Chords for U2 - The Unforgettable Fire (Remastered)
Tempo:
105.35 bpm
Chords used:
B
G#
G
A
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Start Jamming...
This is Bono's master vocal, Unforgettable Farm.
It is.
You choose fourth arm.
[D]
[A#] [G]
You can come to the [Dm] microphone with finished words and a finished melody,
and that's all you'll have when it's recorded.
Finished words and a finished melody.
I
You're only [F] a river's one cup.
These city [Dm] lights
[G]
So blue, so blue
[Em] I believe the songs are already written.
And [G] I think
The less you get in the way of them, the better.
It's best to [A] just let what's in you come out.
[B] One man come in the name of [E] love.
[A] One man come and [F#m] go.
[B] One man come here to justify.
[E]
[A] One man to [F#m] overdo.
[B] There's something that [E] works through us to create [D] in this way.
[Em] I think we all bring different things to those sessions,
but we all bring something.
[G] [G] In this love, [C]
[B] sorry
[Em]
[A] [F#m] [F#]
[B]
[Am] [F#m] [G] Maybe a bit [B] more passion this time, Bob.
Yeah, I was a bit restrained, [E] actually.
Maybe you could try standing for this one.
We decided to record this album, or the first part of it anyway,
in Slain Castle.
The sound of this room, this ballroom, suits [F#] our music.
We wanted to use a [B] live room a lot,
and just by [Em] chance we were at the castle
and we saw the ballroom up there.
[C] We had already been experimenting with live recordings.
In fact, I had just done a band in my hometown
in this big old library that [G] had been abandoned for a newer one.
[E] Oh, my head
[Em] [Am]
[D#] It's like the state for the record.
But I want that bit edited, all right?
I'm going [A#m] well
In [C#] wintertime, his bones [G#] are
I [C#] need more
No [A#m] fucking words, [C#]
just
[G#] [C#]
[F#]
Too [C#]
much
I can't see at last
With this band, the [C] uniqueness is there from the very first moment
that they start playing.
There's something about their honesty as people and as musicians.
They build from strength and limitation.
And that's a very good [D] principle.
I mean, there's four very active and creative minds at work all the time,
so I don't think [D#] anyone's interested in taking a back seat in [N] this group.
A group that's never had any problems saying how they feel, [G#] you too.
It's so [G#]
bad
Let it go
It's so [C#] bad
It's so [G#] bad
[C#]
[G#]
[B]
[E]
[F#] [G#] [F#] [G#]
[A] [B]
[E]
[B]
[A] [F#]
[B]
[A] [F#]
[B]
It is.
You choose fourth arm.
[D]
[A#] [G]
You can come to the [Dm] microphone with finished words and a finished melody,
and that's all you'll have when it's recorded.
Finished words and a finished melody.
I
You're only [F] a river's one cup.
These city [Dm] lights
[G]
So blue, so blue
[Em] I believe the songs are already written.
And [G] I think
The less you get in the way of them, the better.
It's best to [A] just let what's in you come out.
[B] One man come in the name of [E] love.
[A] One man come and [F#m] go.
[B] One man come here to justify.
[E]
[A] One man to [F#m] overdo.
[B] There's something that [E] works through us to create [D] in this way.
[Em] I think we all bring different things to those sessions,
but we all bring something.
[G] [G] In this love, [C]
[B] sorry
[Em]
[A] [F#m] [F#]
[B]
[Am] [F#m] [G] Maybe a bit [B] more passion this time, Bob.
Yeah, I was a bit restrained, [E] actually.
Maybe you could try standing for this one.
We decided to record this album, or the first part of it anyway,
in Slain Castle.
The sound of this room, this ballroom, suits [F#] our music.
We wanted to use a [B] live room a lot,
and just by [Em] chance we were at the castle
and we saw the ballroom up there.
[C] We had already been experimenting with live recordings.
In fact, I had just done a band in my hometown
in this big old library that [G] had been abandoned for a newer one.
[E] Oh, my head
[Em] [Am]
[D#] It's like the state for the record.
But I want that bit edited, all right?
I'm going [A#m] well
In [C#] wintertime, his bones [G#] are
I [C#] need more
No [A#m] fucking words, [C#]
just
[G#] [C#]
[F#]
Too [C#]
much
I can't see at last
With this band, the [C] uniqueness is there from the very first moment
that they start playing.
There's something about their honesty as people and as musicians.
They build from strength and limitation.
And that's a very good [D] principle.
I mean, there's four very active and creative minds at work all the time,
so I don't think [D#] anyone's interested in taking a back seat in [N] this group.
A group that's never had any problems saying how they feel, [G#] you too.
It's so [G#]
bad
Let it go
It's so [C#] bad
It's so [G#] bad
[C#]
[G#]
[B]
[E]
[F#] [G#] [F#] [G#]
[A] [B]
[E]
[B]
[A] [F#]
[B]
[A] [F#]
[B]
Key:
B
G#
G
A
E
B
G#
G
This is Bono's master vocal, Unforgettable Farm.
It is.
You choose fourth arm.
[D] _ _ _ _ _ _ _
_ _ _ [A#] _ _ _ _ [G]
You can come to the [Dm] microphone with finished words and a finished melody,
and that's all you'll have when it's recorded.
Finished words and a finished melody.
I_ _
You're only [F] a river's one cup.
These city [Dm] lights_
_ [G] _ _ _ _
So blue, so blue_
_ [Em] I believe the songs are already written.
And [G] I think_
The less you get in the way of them, the better.
It's best to [A] just let what's in you come out.
[B] One man come in the name of [E] love. _
[A] One man come and [F#m] go. _ _
[B] One man come here to justify.
