Chords for Volbeat - Rewind, Replay, Rebound | Album Review | Rocked
Tempo:
131.75 bpm
Chords used:
E
B
A
G#
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Em] [D]
[N] It's been a while since we've had some Danish Elvis swagger.
Volbeat have planned to come back strong in 2019, both with joining the Knotfest Roadshow
and by releasing their seventh full album, Rewind, Replay, Rebound.
While that might sound like a mouthful, Volbeat have been a consistently upbeat and lively
band in a genre that's exactly what we need in 2019.
My last experience with Volbeat came [E] with the 2016 album Seal the Deal and Let's Boogie.
While that album was fine, I felt the style of the Danes sounded a bit repetitive, especially
within that album.
Since that time, Anders has left the group and the spot has been filled by new bassist Casper [A] Larsson.
It's been a while, but like I said, Volbeat plan to come back strong.
Enter the band's seventh studio album, featuring a collection of special guests and almost
one hour of run time.
That is a lot of groove, and for Volbeat fans it must sound like heaven.
Michael [G#] Polson's smooth delivery along with the great guitar work from Rob Caggiano always
gets people in a good mood.
It's an infectious sound, and it's hard not to nod along and smile while listening.
Rewind, Replay, Rebound from the first few singles that were shared give that feeling as well.
One song in particular being Last Day Under the Sun, which is the [E] standing definition
of a summertime song.
It's repetitive by intention, but on your first listen it's hard not to sing along.
This is the example of Volbeat being infectious, almost to the point that you get burnt out
of the song after a while while listening, but it's [D#] an earworm you don't mind having.
Another single, [G#] Cheapside Sluggers, that came out before the album dropped, features Gary
Holt in a quick thrash cameo.
The breakdown and bridge where Gary Holt comes in is killer.
[E] This is the type of Volbeat song that really identifies what the band sounds like and creates.
It's fun, jamming rock with a metronome steady beat from the drums and bass while the guitarists
chug out quick, wild riffs throughout the [D#] entirety.
[A] [B]
[E] [A]
[G#] [A] [B]
[G#m] Cheapside Sluggers is an [A] outlier on this album because of that long build in [E] the Holt solo,
but it's a welcome inclusion of [C#] variety.
As with previous Volbeat albums, there is a bit of same-sounding tracks and the [C#] repeated
guitar riffs and rockabilly rolling that gets old quickly.
Rewind the [G] Exit and Sorry Sack of Bones [F#] are not only cliche [E] Volbeat, but [C#] something like
Sorry Sack of [C#m] Bones is what Volbeat naysayers [C#] and impersonators would laugh at over its
peak [G] rockabilly shenanigans.
The bloat and filler is here in a 14-track [C#] album, but even with that criticism, Rewind
Replay Rebound is very solid.
It's [C#m] technically sound, produced well, Poulsen's vocals come in a little more clear to [G] understand,
and it's exactly what Volbeat fans would want.
Expectations are [A#] met for the most part, and there is a lot of good music to move [G] along with.
It's the special guests [F#] that really make the [G#] difference.
Die to Live would have been a standard rock track from the Danes, but Neil Fallon from
Klutch steps in to increase the [G#] intensity.
This song is Volbeat but with some whiskey and monster energy.
[B] Everything that stands out about Volbeat's style while increasing [E] the instrument usage
and making it a wild rhyme.
[C#] [E]
As the album goes on and after a few filler tracks, you find more solid work such as in
Cloud Nine that [A] has a summery vibe like Last Day Under the Sun.
The final two tracks are strong with the Everlasting having heavier, lower riffs and a growling
[B] Poulsen, while 724, which is named after the track time, is a big sweeping and moving
[E] track to close everything out.
It also has some great, fantastic singing.
Poulsen really sounds clear here.
It's not a flawless [D#] album by any means, [B] but if you've heard Volbeat before in your
life [E] and don't love the style, then you'll get annoyed quickly by some of the swaggering
antics and delivery in [Em] the music.
This is [G#] that honky-tonk rockabilly music that is [B] very rare in today's hard rock [E] scene,
and it's not for everyone.
It's hard to deny the talent here, though, and there's fun to be had.
[A]
[E] This album is a step up above Seal the [C#m] Deal and Let's Boogie if not only for [A] the special
guest appearances and [B] the occasional dash of variety and a big heaping helping of Volbeat
for over an hour, not including the second disc worth of music if you buy it on CD formats.
[A] It sounds like a ton to process, [Bm] but it's solid, [C#m] and it's kinda nice to hear that
Volbeat still has it.
[E] Overall, Rewind, Replay, Rebound is the standard that Volbeat continues to meet through the years.
Seven albums [B] in, and they still have [E] plenty of groove to dish out.
Long-time [F#] Volbeat fans will be more than satisfied.
There are some [A] great tracks to jump around with, and let's be honest, [E] who doesn't
love a little Danish Elvis every now and then?
[C#m]
[F#] [B] [C]
[B] [F#]
[C]
[B] [F#]
[C] [N]
[N] It's been a while since we've had some Danish Elvis swagger.
Volbeat have planned to come back strong in 2019, both with joining the Knotfest Roadshow
and by releasing their seventh full album, Rewind, Replay, Rebound.
While that might sound like a mouthful, Volbeat have been a consistently upbeat and lively
band in a genre that's exactly what we need in 2019.
My last experience with Volbeat came [E] with the 2016 album Seal the Deal and Let's Boogie.
While that album was fine, I felt the style of the Danes sounded a bit repetitive, especially
within that album.
Since that time, Anders has left the group and the spot has been filled by new bassist Casper [A] Larsson.
It's been a while, but like I said, Volbeat plan to come back strong.
Enter the band's seventh studio album, featuring a collection of special guests and almost
one hour of run time.
That is a lot of groove, and for Volbeat fans it must sound like heaven.
Michael [G#] Polson's smooth delivery along with the great guitar work from Rob Caggiano always
gets people in a good mood.
It's an infectious sound, and it's hard not to nod along and smile while listening.
Rewind, Replay, Rebound from the first few singles that were shared give that feeling as well.
One song in particular being Last Day Under the Sun, which is the [E] standing definition
of a summertime song.
It's repetitive by intention, but on your first listen it's hard not to sing along.
This is the example of Volbeat being infectious, almost to the point that you get burnt out
of the song after a while while listening, but it's [D#] an earworm you don't mind having.
Another single, [G#] Cheapside Sluggers, that came out before the album dropped, features Gary
Holt in a quick thrash cameo.
The breakdown and bridge where Gary Holt comes in is killer.
[E] This is the type of Volbeat song that really identifies what the band sounds like and creates.
It's fun, jamming rock with a metronome steady beat from the drums and bass while the guitarists
chug out quick, wild riffs throughout the [D#] entirety.
[A] [B]
[E] [A]
[G#] [A] [B]
[G#m] Cheapside Sluggers is an [A] outlier on this album because of that long build in [E] the Holt solo,
but it's a welcome inclusion of [C#] variety.
As with previous Volbeat albums, there is a bit of same-sounding tracks and the [C#] repeated
guitar riffs and rockabilly rolling that gets old quickly.
Rewind the [G] Exit and Sorry Sack of Bones [F#] are not only cliche [E] Volbeat, but [C#] something like
Sorry Sack of [C#m] Bones is what Volbeat naysayers [C#] and impersonators would laugh at over its
peak [G] rockabilly shenanigans.
The bloat and filler is here in a 14-track [C#] album, but even with that criticism, Rewind
Replay Rebound is very solid.
It's [C#m] technically sound, produced well, Poulsen's vocals come in a little more clear to [G] understand,
and it's exactly what Volbeat fans would want.
Expectations are [A#] met for the most part, and there is a lot of good music to move [G] along with.
It's the special guests [F#] that really make the [G#] difference.
Die to Live would have been a standard rock track from the Danes, but Neil Fallon from
Klutch steps in to increase the [G#] intensity.
This song is Volbeat but with some whiskey and monster energy.
[B] Everything that stands out about Volbeat's style while increasing [E] the instrument usage
and making it a wild rhyme.
[C#] [E]
As the album goes on and after a few filler tracks, you find more solid work such as in
Cloud Nine that [A] has a summery vibe like Last Day Under the Sun.
The final two tracks are strong with the Everlasting having heavier, lower riffs and a growling
[B] Poulsen, while 724, which is named after the track time, is a big sweeping and moving
[E] track to close everything out.
It also has some great, fantastic singing.
Poulsen really sounds clear here.
It's not a flawless [D#] album by any means, [B] but if you've heard Volbeat before in your
life [E] and don't love the style, then you'll get annoyed quickly by some of the swaggering
antics and delivery in [Em] the music.
This is [G#] that honky-tonk rockabilly music that is [B] very rare in today's hard rock [E] scene,
and it's not for everyone.
It's hard to deny the talent here, though, and there's fun to be had.
[A]
[E] This album is a step up above Seal the [C#m] Deal and Let's Boogie if not only for [A] the special
guest appearances and [B] the occasional dash of variety and a big heaping helping of Volbeat
for over an hour, not including the second disc worth of music if you buy it on CD formats.
[A] It sounds like a ton to process, [Bm] but it's solid, [C#m] and it's kinda nice to hear that
Volbeat still has it.
[E] Overall, Rewind, Replay, Rebound is the standard that Volbeat continues to meet through the years.
Seven albums [B] in, and they still have [E] plenty of groove to dish out.
Long-time [F#] Volbeat fans will be more than satisfied.
There are some [A] great tracks to jump around with, and let's be honest, [E] who doesn't
love a little Danish Elvis every now and then?
[C#m]
[F#] [B] [C]
[B] [F#]
[C]
[B] [F#]
[C] [N]
Key:
E
B
A
G#
C#
E
B
A
_ _ _ _ _ _ _ _
_ [Em] _ _ _ [D] _ _ _ _
_ _ _ [N] It's been a while since we've had some Danish Elvis swagger.
Volbeat have planned to come back strong in 2019, both with joining the Knotfest Roadshow
and by releasing their seventh full album, Rewind, Replay, Rebound.
While that might sound like a mouthful, Volbeat have been a consistently upbeat and lively
band in a genre that's exactly what we need in 2019.
My last experience with Volbeat came [E] with the 2016 album Seal the Deal and Let's Boogie.
While that album was fine, I felt the style of the Danes sounded a bit repetitive, especially
within that album.
Since that time, Anders has left the group and the spot has been filled by new bassist Casper [A] Larsson.
It's been a while, but like I said, Volbeat plan to come back strong.
Enter the band's seventh studio album, featuring a collection of special guests and almost
one hour of run time.
That is a lot of groove, and for Volbeat fans it must sound like heaven.
Michael [G#] Polson's smooth delivery along with the great guitar work from Rob Caggiano always
gets people in a good mood.
It's an infectious sound, and it's hard not to nod along and smile while listening.
Rewind, Replay, Rebound from the first few singles that were shared give that feeling as well.
One song in particular being Last Day Under the Sun, which is the [E] standing definition
of a summertime song.
It's repetitive by intention, but on your first listen it's hard not to sing along.
This is the example of Volbeat being infectious, almost to the point that you get burnt out
of the song after a while while listening, but it's [D#] an earworm you don't mind having.
Another single, [G#] Cheapside Sluggers, that came out before the album dropped, features Gary
Holt in a quick thrash cameo.
The breakdown and bridge where Gary Holt comes in is killer.
[E] This is the type of Volbeat song that really identifies what the band sounds like and creates.
It's fun, jamming rock with a metronome steady beat from the drums and bass while the guitarists
chug out quick, wild riffs throughout the [D#] entirety.
[A] _ _ _ _ [B] _
_ _ _ [E] _ _ _ [A] _ _
_ [G#] _ [A] _ _ _ _ [B] _ _
_ [G#m] Cheapside Sluggers is an [A] outlier on this album because of that long build in [E] the Holt solo,
but it's a welcome inclusion of [C#] variety.
As with previous Volbeat albums, there is a bit of same-sounding tracks and the [C#] repeated
guitar riffs and rockabilly rolling that gets old quickly.
Rewind the [G] Exit and Sorry Sack of Bones [F#] are not only cliche [E] Volbeat, but [C#] something like
Sorry Sack of [C#m] Bones is what Volbeat naysayers [C#] and impersonators would laugh at over its
peak [G] rockabilly shenanigans.
The bloat and filler is here in a 14-track [C#] album, but even with that criticism, Rewind
Replay Rebound is very solid.
It's [C#m] technically sound, produced well, Poulsen's vocals come in a little more clear to [G] understand,
and it's exactly what Volbeat fans would want.
Expectations are [A#] met for the most part, and there is a lot of good music to move [G] along with.
It's the special guests [F#] that really make the [G#] difference.
Die to Live would have been a standard rock track from the Danes, but Neil Fallon from
Klutch steps in to increase the [G#] intensity.
This song is Volbeat but with some whiskey and monster energy.
[B] Everything that stands out about Volbeat's style while increasing [E] the instrument usage
and making it a wild rhyme. _ _
_ _ _ _ _ _ _ _
_ [C#] _ _ _ _ _ _ [E] _
_ _ _ As the album goes on and after a few filler tracks, you find more solid work such as in
Cloud Nine that [A] has a summery vibe like Last Day Under the Sun.
The final two tracks are strong with the Everlasting having heavier, lower riffs and a growling
[B] Poulsen, while 724, which is named after the track time, is a big sweeping and moving
[E] track to close everything out.
It also has some great, fantastic singing.
Poulsen really sounds clear here.
It's not a flawless [D#] album by any means, [B] but if you've heard Volbeat before in your
life [E] and don't love the style, then you'll get annoyed quickly by some of the swaggering
antics and delivery in [Em] the music.
This is [G#] that honky-tonk rockabilly music that is [B] very rare in today's hard rock [E] scene,
and it's not for everyone.
It's hard to deny the talent here, though, and there's fun to be had.
[A] _
_ _ _ _ _ _ _ _
_ [E] _ _ _ This album is a step up above Seal the [C#m] Deal and Let's Boogie if not only for [A] the special
guest appearances and [B] the occasional dash of variety and a big heaping helping of Volbeat
for over an hour, not including the second disc worth of music if you buy it on CD formats.
[A] It sounds like a ton to process, [Bm] but it's solid, [C#m] and it's kinda nice to hear that
Volbeat still has it.
[E] Overall, Rewind, Replay, Rebound is the standard that Volbeat continues to meet through the years.
Seven albums [B] in, and they still have [E] plenty of groove to dish out.
Long-time [F#] Volbeat fans will be more than satisfied.
There are some [A] great tracks to jump around with, and let's be honest, [E] who doesn't
love a little Danish Elvis every now and then? _
_ _ _ [C#m] _ _ _ _ _
_ [F#] _ [B] _ _ _ [C] _ _ _
_ _ [B] _ _ _ _ _ [F#] _
_ _ _ _ _ [C] _ _ _
_ _ _ [B] _ _ [F#] _ _ _
_ _ _ _ [C] _ _ _ [N] _
_ [Em] _ _ _ [D] _ _ _ _
_ _ _ [N] It's been a while since we've had some Danish Elvis swagger.
Volbeat have planned to come back strong in 2019, both with joining the Knotfest Roadshow
and by releasing their seventh full album, Rewind, Replay, Rebound.
While that might sound like a mouthful, Volbeat have been a consistently upbeat and lively
band in a genre that's exactly what we need in 2019.
My last experience with Volbeat came [E] with the 2016 album Seal the Deal and Let's Boogie.
While that album was fine, I felt the style of the Danes sounded a bit repetitive, especially
within that album.
Since that time, Anders has left the group and the spot has been filled by new bassist Casper [A] Larsson.
It's been a while, but like I said, Volbeat plan to come back strong.
Enter the band's seventh studio album, featuring a collection of special guests and almost
one hour of run time.
That is a lot of groove, and for Volbeat fans it must sound like heaven.
Michael [G#] Polson's smooth delivery along with the great guitar work from Rob Caggiano always
gets people in a good mood.
It's an infectious sound, and it's hard not to nod along and smile while listening.
Rewind, Replay, Rebound from the first few singles that were shared give that feeling as well.
One song in particular being Last Day Under the Sun, which is the [E] standing definition
of a summertime song.
It's repetitive by intention, but on your first listen it's hard not to sing along.
This is the example of Volbeat being infectious, almost to the point that you get burnt out
of the song after a while while listening, but it's [D#] an earworm you don't mind having.
Another single, [G#] Cheapside Sluggers, that came out before the album dropped, features Gary
Holt in a quick thrash cameo.
The breakdown and bridge where Gary Holt comes in is killer.
[E] This is the type of Volbeat song that really identifies what the band sounds like and creates.
It's fun, jamming rock with a metronome steady beat from the drums and bass while the guitarists
chug out quick, wild riffs throughout the [D#] entirety.
[A] _ _ _ _ [B] _
_ _ _ [E] _ _ _ [A] _ _
_ [G#] _ [A] _ _ _ _ [B] _ _
_ [G#m] Cheapside Sluggers is an [A] outlier on this album because of that long build in [E] the Holt solo,
but it's a welcome inclusion of [C#] variety.
As with previous Volbeat albums, there is a bit of same-sounding tracks and the [C#] repeated
guitar riffs and rockabilly rolling that gets old quickly.
Rewind the [G] Exit and Sorry Sack of Bones [F#] are not only cliche [E] Volbeat, but [C#] something like
Sorry Sack of [C#m] Bones is what Volbeat naysayers [C#] and impersonators would laugh at over its
peak [G] rockabilly shenanigans.
The bloat and filler is here in a 14-track [C#] album, but even with that criticism, Rewind
Replay Rebound is very solid.
It's [C#m] technically sound, produced well, Poulsen's vocals come in a little more clear to [G] understand,
and it's exactly what Volbeat fans would want.
Expectations are [A#] met for the most part, and there is a lot of good music to move [G] along with.
It's the special guests [F#] that really make the [G#] difference.
Die to Live would have been a standard rock track from the Danes, but Neil Fallon from
Klutch steps in to increase the [G#] intensity.
This song is Volbeat but with some whiskey and monster energy.
[B] Everything that stands out about Volbeat's style while increasing [E] the instrument usage
and making it a wild rhyme. _ _
_ _ _ _ _ _ _ _
_ [C#] _ _ _ _ _ _ [E] _
_ _ _ As the album goes on and after a few filler tracks, you find more solid work such as in
Cloud Nine that [A] has a summery vibe like Last Day Under the Sun.
The final two tracks are strong with the Everlasting having heavier, lower riffs and a growling
[B] Poulsen, while 724, which is named after the track time, is a big sweeping and moving
[E] track to close everything out.
It also has some great, fantastic singing.
Poulsen really sounds clear here.
It's not a flawless [D#] album by any means, [B] but if you've heard Volbeat before in your
life [E] and don't love the style, then you'll get annoyed quickly by some of the swaggering
antics and delivery in [Em] the music.
This is [G#] that honky-tonk rockabilly music that is [B] very rare in today's hard rock [E] scene,
and it's not for everyone.
It's hard to deny the talent here, though, and there's fun to be had.
[A] _
_ _ _ _ _ _ _ _
_ [E] _ _ _ This album is a step up above Seal the [C#m] Deal and Let's Boogie if not only for [A] the special
guest appearances and [B] the occasional dash of variety and a big heaping helping of Volbeat
for over an hour, not including the second disc worth of music if you buy it on CD formats.
[A] It sounds like a ton to process, [Bm] but it's solid, [C#m] and it's kinda nice to hear that
Volbeat still has it.
[E] Overall, Rewind, Replay, Rebound is the standard that Volbeat continues to meet through the years.
Seven albums [B] in, and they still have [E] plenty of groove to dish out.
Long-time [F#] Volbeat fans will be more than satisfied.
There are some [A] great tracks to jump around with, and let's be honest, [E] who doesn't
love a little Danish Elvis every now and then? _
_ _ _ [C#m] _ _ _ _ _
_ [F#] _ [B] _ _ _ [C] _ _ _
_ _ [B] _ _ _ _ _ [F#] _
_ _ _ _ _ [C] _ _ _
_ _ _ [B] _ _ [F#] _ _ _
_ _ _ _ [C] _ _ _ [N] _