Chords for Using a Violin Bow on a Guitar Sounds Incredible
Tempo:
119.35 bpm
Chords used:
Eb
Em
Ab
G
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
No, [Gm] this isn't the remains of [Eb] a giant roll of toilet [C] paper.
[Ab] It is [Eb]
a [F] violin bow.
[Eb] I'm going to play the guitar with it like one of my [G] heroes, Jimmy Page, [Ab] once did.
Now, I have no idea [Eb] what to look for in a [F] violin bow.
I [Bb] just picked [Ab] one with a lot of [C] good ratings and like the medium [Cm] price range, I think this
was like [Eb] $70.
[Abm] I have no idea how this [Fm] is going to turn out, but [Ab] if it goes well, maybe I'll come up with
some sort of composition [Eb] for you.
I've always thought PRS [Ab] guitars are the closest thing in the guitar [Ebm] world to a violin.
I've [F] also heard Paul reference many times over the years the amazing [D] violinist Stradivari,
[Cm] so it seems like he could be thinking about the [F] violin when he is building his guitars.
[Cm] Now, I'm imagining I'm going to need a little [Bb] bit of gain and compression in [Cm] order to really
make these notes not only [Bb] even, but come out with a little [Cm] ease.
So I've got a compressor here from [F] Empress FX going into an [Cm] overdrive pedal from Copper [Ab] Sound Pedals.
If [F] I'm feeling saucy, I might stack [Bb] another overdrive from [Ab] Strymon.
And my [Bb] goal here is to get [F] really spacey [Cm] with this, so we're going to want some ambient
[Bb] effects like this delay pedal from [Eb] JHS Pedals and this [Gm] reverb pedal from [Eb] Walrus Audio.
Alright, here we go.
[C]
[Eb]
[C] Alright, I think I need a lot more gain.
[A] [E]
[C]
[Ab] [C]
[D] [A]
[D]
[A] [Dm] [G]
[D]
[A]
[D]
[B]
[Am] I'm just not getting any noise out of this.
How did Jimmy Page do [C] this?
Alright, so it looks like he was hovering over the pickup.
Maybe that's my problem.
[A]
[D]
[B] [E]
Maybe I [A] need
I don't know, I'll try some different pickups, I guess, and a different guitar.
[D]
[E] [Em] [G]
That's not doing anything.
There has to be a reason.
The reason why you're not getting anything out of your violin, especially if it's a brand
new violin with a brand new bow, is because you need to put some rosin on the bow in order
to make a [F] sound.
[C] [N]
Okay, now I feel dumb.
There's something called rosin that you're supposed to put on a violin bow in order to
create friction between the bow and the strings.
And since I can't go anywhere right now, I have to order it online, so I guess I'll just
fast forward a few days in the future.
[E] Alright, this is Premium Dark [Cm] Rosin.
[Eb] [G]
[Ab] See what this [G] is.
[Cm] It [Eb] kind of reminds me of the [Gm] amber in Jurassic [F] Park that the mosquitos stuck in.
[Ab] I don't really feel like [Fm] it's doing anything.
[F]
It says [Cm] apply two to three coats.
[Eb] [F]
[Eb] I've got to say, it doesn't really look [Ab] that much [Eb] different, but [Cm] [Ab] we'll see what happens.
[Db] Alright, moment of [G] truth.
[Am] [A]
[Em]
[E]
[Em] [E]
[Em]
[G] Alright, let's see if we can get something going with clean now that we apparently have
some working rosin on our bow.
Wow, this thing really is like a violin.
[Em]
[A]
[G]
[A] [G]
[Em] [Gbm]
[E] [Em]
[Em]
[Gbm]
[E] [Em]
[Gbm] [G]
[Em]
[Gb] [Gbm]
[Am] [Em]
[Gbm] [E]
[Gm]
[Em] [E] [Gb]
[Em]
[Gb] [E]
[Em]
[Gb] [C] [G]
[Em]
[Bm] [G]
[Em] Whoa!
We got out there.
I think [Eb] I need to clean my guitar.
I got rosin all over it.
I felt like the only string I could accurately target was the E string.
Everything else is
I don't know.
There's not really a [D] bowed neck like a violin has, so it's hard to pinpoint.
Also, if you get some [Dbm] chords, they sometimes sound different than they would if you strum them.
