Chords for WHAT!? π΅ Exile - Kiss You All Over REACTION
Tempo:
101.7 bpm
Chords used:
F
C
G
Am
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] I didn't expect that voice.
Oh, it's so quiet.
[G] All right, today we're checking out Exile.
We're listening to the [C] song Kiss You All Over.
Let's get into it.
[F]
[C] [F]
[C] [F]
[C] [F]
[C] [F]
[C] [F]
[C] [F]
[C] [F]
[C] Wanna get home, [F] baby.
Gonna light you up.
[C] All day I've been thinking [F] about you, baby.
No one knows I'm [C] gonna wrap my arms [F] around you.
[C] Oh, baby, I wanna taste your [F] lips.
I wanna be in your fantasy,
[C] yeah.
[F]
[C] [F] I [C] don't know what I'd do [F] without you, baby.
I don't know where I'd be.
[C] You're not just another [F] love.
I know you're everything to me.
[C] Every time I'm with you, [F] baby, I can't believe it's true.
[C] When you lay in my [F] arms and you do the things you do,
[G] you can see it in my [F] eyes, I can feel it in your touch.
[G] You don't have to say a [F] thing.
Just let me show how much I love you, need you, yeah.
[Am] I wanna kiss you all over, over again.
I wanna kiss you all over, [G]
[F] till the night closes in.
Till the night [C] closes in.
[F] [C]
[F]
[E]
[G]
[F] [C] [F]
[C] No one else can ever [F] make me feel the way you do.
[C] Oh, keep on loving me, [F] baby, and I'll keep loving you.
[C] It's easy to see when [F] something's right or something's wrong.
[C] Oh, stay with me, [F] baby, and hold me all night [G] long.
Show [F] me, show me everything you do.
[G] Cause, baby, [F] no one does it quite like you.
I love you, need you.
[Am] I wanna kiss you all over, over again.
I wanna kiss you all over, [F] till the night closes in.
Till the night [C] closes in.
[D] [Am] Stay with me, stay with me, holding me, loving [C] me, baby.
[D] [Am] Here with me, here with me, feeling you close [C] to me, baby.
[G] So show me, [F] show me everything you do.
[G] Cause, baby, no [F] one does it quite like you.
I love you, need you.
Oh, baby.
[Am] I wanna kiss you all over, over again.
I wanna kiss you all over, [G] [F] till the night closes
[C] [F] in.
[C] [F] Till the night [C] closes in.
[F] Till
[C] [F] the night [C] closes in.
[F]
[C] [F] Till the night [C] closes in.
[F] [C]
[F] [E] Oh, he [Bb] just dropped his blint!
He just dropped his blint!
Yes, that was appropriate.
Oh, snap!
You know, that song, honestly, I didn't dislike it.
I felt like it was many different [N] people's sexual romantic styles in one song.
In one person.
Both masculine and feminine.
He was wearing like a romper.
And a girl's blazer.
His hair was longer than most women I know.
He was whipping and stuff.
So of course you're gonna drop it like it's hot, drop it to a split.
You know what I'm saying?
That was every aspect of humanity all wrapped into one person.
Within one song.
You know what I'm saying?
It is what it is.
But no, I was thinking of
You said, boop!
You caught me off guard!
Right?
You caught me off guard.
Like, whoa, that needed a sound effect.
But I was thinking like, the other guy that was singing was more like, you know, sort of,
you're [F] like, [E] standard regular guy, you know what I mean?
And his vocals were not like super high and super low.
But then like the background vocals would come in and be like,
But the [A] night closes!
You know what I mean?
So it was just like, so [Bb] mean.
That's what it was.
That split!
But I mean, that was like, I would have loved to see a performance like that in person.
Because I was like, there's so many different parts to focus on.
I gotta listen to the song, like studio.
I gotta listen to it again.
Because I actually liked it.
But I was just like, whoa, you know?
Sensory overload.
Yeah.
[G]
[Ab] [Cm] [G] [Ab]
[G] She took me to the road.
[Ab] She took me, boy, [G] you need to go.
Like, [Ab] I don't know.
But [G] I don't
Oh, it's so quiet.
[G] All right, today we're checking out Exile.
We're listening to the [C] song Kiss You All Over.
Let's get into it.
