Chords for Use *Music AI* to Extract Midi from ANY Sample

Tempo:
109.35 bpm
Chords used:

E

A

D

F

F#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Use *Music AI* to Extract Midi from ANY Sample chords
Start Jamming...
Hello and welcome to BusyworksBeats .com.
Today we continue the AI series where we go over music AI.
And I showed you Samplab before.
I'm going to show you something that I forgot to show you
in the last video.
I already uploaded it to YouTube,
so now I have to add a part two, which
is how to export MIDI from this AI technology.
So I'll show you how to drop a loop into the software,
remove the MIDI, or drop the loop [A#] into the software,
change [G] the notes, and then export the audio.
[E] So you can do a lot with this AI.
It's called Samplab.
Let me [G#] switch screens.
Let me make [D#] sure my buttons [E] work.
OK, they work.
So this is what I forgot to do last time,
because I was so excited to share with you guys.
So basically, what you can do is load up any [C#] audio into this.
Let's do [Em] it from [D#] scratch so you know
we're doing it from scratch.
So this software is called [G] Samplab.
OK, let's drag this loop by LA Crysis
in his [F] new Conceptions pack, which we'll
have at BusyworksBeats.com.
OK, it says it knows the key and it knows the BPM.
Let's hit Harmonic, [A] because it's a chord [A#] pack.
A chord sound, [E] it sounds like this.
[Bm] [B]
OK, let's hit Done.
Now the AI is going to read it and [F#] figure out all the notes.
So it's basically kind of like Melodyne,
how it can map out all the notes.
It's really accurate.
It's way better than the FL Studio Stock way of doing this,
and it's way better than the other stuff that I've seen.
So this is extremely accurate with the notes.
[A] And it gives you all the notes and the [F#] timing and everything.
So let's go in here.
So now I've figured out all the notes.
I have it in a small [F] window just so we could quickly move around.
But usually in a big window, it looks like this.
Now this is a standalone plug-in I'm running,
which means separate from your DAW.
And now we can go [E] back, hit Play.
[D#]
So what you can do here is actually change the notes.
I showed you this [F#] in part one, but let's just do it again.
[E] And [B]
let's try that.
[A#] Oh, I want to [F#] go to the half step.
So oh, I just realized it puts it in a key.
So that's interesting.
I don't know how to take it out of a key.
I didn't read the manual.
Nobody really reads manuals nowadays, let's be honest.
So I don't know if there's a way to take it out of key.
I [D] remember seeing a setting tool.
Oh, here it is at the bottom.
Okay, so let's see.
We may have to keep this in key or we may not.
Maybe that's not a hard rule.
Pitch grid, here we go.
Let's turn that off.
[F#] [G] [A#]
There we [E] go.
[A] [C#]
[C#m] [E] [A]
[D] Okay, I'm even gonna change [F] the timing of a note.
This is crazy.
I can change the timing of a note
and the pitch of that note.
I don't know if we can add notes.
I've never tried to like compose in here,
but I know we can move notes [E] around.
[A]
[D] [F] That's just crazy how it can do that.
It's so crazy because it sees all the notes.
Like this is not a half baked program.
So you would just go through
and change what you wanna change.
For the sake of the video, I'm gonna make this shorter.
Let's just export just that part.
Now here's what I forgot to show you last time
because I was moving so fast.
So here's the original.
Oops, it's deleted the whole file.
How do I control Z?
Oops, okay, [E] there we go.
Here's the original.
[D] [A]
Okay, we turned it into this completely [E] different.
[A] [E] Oh, it didn't look the part I wanted, my bad.
Let's do that again.
So now here's a new version.
[A]
[D] [E] That's so crazy.
We have a whole different vibe for the loop now,
but it still has the DNA.
So imagine dragging a sample in here from a hit record,
I'll say, you switch up the media a little bit
and then you drag it back into your DAW
into a different instrument.
This is the stuff you can do with AI.
This is so crazy.
Let's lower this.
So the question is how do you take it out of SampleLab
and put it into FL?
So this is what I forgot to [Dm] show you.
If you just left click and then drag outside the window,
I believe it copies the audio.
Okay, so you could just drag this over here
and it copies the audio [E] over.
[A] Okay, so that's the audio, but I wanna copy the MIDI.
So what you have to do is hit Alt on PC or Option [D#] on Mac
[F] and then left [D] click and drag.
Oops, Mac's a little [Am] crazy
because it reads key commands from other stuff.
So I'm hitting Alt first and [F#] then left click