So there's that, [E] but then when you
[Dbm]
There's like a ton of overtones.
[B]
[C]
[A]
Just a different timbre, a different [Eb] finger tone, because it's really not fingers.
It's horse hair.
So this is really cool.
I encourage anyone [A] who's interested to follow my lead and buy some rosin along with the bow.
[E] [G] [A]
[E] [G]
[A]
[Cm] [Eb]
[F] [Ab]
[G] [Cm] [Ab] [F]
[Bb] [Ab] [D]
[F] [Cm] [Eb]
[Ab] It is [Eb]
a [F] violin bow.
[Eb] I'm going to play the guitar with it like one of my [G] heroes, Jimmy Page, [Ab] once did.
Now, I have no idea [Eb] what to look for in a [F] violin bow.
I [Bb] just picked [Ab] one with a lot of [C] good ratings and like the medium [Cm] price range, I think this
was like [Eb] $70.
[Abm] I have no idea how this [Fm] is going to turn out, but [Ab] if it goes well, maybe I'll come up with
some sort of composition [Eb] for you.
I've always thought PRS [Ab] guitars are the closest thing in the guitar [Ebm] world to a violin.
I've [F] also heard Paul reference many times over the years the amazing [D] violinist Stradivari,
[Cm] so it seems like he could be thinking about the [F] violin when he is building his guitars.
[Cm] Now, I'm imagining I'm going to need a little [Bb] bit of gain and compression in [Cm] order to really
make these notes not only [Bb] even, but come out with a little [Cm] ease.
So I've got a compressor here from [F] Empress FX going into an [Cm] overdrive pedal from Copper [Ab] Sound Pedals.
If [F] I'm feeling saucy, I might stack [Bb] another overdrive from [Ab] Strymon.
And my [Bb] goal here is to get [F] really spacey [Cm] with this, so we're going to want some ambient
[Bb] effects like this delay pedal from [Eb] JHS Pedals and this [Gm] reverb pedal from [Eb] Walrus Audio.
Alright, here we go.
[C]
[Eb]
[C] Alright, I think I need a lot more gain.
[A] [E]
[C]
[Ab] [C]
[D] [A]
[D]
[A] [Dm] [G]
[D]
[A]
[D]
[B]
[Am] I'm just not getting any noise out of this.
How did Jimmy Page do [C] this?
Alright, so it looks like he was hovering over the pickup.
Maybe that's my problem.
[A]
[D]
[B] [E]
Maybe I [A] need
I don't know, I'll try some different pickups, I guess, and a different guitar.
[D]
[E] [Em] [G]
That's not doing anything.
There has to be a reason.
The reason why you're not getting anything out of your violin, especially if it's a brand
new violin with a brand new bow, is because you need to put some rosin on the bow in order
to make a [F] sound.
[C] [N]
Okay, now I feel dumb.
There's something called rosin that you're supposed to put on a violin bow in order to
create friction between the bow and the strings.
And since I can't go anywhere right now, I have to order it online, so I guess I'll just
fast forward a few days in the future.
[E] Alright, this is Premium Dark [Cm] Rosin.
[Eb] [G]
[Ab] See what this [G] is.
[Cm] It [Eb] kind of reminds me of the [Gm] amber in Jurassic [F] Park that the mosquitos stuck in.
[Ab] I don't really feel like [Fm] it's doing anything.
[F]
It says [Cm] apply two to three coats.
[Eb] [F]
[Eb] I've got to say, it doesn't really look [Ab] that much [Eb] different, but [Cm] [Ab] we'll see what happens.
[Db] Alright, moment of [G] truth.
[Am] [A]
[Em]
[E]
[Em] [E]
[Em]
[G] Alright, let's see if we can get something going with clean now that we apparently have
some working rosin on our bow.
Wow, this thing really is like a violin.
[Em]
[A]
[G]
[A] [G]
[Em] [Gbm]
[E] [Em]
[Em]
[Gbm]
[E] [Em]
[Gbm] [G]
[Em]
[Gb] [Gbm]
[Am] [Em]
[Gbm] [E]
[Gm]
[Em] [E] [Gb]
[Em]
[Gb] [E]
[Em]
[Gb] [C] [G]
[Em]
[Bm] [G]
[Em] Whoa!
We got out there.
I think [Eb] I need to clean my guitar.