[E] _ _
[A] One man to [F#m] overdo. _ _
_ [B] _ _ _ _ _ There's something that [E] works through us to create [D] in this way.
[Em] I think we all bring different things to those sessions,
but we all bring something.
[G] [G] In this love, _ [C] _ _
[B] _ sorry_ _ _ _ _ _
_ _ _ _ _ [Em] _ _ _
[A] _ _ _ _ [F#m] _ _ [F#] _ _
_ [B] _ _ _ _ _ _ _
[Am] _ _ _ _ [F#m] _ _ [G] Maybe a bit [B] more passion this time, Bob.
Yeah, I was a bit restrained, [E] actually.
Maybe you could try standing for this one.
_ We decided to record this album, or the first part of it anyway,
in Slain Castle.
The sound of this room, this ballroom, suits [F#] our music.
We wanted to use a [B] live room a lot,
and just by [Em] chance we were at the castle
and we saw the ballroom up there.
_ _ _ _ _ [C] We had already been experimenting with live recordings.
In fact, I had just done a band in my hometown
in this big old library that [G] had been abandoned for a newer one.
[E] Oh, my _ head_
_ _ _ _ _ [Em] _ _ [Am] _
_ _ _ _ _ [D#] It's like the state for the record.
But I want that bit edited, all right?
I'm going [A#m] well_
In [C#] wintertime, his bones [G#] are_
I [C#] need more_
No [A#m] fucking words, _ _ [C#] _
just_
[G#] _ _ _ [C#] _ _ _
[F#] _ _ _ _ _ _ _ _
_ _ _ _ Too [C#] _ _
much_
_ _ I can't see at last_
With this band, the [C] uniqueness is there from the very first moment
that they start playing.
There's something about their honesty as people and as musicians.
They build from strength and limitation.
And that's a very good _ _ [D] principle.
I mean, there's four very active and creative minds at work all the time,
so I don't think [D#] anyone's interested in taking a back seat in [N] this group.
A group that's never had any problems saying how they feel, [G#] you too.
_ _ _ _ _ _ _ _
_ It's so [G#] _ _ _ _
bad_
Let it go_ _ _
_ _ It's so [C#] _ _ bad_
It's so [G#] _ _ _ _ _ bad_
_ _ _ _ _ [C#] _ _ _
_ _ _ _ _ [G#] _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ [F#] _ _ [G#] _ _ _ [F#] _ [G#] _
_ [A] _ _ _ _ [B] _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ [F#] _ _ _
[B] _ _ _ _ _ _ _ _
_ [A] _ _ _ _ [F#] _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
It is.
You choose fourth arm.
[D] _ _ _ _ _ _ _
_ _ _ [A#] _ _ _ _ [G]
You can come to the [Dm] microphone with finished words and a finished melody,
and that's all you'll have when it's recorded.
Finished words and a finished melody.
I_ _
You're only [F] a river's one cup.
These city [Dm] lights_
_ [G] _ _ _ _
So blue, so blue_
_ [Em] I believe the songs are already written.
And [G] I think_
The less you get in the way of them, the better.
It's best to [A] just let what's in you come out.
[B] One man come in the name of [E] love. _
[A] One man come and [F#m] go. _ _
[B] One man come here to justify.
[E] _ _
[A] One man to [F#m] overdo. _ _
_ [B] _ _ _ _ _ There's something that [E] works through us to create [D] in this way.
[Em] I think we all bring different things to those sessions,
but we all bring something.
[G] [G] In this love, _ [C] _ _
[B] _ sorry_ _ _ _ _ _
_ _ _ _ _ [Em] _ _ _
[A] _ _ _ _ [F#m] _ _ [F#] _ _
_ [B] _ _ _ _ _ _ _
[Am] _ _ _ _ [F#m] _ _ [G] Maybe a bit [B] more passion this time, Bob.
Yeah, I was a bit restrained, [E] actually.
Maybe you could try standing for this one.
_ We decided to record this album, or the first part of it anyway,
in Slain Castle.
The sound of this room, this ballroom, suits [F#] our music.
We wanted to use a [B] live room a lot,
and just by [Em] chance we were at the castle
and we saw the ballroom up there.
_ _ _ _ _ [C] We had already been experimenting with live recordings.
In fact, I had just done a band in my hometown
in this big old library that [G] had been abandoned for a newer one.
[E] Oh, my _ head_
_ _ _ _ _ [Em] _ _ [Am] _
_ _ _ _ _ [D#] It's like the state for the record.
But I want that bit edited, all right?
I'm going [A#m] well_
In [C#] wintertime, his bones [G#] are_
I [C#] need more_
No [A#m] fucking words, _ _ [C#] _
just_
[G#] _ _ _ [C#] _ _ _
[F#] _ _ _ _ _ _ _ _
_ _ _ _ Too [C#] _ _
much_
_ _ I can't see at last_
With this band, the [C] uniqueness is there from the very first moment
that they start playing.
There's something about their honesty as people and as musicians.
They build from strength and limitation.
And that's a very good _ _ [D] principle.
I mean, there's four very active and creative minds at work all the time,
so I don't think [D#] anyone's interested in taking a back seat in [N] this group.
A group that's never had any problems saying how they feel, [G#] you too.
_ _ _ _ _ _ _ _
_ It's so [G#] _ _ _ _
bad_
Let it go_ _ _
_ _ It's so [C#] _ _ bad_
It's so [G#] _ _ _ _ _ bad_
_ _ _ _ _ [C#] _ _ _
_ _ _ _ _ [G#] _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ [F#] _ _ [G#] _ _ _ [F#] _ [G#] _
_ [A] _ _ _ _ [B] _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ [F#] _ _ _
[B] _ _ _ _ _ _ _ _
_ [A] _ _ _ _ [F#] _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _