Chords for What to Play in Between Songs | Worship Keyboard Workshop
Tempo:
121.6 bpm
Chords used:
C
G
F
E
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
So, let's just talk a little bit about creating an atmosphere for worship.
Again, we're not trying to manipulate [N]
what the Holy Spirit is doing.
I really [C] believe worship music
[G] helps create an atmosphere that welcomes God's presence
and [E] facilitates a [C] dialogue between God and man.
So think about that.
What you're doing is helping facilitate a dialogue [F] between [C] God and man.
Wow, that's pretty [E] serious business.
But worship is serious [F] business, and you need to take it seriously, and you need to [D] continue
to practice and perfect your craft so you can do this well.
When it comes to transitions, less is more.
And [F#] when I talk about transitions, it's what do you do between songs.
What do [C] you do when you finish a song?
Like, oh, let's just say, let's just say, still.
When the oceans [G] rise and [C] thunders roar, I will soar with you [Am] above the storm.
[F] Father, you are king over [C] the flood.
[G] I will [Am] be still [G] and know you [Am] are God.
[E] I will [F] be still [G] and know you [C] are God.
Now, you could just end it like that, you know, but it sounds so abrupt.
I'm thinking if I was in a worship service, you know, I will be [G] still and know you [C] are God.
[G] And there I'm in that second inversion again.
Kind of leaves that open feel, you know.
[C] And this, again, the lyrics say, I will be still and know you are God.
So, you know, and a lot of times on the end of that song, I'll just go to the four chord,
that's F, and see how I can keep my fingers in the same position here.
So, I'm not changing my right hand at all.
I'm just hitting, see that?
That's just 1, 4, 1, 4, 1, C, F, C, F, C.
But if I didn't do it in that [G#] inversion, it could sound like this.
I will [G] be still and know you [C] are God.
[F] You know, [C] wow, it sounds [F]
so boring.
But see, in that other inversion, the second inversion, I will be [G] still and know you are God.
[C]
See, [G]
that's why I like to play in that [C] inversion, okay?
And you can have a hundred variations on that, you know, but less is more.
When you're talking about transitions, you don't want to get in the way and do a ton of stuff.
It kind of gives a suspended feel.
And also, if you're in a free
Again, we're not trying to manipulate [N]
what the Holy Spirit is doing.
I really [C] believe worship music
[G] helps create an atmosphere that welcomes God's presence
and [E] facilitates a [C] dialogue between God and man.
So think about that.
What you're doing is helping facilitate a dialogue [F] between [C] God and man.
Wow, that's pretty [E] serious business.
But worship is serious [F] business, and you need to take it seriously, and you need to [D] continue
to practice and perfect your craft so you can do this well.
When it comes to transitions, less is more.
And [F#] when I talk about transitions, it's what do you do between songs.
What do [C] you do when you finish a song?
Like, oh, let's just say, let's just say, still.
When the oceans [G] rise and [C] thunders roar, I will soar with you [Am] above the storm.
[F] Father, you are king over [C] the flood.
[G] I will [Am] be still [G] and know you [Am] are God.
[E] I will [F] be still [G] and know you [C] are God.
Now, you could just end it like that, you know, but it sounds so abrupt.
I'm thinking if I was in a worship service, you know, I will be [G] still and know you [C] are God.
[G] And there I'm in that second inversion again.
Kind of leaves that open feel, you know.
[C] And this, again, the lyrics say, I will be still and know you are God.
So, you know, and a lot of times on the end of that song, I'll just go to the four chord,
that's F, and see how I can keep my fingers in the same position here.
So, I'm not changing my right hand at all.
I'm just hitting, see that?
That's just 1, 4, 1, 4, 1, C, F, C, F, C.
But if I didn't do it in that [G#] inversion, it could sound like this.
I will [G] be still and know you [C] are God.
[F] You know, [C] wow, it sounds [F]
so boring.
But see, in that other inversion, the second inversion, I will be [G] still and know you are God.
[C]
See, [G]
that's why I like to play in that [C] inversion, okay?
And you can have a hundred variations on that, you know, but less is more.
When you're talking about transitions, you don't want to get in the way and do a ton of stuff.
It kind of gives a suspended feel.
And also, if you're in a free
Key:
C
G
F
E
Am
C
G
F
_ _ _ _ So, let's just talk a little bit about _ creating an atmosphere _ for worship.
Again, we're not trying to manipulate [N]
what the Holy Spirit is doing.
I really [C] believe worship music _
[G] helps create an atmosphere _ that welcomes God's presence
and _ _ [E] facilitates a [C] dialogue between God and man.
So think about that.
_ _ What you're doing is helping facilitate _ a dialogue [F] between [C] God and man.
Wow, that's pretty [E] _ serious business.
But worship is serious [F] business, and you need to take it seriously, and you need to _ [D] continue
to practice and perfect your craft so you can do this well. _ _
When it comes to transitions, less is more.
And [F#] when I talk about transitions, it's what do you do between songs.
What do [C] you do _ when you finish a song?
Like, oh, let's just say, _ let's just say, still.
When the oceans [G] rise and [C] thunders roar, I will soar with you [Am] above the storm.
[F] Father, you are king over [C] the flood.
[G] I will [Am] be still [G] and know you [Am] are God.
[E] I will [F] be still [G] and know you [C] are God.
_ _ Now, you could just end it like that, you know, _ _ but it sounds so abrupt.
I'm thinking if I was in a worship service, you know, I will be [G] still and know you [C] are God. _
_ [G] _ And there I'm in that second inversion again. _
_ _ _ Kind of leaves that open feel, you know.
_ _ [C] _ And this, _ _ again, the lyrics say, I will be still and know you are God.
So, you know, _ and a lot of times on the end of that song, I'll just _ go to the four chord,
that's F, _ _ _ _ and see how I can keep my fingers in the same position here. _ _ _
_ _ _ _ So, I'm not changing my right hand at all.
I'm just hitting, _ _ _ _ see that? _ _ _ _ _
That's just 1, 4, 1, 4, 1, C, F, C, F, C.
But if I didn't do it in that [G#] inversion, it could sound like this.
I will [G] be still and know you [C] are God. _ _ _
_ [F] _ _ _ _ You know, [C] _ _ _ wow, it sounds [F] _
_ so boring.
But see, in that other inversion, the second inversion, I will be [G] still and know you are God.
_ _ _ _ _ [C] _ _
See, _ _ _ [G] _ _
that's why I like to play in that [C] inversion, okay? _ _ _
And you can have a hundred variations on that, you know, but less is more.
When you're talking about transitions, you don't want to get in the way and do a ton of stuff. _
It kind of gives a suspended feel.
And also, _ _ _ if you're in a free
Again, we're not trying to manipulate [N]
what the Holy Spirit is doing.
I really [C] believe worship music _
[G] helps create an atmosphere _ that welcomes God's presence
and _ _ [E] facilitates a [C] dialogue between God and man.
So think about that.
_ _ What you're doing is helping facilitate _ a dialogue [F] between [C] God and man.
Wow, that's pretty [E] _ serious business.
But worship is serious [F] business, and you need to take it seriously, and you need to _ [D] continue
to practice and perfect your craft so you can do this well. _ _
When it comes to transitions, less is more.
And [F#] when I talk about transitions, it's what do you do between songs.
What do [C] you do _ when you finish a song?
Like, oh, let's just say, _ let's just say, still.
When the oceans [G] rise and [C] thunders roar, I will soar with you [Am] above the storm.
[F] Father, you are king over [C] the flood.
[G] I will [Am] be still [G] and know you [Am] are God.
[E] I will [F] be still [G] and know you [C] are God.
_ _ Now, you could just end it like that, you know, _ _ but it sounds so abrupt.
I'm thinking if I was in a worship service, you know, I will be [G] still and know you [C] are God. _
_ [G] _ And there I'm in that second inversion again. _
_ _ _ Kind of leaves that open feel, you know.
_ _ [C] _ And this, _ _ again, the lyrics say, I will be still and know you are God.
So, you know, _ and a lot of times on the end of that song, I'll just _ go to the four chord,
that's F, _ _ _ _ and see how I can keep my fingers in the same position here. _ _ _
_ _ _ _ So, I'm not changing my right hand at all.
I'm just hitting, _ _ _ _ see that? _ _ _ _ _
That's just 1, 4, 1, 4, 1, C, F, C, F, C.
But if I didn't do it in that [G#] inversion, it could sound like this.
I will [G] be still and know you [C] are God. _ _ _
_ [F] _ _ _ _ You know, [C] _ _ _ wow, it sounds [F] _
_ so boring.
But see, in that other inversion, the second inversion, I will be [G] still and know you are God.
_ _ _ _ _ [C] _ _
See, _ _ _ [G] _ _
that's why I like to play in that [C] inversion, okay? _ _ _
And you can have a hundred variations on that, you know, but less is more.
When you're talking about transitions, you don't want to get in the way and do a ton of stuff. _
It kind of gives a suspended feel.
And also, _ _ _ if you're in a free