I got rosin all over it.
I felt like the only string I could accurately target was the E string.
Everything else is
I don't know.
There's not really a [D] bowed neck like a violin has, so it's hard to pinpoint.
Also, if you get some [Dbm] chords, they sometimes sound different than they would if you strum them.
So there's that, [E] but then when you
[Dbm]
There's like a ton of overtones.
[B]
[C]
[A]
Just a different timbre, a different [Eb] finger tone, because it's really not fingers.
It's horse hair.
So this is really cool.
I encourage anyone [A] who's interested to follow my lead and buy some rosin along with the bow.
[E] [G] [A]
[E] [G]
[A]
[Cm] [Eb]
[F] [Ab]
[G] [Cm] [Ab] [F]
[Bb] [Ab] [D]
[F] [Cm] [Eb]
Key:
Eb
Em
Ab
G
F
Eb
Em
Ab
No, [Gm] this isn't the remains of [Eb] a giant roll of toilet [C] paper.
[Ab] It is _ _ _ _ [Eb] _ _
a [F] violin bow.
[Eb] I'm going to play the guitar with it like one of my [G] heroes, Jimmy Page, [Ab] once did.
Now, I have no idea [Eb] what to look for in a [F] violin bow.
I [Bb] just picked [Ab] one with a lot of [C] good ratings and like the medium [Cm] price range, I think this
was like [Eb] $70.
[Abm] I have no idea how this [Fm] is going to turn out, but [Ab] if it goes well, maybe I'll come up with
some sort of composition [Eb] for you.
I've always thought PRS [Ab] guitars are the closest thing in the guitar [Ebm] world to a violin.
I've [F] also heard Paul reference many times over the years the amazing [D] violinist Stradivari,
[Cm] so it seems like he could be thinking about the [F] violin when he is building his guitars.
[Cm] Now, I'm imagining I'm going to need a little [Bb] bit of gain and compression in [Cm] order to really
make these notes not only [Bb] even, but come out with a little [Cm] ease.
So I've got a compressor here from [F] Empress FX going into an [Cm] overdrive pedal from Copper [Ab] Sound Pedals.
If [F] I'm feeling saucy, I might stack [Bb] another overdrive from [Ab] Strymon.
And my [Bb] goal here is to get [F] really spacey [Cm] with this, so we're going to want some ambient
[Bb] effects like this delay pedal from [Eb] JHS Pedals and this [Gm] reverb pedal from [Eb] Walrus Audio.
Alright, here we go.
_ _ [C] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Eb] _ _ _ _ _ _ _
_ [C] _ _ _ _ _ Alright, I think I need a lot more gain.
_ [A] _ _ _ [E] _
_ [C] _ _ _ _ _ _ _
_ [Ab] _ _ [C] _ _ _ _ _
_ _ _ _ _ [D] _ _ [A] _
_ _ _ _ _ _ [D] _ _
_ [A] _ _ [Dm] _ _ _ _ [G] _
_ _ _ _ _ _ [D] _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ [B] _ _ _ _ _
[Am] I'm just not getting any noise out of this.
How did Jimmy Page do [C] this?
Alright, so it looks like he was hovering over the pickup.
Maybe that's my problem.
[A] _
_ _ [D] _ _ _ _ _ _
_ [B] _ _ _ _ _ _ [E] _
Maybe I [A] need_
I don't know, I'll try some different pickups, I guess, and a different guitar.
_ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ _ [Em] _ _ _ _ [G] _
_ _ _ That's not doing anything.
There has to be a reason.
The reason why you're not getting anything out of your violin, especially if it's a brand
new violin with a brand new bow, is because you need to put some rosin on the bow in order
to make a [F] sound.
_ [C] _ _ [N]
Okay, now I feel dumb.
_ _ There's something called rosin that you're supposed to put on a violin bow in order to
create friction between the bow and the strings.
And since I can't go anywhere right now, I have to order it online, so I guess I'll just
fast forward a few days in the future.
[E] Alright, this is Premium Dark [Cm] Rosin.
_ _ [Eb] _ _ _ [G] _
_ [Ab] _ _ _ See what this [G] is.
_ [Cm] It [Eb] kind of reminds me of the [Gm] amber in Jurassic [F] Park that the mosquitos stuck in.
