Chords for Watch Neil Peart's "Instamatic" Tracking Session With Vertical Horizon!
Tempo:
135.15 bpm
Chords used:
Eb
Bbm
Ab
Bb
Db
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Okay, [Eb] so, uh, this [G] is warming up.
[Bb]
[Gb]
[Db]
[Bb] Today we're going to commence the [B] master recording here we're at Henson Studios today.
Just for a pause [A] for a moment and talk about recording technology, they built an igloo out of my bass drum.
I think it's a Canadian joke.
I think they're making, oh, the Canadian drummer's here, let's [G] build an igloo over [Abm] his bass drum.
[D]
They're all ice chuckers.
That's my friend Michael, he calls Canadians ice chuckers.
So by the process [D] defined before, we've [N] been just playing through the song, Matteo and me, a few times and putting down a couple takes and listening to them.
And at this point we have one that we like.
It's good and solid and lots of interesting spice and a lot of push and pull in this song.
We're going to talk about the complexities of the structure of the drum part at a later time, like when there is one.
But for now, now that we have one we like, now we move on to raise it up a bit.
I feel confident now that we've got a good one and everything that I was aiming to get into the song and support the song vocally, structurally, dynamically and rhythmically has been done.
So at this point now I'm just going to go, I like this one, trying to beat it, I call it kind of a leapfrog where I've got to take a like, try to beat it and then try to beat it.
So we're in that pleasurable mode now because [Eb] there's nothing lost.
We've got [Bb] a good one.
We're moving on trying to [Bb] go up that little bit higher.
Okay, let's rock.
[Eb]
[Eb]
So now I've got to pay now, pay now.
[Bbm] The memories [Ab] are mostly in [Eb] the matter.
[Bbm] What's left of me is left for [Eb] you.
[Bbm] The battle's here, [Ab] circling, [Eb]
waiting for your [Db] call.
I'm no use lying, I just love the fall.
Yeah, I really love the fall.
[Eb] Where your fingers leave no prints, where you find intelligence.
There's no stopping what you started, started at night.
I hope for saving grace, but I know it's all too late.
Can you tell me where my is just [Bbm] a memory?
[Ab] It's mostly in the [Eb]
matter.
[Bbm] What's left of me is left for [Eb] you.
The [Bbm] battle's here, [Ab] circling, [Eb]
waiting for your [Db] call.
Yeah, I'm no use lying, I just love the [Eb] fall.
Yeah, I really love the fall.
[F] Now you're gonna run, now you're gonna run, now you're [Eb] gonna run.
Now you're gonna run, now you're gonna run, now you're gonna run.
So go on.
Now you're gonna run, now you're gonna run, now you're gonna run.
So go on.
[Bbm]
[Bb] [Ab] [Eb]
[Bbm]
[Bb]
[Bbm]
[Ab] [Eb]
[Bbm] The memories [Ab] are mostly in the [Eb]
matter.
[Bbm] What's left of me belongs to [Eb] you.
The [Bbm] battle's here, [Ab] circling, [Eb]
waiting for your [Db] call.
So no use lying.
Yeah, I'm no use lying, I just love the [F] fall.
[Eb] Yeah, I really love the fall.
Now you're gonna run, now you're gonna run.
So go on, go on.
Now you're gonna run, now [Eb]
you're gonna run, now you're gonna run.
Now you're gonna run, now you're gonna run, now you're gonna run.
[Fm] [Bb]
Ha ha!
Oh yeah, I love that.
[E] That was killer man.
Good.
[Bb]
[Gb]
[Db]
[Bb] Today we're going to commence the [B] master recording here we're at Henson Studios today.
Just for a pause [A] for a moment and talk about recording technology, they built an igloo out of my bass drum.
I think it's a Canadian joke.
I think they're making, oh, the Canadian drummer's here, let's [G] build an igloo over [Abm] his bass drum.
[D]
They're all ice chuckers.
That's my friend Michael, he calls Canadians ice chuckers.
So by the process [D] defined before, we've [N] been just playing through the song, Matteo and me, a few times and putting down a couple takes and listening to them.
