Chords for Vocal Coach Reacts to Heart - Alone - The Royal Philharmonic Orchestra Live
Tempo:
132.05 bpm
Chords used:
F#
C#
B
D#m
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [F#]
[C#] [C] [A#m]
[F#] [G#] Live for real live.
[F#] These guys do it for real live, guys.
[A#m] Yes, yes.
Royal [F#] Philharmonic.
Can you imagine?
[G#] [F]
[A#m] I hear [F#] the ticking [G#] of the clock.
I'm [F#]
lying here, [A#] the room's pitch [A#m] [F#] dark.
[G#] [F] Classic.
[A#m] I [F#] wonder where you [G#] are tonight.
Ah, no R there.
No [F#]
answer [A#m] on the telephone.
[F#] Love her vibrato.
So good.
[G#] Audience is captivated, [F] by the way.
No [F#] pyrotechnics.
[C#] No backup dancers.
[D#m] Just [C#] great singing.
Great music.
[F#] [C#]
[D#m] And I can understand every [C#] word she's saying.
[G#] Thank you, diction!
[C#] I'm not triggered at all.
[D#m] [B] Tick!
Woo!
[F#] Always [C#]
[D#m] [B]
go
[F#] [C#]
[D#m] [B]
[F#] [C#]
[F#] [B]
[C#] Come on!
Wow.
[F#] [B]
[C#] We
[N] have to stop here because you must know something.
Ann Wilson is 65 years old right now when she's singing this.
65 years old singing alone.
She's singing a C sharp.
How do
At 65.
She's sang this all her life, so she's had some alone wear and tear.
There's no tuning on her voice.
There is no help.
She's got a mic and that is it.
I will say there's some jaw tension.
There's a little bit of strain on bone.
But the woman is killing the game at 65 singing a C sharp.
How do I [C#] get multiple times.
And this is only chorus one.
Let's continue.
[A#m] [F#]
[G#] [F#]
[A#m] [F#]
[G#] Ugh.
[F] Just gorgeous.
Beautiful pitch.
Beautiful [A#m] musicality.
[F#]
[G#]
[A#m] [F#] And she's smart.
She's using these verses [G#] as vocal breaks.
Active [F] rest.
[F#] And now slowly [C#] growing.
[D#m] Swallowing in between.
[C#]
Going into head voice.
[F#] Gorgeous.
[C#]
[D#m] Great [G#] swell there.
[C#] Now watch her prep for the big chorus again.
She's taking the mic away.
Getting big.
And [D#m] now.
Big [B] interlude with the orchestra.
[F#] Even better.
[C#] Great vocal break for her.
Swallowing.
[D#m] Resetting the [B] larynx.
Woo!
[F#] [C#]
[D#m] What?
Whoa, whoa, whoa, whoa, [C#] whoa.
I was not expecting that.
We gotta go back.
I almost peed a little.
[D#m] [B]
[F#] That's an F sharp.
[C#]
[D#m] Yeah!
[B] That's an F sharp.
[F#] [C#] Listen.
[D#m] F sharp [N] is incredible.
It's crazy.
It is blown highly past the money note section which usually traditionally ends at an E.
She's singing a whole step higher than that at an F sharp.
Crazy. But now.
Till now.
Of all.
I didn't love the always.
Goodbye.
It cost her more vocal dollars to close her jaw around that.
I know I'm critiquing heart.
I'm not worthy.
But it's the truth.
Always costs you more than always.
And then.
Goodbye.
I'm [G] seeing jaw tension there.
Now that's probably on a bit of a vocal break for her.
And my gosh she just hit an F sharp.
Okay so I'm giving her all the passes in the world here.
For you guys though I want you to see.
There's a little bit of diphthonging going on with the always.
And there's a little bit of jaw tension on the goodbye.
We'll back it up so that you can see it real [C#] quick.
[D#m]
I love [B] that growl.
Watch the [F#] oh.
[C#] Good.
[D#m]
[B] [F#]
[C#] [D#m] Crazy [B] good.
[F#]
[C#] [F#]
[B] [C#] Really
[C] quick fun fact.
Did [F#m] you guys know that White Heart was formed in [Am] 1967.
Heart was [E] formed in 1970 [Em] from White Heart.
And the Wilson sisters joined in 1973.
[C#] Again have to [F] reiterate the woman's 65 [C#] here.
[F#] [B]
Oh [C#]
[F#] my [B]
gosh.
[C#] The pitch is crazy [F#] good.
