Chords for Voodoo 09 - Janes Addiction Interview (December 2009)
Tempo:
152.1 bpm
Chords used:
E
D
G
F#
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F#] Hey, I'm Gavin Rossdale and you're watching Fuse On Demand.
Get it when you want it.
[A]
[D] [F#m] For us to be performing in New Orleans tonight, this special night of Halloween, it's pretty
exclusive and important and special for us, you know, because New Orleans is [G#] such a [E] great
[D] city, a musical community.
[Fm] I think no [E] other city on [F#m] the planet loves its music and its heritage, [D] its musical heritage,
and celebrates it as much as New [B] Orleans does.
And so to be here because of that reason is pretty special.
And then in addition to [D] that, I'm a huge fan of the occult and the voodoo and [E] some of the
mysticism [F#m] that goes on here in the city.
So for me, there's a lot of, there's [Bm] threads of [D] special reasons why I like to be here.
[Fm] Favorite thing to do in my downtime here in New [F#m] Orleans is to [E] wander late at [Am] night through
some of the cemeteries.
And I mean, not only are [E] they [A] creepy and cool and just [N] really, they look, I mean, they almost
look like [B] haunted sets, [C#m] you know, like movie sets.
But they're also just, if you look at some of the [E] architecture [A] and some of the stones
[E] and some of the [A] mausoleums, they're just, they're [E] really beautiful.
[D] Each [Bm] one is a work of art.
And [E] so that's really [D] kind of a nice thing to do and walk around.
[E] You don't get [D] to see that in many [E] other cities.
[Bm] It is Halloween in New Orleans, which is, you know, the voodoo capital of the world.
A lot of occult [B] happening here, a lot of magic happening here.
[F#m] So I brought with [D] me a Ouija board.
I [C] thought perhaps you and I could conjure up something.
We could.
What should we ask?
[Em] Well, have you done this before?
No, I've never done this [C] before.
Rest your fingers on the, on the, uh, [G] whatever [D] this thing is called.
The thing.
The [B] planchette, I believe they call [G] it.
And let's ask it, [E] are we going to go out on a date after the show [B] tonight?
[G]
[E] I think, I think [Am] you're slightly forced.
I am not touching it.
[C] Are you pushing that?
No.
[Bm] I'm not pushing it.
Let me ask you something a [F#] little bit more [G] clear and precise.
Do you think [Bm] that we're going to go on a date eventually?
[B] [F#] Yeah.
[G] [C]
It's saying no.
[Em] It is.
We could discuss this a little [D#] later time.
Spirits [E] don't always know what they're talking about.
Yeah, they're a little, they're in the dark, you know what I'm saying?
They're floating around dead and miserable.
They don't want to see me happy, do they?
We can come back to it.
Halloween is kind of the one day [C] out of the year that I blend in with the rest of the
world, you know?
I'm [A] really excited to see all the [Bm] costumes out there and all the festivities out there
and hopefully [E] we'll bring some of that up on stage with us so the Halloween spirit can
come on stage and be part of [Dm] Jane's edition.
Are [E] you guys doing something special [A] for the Halloween show or is [C] it the usual Jane thing?
We have, well it's the usual [D] Jane's thing.
[Bm] It's the original lineup.
We have a couple of different things that are going to take [G] place that are different
from our normal set.
[B] And as I said, we want to [E]
[G] ask some of the people in the audience to participate towards
the end of the [C#] show.
That's awesome.
And just bring their wares up on stage and [A#] have a good time.
We haven't run into anybody here because we just [F#] got here.
We're going on earlier tonight, [C#]
right before Kiss of all things.
How do you feel [G#] about that?
I like to think that Kiss is closing for us.
[A#m] Nice.
That's a good way to look at it.
Nice.
I was in the hotel [F#] lobby and I ran into Paul and [C#] Jean from Kiss and it was, you know, I've
[G#] known those guys for many years but I [A#] went and saw Kiss in the 70s when I was [F#] like 11
years old and saw Cheap Trick [C#] open for them.
So it was, like back then I was just kind of like [G#m] dazzled by the whole production and
[A#] the rock [D#m] star thing and you know, bands like [G#] that of that caliber.
And to be here on [A#m] Halloween playing a show with Kiss [F#] is kind of a dream come true.
[C#] Pretty badass.
The sexy stuff.
It's pretty badass.
[G#]
So we're [C#] here [G] first.