And at this point we have one that we like.
It's good and solid and lots of interesting spice and a lot of push and pull in this song.
We're going to talk about the complexities of the structure of the drum part at a later time, like when there is one.
But for now, now that we have one we like, now we move on to raise it up a bit.
I feel confident now that we've got a good one and everything that I was aiming to get into the song and support the song vocally, structurally, dynamically and rhythmically has been done.
So at this point now I'm just going to go, I like this one, trying to beat it, I call it kind of a leapfrog where I've got to take a like, try to beat it and then try to beat it.
So we're in that pleasurable mode now because [Eb] there's nothing lost.
We've got [Bb] a good one.
We're moving on trying to [Bb] go up that little bit higher.
Okay, let's rock.
[Eb]
[Eb]
So now I've got to pay now, pay now.
[Bbm] The memories [Ab] are mostly in [Eb] the matter.
[Bbm] What's left of me is left for [Eb] you.
[Bbm] The battle's here, [Ab] circling, [Eb]
waiting for your [Db] call.
I'm no use lying, I just love the fall.
Yeah, I really love the fall.
[Eb] Where your fingers leave no prints, where you find intelligence.
There's no stopping what you started, started at night.
I hope for saving grace, but I know it's all too late.
Can you tell me where my is just [Bbm] a memory?
[Ab] It's mostly in the [Eb]
matter.
[Bbm] What's left of me is left for [Eb] you.
The [Bbm] battle's here, [Ab] circling, [Eb]
waiting for your [Db] call.
Yeah, I'm no use lying, I just love the [Eb] fall.
Yeah, I really love the fall.
[F] Now you're gonna run, now you're gonna run, now you're [Eb] gonna run.
Now you're gonna run, now you're gonna run, now you're gonna run.
So go on.
Now you're gonna run, now you're gonna run, now you're gonna run.
So go on.
[Bbm]
[Bb] [Ab] [Eb]
[Bbm]
[Bb]
[Bbm]
[Ab] [Eb]
[Bbm] The memories [Ab] are mostly in the [Eb]
matter.
[Bbm] What's left of me belongs to [Eb] you.
The [Bbm] battle's here, [Ab] circling, [Eb]
waiting for your [Db] call.
So no use lying.
Yeah, I'm no use lying, I just love the [F] fall.
[Eb] Yeah, I really love the fall.
Now you're gonna run, now you're gonna run.
So go on, go on.
Now you're gonna run, now [Eb]
you're gonna run, now you're gonna run.
Now you're gonna run, now you're gonna run, now you're gonna run.
[Fm] [Bb]
Ha ha!
Oh yeah, I love that.
[E] That was killer man.
Good.
Key:
Eb
Bbm
Ab
Bb
Db
Eb
Bbm
Ab
_ _ _ _ _ _ _ _
_ _ _ _ _ Okay, [Eb] so, uh, _ _ _ _ _ _ this [G] _ _ _ is warming up. _
_ [Bb] _ _ _ _ _ _ _
_ _ [Gb] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Db] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bb] Today we're going to commence the [B] master recording here we're at Henson Studios today.
Just for a pause [A] for a moment and talk about recording technology, they built an igloo out of my bass drum.
I think it's a Canadian joke.
I think they're making, oh, the Canadian drummer's here, let's [G] build an igloo over [Abm] his bass drum.
[D] _ _ _ _ _
_ They're all ice chuckers. _ _ _
That's my friend Michael, he calls Canadians ice chuckers.
So by the process [D] defined before, we've [N] been just playing through the song, Matteo and me, a few times and putting down a couple takes and listening to them.
And at this point we have one that we like.
It's good and solid and lots of interesting spice and a lot of push and pull in this song.
We're going to talk about the complexities of the structure of the drum part at a later time, like when there is one.
But for now, now that we have one we like, now we move on to raise it up a bit.
I feel confident now that we've got a good one and everything that I was aiming to get into the song and support the song vocally, structurally, dynamically and rhythmically _ _ has been done.