[B] The grit, the gravel, the [C#] intensity.
She is so in this right now.
I'm dying.
[A#m] She [F#]
[G#] kept it so perfectly to the original.
[F#] And yet varied [G#] it just enough to make it [D#m] interesting for a live performance.
[A#m] For audiences who I'm sure have heard it all of their lives.
What an amazing artist.
What an amazing group.
Wilson sisters and Wilson.
[N] It killed the game here.
You want to hear some more crazy vocals?
Check this
[C#] [C] [A#m]
[F#] [G#] Live for real live.
[F#] These guys do it for real live, guys.
[A#m] Yes, yes.
Royal [F#] Philharmonic.
Can you imagine?
[G#] [F]
[A#m] I hear [F#] the ticking [G#] of the clock.
I'm [F#]
lying here, [A#] the room's pitch [A#m] [F#] dark.
[G#] [F] Classic.
[A#m] I [F#] wonder where you [G#] are tonight.
Ah, no R there.
No [F#]
answer [A#m] on the telephone.
[F#] Love her vibrato.
So good.
[G#] Audience is captivated, [F] by the way.
No [F#] pyrotechnics.
[C#] No backup dancers.
[D#m] Just [C#] great singing.
Great music.
[F#] [C#]
[D#m] And I can understand every [C#] word she's saying.
[G#] Thank you, diction!
[C#] I'm not triggered at all.
[D#m] [B] Tick!
Woo!
[F#] Always [C#]
[D#m] [B]
go
[F#] [C#]
[D#m] [B]
[F#] [C#]
[F#] [B]
[C#] Come on!
Wow.
[F#] [B]
[C#] We
[N] have to stop here because you must know something.
Ann Wilson is 65 years old right now when she's singing this.
65 years old singing alone.
She's singing a C sharp.
How do
At 65.
She's sang this all her life, so she's had some alone wear and tear.
There's no tuning on her voice.
There is no help.
She's got a mic and that is it.
I will say there's some jaw tension.
There's a little bit of strain on bone.
But the woman is killing the game at 65 singing a C sharp.
How do I [C#] get multiple times.
And this is only chorus one.
Let's continue.
[A#m] [F#]
[G#] [F#]
[A#m] [F#]
[G#] Ugh.
[F] Just gorgeous.
Beautiful pitch.
Beautiful [A#m] musicality.
[F#]
[G#]
[A#m] [F#] And she's smart.
She's using these verses [G#] as vocal breaks.
Active [F] rest.
[F#] And now slowly [C#] growing.
[D#m] Swallowing in between.
[C#]
Going into head voice.
[F#] Gorgeous.
[C#]
[D#m] Great [G#] swell there.
[C#] Now watch her prep for the big chorus again.
She's taking the mic away.
Getting big.
And [D#m] now.
Big [B] interlude with the orchestra.
[F#] Even better.
[C#] Great vocal break for her.
Swallowing.
[D#m] Resetting the [B] larynx.
Woo!
[F#] [C#]
[D#m] What?
Whoa, whoa, whoa, whoa, [C#] whoa.
I was not expecting that.
We gotta go back.
I almost peed a little.
[D#m] [B]
[F#] That's an F sharp.
[C#]
[D#m] Yeah!
[B] That's an F sharp.
[F#] [C#] Listen.
[D#m] F sharp [N] is incredible.
It's crazy.
It is blown highly past the money note section which usually traditionally ends at an E.
She's singing a whole step higher than that at an F sharp.
Crazy. But now.
Till now.
Of all.
I didn't love the always.
Goodbye.
It cost her more vocal dollars to close her jaw around that.
I know I'm critiquing heart.
I'm not worthy.
But it's the truth.
Always costs you more than always.
And then.
Goodbye.
I'm [G] seeing jaw tension there.
Now that's probably on a bit of a vocal break for her.
And my gosh she just hit an F sharp.
Okay so I'm giving her all the passes in the world here.
For you guys though I want you to see.
There's a little bit of diphthonging going on with the always.
And there's a little bit of jaw tension on the goodbye.
We'll back it up so that you can see it real [C#] quick.
[D#m]
I love [B] that growl.
Watch the [F#] oh.
[C#] Good.
[D#m]
[B] [F#]
[C#] [D#m] Crazy [B] good.
[F#]
[C#] [F#]
[B] [C#] Really
[C] quick fun fact.
Did [F#m] you guys know that White Heart was formed in [Am] 1967.
Heart was [E] formed in 1970 [Em] from White Heart.
And the Wilson sisters joined in 1973.
[C#] Again have to [F] reiterate the woman's 65 [C#] here.
[F#] [B]
Oh [C#]
[F#] my [B]
gosh.
[C#] The pitch is crazy [F#] good.
[B] The grit, the gravel, the [C#] intensity.
She is so in this right now.
I'm dying.
[A#m] She [F#]
[G#] kept it so perfectly to the original.
[F#] And yet varied [G#] it just enough to make it [D#m] interesting for a live performance.
[A#m] For audiences who I'm sure have heard it all of their lives.
What an amazing artist.
What an amazing group.
Wilson sisters and Wilson.
[N] It killed the game here.
You want to hear some more crazy vocals?
Check this
Key:
F#
C#
B
D#m
G#
F#
C#
B
[B] _ _ _ _ [F#] _ _ _ _
[C#] _ [C] _ _ _ [A#m] _ _ _ _
[F#] _ _ _ [G#] Live for real live.
[F#] These guys do it for real live, guys.
[A#m] Yes, yes.
Royal [F#] Philharmonic.
Can you imagine?
[G#] _ _ _ _ [F] _
_ _ _ [A#m] I hear [F#] the ticking [G#] of the clock.
I'm [F#]
lying here, [A#] the room's pitch [A#m] [F#] dark.
_ _ [G#] _ _ _ [F] Classic. _
_ _ [A#m] _ I [F#] wonder where you [G#] are tonight.
Ah, no R there.
No [F#]
answer [A#m] on the telephone.
_ [F#] Love her vibrato.
So good.
[G#] _ Audience is captivated, [F] by the way.
No [F#] pyrotechnics.
_ _ [C#] No backup dancers.
_ _ [D#m] _ _ Just [C#] great singing.
Great music.
[F#] _ _ _ _ [C#] _ _
_ [D#m] And I can understand every [C#] word she's saying.
[G#] Thank you, diction!
_ [C#] _ _ I'm not triggered at all.
_ _ _ _ _ _ _ _
_ _ [D#m] _ _ [B] Tick! _
Woo!
_ [F#] _ Always _ [C#] _ _
_ _ [D#m] _ _ _ [B] _ _ _
go_
_ [F#] _ _ _ _ [C#] _
_ _ [D#m] _ _ _ _ [B] _ _
_ _ [F#] _ _ _ _ [C#] _ _
_ _ [F#] _ _ _ [B] _ _ _
_ [C#] Come on! _ _ _ _ _
Wow.
[F#] _ _ _ [B] _ _ _
_ _ _ [C#] We _ _ _
_ _ _ _ [N] have to stop here because you must know something.
Ann Wilson is 65 years old right now when she's singing this.
_ 65 _ _ years old singing alone.
She's singing a C sharp.
How do_ _ _
_ _ _ At 65.
_ She's sang this all her life, so she's had some alone wear and tear.
There's no tuning on her voice.
There is no help.
She's got a mic and that is it.
I will say there's some jaw tension.
There's a little bit of strain on bone.
But the woman is killing the game at 65 singing a C sharp.
How do I [C#] get multiple times.
And this is only chorus one.
Let's continue. _ _ _ _ _
[A#m] _ _ _ _ _ [F#] _ _ _
_ [G#] _ _ _ _ _ [F#] _ _
_ [A#m] _ _ _ _ [F#] _ _ _
_ [G#] _ Ugh.
[F] Just gorgeous.
Beautiful pitch.
Beautiful [A#m] musicality.
_ _ [F#] _ _ _
_ _ [G#] _ _ _ _ _ _
_ [A#m] _ _ _ _ [F#] And she's smart.
She's using these verses [G#] as vocal breaks.
Active [F] rest. _
_ _ [F#] And now slowly [C#] growing. _
_ _ [D#m] Swallowing in between.
_ [C#] _
Going into head voice.
[F#] Gorgeous.
_ _ _ [C#] _ _
_ _ [D#m] _ Great [G#] swell there. _
_ _ [C#] _ Now watch her prep for the big chorus again.
She's taking the mic away.
Getting big. _ _ _
And [D#m] now.
Big [B] interlude with the orchestra.
[F#] Even better.
[C#] Great vocal break for her.
Swallowing.
[D#m] Resetting the [B] larynx.
Woo! _ _
_ _ [F#] _ _ _ _ [C#] _ _
[D#m] What?
_ _ Whoa, whoa, whoa, whoa, [C#] whoa.
I was not expecting that.
We gotta go back.
I almost peed a little.
_ _ [D#m] _ _ [B] _ _ _
_ [F#] That's an F sharp.
_ [C#] _ _
_ _ [D#m] _ Yeah!
[B] That's an F sharp. _
_ _ [F#] _ _ _ [C#] Listen. _
_ _ [D#m] _ _ F sharp [N] is incredible.
It's crazy.
It is blown highly past the money note section which usually traditionally ends at an E.
She's singing a whole step higher than that at an F sharp.
Crazy. But now.
Till now.
Of all.
I didn't love the always.
Goodbye.
It cost her more vocal dollars to close her jaw around that.
I know I'm critiquing heart.
I'm not worthy.
But it's the truth.
Always costs you more than always.
And then.
Goodbye.
I'm [G] seeing jaw tension there.
Now that's probably on a bit of a vocal break for her.
And my gosh she just hit an F sharp.
Okay so I'm giving her all the passes in the world here.
For you guys though I want you to see.
There's a little bit of diphthonging going on with the always.
And there's a little bit of jaw tension on the goodbye.
We'll back it up so that you can see it real [C#] quick.
[D#m] _
I love [B] that _ growl.
Watch the [F#] oh. _
_ _ [C#] Good.
_ _ [D#m] _ _
_ [B] _ _ _ _ _ [F#] _ _
_ _ [C#] _ _ _ _ [D#m] Crazy [B] good.
_ _ _ [F#] _ _ _
_ [C#] _ _ _ _ [F#] _ _ _
[B] _ _ _ _ [C#] Really _ _
_ _ _ [C] quick fun fact.
Did [F#m] you guys know that White Heart was formed in [Am] 1967.
Heart was [E] formed in 1970 [Em] from White Heart.
And the Wilson sisters joined in 1973.
_ [C#] Again have to [F] reiterate the woman's 65 [C#] here.
_ _ [F#] _ _ [B] _ _
_ Oh [C#] _ _ _ _ _
_ _ _ [F#] my _ [B] _
gosh.
_ [C#] _ _ _ The pitch is crazy [F#] good.
_ _ [B] _ The grit, the gravel, the [C#] intensity.
She is so in this right now.
I'm dying. _ _ _ _ _ _
_ [A#m] She _ _ _ _ [F#] _
_ _ _ [G#] kept it so perfectly to the original.
[F#] And yet varied [G#] it just enough to make it [D#m] interesting for a live performance.
[A#m] For audiences who I'm sure have heard it all of their lives.
What an amazing artist.
What an amazing group.
Wilson sisters and Wilson.
_ [N] It killed the game here.
You want to hear some more crazy vocals?
Check this
[C#] _ [C] _ _ _ [A#m] _ _ _ _
[F#] _ _ _ [G#] Live for real live.
[F#] These guys do it for real live, guys.
[A#m] Yes, yes.
Royal [F#] Philharmonic.
Can you imagine?
[G#] _ _ _ _ [F] _
_ _ _ [A#m] I hear [F#] the ticking [G#] of the clock.
I'm [F#]
lying here, [A#] the room's pitch [A#m] [F#] dark.
_ _ [G#] _ _ _ [F] Classic. _
_ _ [A#m] _ I [F#] wonder where you [G#] are tonight.
Ah, no R there.
No [F#]
answer [A#m] on the telephone.
_ [F#] Love her vibrato.
So good.
[G#] _ Audience is captivated, [F] by the way.
No [F#] pyrotechnics.
_ _ [C#] No backup dancers.
_ _ [D#m] _ _ Just [C#] great singing.
Great music.
[F#] _ _ _ _ [C#] _ _
_ [D#m] And I can understand every [C#] word she's saying.
[G#] Thank you, diction!
_ [C#] _ _ I'm not triggered at all.
_ _ _ _ _ _ _ _
_ _ [D#m] _ _ [B] Tick! _
Woo!
_ [F#] _ Always _ [C#] _ _
_ _ [D#m] _ _ _ [B] _ _ _
go_
_ [F#] _ _ _ _ [C#] _
_ _ [D#m] _ _ _ _ [B] _ _
_ _ [F#] _ _ _ _ [C#] _ _
_ _ [F#] _ _ _ [B] _ _ _
_ [C#] Come on! _ _ _ _ _
Wow.
[F#] _ _ _ [B] _ _ _
_ _ _ [C#] We _ _ _
_ _ _ _ [N] have to stop here because you must know something.
Ann Wilson is 65 years old right now when she's singing this.
_ 65 _ _ years old singing alone.
She's singing a C sharp.
How do_ _ _
_ _ _ At 65.
_ She's sang this all her life, so she's had some alone wear and tear.
There's no tuning on her voice.
There is no help.
She's got a mic and that is it.
I will say there's some jaw tension.
There's a little bit of strain on bone.
But the woman is killing the game at 65 singing a C sharp.
How do I [C#] get multiple times.
And this is only chorus one.
Let's continue. _ _ _ _ _
[A#m] _ _ _ _ _ [F#] _ _ _
_ [G#] _ _ _ _ _ [F#] _ _
_ [A#m] _ _ _ _ [F#] _ _ _
_ [G#] _ Ugh.
[F] Just gorgeous.
Beautiful pitch.
Beautiful [A#m] musicality.
_ _ [F#] _ _ _
_ _ [G#] _ _ _ _ _ _
_ [A#m] _ _ _ _ [F#] And she's smart.
She's using these verses [G#] as vocal breaks.
Active [F] rest. _
_ _ [F#] And now slowly [C#] growing. _
_ _ [D#m] Swallowing in between.
_ [C#] _
Going into head voice.
[F#] Gorgeous.
_ _ _ [C#] _ _
_ _ [D#m] _ Great [G#] swell there. _
_ _ [C#] _ Now watch her prep for the big chorus again.
She's taking the mic away.
Getting big. _ _ _
And [D#m] now.
Big [B] interlude with the orchestra.
[F#] Even better.
[C#] Great vocal break for her.
Swallowing.
[D#m] Resetting the [B] larynx.
Woo! _ _
_ _ [F#] _ _ _ _ [C#] _ _
[D#m] What?
_ _ Whoa, whoa, whoa, whoa, [C#] whoa.
I was not expecting that.
We gotta go back.
I almost peed a little.
_ _ [D#m] _ _ [B] _ _ _
_ [F#] That's an F sharp.
_ [C#] _ _
_ _ [D#m] _ Yeah!
[B] That's an F sharp. _
_ _ [F#] _ _ _ [C#] Listen. _
_ _ [D#m] _ _ F sharp [N] is incredible.
It's crazy.
It is blown highly past the money note section which usually traditionally ends at an E.
She's singing a whole step higher than that at an F sharp.
Crazy. But now.
Till now.
Of all.
I didn't love the always.
Goodbye.
It cost her more vocal dollars to close her jaw around that.
I know I'm critiquing heart.
I'm not worthy.
But it's the truth.
Always costs you more than always.
And then.
Goodbye.
I'm [G] seeing jaw tension there.
Now that's probably on a bit of a vocal break for her.
And my gosh she just hit an F sharp.
Okay so I'm giving her all the passes in the world here.
For you guys though I want you to see.
There's a little bit of diphthonging going on with the always.
And there's a little bit of jaw tension on the goodbye.
We'll back it up so that you can see it real [C#] quick.
[D#m] _
I love [B] that _ growl.
Watch the [F#] oh. _
_ _ [C#] Good.
_ _ [D#m] _ _
_ [B] _ _ _ _ _ [F#] _ _
_ _ [C#] _ _ _ _ [D#m] Crazy [B] good.
_ _ _ [F#] _ _ _
_ [C#] _ _ _ _ [F#] _ _ _
[B] _ _ _ _ [C#] Really _ _
_ _ _ [C] quick fun fact.
Did [F#m] you guys know that White Heart was formed in [Am] 1967.
Heart was [E] formed in 1970 [Em] from White Heart.
And the Wilson sisters joined in 1973.
_ [C#] Again have to [F] reiterate the woman's 65 [C#] here.
_ _ [F#] _ _ [B] _ _
_ Oh [C#] _ _ _ _ _
_ _ _ [F#] my _ [B] _
gosh.
_ [C#] _ _ _ The pitch is crazy [F#] good.
_ _ [B] _ The grit, the gravel, the [C#] intensity.
She is so in this right now.
I'm dying. _ _ _ _ _ _
_ [A#m] She _ _ _ _ [F#] _
_ _ _ [G#] kept it so perfectly to the original.
[F#] And yet varied [G#] it just enough to make it [D#m] interesting for a live performance.
[A#m] For audiences who I'm sure have heard it all of their lives.
What an amazing artist.
What an amazing group.
Wilson sisters and Wilson.
_ [N] It killed the game here.
You want to hear some more crazy vocals?
Check this