Chords for Voice Teacher Reacts to Billie Eilish | COPYCAT (Acoustic)
Tempo:
64.4 bpm
Chords used:
Em
C
D
B
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, my name is Sam Johnson and I am a voice teacher.
If you'd like to learn more about me or sign up for a video lesson, go to my website,
VocalEase.net. I'm going to be reacting to and analyzing Billie Eilish singing [Em] Copycat.
[G] [Em]
[D] [C] [Em]
[D] [Em] [C]
[E] So, up till now, she's stayed underneath her bridge.
A bridge in singing is, it's a phenomenon
where the feeling kind of switches.
It might either go from your chest up into your head
a little bit or it just switches a little bit.
It's a weird thing.
But this is all below
her first bridge.
She's keeping it quite spoken and clear.
It's not getting breathy except
for at the very bottom where her chords have a hard time staying together, which is common
with low notes.
But for the rest of it, she's keeping her chords together, [Ab] very spoken,
[Em] very easy.
Lots of style.
By the [D] way, [Em]
you've been [D] [C] uninvited.
Is all you say, are [B] all the same things I do.
[Em] Copycat, time to come out.
[Em] Watch your back [C] when you can't watch mine.
Copycat, time to come [B] out.
Why [Am] so sad, but I'm a gamer.
[E] She's starting it so connected.
It's a teeny little [G] sound.
It's not completely flipped
into falsetto.
[Gb] And then she crescendos into it, but she's starting all of her phrases
in that little bass [Em] and then getting bigger through it.
[D] [Em] Call me calloused, call me cool.
You're italic, [G] I'm in bold.
[Em] Call me [D] cocky, watch your tone.
You better [C] love me, cause [Abm] you're just a [Em] clown.
By the way, you've been [C] uninvited.
She's pretty cool.
Is all you say, are [B] all the same things I do.
[Em] Copycat, time to come out.
[Em] Watch your back when you can't watch mine.
Copycat, time [B] to come out.
Why so sad, but I'm a gamer.
[A]
[C] Watch your back when you can't watch mine.
So delicate.
I would [Em] hate to see you go.
[D] Hate to be the one that told you so.
[Am] You just crossed the line.
Look at her mouth.
She's not doing any [C] work.
You've run out of time.
These are not low notes.
It's right above her bridge.
I'm so [Em] sorry.
[D] Sorry, I'm a wonder.
[A] Sorry, I'm so sorry.
[Em] By the way, you've been [C] uninvited.
Is all you [Am] say, [C] are all the same [Em] things I do.
Copycat, time to come [B] out.
Watch your back when you can't watch [Em] mine.
Copycat, [C] time to come [B] out.
Why so sad, but I'm a gamer.
[Em] That's really cool.
[N] She never got loud, but she didn't have to.
You don't have to sing loud and high all the time.
She still sang with control.
When she went up into higher notes,
she just let the feeling move into her head a little bit.
Stay connected.
It wasn't letting go.
It was a connected feeling.
It's still kind of like your spoken voice.
And then just grew with it.
But not very much.
She just stayed in that small place.
And then grew a little bit.
And then came back down.
And then sometimes at the end of phrases, she'd go breathy.
But that's just for effect.
And if she was starting the phrase in a place that's very balanced,
which she was,
when you get to the end, who cares?
You can throw out the rules for a little bit.
As long as everything feels good.
And it sounds like everything feels really good for her.
I like that a lot.
Thank you for watching.
Please like and subscribe.
Share with your friends if you think they'd find any value from it.
Leave a
If you'd like to learn more about me or sign up for a video lesson, go to my website,
VocalEase.net. I'm going to be reacting to and analyzing Billie Eilish singing [Em] Copycat.
[G] [Em]
[D] [C] [Em]
[D] [Em] [C]
[E] So, up till now, she's stayed underneath her bridge.
A bridge in singing is, it's a phenomenon
where the feeling kind of switches.
It might either go from your chest up into your head
a little bit or it just switches a little bit.
It's a weird thing.
But this is all below
her first bridge.
She's keeping it quite spoken and clear.
It's not getting breathy except
for at the very bottom where her chords have a hard time staying together, which is common
with low notes.
But for the rest of it, she's keeping her chords together, [Ab] very spoken,
[Em] very easy.
Lots of style.
By the [D] way, [Em]
you've been [D] [C] uninvited.
Is all you say, are [B] all the same things I do.
[Em] Copycat, time to come out.
[Em] Watch your back [C] when you can't watch mine.
Copycat, time to come [B] out.
Why [Am] so sad, but I'm a gamer.
[E] She's starting it so connected.
It's a teeny little [G] sound.
It's not completely flipped
into falsetto.
[Gb] And then she crescendos into it, but she's starting all of her phrases
in that little bass [Em] and then getting bigger through it.
[D] [Em] Call me calloused, call me cool.
You're italic, [G] I'm in bold.
[Em] Call me [D] cocky, watch your tone.
You better [C] love me, cause [Abm] you're just a [Em] clown.
By the way, you've been [C] uninvited.
She's pretty cool.
Is all you say, are [B] all the same things I do.
[Em] Copycat, time to come out.
[Em] Watch your back when you can't watch mine.
Copycat, time [B] to come out.
Why so sad, but I'm a gamer.
[A]
[C] Watch your back when you can't watch mine.
So delicate.
I would [Em] hate to see you go.
[D] Hate to be the one that told you so.
[Am] You just crossed the line.
Look at her mouth.
She's not doing any [C] work.
You've run out of time.
These are not low notes.
It's right above her bridge.
I'm so [Em] sorry.
[D] Sorry, I'm a wonder.
[A] Sorry, I'm so sorry.
[Em] By the way, you've been [C] uninvited.
Is all you [Am] say, [C] are all the same [Em] things I do.
Copycat, time to come [B] out.
Watch your back when you can't watch [Em] mine.
Copycat, [C] time to come [B] out.
Why so sad, but I'm a gamer.
[Em] That's really cool.
[N] She never got loud, but she didn't have to.
You don't have to sing loud and high all the time.
She still sang with control.
When she went up into higher notes,
she just let the feeling move into her head a little bit.
Stay connected.
It wasn't letting go.
It was a connected feeling.
It's still kind of like your spoken voice.
And then just grew with it.
But not very much.
She just stayed in that small place.
And then grew a little bit.
And then came back down.
And then sometimes at the end of phrases, she'd go breathy.
But that's just for effect.
And if she was starting the phrase in a place that's very balanced,
which she was,
when you get to the end, who cares?
You can throw out the rules for a little bit.
As long as everything feels good.
And it sounds like everything feels really good for her.
I like that a lot.
Thank you for watching.
Please like and subscribe.
Share with your friends if you think they'd find any value from it.
Leave a
Key:
Em
C
D
B
G
Em
C
D
Hi, my name is Sam Johnson and I am a voice teacher.
If you'd like to learn more about me or sign up for a video lesson, go to my website,
VocalEase.net. I'm going to be reacting to and analyzing Billie Eilish singing [Em] Copycat. _
_ [G] _ [Em] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ [C] _ _ _ _ [Em] _ _
_ _ _ _ _ _ _ _
_ [D] _ [Em] _ _ _ _ [C] _ _
_ _ [E] _ So, up till now, she's stayed underneath her bridge.
A bridge in singing is, it's a phenomenon
where the feeling kind of switches.
It might either go from your chest up into your head
a little bit or it just switches a little bit.
It's a weird thing.
But this is all below
her first bridge.
She's keeping it quite spoken and clear.
It's not getting breathy except
for at the very bottom where her chords have a hard time staying together, which is common
with low notes.
But for the rest of it, she's keeping her chords together, [Ab] very spoken,
[Em] very easy.
Lots of style.
By the [D] way, [Em] _
you've been [D] [C] uninvited.
Is all you say, are [B] all the same things I do.
[Em] Copycat, time to come out.
[Em] Watch your back [C] when you can't watch mine.
Copycat, time to come [B] out.
Why [Am] so sad, but I'm a gamer.
[E] She's starting it so connected.
It's a teeny little [G] sound.
_ It's not completely flipped
into falsetto.
[Gb] And then she crescendos into it, but she's starting all of her phrases
in that little bass [Em] and then getting bigger through it.
_ _ [D] _ [Em] Call me calloused, call me cool.
You're italic, [G] I'm in bold.
[Em] Call me [D] cocky, watch your tone.
You better [C] love me, cause [Abm] you're just a [Em] clown.
By the way, _ you've been [C] uninvited.
She's pretty cool.
Is all you say, are [B] all the same things I do.
[Em] Copycat, time to come out.
[Em] Watch your back when you can't watch mine.
Copycat, time [B] to come out.
Why so sad, but I'm a gamer.
_ [A] _ _ _
[C] Watch your back when you can't watch mine.
So delicate.
_ I would [Em] hate to see you go.
[D] Hate to be the one that told you so.
[Am] You just crossed the line.
Look at her mouth.
She's not doing any [C] work.
You've run out of time.
These are not low notes.
It's right above her bridge.
I'm so [Em] sorry. _
[D] Sorry, I'm a wonder.
_ _ [A] _ Sorry, I'm so sorry.
_ _ _ [Em] By the way, _ you've been [C] uninvited.
Is all you [Am] say, [C] are all the same [Em] things I do.
Copycat, time to come [B] out.
Watch your back when you can't watch [Em] mine.
Copycat, [C] time to come [B] out.
Why so sad, but I'm a gamer. _
[Em] _ _ _ That's really cool.
[N] She never got loud, but she didn't have to.
You don't have to sing loud and high all the time.
She still sang with control.
When she went up into higher notes,
she just let the feeling move into her head a little bit.
Stay connected.
It wasn't letting go.
It was a connected feeling.
It's still kind of like your spoken voice.
And then just grew with it.
But not very much.
She just stayed in that small place.
And then grew a little bit.
And then came back down.
And then sometimes at the end of phrases, she'd go breathy.
But that's just for effect.
And if she was starting the phrase in a place that's very balanced,
which she was,
when you get to the end, who cares?
You can throw out the rules for a little bit.
As long as everything feels good.
And it sounds like everything feels really good for her.
I like that a lot.
Thank you for watching.
Please like and subscribe.
Share with your friends if you think they'd find any value from it.
Leave a
If you'd like to learn more about me or sign up for a video lesson, go to my website,
VocalEase.net. I'm going to be reacting to and analyzing Billie Eilish singing [Em] Copycat. _
_ [G] _ [Em] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ [C] _ _ _ _ [Em] _ _
_ _ _ _ _ _ _ _
_ [D] _ [Em] _ _ _ _ [C] _ _
_ _ [E] _ So, up till now, she's stayed underneath her bridge.
A bridge in singing is, it's a phenomenon
where the feeling kind of switches.
It might either go from your chest up into your head
a little bit or it just switches a little bit.
It's a weird thing.
But this is all below
her first bridge.
She's keeping it quite spoken and clear.
It's not getting breathy except
for at the very bottom where her chords have a hard time staying together, which is common
with low notes.
But for the rest of it, she's keeping her chords together, [Ab] very spoken,
[Em] very easy.
Lots of style.
By the [D] way, [Em] _
you've been [D] [C] uninvited.
Is all you say, are [B] all the same things I do.
[Em] Copycat, time to come out.
[Em] Watch your back [C] when you can't watch mine.
Copycat, time to come [B] out.
Why [Am] so sad, but I'm a gamer.
[E] She's starting it so connected.
It's a teeny little [G] sound.
_ It's not completely flipped
into falsetto.
[Gb] And then she crescendos into it, but she's starting all of her phrases
in that little bass [Em] and then getting bigger through it.
_ _ [D] _ [Em] Call me calloused, call me cool.
You're italic, [G] I'm in bold.
[Em] Call me [D] cocky, watch your tone.
You better [C] love me, cause [Abm] you're just a [Em] clown.
By the way, _ you've been [C] uninvited.
She's pretty cool.
Is all you say, are [B] all the same things I do.
[Em] Copycat, time to come out.
[Em] Watch your back when you can't watch mine.
Copycat, time [B] to come out.
Why so sad, but I'm a gamer.
_ [A] _ _ _
[C] Watch your back when you can't watch mine.
So delicate.
_ I would [Em] hate to see you go.
[D] Hate to be the one that told you so.
[Am] You just crossed the line.
Look at her mouth.
She's not doing any [C] work.
You've run out of time.
These are not low notes.
It's right above her bridge.
I'm so [Em] sorry. _
[D] Sorry, I'm a wonder.
_ _ [A] _ Sorry, I'm so sorry.
_ _ _ [Em] By the way, _ you've been [C] uninvited.
Is all you [Am] say, [C] are all the same [Em] things I do.
Copycat, time to come [B] out.
Watch your back when you can't watch [Em] mine.
Copycat, [C] time to come [B] out.
Why so sad, but I'm a gamer. _
[Em] _ _ _ That's really cool.
[N] She never got loud, but she didn't have to.
You don't have to sing loud and high all the time.
She still sang with control.
When she went up into higher notes,
she just let the feeling move into her head a little bit.
Stay connected.
It wasn't letting go.
It was a connected feeling.
It's still kind of like your spoken voice.
And then just grew with it.
But not very much.
She just stayed in that small place.
And then grew a little bit.
And then came back down.
And then sometimes at the end of phrases, she'd go breathy.
But that's just for effect.
And if she was starting the phrase in a place that's very balanced,
which she was,
when you get to the end, who cares?
You can throw out the rules for a little bit.
As long as everything feels good.
And it sounds like everything feels really good for her.
I like that a lot.
Thank you for watching.
Please like and subscribe.
Share with your friends if you think they'd find any value from it.
Leave a