So at this point now I'm just going to go, I like this one, trying to beat it, I call it kind of a leapfrog where I've got to take a like, try to beat it and then try to beat it.
So we're in that _ _ pleasurable mode now because [Eb] there's nothing lost.
We've got [Bb] a good one.
We're moving on trying to [Bb] go up that little bit higher.
Okay, let's rock.
_ _ _ [Eb] _ _ _ _ _
_ _ _ [Eb] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ So now I've got to pay now, pay now.
[Bbm] The _ memories _ _ _ [Ab] are mostly in [Eb] the matter.
_ [Bbm] What's _ left of me is left for [Eb] you. _ _ _
_ _ [Bbm] The _ _ battle's here, _ [Ab] _ circling, _ [Eb]
waiting for your [Db] call. _ _ _
_ _ I'm no use lying, I just love the fall. _ _ _
_ _ _ _ _ _ Yeah, I really love the _ fall. _ _
_ _ _ _ _ _ _ _
_ _ _ [Eb] _ _ Where your fingers leave no prints, where you find _ intelligence.
_ There's no stopping what you _ started, _ started at night.
I hope for saving _ grace, but I know it's all too _ late.
Can you tell me where my _ _ _ _ _ is just [Bbm] a _ memory? _
_ _ [Ab] It's mostly in the [Eb] _
matter.
[Bbm] What's _ left of me is left for [Eb] you. _ _ _
_ The [Bbm] _ _ battle's _ here, _ [Ab] _ circling, _ [Eb]
waiting for your [Db] _ call. _ _
_ _ Yeah, I'm no use lying, I just love the [Eb] fall. _ _ _
_ _ _ _ _ _ Yeah, I really love the fall. _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F] Now you're gonna run, now you're gonna run, now you're [Eb] gonna run. _ _ _
_ _ _ Now you're gonna run, now you're gonna run, now you're gonna run.
_ So go on.
Now you're gonna run, _ _ _ _ _ _ _ _ _
_ _ now you're gonna run, now you're gonna run.
_ _ _ So go _ on.
[Bbm] _ _ _ _ _
_ [Bb] _ _ [Ab] _ _ _ _ [Eb] _
_ _ _ [Bbm] _ _ _ _ _
_ _ _ [Bb] _ _ _ _ _
_ _ _ _ _ _ _ [Bbm] _
_ _ _ [Ab] _ _ _ _ [Eb] _
_ _ [Bbm] The _ _ _ memories _ [Ab] are mostly in the [Eb]
matter.
_ [Bbm] What's _ left of me belongs to [Eb] you. _ _ _
_ The [Bbm] _ _ battle's _ here, _ [Ab] _ circling, _ [Eb]
waiting for your [Db] _ call. _ _
_ So no use lying. _
_ _ Yeah, I'm no use lying, I just love the [F] fall. _ _ _
_ [Eb] _ _ _ _ _ Yeah, I really love the fall. _ _ _
_ _ _ _ _ _ _ _
_ _ _ Now you're gonna run, now you're gonna run.
_ _ _ _ So go on, go on.
Now you're gonna run, now _ _ [Eb] _ _ _ _ _ _
_ _ _ you're gonna run, now you're gonna run.
Now you're gonna run, now you're gonna run, now you're gonna run. _ _ _ _
_ [Fm] _ _ _ _ _ _ [Bb] _
Ha ha! _ _ _ _ _
Oh yeah, _ _ I love that.
_ _ [E] _ That was killer man.
Good. _ _ _ _ _ _ _
_ _ _ _ _ Okay, [Eb] so, uh, _ _ _ _ _ _ this [G] _ _ _ is warming up. _
_ [Bb] _ _ _ _ _ _ _
_ _ [Gb] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Db] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bb] Today we're going to commence the [B] master recording here we're at Henson Studios today.
Just for a pause [A] for a moment and talk about recording technology, they built an igloo out of my bass drum.
I think it's a Canadian joke.
I think they're making, oh, the Canadian drummer's here, let's [G] build an igloo over [Abm] his bass drum.
[D] _ _ _ _ _
_ They're all ice chuckers. _ _ _
That's my friend Michael, he calls Canadians ice chuckers.