[Ab] I don't really feel like [Fm] it's doing anything.
[F]
It says [Cm] apply two to three coats.
[Eb] _ _ _ [F] _
[Eb] I've got to say, it doesn't really look [Ab] that much [Eb] different, but [Cm] _ [Ab] we'll see what happens.
[Db] Alright, moment of [G] truth.
_ _ [Am] _ _ _ [A] _ _
_ _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ [Em] _ _
_ _ _ _ _ [G] _ Alright, let's see if we can get something going with clean now that we apparently have
some working rosin on our bow. _ _ _
Wow, this thing really is like a violin.
_ _ _ _ [Em] _
_ _ _ _ _ _ [A] _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ [Em] _ _ _ _ _ _ [Gbm] _
_ _ _ _ [E] _ _ [Em] _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ [Gbm] _ _ _ _ _
_ [E] _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Gbm] _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ _ _ [Gb] _ _ [Gbm] _
_ _ _ [Am] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ _ [Gbm] _ _ _ _ _ [E] _
_ [Gm] _ _ _ _ _ _ _
_ [Em] _ _ _ [E] _ _ _ [Gb] _
_ _ _ [Em] _ _ _ _ _
_ _ _ _ [Gb] _ _ [E] _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ [Gb] _ _ [C] _ _ [G] _
_ _ _ _ _ [Em] _ _ _
_ _ _ [Bm] _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Em] _ Whoa!
We got out there.
I think [Eb] I need to clean my guitar.
I got rosin all over it.
I felt like the only string I could accurately target was the E string. _
_ _ Everything else is_
I don't know.
There's not really a [D] bowed neck like a violin has, so it's hard to pinpoint.
Also, if you get some [Dbm] chords, _ _ they sometimes sound different than they would if you strum them. _
So there's that, [E] but then when you_
_ [Dbm]
There's like a ton of overtones.
[B] _ _ _ _
_ _ [C] _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
Just a different timbre, a different [Eb] finger tone, because it's really not fingers.
It's horse hair.
_ So this is really cool.
I encourage anyone [A] who's interested to follow my lead and buy some rosin along with the bow.
[E] _ _ _ _ [G] _ _ _ _ _ [A] _ _ _ _ _ _
_ _ _ [E] _ _ _ _ [G] _
_ _ _ [A] _ _ _ _ _
_ _ _ _ [Cm] _ _ _ [Eb] _
_ [F] _ _ [Ab] _ _ _ _ _
_ [G] _ _ [Cm] _ _ [Ab] _ _ [F] _
_ _ _ [Bb] _ [Ab] _ _ _ [D] _
_ [F] _ _ [Cm] _ _ _ _ [Eb] _
[Ab] It is _ _ _ _ [Eb] _ _
a [F] violin bow.
[Eb] I'm going to play the guitar with it like one of my [G] heroes, Jimmy Page, [Ab] once did.
Now, I have no idea [Eb] what to look for in a [F] violin bow.
I [Bb] just picked [Ab] one with a lot of [C] good ratings and like the medium [Cm] price range, I think this
was like [Eb] $70.
[Abm] I have no idea how this [Fm] is going to turn out, but [Ab] if it goes well, maybe I'll come up with
some sort of composition [Eb] for you.
I've always thought PRS [Ab] guitars are the closest thing in the guitar [Ebm] world to a violin.
I've [F] also heard Paul reference many times over the years the amazing [D] violinist Stradivari,
[Cm] so it seems like he could be thinking about the [F] violin when he is building his guitars.
[Cm] Now, I'm imagining I'm going to need a little [Bb] bit of gain and compression in [Cm] order to really
make these notes not only [Bb] even, but come out with a little [Cm] ease.
So I've got a compressor here from [F] Empress FX going into an [Cm] overdrive pedal from Copper [Ab] Sound Pedals.
If [F] I'm feeling saucy, I might stack [Bb] another overdrive from [Ab] Strymon.
And my [Bb] goal here is to get [F] really spacey [Cm] with this, so we're going to want some ambient
[Bb] effects like this delay pedal from [Eb] JHS Pedals and this [Gm] reverb pedal from [Eb] Walrus Audio.
Alright, here we go.
_ _ [C] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Eb] _ _ _ _ _ _ _
_ [C] _ _ _ _ _ Alright, I think I need a lot more gain.