[A#] [D#]
Get it when you want it.
[A]
[D] [F#m] For us to be performing in New Orleans tonight, this special night of Halloween, it's pretty
exclusive and important and special for us, you know, because New Orleans is [G#] such a [E] great
[D] city, a musical community.
[Fm] I think no [E] other city on [F#m] the planet loves its music and its heritage, [D] its musical heritage,
and celebrates it as much as New [B] Orleans does.
And so to be here because of that reason is pretty special.
And then in addition to [D] that, I'm a huge fan of the occult and the voodoo and [E] some of the
mysticism [F#m] that goes on here in the city.
So for me, there's a lot of, there's [Bm] threads of [D] special reasons why I like to be here.
[Fm] Favorite thing to do in my downtime here in New [F#m] Orleans is to [E] wander late at [Am] night through
some of the cemeteries.
And I mean, not only are [E] they [A] creepy and cool and just [N] really, they look, I mean, they almost
look like [B] haunted sets, [C#m] you know, like movie sets.
But they're also just, if you look at some of the [E] architecture [A] and some of the stones
[E] and some of the [A] mausoleums, they're just, they're [E] really beautiful.
[D] Each [Bm] one is a work of art.
And [E] so that's really [D] kind of a nice thing to do and walk around.
[E] You don't get [D] to see that in many [E] other cities.
[Bm] It is Halloween in New Orleans, which is, you know, the voodoo capital of the world.
A lot of occult [B] happening here, a lot of magic happening here.
[F#m] So I brought with [D] me a Ouija board.
I [C] thought perhaps you and I could conjure up something.
We could.
What should we ask?
[Em] Well, have you done this before?
No, I've never done this [C] before.
Rest your fingers on the, on the, uh, [G] whatever [D] this thing is called.
The thing.
The [B] planchette, I believe they call [G] it.
And let's ask it, [E] are we going to go out on a date after the show [B] tonight?
[G]
[E] I think, I think [Am] you're slightly forced.
I am not touching it.
[C] Are you pushing that?
No.
[Bm] I'm not pushing it.
Let me ask you something a [F#] little bit more [G] clear and precise.
Do you think [Bm] that we're going to go on a date eventually?
[B] [F#] Yeah.
[G] [C]
It's saying no.
[Em] It is.
We could discuss this a little [D#] later time.
Spirits [E] don't always know what they're talking about.
Yeah, they're a little, they're in the dark, you know what I'm saying?
They're floating around dead and miserable.
They don't want to see me happy, do they?
We can come back to it.
Halloween is kind of the one day [C] out of the year that I blend in with the rest of the
world, you know?
I'm [A] really excited to see all the [Bm] costumes out there and all the festivities out there
and hopefully [E] we'll bring some of that up on stage with us so the Halloween spirit can
come on stage and be part of [Dm] Jane's edition.
Are [E] you guys doing something special [A] for the Halloween show or is [C] it the usual Jane thing?
We have, well it's the usual [D] Jane's thing.
[Bm] It's the original lineup.
We have a couple of different things that are going to take [G] place that are different
from our normal set.
[B] And as I said, we want to [E]
[G] ask some of the people in the audience to participate towards
the end of the [C#] show.
That's awesome.
And just bring their wares up on stage and [A#] have a good time.
We haven't run into anybody here because we just [F#] got here.
We're going on earlier tonight, [C#]
right before Kiss of all things.
How do you feel [G#] about that?
I like to think that Kiss is closing for us.
[A#m] Nice.
That's a good way to look at it.
Nice.
I was in the hotel [F#] lobby and I ran into Paul and [C#] Jean from Kiss and it was, you know, I've
[G#] known those guys for many years but I [A#] went and saw Kiss in the 70s when I was [F#] like 11
years old and saw Cheap Trick [C#] open for them.
So it was, like back then I was just kind of like [G#m] dazzled by the whole production and
[A#] the rock [D#m] star thing and you know, bands like [G#] that of that caliber.
And to be here on [A#m] Halloween playing a show with Kiss [F#] is kind of a dream come true.
[C#] Pretty badass.
The sexy stuff.
It's pretty badass.
[G#]
So we're [C#] here [G] first.
[A#] [D#]
Key:
E
D
G
F#
B
E
D
G
[F#] Hey, I'm Gavin Rossdale and you're watching Fuse On Demand.
Get it when you want it.
