Chords for U2's lost song NEGATIVLAND

Tempo:
105.6 bpm
Chords used:

D

G

A

Dm

B

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
U2's lost song NEGATIVLAND chords
Start Jamming...
Now, we're up to our long-distance dedication.
And this one is about kids and pets and a situation that we can all understand,
whether we have kids or pets or neither.
It's from a man in Cincinnati, Ohio, and here's what he writes.
Dear Casey, this may seem to be a strange dedication request,
but I'm quite sincere, and it'll mean a lot if you play it.
Recently, there was a death in our family.
He was a little dog named Snuggles, but he was most certainly a part of
Play the record, okay?
Please.
[A#] That's the letter [E] U and the new world, too.
The four-man band features Adam [A] Clayton on bass, Larry Mullin on drums,
Dave Evans, nicknamed The Edge on
This is bullshit.
Nobody cares.
These guys are from England, and who gives a [Dm] shit?
[D] It's a lot of wasted names that don't mean diddly shit.
This is bullshit.
[C#] This is bullshit.
Who [G] gives a shit?
Who gives a shit?
[D]
Diddly shit, diddly shit, diddly shit, diddly shit.
Nobody cares.
[B] [G]
He was a little dog named Snuggles.
[A]
[Dm]
This is [B] American Top 40.
[G] This is American [D] Top 40.
This is bullshit.
This is bullshit.
[A]
[G] [D]
[B] [C#m] [Dm]
[C#m] [D] [G]
[D]
[B]
This [Dm] [D] is bullshit.
[B] [G]
This [D]
is [A]
bullshit.
[C#] [G] [D]
[B] [A]
[G] [D]
[Dm] [D]
[Dm]
[D]
When you come out of those [G] uptempo goddamn numbers, man,
it's impossible to make those transitions,
[C#] and then you gotta go into somebody dying.
[Dm] [D] God damn it, if we can't come out of a slow record, I don't understand it.
Why are we doing these instrumentals?
Because we got them?
I don't understand it.
This is all the [G] fucking music.
I don't understand it.
This is all the fucking music.
I don't understand it.
[D] I think that people would read more of the music than was really there.
So if somebody finds [B] out the goddamn answer in the fifth book,
they consider this vulgar and despicable.
They have songs like Peachy's Night, [A] Lensy and the Goat,
or the [G] Fall of the White Horse, or those that are considering euphemism,
the [D] fucking jury.
Who gives a shit?
[B] Those vulgar, [A] diddly shits.
[G] The King's Contrio thing, or I may use the word [D] dance, with Van on the radio.
[A] God damn it.
In the 60s, there was a song called Louie Louie.
God damn it.
They were up side [G] down.
God damn it.
Every way to complain, looking for a [D] dirty message.
We never found a dirty message.
The FTC recorded it. Oh, [B] fuck.
In the 70s, [G] people went to the same jury, looking [D] for dirty songs.
[A]
[G] I don't [D]
think that the [G] Satanic Message is there.
[Dm] You [D] have repeated [G]
[D] [Dm]
[D] violations of the monument.
Fuck.
You're still seeking justice in the white face.
Okay.
[Dm] Okay.
[D]
[Dm] Okay.
[A] I want a god damn concerted effort to come [G] out of a record that isn't a fucking up-tempo [D] record
every time I do a god damn [B] death dedication.
It's a god, last god [A] damn time.
I want somebody to use his fucking [G] brain to not come out of a god damn record
[D] that is, that's up-tempo, and I gotta talk about a fucking dog dying.
[A] Get the fuck off me.
So much shit.
[G] [D]
What's this fucking Honduras, man?
Honduras.
What?
[A] Honduras.
You just heard
[G] This is American Top 30.
[D] Right here on the radio station you grew up with.
Music Radio 138.
Oh, fuck.
Fuck you too, Richard.
Fuck you.
Fuck you too, Richard.
[A#]
Key:  
D
1321
G
2131
A
1231
Dm
2311
B
12341112
D
1321
G
2131
A
1231
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Now, we're up to our long-distance dedication.
And this one is about kids and pets and a situation that we can all understand,