and then drag.
[G#] And then it [F] asked me for this import MIDI data screen.
We're gonna say accept.
And then it just loads up some default plugin.
So let's switch this from this plugin
to an actual [F#] piano that sounds like [D#] that.
Let's actually load up [F] Narcos.
Narcos is coming out pretty soon.
We have a contact library [F#m] coming out soon
and you won't even need to buy [G#] contact to use it.
You can use it in the sample player, the contact player.
So let's load up our own instrument.
Let's do pad and let's [D] do [E] Bel Air.
Let's just load [B] up something random.
Oh, this is tough.
Let me turn this down.
So now we have our own loop,
essentially is what I'm showing you.
[A] [D] [B]
[Bm]
[E] [F#] [B]
[D] [E] Now, of course, you're gonna edit some notes.
It [G] picks up everything.
So it's picking up [F] the bells
and the other sounds [D] in that sample.
[G#] But imagine combining this with a STEM AI,
which means you can separate the instruments.
So, okay, here's how you guys go.
You wanna know how to do this?
You take a loop of your favorite song, whatever that is.
You [N] drag it into a STEM maker, okay?
To where it separates all the instruments.
Now you have just the melody
or just the pads or the chords in the instruments.
Then you drag that into Sample Lab.
So you have only the [F] music.
Then you export the MIDI into your [F#] DAW.
You add your instrument of [E] choice.
I would say Narcos coming out soon.
Okay, contact the library.
And then you can have your own sample packs
or your own melody, whatever you wanna make.
Let's even [F] change the key.
Let's go down to G [D] major.
[G]
[C] [A] Now again, [E] it's reading a lot [G] of information.
It's reading [F#] bass notes, bell notes, chords.
So it can read and decipher all that stuff for you.
I just wanted to show you
because I forgot to do this in the last video.
If you want me to go over more Music AI,
again, leave your favorite Music AI in the comments below.
I'm about to do Open AI, ChatGPT.
And then I'm gonna, I showed you guys Jukebox.
And we tried to use Musenet,
but I didn't realize Musenet was down
or it doesn't work or something like that.
So my apologies on that.
I didn't realize Musenet was out of service
until after I posted the
Key:  
E
2311
A
1231
D
1321
F
134211111
F#
134211112
E
2311
A
1231
D
1321
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Hello and welcome to _ BusyworksBeats _ .com.
Today we continue the AI series where we go over music AI.
And I showed you Samplab before.
I'm going to show you something that I forgot to show you
in the last video.
I already uploaded it to YouTube,
so now I have to add a part two, which
is how to export MIDI from this AI technology.
So I'll show you how to drop a loop into the software,
remove the MIDI, or drop the loop [A#] into the software,
change [G] the notes, and then export the audio.
[E] So you can do a lot with this AI.
It's called Samplab.
Let me [G#] switch screens.
Let me make [D#] sure my buttons [E] work.
OK, they work.
So this is what I forgot to do last time,
because I was so excited to share with you guys.
So basically, what you can do is load up any [C#] audio into this.
Let's do [Em] it from [D#] scratch so you know
we're doing it from scratch.
So this software is called [G] Samplab.
OK, let's drag this loop by LA Crysis
in his [F] new Conceptions pack, which we'll
have at BusyworksBeats.com.
OK, it says it knows the key and it knows the BPM.
Let's hit Harmonic, [A] because it's a chord [A#] pack.
A chord sound, [E] it sounds like this.
_ _ [Bm] _ _ [B] _
OK, let's hit Done.
Now the AI is going to read it and [F#] figure out all the notes.
So it's basically kind of like Melodyne,
how it can map out all the notes.
It's really accurate.
It's way better than the FL Studio Stock way of doing this,
and it's way better than the other stuff that I've seen.
So this is extremely accurate with the notes.
[A] And it gives you all the notes and the [F#] timing and everything.
So let's go in here.
So now I've figured out all the notes.
I have it in a small [F] window just so we could quickly move around.
But usually in a big window, it looks like this.
Now this is a standalone plug-in I'm running, _
which means separate from your DAW.
And now we can go [E] back, hit Play.
_ _ _ _ _ [D#] _
So what you can do here is actually change the notes.
I showed you this [F#] in part one, but let's just do it again.
_ _ _ [E] _ And [B] _ _
_ _ let's try that.
_ [A#] _ Oh, I want to [F#] go to the half step.
So oh, I just realized it puts it in a key.
So that's interesting.
I don't know how to take it out of a key.
I didn't read the manual.