[A] _ _ _
[D] _ _ _ _ _ [F#m] For us to be performing in New Orleans tonight, this special night of Halloween, it's pretty
exclusive and important and special for us, you know, because New Orleans is [G#] such a [E] great
[D] city, a musical community.
[Fm] I think no [E] other city on [F#m] the planet loves its music and its heritage, [D] its musical heritage,
and celebrates it as much as New [B] Orleans does.
_ And so to be here because of that reason is pretty special.
And then in addition to [D] that, I'm a huge fan of the occult and the voodoo and [E] some of the
mysticism [F#m] that goes on here in the city.
So for me, there's a lot of, there's [Bm] threads of [D] special _ reasons why I like to be here.
[Fm] Favorite thing to do in my downtime here in New [F#m] Orleans _ is to [E] wander late at [Am] night through
some of the cemeteries.
And I mean, not only are [E] they [A] creepy and cool and just [N] really, they look, I mean, they almost
look like [B] haunted sets, [C#m] you know, like movie sets.
But they're also just, if you look at some of the [E] architecture [A] and some of the stones
[E] and some of the [A] mausoleums, they're just, they're [E] really beautiful.
_ [D] Each [Bm] one is a work of art.
And _ [E] so that's really [D] kind of a nice thing to do and walk around.
[E] You don't get [D] to see that in many [E] other cities.
_ [Bm] It is Halloween in New Orleans, which is, you know, the voodoo capital of the world.
A lot of occult [B] happening here, a lot of magic happening here.
[F#m] So I brought with [D] me a Ouija board.
I [C] thought perhaps you and I could conjure up something.
We could.
What should we ask?
[Em] Well, have you done this before?
No, I've never done this [C] before.
Rest your fingers on the, on the, uh, [G] whatever [D] this thing is called.
The thing.
The [B] planchette, I believe they call [G] it.
And let's ask it, [E] are we going to go out on a date after the show [B] tonight?
_ _ [G] _ _ _
_ [E] I think, I think [Am] you're slightly forced.
I am not touching it.
[C] _ _ Are you pushing that?
No.
[Bm] I'm not pushing it.
_ Let me ask you something a [F#] little bit more [G] clear and precise.
_ Do you think [Bm] that we're going to go on a date eventually?
[B] _ _ _ _ [F#] Yeah.
[G] _ _ _ [C] _ _ _ _
It's saying no.
[Em] It is. _ _
We could discuss this a little [D#] later time.
Spirits [E] don't always know what they're talking about.
Yeah, they're a little, they're in the dark, you know what I'm saying?
They're floating around dead and miserable.
They don't want to see me happy, do they?
We can come back to it.
_ Halloween is kind of the one day [C] out of the year that I blend in with the rest of the
world, you know?
I'm [A] really excited to see all the [Bm] costumes out there and all the festivities out there
and hopefully [E] we'll bring some of that up on stage with us so the Halloween spirit can
come on stage and be part of [Dm] Jane's edition.
Are [E] you guys doing something special [A] for the Halloween show or is [C] it the usual Jane thing?
We have, well it's the usual [D] Jane's thing.
[Bm] It's the original lineup.
We have a couple of different things that are going to take [G] place that are different
from our normal set.
[B] And as I said, we want to _ _ [E]
[G] ask some of the people in the audience to participate towards
the end of the [C#] show.
That's awesome.
And just bring their wares up on stage and [A#] have a good time.
We haven't run into anybody here because we just [F#] got here.
We're going on earlier tonight, _ _ [C#]
right before Kiss of all things.
How do you feel [G#] about that?
I like to think that Kiss is closing for us.
[A#m] Nice.
That's a good way to look at it.
Nice.
I was in the hotel [F#] lobby and I ran into _ Paul and [C#] Jean from Kiss and it was, you know, I've
[G#] known those guys for many years but I [A#] went and saw Kiss in the _ 70s when I was [F#] like 11
years old and saw Cheap Trick [C#] open for them.
So it was, like back then I was just kind of like [G#m] dazzled by the whole production and
[A#] the rock [D#m] star thing and you know, bands like [G#] that of that caliber.
And to be here on [A#m] Halloween _ playing a show with Kiss [F#] is kind of a dream come true.
[C#] Pretty badass.
The sexy stuff.
It's pretty badass.
_ _ [G#] _
_ So we're [C#] here [G] first. _ _ _
[A#] _ _ _ _ _ [D#] _ _ _
Get it when you want it.
[A] _ _ _
[D] _ _ _ _ _ [F#m] For us to be performing in New Orleans tonight, this special night of Halloween, it's pretty
exclusive and important and special for us, you know, because New Orleans is [G#] such a [E] great
[D] city, a musical community.
[Fm] I think no [E] other city on [F#m] the planet loves its music and its heritage, [D] its musical heritage,
and celebrates it as much as New [B] Orleans does.
_ And so to be here because of that reason is pretty special.
And then in addition to [D] that, I'm a huge fan of the occult and the voodoo and [E] some of the
mysticism [F#m] that goes on here in the city.
So for me, there's a lot of, there's [Bm] threads of [D] special _ reasons why I like to be here.
[Fm] Favorite thing to do in my downtime here in New [F#m] Orleans _ is to [E] wander late at [Am] night through
some of the cemeteries.
And I mean, not only are [E] they [A] creepy and cool and just [N] really, they look, I mean, they almost
look like [B] haunted sets, [C#m] you know, like movie sets.
But they're also just, if you look at some of the [E] architecture [A] and some of the stones
[E] and some of the [A] mausoleums, they're just, they're [E] really beautiful.
_ [D] Each [Bm] one is a work of art.
And _ [E] so that's really [D] kind of a nice thing to do and walk around.
[E] You don't get [D] to see that in many [E] other cities.
_ [Bm] It is Halloween in New Orleans, which is, you know, the voodoo capital of the world.
A lot of occult [B] happening here, a lot of magic happening here.
[F#m] So I brought with [D] me a Ouija board.
I [C] thought perhaps you and I could conjure up something.
We could.
What should we ask?
[Em] Well, have you done this before?
No, I've never done this [C] before.
Rest your fingers on the, on the, uh, [G] whatever [D] this thing is called.
The thing.
The [B] planchette, I believe they call [G] it.
And let's ask it, [E] are we going to go out on a date after the show [B] tonight?
_ _ [G] _ _ _
_ [E] I think, I think [Am] you're slightly forced.
I am not touching it.
[C] _ _ Are you pushing that?
No.
[Bm] I'm not pushing it.
_ Let me ask you something a [F#] little bit more [G] clear and precise.
_ Do you think [Bm] that we're going to go on a date eventually?
[B] _ _ _ _ [F#] Yeah.
[G] _ _ _ [C] _ _ _ _
It's saying no.
[Em] It is. _ _
We could discuss this a little [D#] later time.
Spirits [E] don't always know what they're talking about.
Yeah, they're a little, they're in the dark, you know what I'm saying?
They're floating around dead and miserable.
They don't want to see me happy, do they?
We can come back to it.
_ Halloween is kind of the one day [C] out of the year that I blend in with the rest of the
world, you know?
I'm [A] really excited to see all the [Bm] costumes out there and all the festivities out there
and hopefully [E] we'll bring some of that up on stage with us so the Halloween spirit can
come on stage and be part of [Dm] Jane's edition.
Are [E] you guys doing something special [A] for the Halloween show or is [C] it the usual Jane thing?
We have, well it's the usual [D] Jane's thing.
[Bm] It's the original lineup.
We have a couple of different things that are going to take [G] place that are different
from our normal set.
[B] And as I said, we want to _ _ [E]
[G] ask some of the people in the audience to participate towards
the end of the [C#] show.
That's awesome.
And just bring their wares up on stage and [A#] have a good time.
We haven't run into anybody here because we just [F#] got here.
We're going on earlier tonight, _ _ [C#]
right before Kiss of all things.
How do you feel [G#] about that?
I like to think that Kiss is closing for us.
[A#m] Nice.
That's a good way to look at it.
Nice.
I was in the hotel [F#] lobby and I ran into _ Paul and [C#] Jean from Kiss and it was, you know, I've
[G#] known those guys for many years but I [A#] went and saw Kiss in the _ 70s when I was [F#] like 11
years old and saw Cheap Trick [C#] open for them.
So it was, like back then I was just kind of like [G#m] dazzled by the whole production and
[A#] the rock [D#m] star thing and you know, bands like [G#] that of that caliber.
And to be here on [A#m] Halloween _ playing a show with Kiss [F#] is kind of a dream come true.
[C#] Pretty badass.
The sexy stuff.
It's pretty badass.
_ _ [G#] _
_ So we're [C#] here [G] first. _ _ _
[A#] _ _ _ _ _ [D#] _ _ _