[F]
[C] [F]
[C] [F]
[C] [F]
[C] [F]
[C] [F]
[C] [F]
[C] [F]
[C] Wanna get home, [F] baby.
Gonna light you up.
[C] All day I've been thinking [F] about you, baby.
No one knows I'm [C] gonna wrap my arms [F] around you.
[C] Oh, baby, I wanna taste your [F] lips.
I wanna be in your fantasy,
[C] yeah.
[F]
[C] [F] I [C] don't know what I'd do [F] without you, baby.
I don't know where I'd be.
[C] You're not just another [F] love.
I know you're everything to me.
[C] Every time I'm with you, [F] baby, I can't believe it's true.
[C] When you lay in my [F] arms and you do the things you do,
[G] you can see it in my [F] eyes, I can feel it in your touch.
[G] You don't have to say a [F] thing.
Just let me show how much I love you, need you, yeah.
[Am] I wanna kiss you all over, over again.
I wanna kiss you all over, [G]
[F] till the night closes in.
Till the night [C] closes in.
[F] [C]
[F]
[E]
[G]
[F] [C] [F]
[C] No one else can ever [F] make me feel the way you do.
[C] Oh, keep on loving me, [F] baby, and I'll keep loving you.
[C] It's easy to see when [F] something's right or something's wrong.
[C] Oh, stay with me, [F] baby, and hold me all night [G] long.
Show [F] me, show me everything you do.
[G] Cause, baby, [F] no one does it quite like you.
I love you, need you.
[Am] I wanna kiss you all over, over again.
I wanna kiss you all over, [F] till the night closes in.
Till the night [C] closes in.
[D] [Am] Stay with me, stay with me, holding me, loving [C] me, baby.
[D] [Am] Here with me, here with me, feeling you close [C] to me, baby.
[G] So show me, [F] show me everything you do.
[G] Cause, baby, no [F] one does it quite like you.
I love you, need you.
Oh, baby.
[Am] I wanna kiss you all over, over again.
I wanna kiss you all over, [G] [F] till the night closes
[C] [F] in.
[C] [F] Till the night [C] closes in.
[F] Till
[C] [F] the night [C] closes in.
[F]
[C] [F] Till the night [C] closes in.
[F] [C]
[F] [E] Oh, he [Bb] just dropped his blint!
He just dropped his blint!
Yes, that was appropriate.
Oh, snap!
You know, that song, honestly, I didn't dislike it.
I felt like it was many different [N] people's sexual romantic styles in one song.
In one person.
Both masculine and feminine.
He was wearing like a romper.
And a girl's blazer.
His hair was longer than most women I know.
He was whipping and stuff.
So of course you're gonna drop it like it's hot, drop it to a split.
You know what I'm saying?
That was every aspect of humanity all wrapped into one person.
Within one song.
You know what I'm saying?
It is what it is.
But no, I was thinking of
You said, boop!
You caught me off guard!
Right?
You caught me off guard.
Like, whoa, that needed a sound effect.
But I was thinking like, the other guy that was singing was more like, you know, sort of,
you're [F] like, [E] standard regular guy, you know what I mean?
And his vocals were not like super high and super low.
But then like the background vocals would come in and be like,
But the [A] night closes!
You know what I mean?
So it was just like, so [Bb] mean.
That's what it was.
That split!
But I mean, that was like, I would have loved to see a performance like that in person.
Because I was like, there's so many different parts to focus on.
I gotta listen to the song, like studio.
I gotta listen to it again.
Because I actually liked it.
But I was just like, whoa, you know?
Sensory overload.
Yeah.
[G]
[Ab] [Cm] [G] [Ab]
[G] She took me to the road.
[Ab] She took me, boy, [G] you need to go.
Like, [Ab] I don't know.
But [G] I don't
Key:Β Β
F
C
G
Am
Ab
F
C
G
[C] I didn't expect that voice.
Oh, it's so quiet. _ _
[G] All right, today we're checking out Exile.
We're listening to the [C] song Kiss You All Over.
Let's get into it.
_ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ Wanna get home, [F] baby.
Gonna light you up. _
[C] All day I've been thinking [F] about you, baby.
No one knows I'm [C] gonna wrap my arms [F] around you. _ _
[C] _ Oh, baby, I wanna taste your [F] lips.
I wanna be in your fantasy, _
[C] yeah.
_ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ I [C] _ don't know what I'd do [F] without you, baby.