Nobody really reads manuals nowadays, let's be honest.
So I don't know if there's a way to take it out of key.
I [D] remember seeing a setting tool.
Oh, here it is at the bottom.
Okay, so let's see.
We may have to keep this in key or we may not.
Maybe that's not a hard rule.
Pitch grid, here we go.
Let's turn that off.
[F#] _ _ [G] _ [A#] _
There we [E] go.
_ [A] _ _ [C#] _ _
_ _ [C#m] _ _ [E] _ _ _ [A] _
_ _ _ [D] _ Okay, I'm even gonna change [F] the timing of a note.
This is crazy.
I can change the timing of a note
and the pitch of that note.
I don't know if we can add notes.
I've never tried to like compose in here,
but I know we can move notes [E] around.
_ _ _ [A] _ _
_ _ [D] _ [F] That's just crazy how it can do that.
It's so crazy because it sees all the notes.
Like this is not a half baked program.
So you would just go through
and change what you wanna change.
For the sake of the video, I'm gonna make this shorter.
Let's just export just that part.
Now here's what I forgot to show you last time
because I was moving so fast.
So here's the original.
_ Oops, it's deleted the whole file.
How do I control Z?
Oops, okay, [E] there we go.
Here's the original.
_ _ [D] _ _ [A] _ _
Okay, we turned it into this completely [E] different. _ _
[A] _ _ _ _ [E] _ Oh, it didn't look the part I wanted, my bad.
Let's do that again.
So now here's a new version.
_ [A] _
_ _ [D] _ _ _ [E] That's so crazy.
We have a whole different vibe for the loop now,
but it still has the DNA.
So imagine dragging a sample in here from a hit record,
I'll say, you switch up the media a little bit
and then you drag it back into your DAW
into a different instrument.
This is the stuff you can do with AI.
This is so crazy.
Let's lower this.
So the question is how do you take it out of SampleLab
and put it into FL?
So this is what I forgot to [Dm] show you.
If you just left click and then drag outside the window,
I believe it copies the audio.
Okay, so you could just drag this over here
and it copies the audio [E] over.
_ _ [A] _ _ _ _ Okay, so that's the audio, but I wanna copy the MIDI.
So what you have to do is hit Alt on PC or Option [D#] on Mac
[F] and then left [D] click and drag.
Oops, _ Mac's a little [Am] crazy
because it reads key commands from other stuff.
So I'm hitting Alt first and [F#] then left click
and then drag.
[G#] And then it [F] asked me for this import MIDI data screen.
We're gonna say accept.
And then it just loads up some default plugin.
So let's switch this from this plugin
to an actual [F#] piano that sounds like [D#] that.
Let's actually load up [F] Narcos.
_ Narcos is coming out pretty soon.
We have a contact library [F#m] coming out soon
and you won't even need to buy [G#] contact to use it.
You can use it in the sample player, the contact player.
So let's load up our own instrument.
Let's do pad and let's [D] do [E] Bel Air.
Let's just load [B] up something random.
_ Oh, this is tough.
Let me turn this down. _
_ So now we have our own loop,
essentially is what I'm showing you. _ _
[A] _ _ _ _ [D] _ _ [B] _ _
_ _ [Bm] _ _ _ _ _ _
[E] _ _ _ _ [F#] _ _ [B] _ _
[D] _ _ _ _ [E] Now, of course, you're gonna edit some notes.
It [G] picks up everything.
So it's picking up [F] the bells
and the other sounds [D] in that sample.
[G#] But imagine combining this with a STEM AI,
which means you can separate the instruments.
So, okay, here's how you guys go.
You wanna know how to do this?
You take a loop of your favorite song, whatever that is.
You [N] drag it into a STEM maker, okay?
To where it separates all the instruments.
Now you have just the melody
or just the pads or the chords in the instruments.
Then you drag that into Sample Lab.
So you have only the [F] music.
Then you export the MIDI into your [F#] DAW.
You add your instrument of [E] choice.
I would say Narcos coming out soon.
Okay, contact the library.
And then you can have your own sample packs
or your own melody, whatever you wanna make.
_ _ _ Let's even [F] change the key.
Let's go down to G [D] major.
_ _ _ [G] _
_ _ _ [C] _ _ [A] _ Now again, [E] it's reading a lot [G] of information.
It's reading [F#] bass notes, bell notes, chords.
So it can read and decipher all that stuff for you.
I just wanted to show you
because I forgot to do this in the last video.
If you want me to go over more Music AI,
again, leave your favorite Music AI in the comments below.
I'm about to do Open AI, _ _ ChatGPT.
And then I'm gonna, I showed you guys Jukebox.
And we tried to use Musenet,
but I didn't realize Musenet was down
or it doesn't work or something like that.
So my apologies on that.
I didn't realize Musenet was out of service
until after I posted the