Chords for VULFPECK /// Outro Piano Tutorial

_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [F] _ _ _ _ _ _
[C#] _ _ [C] _ _ _ _ [D] _ _
[F] _ _ _ _ _ _ _ _
[C] _ _ _ _ _ [D] _ _ _
_ _ _ _ _ [D#] _ _ _
[C] _ _ _ _ [A#] _ _ _ [Am] _
_ _ [G] _ _ _ _ _ [Dm] _
_ _ _ [C] _ _ _ [F] _ _
_ _ _ _ [F#] _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
[C#] _ _ [D] _ _ _ [F] _ _ _
_ [Fm] _ _ _ _ [C] _ _ _
[D] _ _ _ [F] _ _ _ _ _
[Cm] _ _ _ _ [C] _ _ _ _
[D] _ _ _ _ [F] _ _ _ [Fm] _
_ _ _ [C] _ _ _ _ [A#] _
_ _ [A] _ _ _ _ _ _
_ _ [Dm] _ _ _ _ _ _
[F] _ _ _ _ _ _ [F#m] _ _
_ _ _ [G] _ _ _ _ _
[A#] _ _ _ _ _ _ [G#] _ _
[C#] _ _ _ _ _ [G] _ _ _
[F#] _ _ [C] Okay, _ _ _ so this is a outro. _ _ _
[C] T of C, it's on the record it's sped up somewhere between C and [N] C sharp, but we play it in C.
_ Very _ SNL, _ _ you know, Lenny Pickett, Waylon, Joey Dosik, Eddie Barbash, _ _ Voidish type of thing.
Okay, _ so _ it's actually a lot easier than people _ try to make it out to be. _
It's a style of piano that I [A] stole from _ Randy Newman. _ _
_ _ _ _ _ _ _ _
[A] _ You're hammering _ _ [G] octaves and then playing a root note and the third _ _ only.
So we're in the [C] key of C, _ you're just going to be hammering these octaves [C] every _ note and
then playing the root down here.
_ _ _ _ _ So this is the C chord, _ _ _ _ _ _
_ _ [C#] _ _ _ [D] _ chromatic up to the D, and then this C turns into the seventh
of that [D] _ chord.
_ _ _ [C] _
_ _ _ [B] Up the E, _ [F] _
then to the four, _ _ _ _ _ then chromatic down.
[E] _ _
_ _ [C#] _ _ _ [C] _ So the actual chords, if you were to write them out, one, _ _ the _ major two, _ [F] _ four, then just
a chromatic, [D#] _ _ [C#] _ _ [C] _ _ _ _
_ [D] _ _ [F] _ _ just pushing to the [C] four.
_ _ [Fm] _ _ [D] _ _ [F] _
_ _ Sometimes I throw in like a Richard T feel.
[G] _ _ _ _ _ _ _ _
_ [A] You can do the four note version, _ [Dm]
or _ _ _ _ [Gm] _ _ [F] _
the three note version.
[D#] _ _ [Dm] _ _ _
[Dm] _ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _
[D] Up to the two chord, _ _
[F] up to the four [E] chord.
_ [D#] _ _
[C#] _ _ Now we do this _ [C] _
classic move.
_ [A#] _ _ That's the only time this thumb's going to move.
_ So you're now at a B flat with a _ _ _ two up [C] here.
_ _ _ [A#] _
_ _ _ To _ [A] _
an A chord, _ A, major third, flat [Am] seven, _ minor third, the [A] Jimi Hendrix chord, right?
Or, yeah, I don't know, the opposite of the Jimi Hendrix.
_ _ _ Nice and dissonant _ half step there. _ _ _
[A#m] Then you do the, [A] _ _ [Am] getting from A _ _ [C] dominant to _ _ D minor, there's only one way to [A] do it. _ _
[D] _ _ There's only [G] one way to do that.
[G] _
_ _ [Dm] _ Then we're back to our original hammering out the _ octaves here. _ _ _
Sorry. _ _ _ _ _ _
[C] _ _ _ [F] _ To the four, and now everything changes.
To get to the five we go [F#] to _ _ _ _ _ diminish, _ _ and dark goes, _ _ _ _ _ _ _ _ _ and then on the classic _ _ G, [G] _ _
[F] _ _ _ _ _ _ and
you want to do the key change, [F#] _ _ _
[C#] pick it up a half step.
_ I [E] can't do it.
I can't do it in every key. _ _ _ _
_ That's, you know, I can't do it in every key, okay?
_ _ _ [Gm] _ _ _
[D] _ _ [F] _ _ _ _ _ _
[Dm] _ [C] So I'll just hammer it out [A#] once slow. _
[C] _ _ _ _ _ [C#] _ _ [D] _
_ _ _ _ _ [F] _ _ _
_ _ _ [D#] _ _ _ [C#] _ _
_ [C] _ _ _ _ [C#] _ _ [D] _
_ [F] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ _ [D] _ _ _
_ _ _ [F] _ _ _ _ _
[D#] _ _ _ [C#] _ _ _ [C] _ _
_ _ _ _ [A#] _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ [G] _ _ [Dm] _ _ _ _
[D#m] _ _ [C] _ _ [F] _ _ _ _
_ _ _ _ _ [F#m] _ _ _
_ _ _ _ [G] _ _ _ _
[F] _ _ [G] _ _ _ [Am] _ _ _
_ _ _ _ _ _ _ [C] _
_ _ [G] _ _ _ _ _ _