I don't know where I'd be.
[C] You're not just another [F] love.
I know you're everything to me.
[C] _ Every time I'm with you, [F] baby, I can't believe it's true.
[C] When you lay in my [F] arms and you do the things you do,
[G] you can see it in my [F] eyes, I can feel it in your touch.
[G] You don't have to say a [F] thing.
Just let me show how much _ I _ love you, need you, yeah. _ _
[Am] I wanna kiss you all over, _ _ _ _ over again. _ _
I wanna kiss you all over, _ [G] _
[F] _ till the night closes _ in.
Till the night [C] closes _ in.
[F] _ _ _ _ [C] _ _ _ _
[F] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ [F] _ [C] _ _ _ _ [F] _
_ _ [C] No one else can ever [F] make me feel the way you do.
[C] Oh, keep on loving me, [F] baby, and I'll keep loving you.
[C] It's easy to see when [F] something's right or something's wrong.
[C] Oh, stay with me, [F] baby, and hold me all night [G] long.
_ Show [F] me, show me everything you do.
[G] _ Cause, baby, [F] no one does it quite like you.
_ _ I love you, _ need you. _ _ _
_ [Am] _ I wanna kiss you all over, _ _ _ _ over again. _
_ _ I wanna kiss you all over, _ [F] _ _ till the night closes in.
_ _ Till the night [C] closes _ _ in.
_ _ [D] _ [Am] Stay with me, stay with me, holding me, loving [C] me, baby.
_ _ _ [D] _ [Am] Here with me, here with me, feeling you close [C] to me, _ baby.
_ _ _ _ [G] _ So show me, [F] show me everything you do.
[G] _ Cause, baby, no [F] one does it quite like you. _ _ _
_ I love you, _ _ need you.
_ Oh, baby.
[Am] _ I wanna kiss you all over, _ _ _ over again.
_ _ I wanna kiss you all over, _ [G] _ [F] _ till the night closes _ _ _ _ _ _ _
[C] _ _ _ [F] in. _ _ _
[C] _ _ _ _ [F] _ Till the night [C] closes _ in.
[F] _ Till _
[C] _ _ _ _ [F] _ the night [C] closes in.
_ [F] _ _ _ _
[C] _ _ _ [F] _ Till the night [C] closes in.
_ [F] _ _ _ _ [C] _
_ _ _ [F] [E] Oh, he [Bb] just dropped his blint!
He just dropped his blint!
Yes, that was appropriate.
Oh, snap!
You know, that song, honestly, I didn't dislike it.
I felt like it was many different [N] people's sexual romantic styles in one song.
In one person.
Both masculine and feminine.
_ He was wearing like a romper.
_ And a girl's blazer.
His hair was longer than most women I know.
He was whipping and stuff.
So of course you're gonna drop it like it's hot, drop it to a split.
You know what I'm saying?
That was every aspect of humanity all wrapped into one person.
Within one song.
You know what I'm saying?
It is what it is.
But no, I was thinking of_
You said, boop!
You caught me off guard!
Right?
You caught me off guard.
Like, whoa, that needed a sound effect.
But I was thinking like, the other guy that was singing was more like, you know, sort of,
you're [F] like, [E] standard regular guy, you know what I mean?
And his vocals were not like super high and super low.
But then like the background vocals would come in and be like,
But the [A] night closes!
You know what I mean?
So it was just like, so [Bb] mean.
That's what it was. _ _ _ _
_ That split!
But I mean, that was like, I would have loved to see a performance like that in person.
Because I was like, there's so many different parts to focus on.
I gotta listen to the song, like studio.
_ _ _ _ I gotta listen to it again.
Because I actually liked it.
But I was just like, whoa, you know? _
Sensory overload.
Yeah.
_ [G] _ _ _ _
[Ab] _ _ [Cm] _ _ [G] _ _ _ [Ab] _
_ [G] She took me to the road.
[Ab] She took me, boy, [G] you need to go.
Like, [Ab] I don't know.
But [G] I don't
Oh, it's so quiet. _ _
[G] All right, today we're checking out Exile.
We're listening to the [C] song Kiss You All Over.
Let's get into it.
_ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ _ _
[C] _ Wanna get home, [F] baby.
Gonna light you up. _
[C] All day I've been thinking [F] about you, baby.
No one knows I'm [C] gonna wrap my arms [F] around you. _ _
[C] _ Oh, baby, I wanna taste your [F] lips.
I wanna be in your fantasy, _
[C] yeah.
_ _ [F] _ _ _ _
[C] _ _ _ _ [F] _ _ I [C] _ don't know what I'd do [F] without you, baby.
I don't know where I'd be.
[C] You're not just another [F] love.
I know you're everything to me.
[C] _ Every time I'm with you, [F] baby, I can't believe it's true.
[C] When you lay in my [F] arms and you do the things you do,
[G] you can see it in my [F] eyes, I can feel it in your touch.
[G] You don't have to say a [F] thing.
Just let me show how much _ I _ love you, need you, yeah. _ _
[Am] I wanna kiss you all over, _ _ _ _ over again. _ _
I wanna kiss you all over, _ [G] _
[F] _ till the night closes _ in.
Till the night [C] closes _ in.
[F] _ _ _ _ [C] _ _ _ _
[F] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ [F] _ [C] _ _ _ _ [F] _
_ _ [C] No one else can ever [F] make me feel the way you do.
[C] Oh, keep on loving me, [F] baby, and I'll keep loving you.
[C] It's easy to see when [F] something's right or something's wrong.
[C] Oh, stay with me, [F] baby, and hold me all night [G] long.
_ Show [F] me, show me everything you do.
[G] _ Cause, baby, [F] no one does it quite like you.
_ _ I love you, _ need you. _ _ _
_ [Am] _ I wanna kiss you all over, _ _ _ _ over again. _
_ _ I wanna kiss you all over, _ [F] _ _ till the night closes in.
_ _ Till the night [C] closes _ _ in.
_ _ [D] _ [Am] Stay with me, stay with me, holding me, loving [C] me, baby.
_ _ _ [D] _ [Am] Here with me, here with me, feeling you close [C] to me, _ baby.
_ _ _ _ [G] _ So show me, [F] show me everything you do.
[G] _ Cause, baby, no [F] one does it quite like you. _ _ _
_ I love you, _ _ need you.
_ Oh, baby.
[Am] _ I wanna kiss you all over, _ _ _ over again.
_ _ I wanna kiss you all over, _ [G] _ [F] _ till the night closes _ _ _ _ _ _ _
[C] _ _ _ [F] in. _ _ _
[C] _ _ _ _ [F] _ Till the night [C] closes _ in.
[F] _ Till _
[C] _ _ _ _ [F] _ the night [C] closes in.
_ [F] _ _ _ _
[C] _ _ _ [F] _ Till the night [C] closes in.
_ [F] _ _ _ _ [C] _
_ _ _ [F] [E] Oh, he [Bb] just dropped his blint!
He just dropped his blint!
Yes, that was appropriate.
Oh, snap!
You know, that song, honestly, I didn't dislike it.
I felt like it was many different [N] people's sexual romantic styles in one song.
In one person.
Both masculine and feminine.
_ He was wearing like a romper.
_ And a girl's blazer.
His hair was longer than most women I know.
He was whipping and stuff.
So of course you're gonna drop it like it's hot, drop it to a split.
You know what I'm saying?
That was every aspect of humanity all wrapped into one person.
Within one song.
You know what I'm saying?
It is what it is.
But no, I was thinking of_
You said, boop!
You caught me off guard!
Right?
You caught me off guard.
Like, whoa, that needed a sound effect.
But I was thinking like, the other guy that was singing was more like, you know, sort of,
you're [F] like, [E] standard regular guy, you know what I mean?
And his vocals were not like super high and super low.
But then like the background vocals would come in and be like,
But the [A] night closes!
You know what I mean?
So it was just like, so [Bb] mean.
That's what it was. _ _ _ _
_ That split!
But I mean, that was like, I would have loved to see a performance like that in person.
Because I was like, there's so many different parts to focus on.
I gotta listen to the song, like studio.
_ _ _ _ I gotta listen to it again.
Because I actually liked it.
But I was just like, whoa, you know? _
Sensory overload.
Yeah.
_ [G] _ _ _ _
[Ab] _ _ [Cm] _ _ [G] _ _ _ [Ab] _
_ [G] She took me to the road.
[Ab] She took me, boy, [G] you need to go.
Like, [Ab] I don't know.
But [G] I don't