whether we have kids or pets or neither.
It's from a man in Cincinnati, Ohio, and here's what he writes.
Dear Casey, this may seem to be a strange dedication request,
but I'm quite sincere, and it'll mean a lot if you play it.
Recently, there was a death in our family.
He was a little dog named Snuggles, but he was most certainly a part _ _ _ of_
Play the record, okay?
_ _ Please. _ _ _ _
_ _ [A#] _ _ That's the letter [E] U and the new world, too.
The four-man band features Adam [A] Clayton on bass, Larry Mullin on drums,
Dave Evans, nicknamed The Edge on_
This is bullshit.
Nobody cares.
These guys are from England, and who gives a [Dm] shit?
_ [D] It's a lot of wasted names that don't mean diddly shit. _ _ _ _
_ _ This is bullshit.
[C#] This is bullshit.
Who [G] _ gives a shit?
Who gives a shit?
[D] _
Diddly shit, diddly shit, diddly shit, diddly shit.
Nobody cares. _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ [G] _
He was a little dog named Snuggles.
_ [A] _ _
_ [Dm] _ _ _ _ _ _
This is [B] American Top 40.
[G] This is American [D] Top 40.
This is bullshit.
This is bullshit.
_ _ _ [A] _ _
_ _ _ [G] _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ [C#m] _ _ [Dm] _
_ [C#m] _ _ [D] _ _ _ [G] _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ [B] _ _ _
_ This [Dm] _ _ [D] is bullshit.
[B] _ _ _ _ _ _ [G]
This _ _ _ _ _ [D] _ _
_ _ _ _ is [A] _
bullshit.
[C#] _ _ [G] _ _ _ [D] _ _
_ [B] _ _ _ _ _ [A] _ _
_ _ [G] _ _ _ _ [D] _ _
_ _ [Dm] _ _ _ _ [D] _ _
_ _ _ _ _ _ [Dm] _ _
_ _ [D] _ _ _ _ _ _
When _ you come out of those [G] uptempo goddamn numbers, man,
it's impossible to make those transitions,
[C#] and then you gotta go into somebody dying.
[Dm] _ _ [D] _ _ _ God damn it, if we can't come out of a slow record, I don't understand it.
Why are we doing these instrumentals?
Because we got them?
_ I don't understand it.
This is all the [G] fucking music.
I don't understand it.
This is all the fucking music.
I don't understand it.
[D] I think that people would read more of the music than was really there.
So if somebody finds [B] out the goddamn answer in the fifth book,
they consider this vulgar and despicable.
They have songs like Peachy's Night, [A] Lensy and the Goat,
or the [G] Fall of the White Horse, or those that are considering euphemism,
the [D] fucking jury.
Who gives a shit?
_ [B] Those vulgar, [A] diddly shits.
[G] The King's Contrio thing, or I may use the word [D] dance, with Van on the radio.
[A] God damn it.
In the 60s, there was a song called Louie Louie.
God damn it.
They were up side [G] down.
God damn it.
Every way to complain, looking for a [D] dirty message.
We never found a dirty message.
The FTC recorded it. Oh, [B] fuck.
In the 70s, [G] people went to the same jury, looking [D] for dirty songs.
_ _ _ _ _ _ [A] _ _
_ [G] I don't _ _ [D] _ _
_ _ think that the [G] Satanic Message is there.
_ _ [Dm] _ _ You [D] have repeated _ _ _ _ _ _ [G] _ _
_ _ [D] _ _ _ _ [Dm] _ _
_ _ [D] _ _ violations of the monument. _
_ Fuck.
You're still seeking justice _ in the white face.
_ _ _ _ Okay.
_ [Dm] Okay.
_ _ _ [D] _ _
_ _ [Dm] _ _ Okay.
[A] I want a god damn concerted effort to come [G] out of a record that isn't a fucking up-tempo [D] record
every time I do a god damn [B] death dedication.
It's a god, last god [A] damn time.
I want somebody to use his fucking [G] brain to not come out of a god damn record
[D] that is, that's up-tempo, and I gotta talk about a fucking dog dying.
_ [A] Get the fuck off me.
So much shit.
[G] _ _ _ _ [D] _ _
What's this fucking Honduras, man?
Honduras.
What?
[A] Honduras.
You just heard_
[G] This is American Top 30.
[D] Right here on the radio station you grew up with.
Music Radio 138.
Oh, fuck.
_ _ Fuck you too, Richard.
Fuck you.
Fuck you too, Richard. _ _ _ _ _
_ [A#] _ _ _ _ _ _ _