Chords for Warren Haynes (Gov't Mule) Talks Guitars
Tempo:
85.05 bpm
Chords used:
E
Bm
F#m
A
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E]
On Shout, I actually experimented with a lot of guitar sounds and guitar choices that were kind of different for me.
You know, people that know me know that I a lot of times just play my trusty Les Paul.
That seems to [Fm] be something that [A] I always [G] have by my side.
[Bm] I [G#]
played this baritone guitar, as I mentioned, [D] on No Reward, on Scared [C#] to Live.
[Bm] [Em]
[Bm] When we recorded the stuff in L [C].A., I didn't have any of my equipment there
because we didn't think we were going [G] to be making a record.
We were just writing and recording demos.
So I borrowed some equipment from my friend Pete Thorn.
Jorgen had this old Epiphone guitar hanging on the wall.
I tuned it at one point a half step down, which I do [F#m] a lot,
which is kind of a Hendrix-y sort of way of tuning the guitar.
[B]
[F#m] I'm gonna die baby.
[B] I'm gonna die baby.
[F#m] [Em]
That'll be a first [E] prototype of Gibson copying Dwayne Allman's [N] 59 or 57.
So what makes that difference that they're all 59?
Custom [A] shopper issue.
Different [E] guitar.
That one's at the Rock and Roll Hall of Fame.
[D] This one is.
Is this a baseball bat in there?
[E] No.
Oh, really?
And then, I guess on half the record I played a Les Paul
and I dug out my old 1969 Marshall that I haven't used in a long time,
which tended to be the main workhorse amplifier for [D#m] the record.
The Epiphone I played on World Boss, including the solo,
which was a nice challenge for me.
I love playing guitars that I'm not used to
because it always makes you think different, respond differently, and play differently.
On Shout, I actually experimented with a lot of guitar sounds and guitar choices that were kind of different for me.
You know, people that know me know that I a lot of times just play my trusty Les Paul.
That seems to [Fm] be something that [A] I always [G] have by my side.
[Bm] I [G#]
played this baritone guitar, as I mentioned, [D] on No Reward, on Scared [C#] to Live.
[Bm] [Em]
[Bm] When we recorded the stuff in L [C].A., I didn't have any of my equipment there
because we didn't think we were going [G] to be making a record.
We were just writing and recording demos.
So I borrowed some equipment from my friend Pete Thorn.
Jorgen had this old Epiphone guitar hanging on the wall.
I tuned it at one point a half step down, which I do [F#m] a lot,
which is kind of a Hendrix-y sort of way of tuning the guitar.
[B]
[F#m] I'm gonna die baby.
[B] I'm gonna die baby.
[F#m] [Em]
That'll be a first [E] prototype of Gibson copying Dwayne Allman's [N] 59 or 57.
So what makes that difference that they're all 59?
Custom [A] shopper issue.
Different [E] guitar.
That one's at the Rock and Roll Hall of Fame.
[D] This one is.
Is this a baseball bat in there?
[E] No.
Oh, really?
And then, I guess on half the record I played a Les Paul
and I dug out my old 1969 Marshall that I haven't used in a long time,
which tended to be the main workhorse amplifier for [D#m] the record.
The Epiphone I played on World Boss, including the solo,
which was a nice challenge for me.
I love playing guitars that I'm not used to
because it always makes you think different, respond differently, and play differently.
Key:
E
Bm
F#m
A
G
E
Bm
F#m
[E] _ _ _ _ _ _ _
On Shout, I actually experimented with a lot of guitar sounds and guitar choices that were kind of different for me.
You know, people that know me know that I a lot of times just play my trusty Les Paul.
That seems to [Fm] be something that [A] I always [G] have by my side.
[Bm] I [G#] _ _ _ _ _
_ played this baritone guitar, as I mentioned, [D] on No Reward, on Scared [C#] to Live.
_ _ [Bm] _ _ [Em] _ _
_ [Bm] _ When we recorded the stuff in L [C].A., I didn't have any of my equipment there
because we didn't think we were going [G] to be making a record.
We were just writing and recording demos.
So I borrowed some equipment from my friend Pete Thorn.
Jorgen had this old Epiphone guitar hanging on the wall.
I tuned it at one point a half step down, which I do [F#m] a lot,
which is kind of a Hendrix-y sort of way of tuning the guitar.
_ _ _ _ [B] _ _
[F#m] I'm gonna die baby. _ _ _ _ _
[B] I'm gonna _ die baby.
[F#m] _ [Em]
That'll be a first [E] prototype of Gibson copying Dwayne Allman's [N] 59 or 57.
_ So what makes that difference that they're all 59?
Custom [A] shopper issue.
Different [E] guitar.
That one's at the Rock and Roll Hall of Fame.
[D] This one is.
Is this a baseball bat in there?
[E] No.
Oh, really?
And then, I guess on half the record I played a Les Paul
and I dug out my old 1969 Marshall that I haven't used in a long time,
which tended to be the main workhorse amplifier for [D#m] the record.
The Epiphone I played on World Boss, including the solo,
which was a nice challenge for me.
I love playing guitars that I'm not used to
because it always makes you think different, respond differently, and play differently. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
On Shout, I actually experimented with a lot of guitar sounds and guitar choices that were kind of different for me.
You know, people that know me know that I a lot of times just play my trusty Les Paul.
That seems to [Fm] be something that [A] I always [G] have by my side.
[Bm] I [G#] _ _ _ _ _
_ played this baritone guitar, as I mentioned, [D] on No Reward, on Scared [C#] to Live.
_ _ [Bm] _ _ [Em] _ _
_ [Bm] _ When we recorded the stuff in L [C].A., I didn't have any of my equipment there
because we didn't think we were going [G] to be making a record.
We were just writing and recording demos.
So I borrowed some equipment from my friend Pete Thorn.
Jorgen had this old Epiphone guitar hanging on the wall.
I tuned it at one point a half step down, which I do [F#m] a lot,
which is kind of a Hendrix-y sort of way of tuning the guitar.
_ _ _ _ [B] _ _
[F#m] I'm gonna die baby. _ _ _ _ _
[B] I'm gonna _ die baby.
[F#m] _ [Em]
That'll be a first [E] prototype of Gibson copying Dwayne Allman's [N] 59 or 57.
_ So what makes that difference that they're all 59?
Custom [A] shopper issue.
Different [E] guitar.
That one's at the Rock and Roll Hall of Fame.
[D] This one is.
Is this a baseball bat in there?
[E] No.
Oh, really?
And then, I guess on half the record I played a Les Paul
and I dug out my old 1969 Marshall that I haven't used in a long time,
which tended to be the main workhorse amplifier for [D#m] the record.
The Epiphone I played on World Boss, including the solo,
which was a nice challenge for me.
I love playing guitars that I'm not used to
because it always makes you think different, respond differently, and play differently. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _