Why Should I Worry (from 'Oliver & Company' OST) Chords

Tempo:
91.85 bpm
Chords used:

F#

E

B

D

F#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Why Should I Worry (from 'Oliver & Company' OST) chords
Start Jamming...
[Bm]
[F#] [B] [E] [F#] [B] [E]
[F#] [Em] [F#] [B] [F#]
[E] [F#] [E]
[D#m] [E] I'm on [D#m] [Em] the [F#] [B] [Em] bowery to [F#] St.
[B] [Em] Mark's,
[F#] [D#m] [Em] there's a single [F#] faded [B] leaf.
[Em]
[F#] [B] [E] [F#] [B] [Em]
[D#m] I'm three-foot, [E] [F#] I can [E] improvise.
[F#] [E] [F#] [B] [Em] I'm [F#] [B] three [E]-small, [D#m] I've got New York [F#] City [D] halls.
Why [A] should I worry?
[D] Why [F#m] should I care?
[D] Tell [A] me now how [E] [F#m] that three-step [D]-off is.
Why should [A] I worry?
[D] Why [F#m] should I care?
[D] It's [A] just pre [E]-population, I [F#m] got a three-step [D]-off, well.
The
[D#m] rhythm [F#] of the city, [B] but once you get it down,
[F#] Bet you can [B] only tell, [C#] you can't wear the crown.
[D] Why [A] should I worry?
[D] Why [F#m] should I care?
Tell [D] [A] me now how [E] that [F#m] three [D]-step-off is.
Why [A] should I worry?
[D] Why [F#m] should I care?
[D] It's [A] just pre [E]-population, [F#m] I got a three-step-off, well.
[D#] Everything [D] goes, everything fits.
They love me at the chest, they adore me at the wrist.
Why [A] should I worry?
[D] Why should [F#m] I care?
[D] Even [A] when I cross that [E] line, I [F#m] got three-step-off, [F#] well.
[C#] [F#] [B] [E]
[F#] [E] [F#]
[E] [F#] [B] [E]
[Bm] [E] [D#m] [Em] [F#m]
[Bm] [E] [Bm] [F#m]
[F#] [C] [B] [A#]
[E] Who, who, who, who, [F#m] who
[B]
[F#] Who, who, who, [D] who, [A#] [F]
[F#m] who
[G]
Who, who, who, who, who
Who, who, who, who, who
[E] [D#]
[F#]
Key:  
F#
134211112
E
2311
B
12341112
D
1321
F#m
123111112
F#
134211112
E
2311
B
12341112
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Chords
NotesBeta

To start learning Billy Joel - (from Oliver & Company OST) Why Should I Worry chords, centre your learning around these elemetal chords sequence: E, F#m, D, A, D, B, Em and F#. A strategic approach would be to train at 45 BPM initially, and then accelerate to the song's tempo of 92. Considering the song's key of A Major, position your capo to suit your vocal and chord preferences.

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_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Bm] _ _
[F#] _ [B] _ [E] _ _ [F#] _ [B] _ [E] _ _
[F#] _ _ [Em] _ _ [F#] _ [B] _ _ [F#] _
_ _ [E] _ _ [F#] _ _ [E] _ _
[D#m] _ [E] I'm on [D#m] _ _ [Em] the [F#] _ [B] _ [Em] bowery to [F#] St.
[B] [Em] Mark's, _
[F#] _ [D#m] [Em] there's a single [F#] faded [B] leaf.
[Em] _ _
[F#] _ [B] _ [E] _ _ [F#] _ [B] _ [Em] _
[D#m] I'm three-foot, [E] _ [F#] I can [E] improvise. _
[F#] _ _ [E] _ _ [F#] _ [B] _ [Em] I'm [F#] [B] three [E]-small, [D#m] I've got New York [F#] City [D] halls.
Why [A] should I worry?
[D] Why [F#m] should I care?
[D] Tell [A] me now how [E] _ [F#m] that three-step [D]-off is.
Why should [A] I worry?
[D] Why [F#m] should I care?
[D] It's [A] just pre [E]-population, I [F#m] got a three-step [D]-off, well.
_ _ _ The _
[D#m] rhythm [F#] of the city, [B] but once you get it down,
[F#] Bet you can [B] only tell, [C#] you can't wear the crown.
[D] Why [A] should I worry?
[D] Why [F#m] should I care?
Tell [D] _ [A] me now how [E] that [F#m] three [D]-step-off is.
Why [A] should I worry?
[D] Why [F#m] should I care?
[D] It's [A] just pre [E]-population, [F#m] I got a three-step-off, well.
[D#] Everything [D] goes, everything fits.
They love me at the chest, they adore me at the wrist.
Why [A] should I worry?
[D] Why should [F#m] I care?
[D] Even [A] when I cross that [E] line, I [F#m] got three-step-off, [F#] well.
[C#] _ _ [F#] _ [B] _ [E] _ _
[F#] _ _ _ _ _ _ [E] _ [F#] _
_ _ [E] _ _ [F#] _ [B] _ [E] _ _
[Bm] _ _ [E] _ _ [D#m] _ _ [Em] _ [F#m] _
_ _ _ _ _ _ _ _
_ [Bm] _ [E] _ _ _ [Bm] _ _ [F#m] _
[F#] _ _ _ [C] _ _ [B] _ [A#] _ _
[E] Who, who, who, who, [F#m] who
_ [B] _
[F#] Who, who, who, [D] who, _ [A#] _ [F] _
[F#m] _ _ _ who
[G] _ _ _
Who, who, who, who, who
Who, who, who, who, who _ _
_ _ [E] _ _ [D#] _ _ _ _
[F#] _ _ _ _ _ _ _ _

Facts about this song

This song finds its place within the My Lives album.

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