_ [A] _ _ _ [E] _
_ [C] _ _ _ _ _ _ _
_ [Ab] _ _ [C] _ _ _ _ _
_ _ _ _ _ [D] _ _ [A] _
_ _ _ _ _ _ [D] _ _
_ [A] _ _ [Dm] _ _ _ _ [G] _
_ _ _ _ _ _ [D] _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ [B] _ _ _ _ _
[Am] I'm just not getting any noise out of this.
How did Jimmy Page do [C] this?
Alright, so it looks like he was hovering over the pickup.
Maybe that's my problem.
[A] _
_ _ [D] _ _ _ _ _ _
_ [B] _ _ _ _ _ _ [E] _
Maybe I [A] need_
I don't know, I'll try some different pickups, I guess, and a different guitar.
_ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ _ [Em] _ _ _ _ [G] _
_ _ _ That's not doing anything.
There has to be a reason.
The reason why you're not getting anything out of your violin, especially if it's a brand
new violin with a brand new bow, is because you need to put some rosin on the bow in order
to make a [F] sound.
_ [C] _ _ [N]
Okay, now I feel dumb.
_ _ There's something called rosin that you're supposed to put on a violin bow in order to
create friction between the bow and the strings.
And since I can't go anywhere right now, I have to order it online, so I guess I'll just
fast forward a few days in the future.
[E] Alright, this is Premium Dark [Cm] Rosin.
_ _ [Eb] _ _ _ [G] _
_ [Ab] _ _ _ See what this [G] is.
_ [Cm] It [Eb] kind of reminds me of the [Gm] amber in Jurassic [F] Park that the mosquitos stuck in.
[Ab] I don't really feel like [Fm] it's doing anything.
[F]
It says [Cm] apply two to three coats.
[Eb] _ _ _ [F] _
[Eb] I've got to say, it doesn't really look [Ab] that much [Eb] different, but [Cm] _ [Ab] we'll see what happens.
[Db] Alright, moment of [G] truth.
_ _ [Am] _ _ _ [A] _ _
_ _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ [Em] _ _
_ _ _ _ _ [G] _ Alright, let's see if we can get something going with clean now that we apparently have
some working rosin on our bow. _ _ _
Wow, this thing really is like a violin.
_ _ _ _ [Em] _
_ _ _ _ _ _ [A] _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ [Em] _ _ _ _ _ _ [Gbm] _
_ _ _ _ [E] _ _ [Em] _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ [Gbm] _ _ _ _ _
_ [E] _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Gbm] _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ _ _ [Gb] _ _ [Gbm] _
_ _ _ [Am] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ _ [Gbm] _ _ _ _ _ [E] _
_ [Gm] _ _ _ _ _ _ _
_ [Em] _ _ _ [E] _ _ _ [Gb] _
_ _ _ [Em] _ _ _ _ _
_ _ _ _ [Gb] _ _ [E] _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ [Gb] _ _ [C] _ _ [G] _
_ _ _ _ _ [Em] _ _ _
_ _ _ [Bm] _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Em] _ Whoa!
We got out there.
I think [Eb] I need to clean my guitar.
I got rosin all over it.
I felt like the only string I could accurately target was the E string. _
_ _ Everything else is_
I don't know.
There's not really a [D] bowed neck like a violin has, so it's hard to pinpoint.
Also, if you get some [Dbm] chords, _ _ they sometimes sound different than they would if you strum them. _
So there's that, [E] but then when you_
_ [Dbm]
There's like a ton of overtones.
[B] _ _ _ _
_ _ [C] _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
Just a different timbre, a different [Eb] finger tone, because it's really not fingers.
It's horse hair.
_ So this is really cool.
I encourage anyone [A] who's interested to follow my lead and buy some rosin along with the bow.
[E] _ _ _ _ [G] _ _ _ _ _ [A] _ _ _ _ _ _
_ _ _ [E] _ _ _ _ [G] _
_ _ _ [A] _ _ _ _ _
_ _ _ _ [Cm] _ _ _ [Eb] _
_ [F] _ _ [Ab] _ _ _ _ _
_ [G] _ _ [Cm] _ _ [Ab] _ _ [F] _
_ _ _ [Bb] _ [Ab] _ _ _ [D] _
_ [F] _ _ [Cm] _ _ _ _ [Eb] _