So by the process [D] defined before, we've [N] been just playing through the song, Matteo and me, a few times and putting down a couple takes and listening to them.
And at this point we have one that we like.
It's good and solid and lots of interesting spice and a lot of push and pull in this song.
We're going to talk about the complexities of the structure of the drum part at a later time, like when there is one.
But for now, now that we have one we like, now we move on to raise it up a bit.
I feel confident now that we've got a good one and everything that I was aiming to get into the song and support the song vocally, structurally, dynamically and rhythmically _ _ has been done.
So at this point now I'm just going to go, I like this one, trying to beat it, I call it kind of a leapfrog where I've got to take a like, try to beat it and then try to beat it.
So we're in that _ _ pleasurable mode now because [Eb] there's nothing lost.
We've got [Bb] a good one.
We're moving on trying to [Bb] go up that little bit higher.
Okay, let's rock.
_ _ _ [Eb] _ _ _ _ _
_ _ _ [Eb] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ So now I've got to pay now, pay now.
[Bbm] The _ memories _ _ _ [Ab] are mostly in [Eb] the matter.
_ [Bbm] What's _ left of me is left for [Eb] you. _ _ _
_ _ [Bbm] The _ _ battle's here, _ [Ab] _ circling, _ [Eb]
waiting for your [Db] call. _ _ _
_ _ I'm no use lying, I just love the fall. _ _ _
_ _ _ _ _ _ Yeah, I really love the _ fall. _ _
_ _ _ _ _ _ _ _
_ _ _ [Eb] _ _ Where your fingers leave no prints, where you find _ intelligence.
_ There's no stopping what you _ started, _ started at night.
I hope for saving _ grace, but I know it's all too _ late.
Can you tell me where my _ _ _ _ _ is just [Bbm] a _ memory? _
_ _ [Ab] It's mostly in the [Eb] _
matter.
[Bbm] What's _ left of me is left for [Eb] you. _ _ _
_ The [Bbm] _ _ battle's _ here, _ [Ab] _ circling, _ [Eb]
waiting for your [Db] _ call. _ _
_ _ Yeah, I'm no use lying, I just love the [Eb] fall. _ _ _
_ _ _ _ _ _ Yeah, I really love the fall. _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F] Now you're gonna run, now you're gonna run, now you're [Eb] gonna run. _ _ _
_ _ _ Now you're gonna run, now you're gonna run, now you're gonna run.
_ So go on.
Now you're gonna run, _ _ _ _ _ _ _ _ _
_ _ now you're gonna run, now you're gonna run.
_ _ _ So go _ on.
[Bbm] _ _ _ _ _
_ [Bb] _ _ [Ab] _ _ _ _ [Eb] _
_ _ _ [Bbm] _ _ _ _ _
_ _ _ [Bb] _ _ _ _ _
_ _ _ _ _ _ _ [Bbm] _
_ _ _ [Ab] _ _ _ _ [Eb] _
_ _ [Bbm] The _ _ _ memories _ [Ab] are mostly in the [Eb]
matter.
_ [Bbm] What's _ left of me belongs to [Eb] you. _ _ _
_ The [Bbm] _ _ battle's _ here, _ [Ab] _ circling, _ [Eb]
waiting for your [Db] _ call. _ _
_ So no use lying. _
_ _ Yeah, I'm no use lying, I just love the [F] fall. _ _ _
_ [Eb] _ _ _ _ _ Yeah, I really love the fall. _ _ _
_ _ _ _ _ _ _ _
_ _ _ Now you're gonna run, now you're gonna run.
_ _ _ _ So go on, go on.
Now you're gonna run, now _ _ [Eb] _ _ _ _ _ _
_ _ _ you're gonna run, now you're gonna run.
Now you're gonna run, now you're gonna run, now you're gonna run. _ _ _ _
_ [Fm] _ _ _ _ _ _ [Bb] _
Ha ha! _ _ _ _ _
Oh yeah, _ _ I love that.
_ _ [E] _ That was killer man.
Good. _ _ _ _ _ _ _