirvana.
Tom Petty.
Lots of different people.
We always just went in the studio to work.
I know there were a lot of bands [Ab] who went in and_
You know, it'd be 10 hours before they started work,
because they had to do blow and then get a hooker in, you know.
And we went in, we started with Working Class Dog,
where we only had a certain amount of time.
We went in, worked as hard as we could, and went home.
And we always stayed with that.
With Rick and I, it was always like, you know,
both of us sitting there_
Experimenting.
Experimentation was great.
[C] We'd figure out ways_
It was kind of like the _ thing where you go,
I want the guitars to go_
Like this.
I'd build it and figure out how to do it.
And it was amazing.
I mean, he really_
I did that.
_ _ Who, you?
I don't remember.
_ _ Do I know you?
Who's this guy?
It was really_
When we did Inside Sylvia for Working Class Dog,
I wanted a bell sound.
_ Like_
[F] So we took one of the panels, metal panels, off the board,
tied a [N] piece of tape around the two holes,
got a bucket of water, hit it, and dipped it in a bucket of water.
So it went_
_ That was cool.
We did a lot of stuff like that.
It was a great studio.
It still is a great studio.
I think Queen's just done some stuff there.
Still a very happening studio. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Shooting.
_ Shooting? _
Oh, man, it's so heavy for my sore shoulder.
So we'll just set it here in case aliens attack.
_ I was working at a studio called Sound City,
and the guy who owned the studio, Joe Gottfried_
God bless Joe.
Yeah, he was Rick's manager, and that's basically how we met.
And at one point, Bill went to Joe Gottfried
and said _ the immortal words,
let me see if I can do something with this Springfield kid.
Kid?
You're much older than I am.
Or Springfield guy.
_ _ _ Uh-oh.
Your gun's falling apart.
Where did that come off of?
I was on staff at Sound City as an engineer, and so_
Which basically meant you didn't get paid much.
And if you did, you had_
Sometimes you had to wait a while to get paid, actually.
You had to run and cash a check.
You'd work with maybe 2, 3, 4, 5 sessions a day,
and you could go from hard rock to jazz to orchestra to jingles_
To Bill Cosby.
To Bill Cosby.
_ To_
_ Don't let in, go say it.
What's his name?
_ Charles Manson.
No, I didn't work with him.
I was involved when the district attorney came out and seized the tapes.
And at that point, they wanted to play them.
Because he'd recorded at Sound City.
So there's a lot of people who recorded at Sound City.
There's me, Charles Manson, _ _ Nirvana.
Yeah, Nirvana.
Tom Petty.
Lots of different people.
We always just went in the studio to work.
I know there were a lot of bands [Ab] who went in and_
You know, it'd be 10 hours before they started work,
because they had to do blow and then get a hooker in, you know.
And we went in, we started with Working Class Dog,
where we only had a certain amount of time.
We went in, worked as hard as we could, and went home.
And we always stayed with that.
With Rick and I, it was always like, you know,
both of us sitting there_
Experimenting.
Experimentation was great.
[C] We'd figure out ways_
It was kind of like the _ thing where you go,
I want the guitars to go_
Like this.
I'd build it and figure out how to do it.
And it was amazing.
I mean, he really_
I did that.
_ _ Who, you?
I don't remember.
_ _ Do I know you?
Who's this guy?
It was really_
When we did Inside Sylvia for Working Class Dog,
I wanted a bell sound.
_ Like_
[F] So we took one of the panels, metal panels, off the board,
tied a [N] piece of tape around the two holes,
got a bucket of water, hit it, and dipped it in a bucket of water.
So it went_
_ That was cool.
We did a lot of stuff like that.
It was a great studio.
It still is a great studio.
I think Queen's just done some stuff there.
Still a very happening studio. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _